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Art Evolving into a Languange, Discovering Lost Stories

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Art Evolving into a Languange, Discovering Lost Stories

  1. 1. Art Evolving into a Languange, Discovering Lost Stories Helena Malmivirta, City of Salo Nelli Koivisto, Aalto University FINLAND 1
  2. 2. A National European Social Fund Programme ”The Third Sector Art & Culture, Youth and Sport Organisations Providing Wellbeing Services” 2007 – 2013 Ministry of Education and Culture Centre for Economic Development, Transport and the Environment in Lapland
  3. 3. Our presentation Part One Nelli Koivisto: Overview of Service Models in the ESF programme: Art & Culture for Wellbeing Part Two Helena Malmivirta: Project DIMPLES Inter-professional Companionships in Wellbeing Services 3
  4. 4. Overview of Service Models: Art & Culture for Wellbeing Nelli Koivisto, Master of Arts in Dance, Master of Education Aalto University, Small Business Center Project manager, Coordination project THE THIRD SOURCE 4
  5. 5. Art & Culture for Wellbeing: The Actors 5
  6. 6. Regional Dance and Film Centers Art and Culture Folk Music Association CONCERT CENTER… Music Institute Associations Performing Arts Associations Word Art Associations Circus Schools and Centers VISUAL ARTISTS’ ASSOCIATIONS
  7. 7. Voluntary associations Professional artists’ associations
  8. 8. The Professional Artists VISUAL artists… Media artists… WORD artists… MUSICIANS… Music educators Circus instructors… Dancers and choreographers THEATER professionals… Puppeteers
  9. 9. Together with… Intellectually Immigrant Children and Youth Disabled Children Families in Social Care People Suffering Hospital Patients from Dementia Young People Inter-Generational Recovering from Groups Seniors in Substance Addiction Geriatric Care
  10. 10. Service Contents and Methods 10
  11. 11. The Premise In art & culture for wellbeing: Art is a tool for achieving objectives that go beyond artistic goals 11
  12. 12. Arts & Culture in Wellbeing Services • Music • Dance • Plays • Circus • Visual Arts • Stories and Poems • Radio Plays, Short Films, Audio-visual Recordings • Reminiscing • Handicrafts • Cooking • Traditional Plays and Games
  13. 13. Forms of Activities Open activity Excursions Group and club activities Camps Courses Performances Workshops Communal productions Events Visits Discussions Occupational therapist – Artist creative Artist mentors in care institutions partnerships
  14. 14. The Partnership Model 14
  15. 15. In Municipal Structures HEALTH AND SOCIAL CARE • Day care / kindergarten • Health centre / hospital • Home for the elderly • Family work • Foster care EDUCATION • Basic and special education • Art education • Adult education centre CULTURAL SERVICES • Children’s cultural network • Municipal cultural centre • Art education projects • Museum, Orchestra YOUTH SERVICES • Youth centre • Searching youth work
  16. 16. FINANCER Local Authority in ART Education € ASSOCIATION WELLBEING SERVICE: Circus for Children with Special Needs 16
  17. 17. FINANCER Local Authority in ART Education € ASSOCIATION PARTNER WELLBEING A Local School € SERVICE: Circus for Children with Special Needs 17
  18. 18. FINANCER Local Authority in € ART Education ASSOCIATION PARTNER WELLBEING A Local School € SERVICE: Circus for Children with Special Needs USERS Student Group € Identified by the School 18
  19. 19. User Experiences 19
  20. 20. Dimensions in Art & Culture for Wellbeing EFFECTS ON EXPERIENCES Self-esteem ACTIVITY Insights Body control Success Self-knowledge Observing Feeling of inclusion Personal wellbeing ART-BASED Discussing Atmosphere of equality METHODS Breaking down barriers Experimenting Finding new perspectives Having control on one’s life Making & Doing Getting positive attention Capacity for daily routines Performing Cutting loose from roles Ability to learn new skills Experiencing Finding motivation Re-organisation of roles Interpreting Sense of Equality Mutual trust Joy Social skills
  21. 21. HYMYKUOPAT - HANKE Tähän otsikkoa tähän otsikkoa tähän otsikkoa Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Project DIMPLES Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta Inter-professional Partnerships in Wellbeing Services Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta Ja sitten muuta tekstiä…. Ja sitten muuta tekstiä….Ja sitten muuta tekstiä…. Ja sitten muuta October 2009 – September 2012 Helena Malmivirta, Doctor of Education Project manager, City of Salo
  22. 22. Objective: To strengthen third sector culture and art organisations’ capacities to develop and deliver wellbeing services Starting point: To meet the needs of local authorities with art and culture based services and service models In Cooperation with: Five Finnish cities: Salo, Turku, Kouvola, Forssa and Hankasalmi Ten local and regional art and culture associations A Pilot Project in the National ESF Programme: The Third Sector Art & Culture, Youth and Sport Organisations Providing Wellbeing Services 2007 - 2013
  23. 23. PROJECT DIMPLES The project objectives have taken shape in four service models - Emerging from the methods of art and culture - To be applied by the arts and culture sector - To complement the service supply of public authorities (municipalities)
  24. 24. PROJECT DIMPLES 1. The Wellbeing Chain Reaction 2. The Adventure Suitcase 3. Artist – Occupational Therapist Creative Partnerships 4. Cultural Services Next-Door
  25. 25. The Wellbeing Chain Reaction From the perspective of narrative research
  26. 26. • Long-term companionships between professional artists and public care institutions for the elderly • To enhance wellbeing with methods based on arts and culture • Professional artists of third sector art organisations  The project has enabled development in the field of applied arts  Equal partnerships between social and health care professionals and professional artists
  27. 27. What is art? What is culture? Interiööri/Hailuoto/HM  Defining the concepts of art and culture C. Monet Waterlilies
  28. 28. How is the human being and is there art? Human as a whole and realising her/himself in action
