Conference presentations available at: http://copycamp.pl/en/ The 6th CopyCamp took place in Warsaw on September 28th and 29th under the title „the Internet of Copyrighted Things”. This year we gathered 60 guests from 21 countries who shared their stories touching on real-life issues in culture, science, education, medicine and agriculture. Among our special guests was Ms. Julia Reda, Member of the European Parliament and a representative of the Pirate Party. In her speech about the current EU copyright reform, Ms. Reda complemented some of its parts, but also expressed her concern about the proposal of “linking tax” and the filtering obligation. Some of the other presentations that received much interest and were widely commented among our audience were delivered by Ariele Elia (Fashion Institute of Technology, NY) and Aaron Perzanowski (Case Western Reserve University School of Law). We are particularly proud that at CopyCamp 2017 we have gathered a considerable group of German experts including: Jan Kottmann (Google Germany), Kiki Ganzemüller (YouTube), Mirko Boehm (Open Invention Network), Till Jaeger (ifrOSS), and Till Kreutzer (iRights.Lab). We also had a strong representation of the Berlin-based Free Software Foundation Europe: Polina Malaja, Erik da Silva, Carmen Bianca. This allowed us to exchange ideas about copyright-related issues common for our countries – including especially the current EU copyright reform and public procurement of IT systems. The Polish-German cooperation at CopyCamp would not happen without the help of the funds of the German Federal Foreign Office transferred by the Foundation for Polish-German Cooperation. We want to thank all the speakers and attendees, as well as our whole team without whom the success of the conference would have been impossible. We also wish to express our gratitude to our partners: the German Foreign Office and the Foundation for Polish-German cooperation, Google, ZIPSEE Digital Poland, Mozilla, EDRi, OpenForum Europe, Open Knowledge, Creative Commons, Communia, ifrOSS, Free Software Foundation Europe, Iuridicum Remedium, Trnava University and Asimov Foundation. We thank Ms. Anna Streżyńska, the Minister of Digital Affairs and Ms. Alicja Adamczak, the President of the Patent Office of the Republic of Poland for granting their honorary patronages to CopyCamp. We also thank our media patrons: Dziennik Internautów, Linux Magazin, Notes na 6 tygodni and Netzpolitik.org Free Art License 1.3

1. COPYCAMP 2017
THE INTERNET OF COPYRIGHTED THINGS:
CONFERENCE SUMMARY
6TH INTERNATIONAL CONFERENCE

2. 62 SPEAKERS FROM 21 COUNTRIES
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52 STORIES + 7 PRACTICAL WORKSHOPS

4. Appropriation: taking or using things
from a culture that is not your own,
especially without showing that you
understand or respect that culture.
(Cambridge Dictionary)
In fashion, it may lead to racist gener-
alizations or stereotypes regarding its
origin, even when some regard it as high
fashion, cool or funny.
Giving cash or showing some pictures is
not enough to honour the cultures and
values which stand as inspiration for
fashion design.
SPEAKER
ARIELE ELIA
Department Coordinator
for the newly launched MFA
Fashion Design program at the
Fashion Institute of Technol-
ogy. Curator or co-curator of:
„Faking It: Originals, Copies,
and Counterfeits,” „Fashion
and Technology,” „Black
Fashion Designers”. Lecturer
at Oxford, NYU, Eyebeam, the
University of Rhode Island.
Author: “The Wardrobe of the
Modern Athlete: Activewear in
the 1930s” and “Ocean Explora-
tion: Fashion from the Deep.”
M.A. in Fashion and Textile:
History, Theory, and Museum
Practices from FIT. B.A. in
Art History from Saint Mary’s
College of California.
APPROPRIATION IN FASHION:
photobyRafałNowak
WATCHTHEWHOLEPRESENTATION:
https://www.youtube.com/watch?v=6WGTJBfksqI WHERE TO DRAW THE LINE

5. photobyRafałNowak
THE END OF OWNERSHIPWATCHTHEWHOLEPRESENTATION:
https://www.youtube.com/watch?v=tDf8-uGc3d0
WHAT DOES IT MEAN TO OWN SOMETHING IN THE DIGITAL ECONOMY?
In the digital environment there is no
tangible copy and this fact allows the
right holders to control how we use
information goods in ways impossible
before, when we could resell and borrow
books without them even noticing.
The legal system struggles with how to
deal with the new ways of consumption
of copyrighted works, when goods
are disembodied from any physical
instantiation.
SPEAKER
AARON
PERZANOWSKI
Professor of Law at
Case Western Reserve
University School of Law,
where he teaches courses
in intellectual property,
telecommunications, and
innovation. He previously
served as the Microsoft
Research Fellow at the
Berkeley Center for Law &
Technology. His research
addresses topics ranging
from digital copyright to
deceptive advertising to
creative norms within
the tattoo industry. He
is the author of The End
of Ownership: Personal
Property in the Digital
Economy (MIT Press
2016) (with Jason Schultz)
http://www.theendo-
fownership.com
U.S. Patent 9,380,225 B2

