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GOTTA	
  BARN	
  PRODUCTIONS	
  
	
  
	
  
CONTACT:	
  DAN	
  LUND	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  FOR	
  IMMEDIATE	
  RELEASE	
  
danlunddreamer@yahoo.com	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  NOVEMBER	
  14th	
  	
  2013	
  
818-­720-­4195	
  
	
  
LONG	
  FORGOTTEN	
  SONG	
  FROM	
  HOWARD	
  ASHMAN	
  &	
  	
  
ALAN	
  MENKEN	
  COMES	
  TO	
  ANIMATED	
  LIFE	
  
	
  
	
  
Aria	
  For	
  A	
  Cow,	
  an	
  animated	
  short	
  based	
  upon	
  a	
  song	
  of	
  the	
  same	
  title	
  by	
  the	
  award-­‐
winning	
  team	
  of	
  Howard	
  Ashman	
  and	
  Alan	
  Menken,	
  the	
  men	
  behind	
  the	
  music	
  of	
  
Little	
  Shop	
  of	
  Horrors,	
  The	
  Little	
  Mermaid	
  and	
  Beauty	
  and	
  The	
  Beast,	
  is	
  about	
  to	
  find	
  
its	
  voice.	
  
	
  
A	
  multi-­‐generational	
  and	
  multinational	
  team	
  of	
  talent	
  will	
  enter	
  a	
  Santa	
  Monica	
  
recording	
  studio	
  On	
  December	
  6,	
  to	
  give	
  voice	
  to	
  a	
  cow	
  to	
  whom	
  attention	
  must	
  be	
  
paid.	
  
	
  
On	
  Tin	
  Pan	
  Alley,	
  great	
  songs	
  never	
  die;	
  they	
  just	
  wait	
  around	
  for	
  the	
  right	
  moment	
  
to	
  arise.	
  	
  	
  When	
  veteran	
  Disney	
  animator,	
  Dan	
  Lund,	
  contacted	
  Sarah	
  Ashman	
  
Gillespie	
  -­‐	
  webmaster	
  of	
  Howardashman.com,	
  a	
  website	
  about	
  the	
  work	
  of	
  her	
  late	
  
brother,	
  lyricist,	
  director	
  and	
  writer,	
  Howard	
  Ashman	
  –	
  the	
  moment	
  was	
  right	
  for	
  
Aria	
  For	
  A	
  Cow.	
  
	
  
Lund	
  took	
  the	
  reins	
  of	
  the	
  project,	
  bringing	
  in	
  Nikitha	
  Mannam	
  and	
  Amos	
  Sussigan	
  -­‐	
  
talented	
  young	
  filmmakers	
  straight	
  out	
  of	
  school	
  -­‐	
  and	
  veteran	
  producer,	
  Connie	
  
Thompson.	
  	
  Singer	
  Kate	
  Pazakis	
  soon	
  signed	
  on.	
  
	
  
Working	
  with	
  great	
  enthusiasm	
  and	
  talent	
  and	
  little	
  money,	
  the	
  Aria	
  team	
  has	
  
created	
  a	
  kind	
  of	
  crowd-­‐sourced,	
  guerilla-­‐filmmaking	
  style,	
  	
  which	
  Thompson	
  
believes	
  is	
  the	
  future	
  of	
  the	
  art.	
  	
  	
  “We’re	
  a	
  small	
  group	
  of	
  passionate	
  people	
  from	
  all	
  
over	
  the	
  globe,	
  working	
  in	
  new	
  way,	
  finding	
  new	
  solutions	
  with	
  limited	
  resources	
  
and	
  using	
  technology	
  to	
  leverage	
  talent	
  from	
  across	
  the	
  globe.”
It	
  is	
  a	
  style	
  of	
  filmmaking	
  that	
  has	
  garnered	
  Sussigan	
  and	
  Mannam	
  much	
  attention	
  
and	
  numerous	
  awards	
  for	
  their	
  first	
  two	
  animated	
  shorts,	
  Broken	
  Wing	
  and	
  Swan	
  
Cake.	
  
	
  
“I	
  believe	
  Howard	
  would	
  be	
  thrilled	
  to	
  be	
  contributing	
  to	
  the	
  development	
  of	
  
talented	
  young	
  people,”	
  Gillespie	
  says.	
  	
  “Although	
  his	
  first	
  love	
  was	
  theater,	
  he	
  loved	
  
animation	
  –	
  and	
  he	
  specifically	
  loved	
  seeing	
  his	
  words	
  come	
  to	
  new	
  life	
  through	
  
animation.	
  	
  For	
  me,	
  seeing	
  Aria	
  spring	
  to	
  life	
  in	
  the	
  hands	
  of	
  such	
  enthusiastic	
  young	
  
talents	
  is	
  an	
  absolute	
  gift.”	
  
