2. PRESENTED BY:
MOHAMMAD ANUZ AL SAAD
ID: M 2153311112
38TH BATCH
DEPT. OF ENGLISH
UTTARA UNIVERSITY
PRESENTED FOR:
MONIR HOSSEN
LECTURER
DEPT. OF ENGLISH
UTTARA UNIVERSITY
3.
4. SHORT BIOGRAPHY
Born in 1631 in Aldwinkle, Northamptonshire,
England
Eldest of fourteen children of Erasmus Dryden
and Mary Pickering
Received a predominantly classical education
in Westminster School under the celebrated
headmaster, Richard Busby
In 1650, he went to trinity college, Cambridge
Married Elizabeth Howard and had three sons
Died on 1 May in 1700
5. CAREER
Dryden’s first play, The Wild Gallant was produced in
1663.
Secret Love or The Maiden Queen staged on the reopening
of the theatres was liked by the king.
The Indian Emperor was an outstanding success.
In 1668, Dryden succeeded as Poet Laureate.
All for Love, his favourite play appeared in 1677.
Absalom and Achitophel was written satirising some plots
of Whig leaders.
His last work was Fable Ancient and Modern.
6. WORKS OF DRYDEN
DRAMATIC WORKS:
THE RIVAL LADIES (1664)
THE INDIAN QUEEN (1665)
THE INDIAN EMPEROR (1667)
THE WILD GALLANT (1669)
TYRANNICK LOVE; OR, THE ROYAL MARTYR (1670)
MARRIAGE À LA MODE (1673)
THE ASSIGNATION; OR, LOVE IN A NUNNERY (1673)
ALL FOR LOVE; OR, THE WORLD WELL LOST (1678)
THE DUKE OF GUISE (1683)
ALBION AND ALBANIUS (1685)
7. TO BE CONTINUED…
PROSE:
Of Dramatic Poesie, An Essay (1668)
Notes and Observations on "The Empress of Morocco" (1674)
His Majesties Declaration Defended (1681)
The Vindication; or, The Parallel of the French Holy League,
and the English League and Covenant, &c. (1683)
A Discourse Concerning the Original and Progress of Satire
(1693)
Essays, Prefaces, and Dedications
8. TO BE CONTINUED…
POETRY:
Heroic Stanzas on the Death of Oliver Cromwell (1659)
Astraea Redux (1660)
To His Sacred Majesty, a Panegyric on His Coronation
(1661)
To My Lord Chancellor (1662)
Annus Mirabilis: The Year of Wonders (1667)
Absalom and Achitophel (1681)
The Second Part of Absalom and Achitophel (1682)
The Medal: A Satire Against Sedition (1682)
Mac Flecknoe: A Satire upon the
Trew-Blue-Protestant Poet T.S. (1682)
9. PHILOSOPHY OF DRYDEN
Had neither the emotional excitement of the early
nineteenth century romantics nor the intellectual
complexities of the metaphysicals.
Criticizes the then society through his writings.
His writing style was unique, mostly employing
daily patterns and rhythms used in everyday
speech.
10. PROSE STYLES OF JOHN DRYDEN
Purifying the language of corrupt rhetoric and abuse of figures of speech, conceits
and pun
Newly reformed movement of Royal Society
In 1664, the Royal Society appointed a committee for improving the English
Language with Evelyn, Waller and Dryden
To reform the English prose diction, Dryden makes a place for establishment of a
National Academy on the lines of French Academy to act as arbiter on all linguistic
matters
Dryden completely subscribed to its programme of linguistic refinement and
supported the cause of reform through his own prose writing by providing a model
of prose that has the virtues of simplicity, lucidity and precision
Imparts conversational tone
Constant awareness of his audience
Frankness, simplicity, plainness, conversational tone
Metaphysical devices
11. AGE OF DRYDEN
Historically, The Age of Dryden is called the
Restoration Age.
The Age of Restoration was an age of sweeping
reactions against Puritanism and the Glorious
Revolution.
12. ANALYSIS OF FABLES
A fable is a brief tale conveying a moral in which beasts and birds
are made to act and speak like human.
But Dryden’s fables are in no sense fables, but rather tale in
verse.
In the Preface to the Fables, Dryden explains the background and
project of the fables.
Dryden began with a translation of the first book of Homer’s
Iliad.
Then he translated Ovid’s Metamorphoses.
He translated five tales from Chaucer's famous Canterbury
Tales.