6. SPEAKER
NICK BRIZ
New_media artist, edu-
cator (SAIC, Marwen,
www), organizer (GLI.
TC/H, NO-MEDIA).
Lives in Chicago and
works on digital liter-
acy + ecology, netizen
rights, glitch art, net art,
remix. Critically obsessed
with Internet. Inde-
pendent and commercial
(Branger_Briz) artist,
whose works have been
shown internationally
(FILE Media Arts Fest-
ival, the Images Festival,
the Museum of Moving
Image, the Tate, Museum
of Contemporary Art
Chicago). Published in
VICE, Rhizome.org, Fast
Company, El Mundo,
Neural.
photobyRafałNowak
WATCHTHEWHOLEPRESENTATION:
https://www.youtube.com/watch?v=cSeOyFE9F2A MUSIC „SAMPLING”
IN THE AGE OF MACHINE LEARNING
Algorithms can reap the metadata of any
selected beat, extracting the pattern of
the beat and then reproducing the same
beats with different sounds. But we
should not mistake robots for authors.
Rather, focus on obstacles that copy-
right poses for those who would like to
explore this new tool and teach it using
preexisting works (“Perspective on ‘Crea-
tive’ AI” blogpost http://brangerbriz.com/
blog/perspective-on-creative-ai/).

7. Share! It’s good
for you, it’s good for
everybody else.
OPEN SOURCEOPEN INNOVATION
If copyright did not exist,
we would invent it today to
make Free and Open Source
Software viable.
THE CONCEPT OF
PROPERTY IN OPEN
SOURCE IN A HYBRID
OPEN/CLOSED
WORLD
Open Hardware
Design files released
so anyone
can make or change it
for any reason.
Alternative Approaches
Are Possible
• …a trusted benevolent dictator
to enforce software freedom.
• But who has authority to give
that authority?
• FLOSS community is averse to
authority and delegated
decision making power.
• “A little dictatorship” usually
does not work.
SPEAKER
MIRKO BOEHM
Free Software and Open
Source advocate. KDE
Desktop contributor since
1997 (including several
years on the KDE e.V.
Board). Visiting lectur-
er and researcher at the
Technical University of
Berlin, a fellowship rep-
resentative in the FSFE
general assembly and a
Qt-certified specialist and
trainer. At the Open In-
vention Network, Mirko is
responsible for the Linux
system definition. Founder
and CEO of Endocode, an
employee-owned company
providing professional IT
services with a focus on
Open Source technologies.
photobyRafałNowak
photobyRafałNowak
SPEAKER
MITCH ALTMAN
Hacker and inventor,
known for inventing TV-
B-Gone, a keychain that
turns off TVs in public
places. He co-founded a
successful Silicon Valley
startup and did pio-
neering work in Virtual
Reality. He is an author
and teacher, and goes
around the world giving
talks and workshops.
Mitch promotes hack-
erspaces, open source
hardware, and mentors
others wherever he goes.
He is a co-founder of
Noisebridge hackerspace
in San Francisco, and is
President and CEO of
Cornfield Electronics.
OPEN HARDWARE:
CONSEQUENCES
ON PROJECTS
AND SOCIETY
WATCH THE WHOLE PRESENTATION:
https://www.youtube.com/watch?v=mGymuTIJjn4 WATCH THE WHOLE PRESENTATION:
https://www.youtube.com/watch?v=mrWeGr0J7ps

8. photobyRafałNowak
photobyRafałNowak
The farms of the future are all
about survey drones, fleet of
agrobots, farming data, texting
cows, tweeting plants and
smarttractors.
SPEAKER
ANDRÉ ROCHA
Senior Product and Inter-
action designer (Founder at
EVOL/LEVO), Professor
at ESELx – IPL and ESAD.
cr, Technical Lead on the
Creative Commons Portugal
team and founder at DAR – an
Open Design and Culture
Non-profit. He is currently
enrolled in the UT Austin |
Portugal Digital Media PhD
program where he is research-
ing about Open Agriculture
through the design of a new
medium (GROUU) which is
aimed at Open Agriculture
Knowledge Generation and
Transfer. In the end of 2016
he started the FarmLabs Ini-
tiative through which he also
develops his Research.
SPEAKER
KRISHNA RAVI
SRINIVAS
STI Program affiliate at Re-
search Information System
for Developing Countries
(RIS), New Delhi. He has
been a visiting scholar at
University of Pennsylvania
on a Fulbright Fellowship,
He has published extensive-
ly on intellectual property
rights, climate change and
technology transfer, open
source innovation and
traditional knowledge. He
has been/is part of research
projects funded by the EC,
ERC, FAO and UNESCO.
http://ris.academia.edu/
KrishnaRaviSrinivas,
http://papers.ssrn.com/
sol3/cf_dev/AbsByAuth.
cfm?per_id=290086
OPEN SOURCE
AND INNOVATION
IN AGRICULTURE
OPEN AGRICULTURE OPEN AGRICULTURE
FARMLABS
The seed industry sees a monopoly of
a few companies, and an increasing
number of seed types are protected
under patents and by trade secrets.
once seeds are patented they can no
longer be widely and easily used for a
certain period of time. This had led to
a proposal in 1999 for Germplasm to
be shared on the basis of GPL licensing
terms - a pledge to use seeds as one
chooses, without restricting others’ use
of those seeds or their derivatives by
patents or other means, and to include
this pledge with any transfer of these
seeds or their derivatives.
WATCH THE WHOLE PRESENTATION:
https://www.youtube.com/watch?v=5xJIcnAsLnkWATCH THE WHOLE PRESENTATION:
https://www.youtube.com/watch?v=pgN_TY4Esjs