	
  
Dan	
  Lund,	
  the	
  mastermind	
  behind	
  the	
  project,	
  is	
  particularly	
  excited	
  about	
  working	
  
off	
  the	
  grid,	
  	
  "I	
  wanted	
  this	
  production	
  to	
  be	
  fun	
  and	
  gather	
  momentum	
  that	
  could	
  
transcend	
  the	
  lack	
  of	
  budget	
  and	
  studio	
  support.	
  The	
  only	
  way	
  to	
  get	
  that	
  forward	
  
motion	
  is	
  to	
  surround	
  yourself	
  with	
  people	
  with	
  something	
  to	
  prove."	
  	
  
	
  
In	
  keeping	
  with	
  the	
  way	
  they	
  worked	
  on	
  their	
  first	
  two	
  shorts,	
  Sussigan	
  and	
  
Mannam	
  have	
  opened	
  up	
  the	
  animation	
  work	
  on	
  this	
  project	
  to	
  a	
  virtual	
  world	
  of	
  
creators.	
  	
  Eager	
  animators	
  –	
  set	
  designers,	
  model	
  makers	
  and	
  background	
  artists	
  
from	
  Burbank	
  to	
  Bombay	
  are	
  now	
  on	
  the	
  Aria	
  team.	
  	
  “Crowd	
  sourcing	
  can	
  be	
  
challenging	
  in	
  terms	
  of	
  getting	
  your	
  point	
  across	
  over	
  the	
  Internet,”	
  Mannam	
  says.	
  	
  	
  
“However,	
  when	
  we	
  told	
  people	
  we	
  were	
  putting	
  on	
  this	
  show,	
  they	
  immediately	
  
grabbed	
  their	
  toolboxes	
  and	
  marched	
  into	
  our	
  global	
  barn.”	
  
	
  
A	
  welcome	
  surprise	
  to	
  the	
  "Global	
  Barn"	
  is	
  the	
  recent	
  inclusion	
  of	
  Linda	
  Bel	
  and	
  the	
  
San	
  Francisco	
  Academy	
  of	
  Art	
  University.	
  	
  “Seeing	
  Linda	
  and	
  her	
  students	
  showing	
  
up	
  and	
  ready	
  to	
  put	
  on	
  a	
  show	
  makes	
  me	
  feel	
  like	
  Linda	
  and	
  I	
  did	
  back	
  in	
  the	
  day”,	
  
says	
  Lund.	
  Bell	
  and	
  Lund	
  started	
  their	
  career	
  together	
  at	
  the	
  Disney	
  studios	
  
animating	
  on	
  	
  "Beauty	
  and	
  the	
  Beast"	
  and	
  remember	
  fondly	
  their	
  time	
  animating	
  to	
  
the	
  songs	
  of	
  Alan	
  Menken	
  and	
  Howard	
  Ashman.	
  	
  
	
  
For	
  Amos	
  Sussigan,	
  the	
  project’s	
  art	
  director,	
  working	
  on	
  Aria	
  For	
  A	
  Cow	
  is	
  both	
  a	
  
professional	
  and	
  a	
  personal	
  milestone,	
  “Howard	
  Ashman	
  made	
  my	
  childhood	
  a	
  little	
  
more	
  magical.	
  	
  Beauty	
  and	
  the	
  Beast	
  is	
  one	
  of	
  the	
  first	
  movies	
  I	
  ever	
  saw.	
  	
  When	
  I	
  go	
  
home	
  to	
  Switzerland,	
  my	
  grandparents	
  and	
  I	
  still	
  watch	
  it	
  together.	
  	
  So	
  I	
  am	
  both	
  
honored	
  and	
  excited	
  to	
  be	
  able	
  to	
  work	
  on	
  such	
  an	
  ambitious	
  and	
  creative	
  project.”	
  
	
  
	
  
Production	
  on	
  Aria	
  For	
  A	
  Cow	
  has	
  just	
  begun.	
  	
  With	
  the	
  good	
  will	
  and	
  talent	
  of	
  artists	
  
around	
  the	
  world,	
  a	
  new	
  song	
  from	
  Ashman	
  and	
  Menken	
  will	
  be	
  brought	
  back	
  to	
  life	
  
–	
  through	
  the	
  magic	
  of	
  animation	
  –	
  in	
  the	
  spring	
  of	
  2014.	
  
	
  
	
  
 
	
  
Aria	
  for	
  a	
  Cow	
  Official	
  Logo_Black	
  
	
  
	
  
Aria	
  for	
  a	
  Cow	
  Official	
  Logo_White	
  
	
  
	
  
	
  
 
Aria	
  for	
  a	
  Cow	
  Visual	
  Development	
  Piece	
  

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Aria-press-release-Nov.82013

