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MUSIC OF THE
MEDIEVAL PERIOD
Teacher Eugene
What you should know?
•Medieval period is also called as “middle
ages”.
•Referring between the fall of the Roman
empire and the age of reawakening and
discovery.
•Music is based upon religious subject.
•Many kinds of music were created during
this period; music for the knights, for the
nobles in the castles, chants for the priests.
•Only the church music were preserved.
•Church music spread and taught to
succeeding generations.
VOCAL MUSIC
Gregorian Chants
•Official music of the Roman Catholic church.
•Named after Pope Gregory I
•Also named as plainsong or plainchant
•Used “neume” notation
•Set to sacred Latin text
•It is monophonic
•It does not have harmony nor counterpoint
•Sung without any accompaniment
•Male voices sing in unison
INSTRUMENTAL MUSIC
Troubadours
•Came from the word “trouvere” meaning
to compose, “to discuss” or “to find”.
•They performed chivalry and courtly
romantic music.
•They play for both commoners and nobility.
“Trouveree”
•They are composer-performer.
•Their counterparts in Germany were called
minnesingers
•Their songs are about love, crusades, dance
songs, spinning songs.
COMPOSER
ADAM DE LA HALLE (1237-1288)
•Also known as Adam le Bossu (Adam the
Hunchback)
•A son of a well-known citizen of Arras, Henri De la
Halle.
•Was destined for the church but he eventually
married.
•His patrons were Robert II, Count of Artois, and the
Charles of Anjou, brother of Louis IX.
• He was one of the oldest secular composers whose
literary and musical works include chanson and poetic
debates.
• He was a trouvere, poet and musician, whose literary
works include chanson and jeux-partis (poetic debates)
in the style of trouveres, polyphonic rondel and motets
in the style of early liturgical polyphony. His musical
play, Jeu de Robin et de Marion was considered the
earliest surviving secular French play with music.
End

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MUSIC OF THE MEDIEVAL PERIOD.pptx

  • 1. MUSIC OF THE MEDIEVAL PERIOD Teacher Eugene
  • 2. What you should know? •Medieval period is also called as “middle ages”. •Referring between the fall of the Roman empire and the age of reawakening and discovery. •Music is based upon religious subject.
  • 3. •Many kinds of music were created during this period; music for the knights, for the nobles in the castles, chants for the priests. •Only the church music were preserved. •Church music spread and taught to succeeding generations.
  • 5. Gregorian Chants •Official music of the Roman Catholic church. •Named after Pope Gregory I •Also named as plainsong or plainchant •Used “neume” notation
  • 6. •Set to sacred Latin text •It is monophonic •It does not have harmony nor counterpoint •Sung without any accompaniment •Male voices sing in unison
  • 8. Troubadours •Came from the word “trouvere” meaning to compose, “to discuss” or “to find”. •They performed chivalry and courtly romantic music. •They play for both commoners and nobility.
  • 9. “Trouveree” •They are composer-performer. •Their counterparts in Germany were called minnesingers •Their songs are about love, crusades, dance songs, spinning songs.
  • 10. COMPOSER ADAM DE LA HALLE (1237-1288)
  • 11. •Also known as Adam le Bossu (Adam the Hunchback) •A son of a well-known citizen of Arras, Henri De la Halle. •Was destined for the church but he eventually married. •His patrons were Robert II, Count of Artois, and the Charles of Anjou, brother of Louis IX.
  • 12. • He was one of the oldest secular composers whose literary and musical works include chanson and poetic debates. • He was a trouvere, poet and musician, whose literary works include chanson and jeux-partis (poetic debates) in the style of trouveres, polyphonic rondel and motets in the style of early liturgical polyphony. His musical play, Jeu de Robin et de Marion was considered the earliest surviving secular French play with music.
  • 13. End