9. SPEAKER
JULIA REDA
Member of the European
Parliament
a representative of the
Pirate Party, a worldwide
movement supporting
the usage of technology
for empowerment. As
member of the European
Parliament, she advocates
a European copyright
adapted to the digital
era – easily understand-
able, enabling the free
exchange of culture and
knowledge across bor-
ders. Julia holds an M.A.
in political science and
communications science
from Johannes-Guten-
berg-University Mainz,
Germany.
photobyRafałNowak
COPYRIGHT SHOWDOWN!
by Chase Elliott Clark, modified by c3o
RAISE
Awareness
LOCALLY
In the proposal for a Copyright Directive
which is now under negotiation, there
are some good elements, but also bad
parts. Upload filters and the laws for
sharing links to news content have chill-
ing effects on online participants, and
undermine what makes Internet
so unique.
WATCHTHEWHOLEPRESENTATION:
https://www.youtube.com/watch?v=SHolG0xgzn8

10. FREE ADMISSION AND ONLINE STREAMING.
ALL RECORDINGS AVAILABLE ON OUR YOUTUBE CHANNEL:
HTTPS://WWW.YOUTUBE.COM/USER/NOWOCZESNAPOLSKA/VIDEOS
2012
1st edition - experimen-
tal meeting of various
communities active in
copyright area. 28 speak-
ers including MEPs Lidia
Geringer de Oedenberg
and Paweł Zalewski.
Keynote: Nina Paley.
2013
Organised in partnership
with the Association of
Authors ZAiKS, Trust for
Civil Society in Central
and Eastern Europe,
Google, Copyright for
Creativity and National
Audiovisual Institute.
48 speakers including
Cédric Manara, Ville
Oksanen, Nadia Ple-
sner, Ben Zevenbergen,
Andres Guadamuz, and
Bodó Balázs.
Keynote: Eben Moglen.
2014
Keynotes: Cory Doctorow
and Birgitta Jónsdóttir.
69 speakers. Visegrad
Track coorganized
with partners from
the Czech Republic,
Hungary, and Slovakia,
with the support of the
International Visegrad
Fund. Cory Doctorow’s
essays and post-
conference publication
available at:
http://prawokultury.pl/
en/publications/
2015
Over 60 presentations on
the future of copyright,
models of remuneraion,
policy, art, enforcement,
technology, and
education. Special
address by prof. Ian
Hargreaves.
2016
Two days packed with
insightful discussions on
the future of copyright in
Europe, opened by Olga
Goriunova and Rufus
Pollock. Other keynotes
included MEP Therese
Comodini Cachia,
Michal Dubovan, Konrad
Gliściński, Jonas Holm,
Mikołaj Iwański, and
Agustin Reyna.

11. ORGANIZER
VISEGRAD PARTNERS CITIZEN INITIATIVES 25+ HONORARY PATRONAGEHONORARY PATRONAGE MEDIA PATRONAGEMEDIA PATRONAGE
STRATEGIC PARTNERS SUPPORTING PARTNERS
DESIGN: KONTRABANDA, PHOTOS BY RAFAŁ NOWAK, PUBLISHER: MODERN POLAND FOUNDATION, 2017
EDITOR: KRZYSZTOF SIEWICZ, TEXT BASED ON: DIANA COCORU, COPYCAMP 2017: CONFERENCE REPORT,
HTTP://PRAWOKULTURY.PL/MEDIA/ENTRY/ATTACH/COPYCAMP-REPORT.PDF,
FREE ART LICENSE 1.3 ( HTTP://ARTLIBRE.ORG/LICENCE/LAL/ )
THE SUMMARIES OF THE SPEAKERS’
PRESENTATIONS PRESENTED IN THIS DOCUMENT ARE BASED ON THE AUTHOR’S NOTES.
THIS DOCUMENT IS LICENSED UNDER FREE ART LICENSE 1.3 HTTP://ARTLIBRE.ORG/LICENCE/LAL/
More info? Visit http://copycamp.pl/en
or write to organizers at: krzysztof.siewicz@nowoczesnapolska.org.pl