  • 1.         GOTTA  BARN  PRODUCTIONS       CONTACT:  DAN  LUND                                                                                                                        FOR  IMMEDIATE  RELEASE   danlunddreamer@yahoo.com                                                                                      NOVEMBER  14th    2013   818-­720-­4195     LONG  FORGOTTEN  SONG  FROM  HOWARD  ASHMAN  &     ALAN  MENKEN  COMES  TO  ANIMATED  LIFE       Aria  For  A  Cow,  an  animated  short  based  upon  a  song  of  the  same  title  by  the  award-­‐ winning  team  of  Howard  Ashman  and  Alan  Menken,  the  men  behind  the  music  of   Little  Shop  of  Horrors,  The  Little  Mermaid  and  Beauty  and  The  Beast,  is  about  to  find   its  voice.     A  multi-­‐generational  and  multinational  team  of  talent  will  enter  a  Santa  Monica   recording  studio  On  December  6,  to  give  voice  to  a  cow  to  whom  attention  must  be   paid.     On  Tin  Pan  Alley,  great  songs  never  die;  they  just  wait  around  for  the  right  moment   to  arise.      When  veteran  Disney  animator,  Dan  Lund,  contacted  Sarah  Ashman   Gillespie  -­‐  webmaster  of  Howardashman.com,  a  website  about  the  work  of  her  late   brother,  lyricist,  director  and  writer,  Howard  Ashman  –  the  moment  was  right  for   Aria  For  A  Cow.     Lund  took  the  reins  of  the  project,  bringing  in  Nikitha  Mannam  and  Amos  Sussigan  -­‐   talented  young  filmmakers  straight  out  of  school  -­‐  and  veteran  producer,  Connie   Thompson.    Singer  Kate  Pazakis  soon  signed  on.     Working  with  great  enthusiasm  and  talent  and  little  money,  the  Aria  team  has   created  a  kind  of  crowd-­‐sourced,  guerilla-­‐filmmaking  style,    which  Thompson   believes  is  the  future  of  the  art.      “We’re  a  small  group  of  passionate  people  from  all   over  the  globe,  working  in  new  way,  finding  new  solutions  with  limited  resources   and  using  technology  to  leverage  talent  from  across  the  globe.” It  is  a  style  of  filmmaking  that  has  garnered  Sussigan  and  Mannam  much  attention   and  numerous  awards  for  their  first  two  animated  shorts,  Broken  Wing  and  Swan   Cake.    
  • 2. “I  believe  Howard  would  be  thrilled  to  be  contributing  to  the  development  of   talented  young  people,”  Gillespie  says.    “Although  his  first  love  was  theater,  he  loved   animation  –  and  he  specifically  loved  seeing  his  words  come  to  new  life  through   animation.    For  me,  seeing  Aria  spring  to  life  in  the  hands  of  such  enthusiastic  young   talents  is  an  absolute  gift.”     Dan  Lund,  the  mastermind  behind  the  project,  is  particularly  excited  about  working   off  the  grid,    "I  wanted  this  production  to  be  fun  and  gather  momentum  that  could   transcend  the  lack  of  budget  and  studio  support.  The  only  way  to  get  that  forward   motion  is  to  surround  yourself  with  people  with  something  to  prove."       In  keeping  with  the  way  they  worked  on  their  first  two  shorts,  Sussigan  and   Mannam  have  opened  up  the  animation  work  on  this  project  to  a  virtual  world  of   creators.    Eager  animators  –  set  designers,  model  makers  and  background  artists   from  Burbank  to  Bombay  are  now  on  the  Aria  team.    “Crowd  sourcing  can  be   challenging  in  terms  of  getting  your  point  across  over  the  Internet,”  Mannam  says.       “However,  when  we  told  people  we  were  putting  on  this  show,  they  immediately   grabbed  their  toolboxes  and  marched  into  our  global  barn.”     A  welcome  surprise  to  the  "Global  Barn"  is  the  recent  inclusion  of  Linda  Bel  and  the   San  Francisco  Academy  of  Art  University.    “Seeing  Linda  and  her  students  showing   up  and  ready  to  put  on  a  show  makes  me  feel  like  Linda  and  I  did  back  in  the  day”,   says  Lund.  Bell  and  Lund  started  their  career  together  at  the  Disney  studios   animating  on    "Beauty  and  the  Beast"  and  remember  fondly  their  time  animating  to   the  songs  of  Alan  Menken  and  Howard  Ashman.       For  Amos  Sussigan,  the  project’s  art  director,  working  on  Aria  For  A  Cow  is  both  a   professional  and  a  personal  milestone,  “Howard  Ashman  made  my  childhood  a  little   more  magical.    Beauty  and  the  Beast  is  one  of  the  first  movies  I  ever  saw.    When  I  go   home  to  Switzerland,  my  grandparents  and  I  still  watch  it  together.    So  I  am  both   honored  and  excited  to  be  able  to  work  on  such  an  ambitious  and  creative  project.”       Production  on  Aria  For  A  Cow  has  just  begun.    With  the  good  will  and  talent  of  artists   around  the  world,  a  new  song  from  Ashman  and  Menken  will  be  brought  back  to  life   –  through  the  magic  of  animation  –  in  the  spring  of  2014.      
  • 3.     Aria  for  a  Cow  Official  Logo_Black       Aria  for  a  Cow  Official  Logo_White        
  • 4.   Aria  for  a  Cow  Visual  Development  Piece