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GREEK ARCHIECTURE
GREEK COLONIES 500 BC
Early Greek Architecture
Parthenon (447 B.C.)
ORIGINS
 Our word
“architecture” comes
from the Greek
architecton, which
means “master
carpenter.”
 Early Greek
architecture therefore
employed wood, not
stone.
 These early structures,
as well as those of
mud-brick, have not
survived.
Wood Features in Ston
 By the 6th Century BC,
stone replaced wood in the
construction of important
temples.
 Designs still reflected their
origins in wood, however.
Origins
 The trigyph, which alternates with the
metapes, began as wooden beam ends.
Origins
 In moving from wood to stone,
builders had to adapt to the
differing properties of their building
materials.
 Stone has greater compressive
(resistance to crushing) strength
than wood, but lacks tensile
strength (resistance to bending or
twisting). Therefore, while columns/
posts might be relatively thin, the
entablature/beams, must be quite
thick.
Origins
 Greek temples, like
Egyptian temples,
used basic post-
and-beam
construction.
 This is sometimes
referred to as
trabeated.
Origins
 Early temples had
massive pillars as
architects worried
about their ability to
support the weight
above.
 Later temples
appear more
elegant.
Temple of Hera, Paestum
Hephaistion, Athens
Origins
 Some experts feel that the
entices, the outward
bulging in the middle of
Greek columns, may
originally have been an
imitation of the effect of
great compression in
wooden posts.
 It also serves as a kind of
correction to an optical
illusion, however.
Entasis
 Entasis counteracts the tendency of
the eye to reach upward, forcing it to
travel up and down the shaft.
 Columns that are straight appear
thinner in the middle when seen
against light, making the supports
appear flimsy.
 The middle bulge counteracts this.
 The upper 2/3 of the shafts to the
right are tapered.
- Entasis was used by the Greeks while building monuments to correct optical
illusions. Entasis is Greek for swelling or tension and relates to a convex
curve incorporated into upright structures like columns and spires, according to
Encyclopedia Britannica.
If a column does not have entasis it will not appear to be straight particularly in
very large buildings. The Greeks began using entasis with their Doric columns.
The Greeks, in proportioning their Doric columns, arrived at an apparent system of
entasis that is very different from the method the Roman employed with their
columns. No part of the outline of the Doric column is parallel with its axis or
center line. From the very bottom, the shaft slopes in towards the center, this
slope increasing as it nears the neck of the column, in portions of arcs of circles of
a varying though large radius.
The Romans, used a much more simple method for the entasis on their
columns. For the most part - the bottom third of the column in non-tapered or
straight and the tapering begins at for the following 2/3rds of the shaft.
Entasis
The Temples: Forms & Elements
The Greeks devised both the
shape and the image of the
“perfect” temple, which lasted
over the centuries until the 19th
century, after its rediscover
at the beginning of the 15th
century.
The most important artistic novelties of Greek architecture were the Three Orders,
They are the whole rules, both geometrical and mathematical, through which every
architectural element of the temple is linked to all the others and to the whole
Building. The three Greek architectural orders are: Doric – Ionic – Corinthian.
The Greek temples are also grouped according to their typology.
PLAN OF GREEK TAMPLES
Parts of a Greek Temple
 There are four
distinct parts to a
greek temple.
 The bottom,
horizontal part is the
steps. Most Greek
temples had three of
them.
 This part is called the
stylobate.
Parts of a Greek Temple
 The next section is
vertical and is the
column.
 Most columns had a
base (though not the
Doric), at the bottom, a
shaft in the middle, and
a capital at the top.
 The shaft may be
smooth or fluted.
Parts of a Greek Temple
 Above the column is
the entablature. If
the column is the
leg, think of this as
the tabletop.
 It has 3 parts: the
architrave, a kind of
base.
 The frieze, a
decorated part
 The cornice the top.
Parts of a Greek Temple
 The top section is angled
and is called the pediment.
 The sloping top part is
called the sloping
cornice.
 The triangular part below
is called the tympanum.
This is often carved and
decorated.
 Sometimes there are
caved features sticking up
from the room. These are
called antifixae or
acroterions.
Plans of Greek Temples
 The grandeur and
evident expense of a
temple can be seen
in the number of
columns employed.
 Simple tempes have
blank walls around a
naos, or chapel.
