KAHULUGAN AT KAHALAGAHAN NG GAWAING PANSIBIKO.pptx
Wh Renaissance For Posting
1. Renaissance 1400-1700 There are in history ever-so-brief moments that explore with new ideas, new ways of expression, and triumphant masterpieces of art. The Renaissance was such a time Rather than trusting in superstitions and beliefs as in the Middle Ages, the world turned to human reason Major writings of ancient Greeks and Muslim Middle East in science, math, and culture were translated from Arabic to Latin. Now everyone had access to them and the world as they knew it…exploded with new ideas.
31. Giotto The Scrovegni Chapel, or Cappella degli Scrovegni, also known as the Arena Chapel is a church in Padua, Veneto, Italy. It contains a fresco cycle by Giotto, completed about 1305, that is one of the most important masterpieces of Western art
75. Michelangelo completed this in his 20s. Statue is given a place of honor outside Florence’s Palazzo Vecchio, the seat of the Medici gov’t
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79. Other sculptors were envious of Michelangelo’s success. They persuaded Pope Julius II to commission him to paint the ceiling b/c it would eliminate him from the competition in the world of sculpture. Everyone expected him to fail.
93. Renaissance Humanists //www.mrdowling.com/images/704erasmus.jpg A person who studied the classics was called a humanist . Humanists recreated classical styles in art, literature, and architecture. Humanists believed that by studying the classics, they could understand people and the world better.
112. http://www.ibiblio.org/wm/paint/auth/eyck/arnolfini/arnolfini.jpg The Marriage of Giovanni Arnolfini and Giovanna Cenami; 1434 In the mirror at the back of the room we see the whole scene reflected from behind, and there, so it seems, we also see the image of the painter and witness. We do not know whether it was the Italian merchant or the northern artist who conceived the idea of making this use of the new kind of painting, which may be compared to the legal use of a photograph, properly endorsed by a witness. But whoever it was that originated this idea, he had certainly been quick to understand the tremendous possibilities which lay in Van Eyck's new way of painting. For the first time in history the artist became the perfect eye-witness in the truest sense of the term. Symbolic candle The solitary flame burning in bright daylight can be interpreted as the bridal candle, or God's all-seeing eye, or simply as a devotional candle. Another symbol is St Margaret (the patron saint of women in childbirth), whose image is carved on the high chairback. The mirror is painted with almost miraculous skill. Its carved frame is inset with ten miniature medallions depicting scenes from the life of Christ. Yet more remarkable is the mirror's reflection, which includes van Eyck's own tiny self-portrait, accompanied by another man who may have been the official witness to the ceremony. Symbol of faithfulness Almost every detail can be interpreted as a symbol. The companion dog is seen as a symbol of faithfulness and love. The fruits on the window ledge probably stand for fertility and our fall from Paradise. Even the discarded shoes are not thought to be incidental, but to signify the sanctity of marriage .
113. Jan van Eyck - Giovanni Arnolfini & His Wife (details)
125. The English Were More Interested in Architecture than Painting Hardwick Hall, designed by Robert Smythson in the 1590s, for the Duchess of Shrewsbury [more medieval in style].
126. Burghley House for William Cecil The largest & grandest house of the early Elizabethan era.
135. The Impact of Printing The Renaissance saw the development of printing in Europe. Johannes Gutenber g of Germany played a crucial role in the process. Gutenberg’s Bible, printed about 1455, was the first European book produced from movable type.
136. The Impact of Printing Or the Impact of Computers Most papers and magazines are now digitalized. How has the computer changed communication today and an examination of current invasions of privacy?
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Hinweis der Redaktion
Zeus or Poseidan with Triton? Pulled from water Poised to through lightening bolt or triton Perfect proportions
Both in British Muesem from Parthenon Bodies fluidly related to each other, related to draperies also Left Heskie, Diana, Aphrodite Right Nike, Goddess of Victory
Lifelike detail Individual look Everyday subject
Roman Senator and his wife
Both relief scuptures from cathedrals No proportion or perspective Right shows the weighing of souls.
No perspective, proportion
St Francis of Assisi, 1235
Comparison of Medieval and Renaissance styles, artists unknown Medieval: King Edward Renaissance: Queen Elizabeth
Madonna and Child, Fra Filippo Lippi 1406-1469 Emotion of face -she looks like a real mother - tired, worn down
Adoration of the Magi Sandro Botticelli Whole Medici family in picture Cosmo de Medici at Christ’s feet Lorenzo de Medici at far left Botticelli on far right looking at viewers
Andrea Mantegna Dead Christ, 1501 Tempra on Canvas Foreshortening - slightly modified, feet smaller than would if photographs Harsh sharp lines
Michelangelo Tormented, intractable, jealous of Raphael, dislike Leonardo, had continuous difficulties with patrons. “ inspired genious”
Captive, Michelangelo Example of statue already in marble, he just has to release it Series of Captives line hall leading to the David.
Pieta, Michelangelo, 1498-99 Mary cradling the dead body of Christ Beautiful faithful mary Polish and luminosity of marble cannot be capture by camera.
David, Michelangelo 1501-1504
Moment he sees Golith on the horizen
Pieta II, Michelangelo
Plato and Aristotle on either side of center axis Plato points skyward to indicate his idealistic worldview Aristotle gestures to ground to to show his concern with the real world Metaphysical philosophers on Plato’s side Physical scientists on Aristotle’s side Raphael on extreme right Figures grouped and placed on purpose