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Sturtevant
- 1. Elaine Sturtevant 1924-2014 Dr Michael Paraskos
- 3. 3 Figure 3. Doryphoros. Praxiteles Aphrodite of Knidos Original 4th century BC Roman copy after Praxiteles There are no verifiable works in the world made by Praxiteles. All his sculptures are known either by references in ancient writings or by copies made later by Roman artisans.
- 4. “Everything that needs to be said has already been said. But since no one was listening, everything must be said again.” ― André Gide
- 5. ‘Everything’s already been said, but not by everyone.’ - Karl Valentin
- 6. Photograph of the Argentine writer Jorge Luís Borges. In Borges’s short story Pierre Menard thinks himself so close to Cervantes, despite the 300 years separating them in time, that he effectively becomes Cervantes. Because of this he ends up writing Cervantes’s novel Don Quixote not by copying the original text, but through becoming the simulacrum of the original author.
- 9. Elaine Sturtevant Warhol Flowers 1964 Andy Warhol Flowers 1964
- 10. Elaine Sturtevant Warhol Flowers 1965 Andy Warhol Flowers 1964
- 11. Elaine Sturtevant Warhol Flowers 1965 Andy Warhol Flowers 1964
- 12. Elaine Sturtevant Warhol Flowers 1969 Andy Warhol Flowers 1964
- 13. Elaine Sturtevant Warhol Flowers 1970 Andy Warhol Flowers 1964
- 14. Elaine Sturtevant Lichtenstein Crying Girl 1966
- 18. Roy Lichtenstein Look Mickey 1961 "It occurred to me one day to do something that would appear to be just the same as a comic book illustration without employing the then current symbols of art: the thick and thin paint, the calligraphic line and all that had become the hallmark of painting in the 1940s and '50s. I would make marks that would remind one of a real comic strip.” – Lichtenstein
- 19. Bob Grant and Bob Totten Donald Duck Lost and Found 1961
- 20. Jasper Johns Painting with Two Balls 1960
- 21. Elaine Sturtevant Johns Painting With Two Balls 1987
- 22. Elaine Sturtevant Sturtevant, Warhol Flowers 1990
- 23. Claude Monet Rouen Cathedral Series 1892-1894 Full sunlight, afternoon
- 24. Full sunlight, afternoon Cloudy morning Claude Monet Rouen Cathedral Series 1892-1894
- 25. Claude Monet Rouen Cathedral Series 1892-1894
- 26. Andy Warhol 32 Campbell’s Soup Cans 1962
- 28. Elaine Sturtevant 1924-2014 Born in Lakewood, Ohio. Studied psychology at the University of Iowa Later attended art classes at the Art Students League in New York
- 29. Art Students League in New York Major impact on twentieth-century American art. Artists who studied there included: Helen Frankenthaler, Eva Hesse, Roy Lichtenstein, Donald Judd, Frank Stella, Robert Rauschenberg, James Rosenquist, Cy Twombly etc.
- 30. Elaine Sturtevant 1924-2014 Born in Lakewood, Ohio. Studied psychology at the University of Iowa Later attended art classes at the Art Students League in New York She was born Elaine Frances Horan, becoming Elaine Sturtevant after marrying Ira Sturtevant.
- 31. Ira Sturtevant commissioned Warhol to direct a television commercial for Cadence Laxative in 1965
- 32. Poster for Elaine Sturtevant’s show at the Bianchini Gallery, New York in October 1965
- 34. According to Sturtevant: “If you go back before the pop artists, you have the abstract expressionists, who were obsessed with the idea of creating a new imagery, and it was really an obsession to create something new. And then when you had the pop artists, and they came up with incredibly startling, forthright, dynamic imagery, it was a further step in that direction, but it was still concerned with imagery. That seemed to me rather at, because it’s limiting if you are only involved with creating an image.”Elaine Sturtevant Johns’s Flag 1965
- 36. Reviewing the Bianchini Gallery exhibition in Artforum in 1965 Max Kozloff dismissed her work for its lack of originality, complained about its ‘disingenuousness’ and deemed it ‘the most pathetic advertisement of an artist’s apartness from herself that [he had] seen – but otherwise a fairly typical straw in the wind’.
- 37. Claes Oldenburg Poster for The Store 1961
- 38. Claes Oldenburg Installation of The Store 1961
- 39. Claes Oldenburg The Store 1962 (Dallas version)
- 40. Claes Oldenburg Poster for The Store 1961
- 41. Elaine Sturtevant Poster for The Store of Claes Oldenburg 1967
- 42. Photograph of The Store of Claes Oldenburg by Elaine Sturtevant 1967 “Claes Oldenburg who was one of my biggest supporters and who theoretically understood the work. Then I did his Store, and he became enraged.” Sturtevant
- 43. “Mr. Herron’s work, by reproducing the exact appearance of Frank Stella’s entire oeuvre, nevertheless introduces new content and a new concept . . . that is precluded in the work of Mr. Stella, i.e., the denial of originality.” “Cheryl Bernstein”
- 44. Installation view of the exhibition Sturtevant, Bianchini Gallery, New York, 1965
- 45. Sturtevant in the catalogue to her exhibition at MoMA, New York, 1971 I am not Anti-Art I am not saying anyone can do it I am not “poking fun at the artist” I am not “reporting the current scene” I am not in the process of celebrating process I am not making copies I am not making imitations I am not interested in painting sculptures or objects I am not interested in being a “Great Artist” That’s real medieval thinking.