With an open area or
porch in front, called
a pronaos, with two
or four supporting
columns.
Designs of Greek Temples
Designs of Greek Temples
 Grander temples,
like the Parthenon,
had both a front and
back porch, as well
as a colonnade
surrounding the
entire structure.
 This is called a
peripteral temple.
Reconstruction of the Parthenon in
Nashville.
Designs of Greek Temples
Designs of Greek Temples
 Grander still, and
generally from the
Hellenistic age,
are dipteral
temples.
 They have a
double colonnade
surrounding them.
Artist’s reconstruction of the Temple of
Artemis, Ephesus, Turkey
Designs of Greek Temples
Ionic: Temple of Athena Nike – Acropolis Athens c. 427 BCArchitecture
Temple of Athena Nike
Designed by the architect of
Parthenon Kallikrates, it was
probably build at 427 BC in pure
Ionic style from Pentelic marble.
Due to the of lack of money, the
Peloponnesian war and internal
political strife's the temple was not
build at once. The thorakion with
the victories was constructed
around 410 BC, after the war
victories of Alkibiades. It was
damaged in the explosion of 1645
AD, and the columns were
restored, as close as possible, to
the originals.
Erechtheum on Acropolis in Athens c. 421 BCArchitecture
Ionic: Temple of Apollo at DidymaArchitecture
Doric: Parthenon - temple of Athena ParthenosArchitecture
Parthenon
Parthenon
Doric: Temple of Athena
Doric: Temple of Hera
ARC-111. Art & Architecture l, 2011-12
Doric: Temple of Zeus at Olympia
Corinthian: The temple of Zeus at Athens 2nd c. BC
Delphi
The Classical GREEK Orders
 The three
classical orders
are:
 Doric
 Ionic
 Corinthian
The Doric Order
The Ionic Order
 These have greater
elegance.
 The capital has
distinctive volutes.
 The shaft is thinner
than its Doric
equivalent.
 A base is apparent.
The Corinthian Order
 This is also a tall,
elegant form.
 The capital has
distinctive acanthus
leaf decoration.
 A base is also
employed.
References:
Sir Banister Fletcher- A History of Architecture. (Twentieth Edition)
Emily Cole- The Grammar of Architecture
Louis Hellman- Architecture for beginners
THANK YOU.
This is just a track line to the subject matter. students are requested to study the recommended books & also go after .

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Early arc. & temple form

  • 5. ORIGINS  Our word “architecture” comes from the Greek architecton, which means “master carpenter.”  Early Greek architecture therefore employed wood, not stone.  These early structures, as well as those of mud-brick, have not survived.
  • 6. Wood Features in Ston  By the 6th Century BC, stone replaced wood in the construction of important temples.  Designs still reflected their origins in wood, however.
  • 7. Origins  The trigyph, which alternates with the metapes, began as wooden beam ends.
  • 8. Origins  In moving from wood to stone, builders had to adapt to the differing properties of their building materials.  Stone has greater compressive (resistance to crushing) strength than wood, but lacks tensile strength (resistance to bending or twisting). Therefore, while columns/ posts might be relatively thin, the entablature/beams, must be quite thick.
  • 9. Origins  Greek temples, like Egyptian temples, used basic post- and-beam construction.  This is sometimes referred to as trabeated.
  • 10. Origins  Early temples had massive pillars as architects worried about their ability to support the weight above.  Later temples appear more elegant. Temple of Hera, Paestum Hephaistion, Athens
  • 11. Origins  Some experts feel that the entices, the outward bulging in the middle of Greek columns, may originally have been an imitation of the effect of great compression in wooden posts.  It also serves as a kind of correction to an optical illusion, however.
  • 12. Entasis  Entasis counteracts the tendency of the eye to reach upward, forcing it to travel up and down the shaft.  Columns that are straight appear thinner in the middle when seen against light, making the supports appear flimsy.  The middle bulge counteracts this.  The upper 2/3 of the shafts to the right are tapered.
