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On this slide show I have given examples of visual influences which I
            have used to inform my design interpretation.
Underneath the castle are many man made
      caves and tunnels, this particular tunnel is
      called Mortimer’s Hole.

      On the night on the 19th of October 1330
      King Edward III the rightful King of
      England entered the castle though this
      secret tunnel, where he and his men
      captured the Queen Isabella and her lover
      Roger Mortimer who had usurping the
      young King and were ruling England in
      his place. Mortimer was taken to London
      for execution.




Source: First hand Photography from the tour of the
Castle Caves.
16/05/12
Nottingham Castle as depicted on John Speed's
map of Nottingham, 1615.
Source :
http://www.nottshistory.org.uk/Brown1896/notti
ngham2.htm



                                                 When designing this play I would use
                                                 the castle grounds like an island, letting
                                                 the audience explore all aspects with
                                                 performance all around. I am
                                                 particularly interested with the burnt
                                                 rock from the fire in 1831, leaving a lava
                                                 effect imbedded in the rock. I think this
                                                 give an illusion of the island being
                                                 dark and mysterious like its characters
                                                 as shown in the image above.
In 1809 the cotton hosiery trade which supported over half the population of
  Nottingham entered a period of over 40 years depression. Wage cuts and steep rises in the
 price of food gave rise to theLuddite Riots in 1811. Political unrest culminated in the Reform
                      Riots of 1831 and the burning of Nottingham Castle.


Source: http://www.nottsheritagegateway.org.uk/themes/police.htm
Great Reform Act,
        1832
‘The passing of the Act was a mixture of political
circumstance and popular pressure. Divisions in
the anti-reform Tory Party allowed the veteran
Whig reformer, Lord Grey, to become Prime
Minister in 1830. However, his Reform Bill was
rejected by the Tory-dominated House of Lords.
It was the agitation from extra-parliamentary
radicals in the country at large that finally
convinced a sceptical king and hostile Lords
that reform was necessary. Reproduced here is
the manuscript text of the Act itself, together
with the schedule of boroughs to be
disenfranchised.’




Source:
http://www.nationalarchives.
gov.uk/pathways/citizenship
/struggle_democracy/docs/re
form_act.htm
This painting is one of the most important in British History, currently hanging in The National Portrait
Gallery, Hayter has captured The Representation of the People Act 1832 also known as The Great Reform Act 1832, in The
Commons House of Parliament. On the right-hand side are the Duke of Wellington and the Conservative Party and on the
left hand side the Labour party and is shown to be led by the Earl of Grey.




  Source: National Portrait Gallery

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The Tempest Research Project

  • 1. On this slide show I have given examples of visual influences which I have used to inform my design interpretation.
  • 2. Underneath the castle are many man made caves and tunnels, this particular tunnel is called Mortimer’s Hole. On the night on the 19th of October 1330 King Edward III the rightful King of England entered the castle though this secret tunnel, where he and his men captured the Queen Isabella and her lover Roger Mortimer who had usurping the young King and were ruling England in his place. Mortimer was taken to London for execution. Source: First hand Photography from the tour of the Castle Caves. 16/05/12
  • 3. Nottingham Castle as depicted on John Speed's map of Nottingham, 1615. Source : http://www.nottshistory.org.uk/Brown1896/notti ngham2.htm When designing this play I would use the castle grounds like an island, letting the audience explore all aspects with performance all around. I am particularly interested with the burnt rock from the fire in 1831, leaving a lava effect imbedded in the rock. I think this give an illusion of the island being dark and mysterious like its characters as shown in the image above.
  • 4. In 1809 the cotton hosiery trade which supported over half the population of Nottingham entered a period of over 40 years depression. Wage cuts and steep rises in the price of food gave rise to theLuddite Riots in 1811. Political unrest culminated in the Reform Riots of 1831 and the burning of Nottingham Castle. Source: http://www.nottsheritagegateway.org.uk/themes/police.htm
  • 5. Great Reform Act, 1832 ‘The passing of the Act was a mixture of political circumstance and popular pressure. Divisions in the anti-reform Tory Party allowed the veteran Whig reformer, Lord Grey, to become Prime Minister in 1830. However, his Reform Bill was rejected by the Tory-dominated House of Lords. It was the agitation from extra-parliamentary radicals in the country at large that finally convinced a sceptical king and hostile Lords that reform was necessary. Reproduced here is the manuscript text of the Act itself, together with the schedule of boroughs to be disenfranchised.’ Source: http://www.nationalarchives. gov.uk/pathways/citizenship /struggle_democracy/docs/re form_act.htm
  • 6. This painting is one of the most important in British History, currently hanging in The National Portrait Gallery, Hayter has captured The Representation of the People Act 1832 also known as The Great Reform Act 1832, in The Commons House of Parliament. On the right-hand side are the Duke of Wellington and the Conservative Party and on the left hand side the Labour party and is shown to be led by the Earl of Grey. Source: National Portrait Gallery