- 46. Installation view of the exhibition Sturtevant, Bianchini Gallery, New York, 1965
- 47. FLUXUS Fluxus was announced by the Lithuanian-born artist George Maciunas (1931-1978) in 1963 Festum Fluxorum Fluxus, in Düsseldorf. “(Fluxus seeks to) purge the world of bourgeois sickness, 'intellectual', professional & commercialized culture ... PROMOTE A REVOLUTIONARY FLOOD AND TIDE IN ART, ... promote NON ART REALITY to be grasped by all peoples, not only critics, dilettantes and professionals ... FUSE the cadres of cultural, social & political revolutionaries into united front & action.” FLUXUS
- 48. FLUXUS Fluxus was announced by the Lithuanian-born artist George Maciunas (1931-1978) in 1963 Festum Fluxorum Fluxus, in Düsseldorf. The early phase of Fluxus, often called Proto-Fluxus, began in 1959 when a group of artists who had met in John Cage's class at The New School formed the New York Audio Visual Group. This group provided venues for experimental and performance art. FLUXUS
- 49. FLUXUS
- 50. FLUXUS
- 51. FLUXUS
- 52. Yoko Ono Born Tokyo 1933 FLUXUS
- 53. Sturtevant Muybridge Plate #97 Woman Walking 1967
- 54. Three Seascapes (1961) a dance solo in three parts, with each section exploring a different type of relationship between movement and sound. Part 1: Wearing a black overcoat, Rainer runs in a pedestrian trot around the perimeter of the stage to the last three minutes of Rachmaninoff's Piano Concerto No. 2, occasionally lying down in a scrunched up position on her side. Part 2: Rainer moves slowly across the space, moving her body in undulating spasms. Part 3: Rainer screamed wildly and thrashed around with a black overcoat and twenty yards of white tulle. Yvonne Rainer
- 55. Sturtevant’s Study for Yvonne Rainer’s “Three Seascapes”, at 222 Bowery, New York, 16 May 1967
- 56. “Elaine Sturtevant assumes a unique position of making her work the work of other artists. Having simulated the techniques and images of some well- known Pop artists, she here undertook a dance project in the form of a “Study for Yvonne Rainer’s ‘Three Seascapes.’” Her tempo and serious deadpan of the first section—running around in an overcoat and occasionally lying down (to Rachmaninoff) seemed just right. “She wisely abbreviated the screaming of the third section and the middle section, originally a difficult, intentionally awkward slow motion walk across stage, with undulating pelvis and plastic irregularities of hands moving at the head, became a rather painfully awkward version of awkwardness as executed by a non-dancer. Which is okay I think (why not?) and simply puts the movement into another (awkward) dimension.” Jill Johnson
- 57. I am not Anti-Art I am not saying anyone can do it I am not “poking fun at the artist” I am not “reporting the current scene” I am not in the process of celebrating process I am not making copies I am not making imitations I am not interested in painting sculptures or objects I am not interested in being a “Great Artist” That’s real medieval thinking. Sturtevant in the catalogue to her exhibition at MoMA, New York 1971 NO to spectacle. No to virtuosity. No to transformations and magic and make-believe. No to the glamour and transcendency of the star image. No to the heroic. No to the anti-heroic. No to trash imagery. No to involvement of performer or spectator. No to style. No to camp. No to seduction of spectator by the wiles of the performer. No to eccentricity. No to moving or being moved. Yvonne Rainer No Manifesto 1965
- 58. NO to spectacle. No to virtuosity. No to transformations and magic and make-believe. No to the glamour and transcendency of the star image. No to the heroic. No to the anti-heroic. No to trash imagery. No to involvement of performer or spectator. No to style. No to camp. No to seduction of spectator by the wiles of the performer. No to eccentricity. No to moving or being moved. Yvonne Rainer No Manifesto 1965
- 59. In the face of hostility from some in the art world and deliberate sidelining of her by the art press in 1974 Sturtevant effectively gave up art and withdrew from the art scene.
- 60. Sherrie Levine After Walker Evans: 1 1981 In the meantime a new generation of artists emerged who rejected all concepts of originality, known as the Pictures Generation. Their art was based on the appropriation of other artists’ images
- 61. Sherrie Levine After Walker Evans: 2 1981
- 62. Sherrie Levine After Walker Evans: 3 1981
- 63. Left: Walker Evans, Alabama Tenant Farmer Wife, 1936 Right: Sherrie Levine, After Walker Evans, 1981
- 64. Audrey Flack The Kennedy Motorcade, 1964 This trend started with Photorealist painters like Audrey Flack
- 65. Left: Walker Evans, Alabama Tenant Farmer Wife, 1936 Right: Sherrie Levine, After Walker Evans, 1981 Levine’s photographs are analogous to photorealist painting – like photorealist photographs.
- 66. Sturtevant Lichtenstein Crying Girl 1966 Roy Lichtenstein Crying Girl 1963 Perhaps these images by Sturtevant are photorealist paintings and prints of other paintings and prints?
- 67. Installation view of the exhibition Sturtevant, Bianchini Gallery, New York, 1965 “The appropriationists were really about the loss of originality and I was about the power of thought. A very big difference.”
- 68. Elaine Sturtevant Lichtenstein Crying Girl 1966 ‘The multiplication of things under an absolutely identical concept has as its consequence the division of the concept into absolutely identical things.’ Gilles Deleuze Différence et Répétition (1968: Difference and Repetition)
- 69. Photograph of the Argentine writer Jorge Luís Borges. In Borges’s short story Pierre Menard thinks himself so close to Cervantes, despite the 300 years separating them in time, that he effectively becomes Cervantes. Because of this he ends up writing Cervantes’s novel Don Quixote not by copying the original text, but through becoming the simulacrum of the original author.
- 70. Elaine Sturtevant Lichtenstein Crying Girl 1966 Roy Lichtenstein Crying Girl 1963
- 71. Elaine Sturtevant 1924-2014 Born in Lakewood, Ohio. Sturtevant died in Paris in 2014