  • 13. - Entasis was used by the Greeks while building monuments to correct optical illusions. Entasis is Greek for swelling or tension and relates to a convex curve incorporated into upright structures like columns and spires, according to Encyclopedia Britannica. If a column does not have entasis it will not appear to be straight particularly in very large buildings. The Greeks began using entasis with their Doric columns. The Greeks, in proportioning their Doric columns, arrived at an apparent system of entasis that is very different from the method the Roman employed with their columns. No part of the outline of the Doric column is parallel with its axis or center line. From the very bottom, the shaft slopes in towards the center, this slope increasing as it nears the neck of the column, in portions of arcs of circles of a varying though large radius. The Romans, used a much more simple method for the entasis on their columns. For the most part - the bottom third of the column in non-tapered or straight and the tapering begins at for the following 2/3rds of the shaft. Entasis
  • 14. The Temples: Forms & Elements The Greeks devised both the shape and the image of the “perfect” temple, which lasted over the centuries until the 19th century, after its rediscover at the beginning of the 15th century. The most important artistic novelties of Greek architecture were the Three Orders, They are the whole rules, both geometrical and mathematical, through which every architectural element of the temple is linked to all the others and to the whole Building. The three Greek architectural orders are: Doric – Ionic – Corinthian. The Greek temples are also grouped according to their typology.
  • 15. PLAN OF GREEK TAMPLES
  • 16. Parts of a Greek Temple  There are four distinct parts to a greek temple.  The bottom, horizontal part is the steps. Most Greek temples had three of them.  This part is called the stylobate.
  • 17. Parts of a Greek Temple  The next section is vertical and is the column.  Most columns had a base (though not the Doric), at the bottom, a shaft in the middle, and a capital at the top.  The shaft may be smooth or fluted.
  • 18. Parts of a Greek Temple  Above the column is the entablature. If the column is the leg, think of this as the tabletop.  It has 3 parts: the architrave, a kind of base.  The frieze, a decorated part  The cornice the top.
  • 19. Parts of a Greek Temple  The top section is angled and is called the pediment.  The sloping top part is called the sloping cornice.  The triangular part below is called the tympanum. This is often carved and decorated.  Sometimes there are caved features sticking up from the room. These are called antifixae or acroterions.
  • 20. Plans of Greek Temples  The grandeur and evident expense of a temple can be seen in the number of columns employed.  Simple tempes have blank walls around a naos, or chapel. With an open area or porch in front, called a pronaos, with two or four supporting columns.
  • 21. Designs of Greek Temples
  • 22. Designs of Greek Temples  Grander temples, like the Parthenon, had both a front and back porch, as well as a colonnade surrounding the entire structure.  This is called a peripteral temple. Reconstruction of the Parthenon in Nashville.
  • 23. Designs of Greek Temples
  • 24. Designs of Greek Temples  Grander still, and generally from the Hellenistic age, are dipteral temples.  They have a double colonnade surrounding them. Artist’s reconstruction of the Temple of Artemis, Ephesus, Turkey
  • 25. Designs of Greek Temples
  • 26. Ionic: Temple of Athena Nike – Acropolis Athens c. 427 BCArchitecture
  • 27. Temple of Athena Nike Designed by the architect of Parthenon Kallikrates, it was probably build at 427 BC in pure Ionic style from Pentelic marble. Due to the of lack of money, the Peloponnesian war and internal political strife's the temple was not build at once. The thorakion with the victories was constructed around 410 BC, after the war victories of Alkibiades. It was damaged in the explosion of 1645 AD, and the columns were restored, as close as possible, to the originals.
  • 28. Erechtheum on Acropolis in Athens c. 421 BCArchitecture
  • 29. Ionic: Temple of Apollo at DidymaArchitecture
  • 30. Doric: Parthenon - temple of Athena ParthenosArchitecture
  • 34. Doric: Temple of Hera ARC-111. Art & Architecture l, 2011-12
  • 35. Doric: Temple of Zeus at Olympia
  • 36. Corinthian: The temple of Zeus at Athens 2nd c. BC
  • 38. The Classical GREEK Orders  The three classical orders are:  Doric  Ionic  Corinthian
  • 39.
  • 41. The Ionic Order  These have greater elegance.  The capital has distinctive volutes.  The shaft is thinner than its Doric equivalent.  A base is apparent.
  • 42. The Corinthian Order  This is also a tall, elegant form.  The capital has distinctive acanthus leaf decoration.  A base is also employed.
  • 43.
  • 44. References: Sir Banister Fletcher- A History of Architecture. (Twentieth Edition) Emily Cole- The Grammar of Architecture Louis Hellman- Architecture for beginners THANK YOU. This is just a track line to the subject matter. students are requested to study the recommended books & also go after .