antologia literaria

1. ESC. SEC.GRAL RICARDO FLORES MAGON
Literary anthology
Baroque
Sor juana ines dela cruz
Participants
Carlos Alberto cordova rodrigez
Katherine arizbeth carranza villegas
Luis Eduardo Arciniega Nava
Cuitlahuac Colunga perez
Josselin stepany contreras Cisneros
Alondra favela zatarain
Danna gisell bermudez Valenzuela

2. Introduction.
this anthology lends itself to see poems of
the baroque, for this occasion we will only
see poems by sor juana ines de la cruz. will
we answer questions like why do those
poems? Where or from where was it
inspired? and to whom or to whom they
were addressed. As we know, each author
has a different way of seeing the world.

3. Foreword
Sor Juana Ines de la Cruz was one of the most important
novohispanas writers of the seventeenth century, since she
could not write freely, she decided to enter the convent, she
always wrote poems, focused on love and lack of love, were
her main themes. It also highlights the woman as a strong
character who is able to handle the wills of the surrounding
characters and the threads of their own destiny.
Here extraordinary works are presented in which she lets us
know what some women might have happened or even could
happen in her own life.
The purpose of preparing this anthology is to learn more about
Sor Juana Ines de la Cruz the knowledge that she was a nun
who in her time received high honors for her popular poetry and
that to date is considered the best Mexican poet. One of his
poems is "Redondillas" in which he talks about men who are
fools and accuse the woman for no reason when they are the
cause of them acting wrong

4. Sor Juana Inés de la Cruz
Juana Inés de asbaje y Ramírez de Santillana or better known as Sor
Juana Inés de la Cruz was born on November 12, 1651 in San Miguel
Nepantla in Mexico and died on April 17, 1695 in Mexico City , a
Novohispana writer belonging to the Spanish Baroque current. It was
considered by many people the tenth muse because she was a very
outstanding woman in her time and for her outstanding works. He was
considered a self-taught person because at a very early age he learned
to write and read. The virreyes of the New Spain published the first two
volumes of his works in peninsular Spain and it is as thanks to Juan
Ignacio María de Castora Ursúa and Goyeneche, Bishop of Yucatán, is
released the work that was known as unpublished when it was
condemned to destroy All his writings. Sor Juana died because of an
epidemic which was typhoid on April 17, 1695 in the convent of San
Jerónimo. Sor Juana's dramatic work goes from the religious to the
profane. His most notable works in this genre are "Amor es más
laberinto" and "Los empeños de una casa".

5. Poemas:
En que satisfaga un recelo.
Esta tarde, mi bien, cuando te hablaba,
como en tu rostro y tus acciones vía
que con palabras no te persuadía
que el corazón me vieses deseaba.
Y amor que mis intentos ayudaba,
venció lo que imposible parecía,
pues entre el llanto que el dolor vertía,
el corazón deshecho destilaba.
Baste ya de rigores, mi bien, baste,
no te atormenten más celos tiranos,
ni el vil recelo tu quietud contraste

6. con sombras necias, con indicios vanos:
pues ya en liquido humor viste y tocaste
mi corazón deshecho entre tus manos.
Procura desmentir los elogios.
Este que ves, engaño colorido,
que, del arte ostentando los primores,
con falsos silogismos de colores
es cauteloso engaño del sentido;
éste en quien la lisonja ha pretendido
excusar de los años los horrores
y venciendo del tiempo los rigores
triunfar de la vejez y del olvido:
es un vano artificio del cuidado;
es una flor al viento delicada;
es un resguardo inútil para el hado;

7. es una necia diligencia errada;
es un afán caduco, y, bien mirado,
es cadáver, es polvo, es sombra, es nada.
Quejase de la suerte.
¿En perseguirme, mundo, que interesas?
¿En que te ofendo, cuando solo intento,
poner bellezas en mi entendimiento
y no mi entendimiento en las bellezas?
Yo no estimo tesoros ni riquezas,
y así, siempre me causa más contento
poner riquezas en mi entendimiento
que no mi entendimiento en las riquezas.
Y no estimo hermosura que vencida
es despojo civil de las edades

8. ni riqueza me agrada fementida,
teniendo por mejor en mis verdades
consumir vanidades de la vida
que consumir la vida en vanidades.

9. Historical framework of the baroque in
Mexico
The importance of the colonial period is crucial but for the history of
our country as and independent nation and of the history of the
west, since from that moment, America became part of the world
that until then the Europeans knew.
The caltholic religion gained new and important territories changed
the language, layout of the cities, the cultural and artistic
manifestation and began the miscegenation or syncretism, that is to
say the mixture between the conquerors and the conquered, a
combination that defined the current character that it has Mexico.
All this, originated different transformations that teached the
cities.These grew and their architecture changed its style.Baroque,
which at that time was a fashionable in Europe, was also, assimilated
in New Spain. Many wealthy Spanish families financed the
construction of large cathedrals and houses in different cities such
as Mexico,Queretaro,Puebla,Zacatecas among others.

10. Epilogue:
This anthology is made with the best poems of Sor
Juana, which is one of the maximum repressors of the
Baroque movement and the Golden Age that was
born in 1651 and died in 1695 at the age of 43. Apart
from poems also towards sonnets, one of the most
famous is "love begins with restlessness". One of best
poems of Sor Juana is “Shadow of my good elusive”.

11. BIBLIOGRAFIA:
https://es.wikipedia.org/wiki/Sor_Juana_In%C3%A9s_de_la_Cruz
https://revista.poemame.com/2018/02/10/5-poemas-de-
sor-juana-ines-de-la-cruz/