  29. 29. The Doors Are Open for Arts
  30. 30. ”Retirement home is old people’s home; art must come to them. We have paused by the art work together with the elderly and the personnel to wonder and feel the art – enjoying the experience generated by arts”. Director of an old people’s home  The start for a partnership
  31. 31. Change and Opportunity • In the course of the project care institutions have changed … into an agora of personal and collective narratives of daily life … processed and communicated through the methods of arts
  32. 32. From the Work-of-art Dominant Approach to a Dialogic Process ”In a process, there is always a new thing, which cannot be foreseen – a leap into the unfamiliar. One always finds something new about people and about art making.” An artist involved in the project DIMPLES  Art takes place in a dialogic process between the elderly person and the artist (Dewey 1934/1980)
  33. 33. Dialogic encountering in art is a space, which releases meaningful ideas and emotions emerging from one’s experiences – and folds them into interaction with visual, kinesthetic and musical associations
  34. 34. An Invitation to Creative Interaction Meaningful interaction takes time; it cannot be rushed. Sensitivity and courage to approach an old person – listening and observing without the medical status
  35. 35. Every encountering is a unique experience of the perceiving subject. The right way to feel, interpret or react cannot be determined from the outside.
  36. 36. Art directs our attention to such Movement and energy in dance contents and qualities that bring out Rhythm and harmony in music the faces of our reality in an intensive Settings and action in theatre way and lifted from their original Form, colour, and texture in visual art context:  These qualities bring forward relationships - consonance and dissonance - conflicts and their solutions
  37. 37. Life Narrated to Art With the means of art one’s lifetime experiences intertwine into a meaningful life story – a narrative The means: • Photography • Film art • Fine art • Literal art • Performing arts • Dance  To be heard with the means of art  Hidden stories to light
  38. 38. ”Hands feel like my own. I can clap with them. In the old days I used to milk cows and bake buns. Hands were needed there.To know how to do it. Skillful hands. Have knitted a ruffle with a thread. Don’t think anything is going to come out of it. Skillful hands. It is lovely to touch the boy. To pat the tummy. Soft and good, a child’s tummy. Nice needles in my hand. The steam of a sauna feels better. Balmy and warm. Now I would like to touch a dog. Very fluffy”. Life story in the form of an Ear Poem
  39. 39. “An old person is a conscious Being until the end. Bring every human’s extraordinariness to light.” A visual artist involved in the project DIMPLES  Hidden resources to be discovered
  40. 40. ”I really love classical music – and how did the conductor move?” ”I can’t dance! If I had died yesterday, I would not have learned that something like this exists.”
  41. 41. The Challenge of Finding a Shared Language For art and health and social care to meet each other, a shared language is needed between the professional artists and the care personnel  A three-step cooperation and training process as the frame of reference for experiential art learning
  42. 42. Achievements of the Wellbeing Chain Reaction
  43. 43. From the Perspective of the Elderly • Changes in alertness • Recovery of speech • Strengthening of involvement, interaction and communality • Reinforcement of the sense of being important • Decrease in the need for care • Art structuring the profound experiences of life – strengthening one’s identity and integrity
  44. 44. From the Perspective of the Artist • Professional growth • Change and extension of the concept of art • Development of the sociocultural work • Strengthening of capacity in art pedagogy - Art pedagogy has been taken to areas where it has not been before - Breaking down barriers
  45. 45. From the Perspective of the Nursing Staff - Increase in wellbeing in the workplace subsequent to the rising alertness of the elderly - Broadening of understanding of the concepts of art and culture - Understanding of the importance of partnerships - Strengthening of positive attitudes toward arts and culture as part of the care of old people with dementia - Positive feedback from families
  46. 46. Art as a Dialogic Process – Psychological Language  Art has reached to the mental and emotional layers of a human being, long forgotten, and brought to light something meaningful to oneself  Hidden narratives have been uncovered. Examining the past has had a positive psychological, emotional and cognitive effect on one’s sense of integrity.  There is a possibility for identity building across the entire life time  There is a possibility for continuous learning
  47. 47. Thank you Helena Malmivirta Nelli Koivisto City of Salo Aalto University helena.malmivirta@salo.fi nelli.koivisto@aalto.fi +358 44 77 84 903 +358 50 315 2163 47
  48. 48. Images Meltio, Niklas 2012. Images of pilot project activities in a national ESF Programme ”The Third Sector Art & Culture, Youth and Sport Organisations Providing Wellbeing Services 2007 – 2013”. (Slides 5, 10, 14, 36 and 40) Meltio, Niklas 2010. Images from publication Kolmannella lähteellä. Koivisto, Lehikoinen, Pasanen-Willberg, Ruusuvirta, Saukkonen, Tolvanen, Veikkolainen (Ed.s.). ESF Coordination project the THIRD SOURCE 2008-2010. Kokos Services, The Theatre Academy Helsinki (Slide 19) Images by project DIMPLES 2009-2012. (Slides 28-29, 33-35, 37-39, 41-42) Distributed under Creative Commons Attribution license: Attribution 2.0 Generic (CC BY 2.0) http://creativecommons.org/licenses/by/2.0/deed.en Image ”75th Anniversary Volunteers” by vastateparkstaff (Slide 7) http://www.flickr.com/photos/vastateparksstaff/5330601445/sizes/z/in/photostream/ Image ”DSCN0426” by Tor Lindstrand (Slide 7) http://www.flickr.com/photos/international-festival/213441696/sizes/m/in/photostream/ 48

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