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Dance History
What is the story of the
artform we study?
Jazz
Jazz dance, a uniquely American dance form, is rooted in and
informed by African movement idioms and aesthetics that traveled to
the United States with the trafficking of African people, commonly
referred to as the Middle Passage or the transatlantic slave trade.
During the enslavement era, African dances were transformed into
African American dances with the addition of various movements
derived from whites. Post-enslavement and through-out the
twentieth century, African-American dance evolved in several
directions, one of which was jazz dance. While the term jazz dance
was not coined until the 1920s, the primary ancestry of jazz dance can
be found by studying African dance forms and how they changed in
the context of plantation life.
Where does jazz dance originate from?
Guarino, L., Oliver, W., & Amin, T. N. (2015). In Jazz dance: A
history of the roots and branches (pp. 35–44). essay, University
Press of Florida.
The Blending of African Cultural Groups
● Buck Dance
● Juba
● Buzzard Lope
● Turkey Trot
● Snake Hips
● Fish tail
● Fish Bone
● Camel Walk
● Cakewalk
● Ring Shout
● Water Dances
← Refer to dances that emerged
from the blending of various african
cultural groups during enslavement.
← Evidence that dance was a
communal expression that became
the basis for popular black dances
← Many of these dances had to be
performed in secret gatherings
Minstrel Shows 1830s
● Black sociocultural dances were
being popularized for white
audiences
● A form of entertainment that
largely caricatured black people
● Blackface was gaining popularity -
white performed would cover their
faces in black greasepaint or burnt
cork where they performed
hyperstylized, satirized versions of
black dances derived from
plantation traditions
● Common finale of minstrel shows
was the Cakewalk
The cakewalk began as a social dance on plantations where African slaves made fun of the
grandeur of European court dances. It was a satirical and joyful expression for an otherwise
oppressed people and was later incorporated into minstrel and vaudeville shows around New
York City. This changed the fabric of theatrical dance in America.
Nicholls, C. (2020,
October 23)
Vaudeville 1870s
● Touring variety shows with black
and black white-faced performers
● Included acrobats, jugglers, child
performers, and chorus girls
● Ragtime music from New Orleans,
deeply grounded in African
aesthetic principles was the
historical antecedent to jazz music
● Characteristics of Ragtime:
○ Syncopation
○ Polyrhythms
○ Percussive use of piano
The mix of European-derived couples
dances in the early 20th century and
social dances were circulating in black
communities blended together to
create popular dances such as The
Charleston, the Black Bottom, the
Suzy-Q, and the Lindy Hop
Jazz dance is a uniquely American artform as it
blends African and European cultural influences
with the Black experience in America.
Vernacular Jazz
“Dances, rooted in African American
traditions and movements, done to jazz
music from the late 1800s to beyond.”
-(What Is Vernacular Jazz Dance?)
What is Vernacular Jazz?
● Birthed in Harlem, NY
● The Cotton Club was the
center of the dance
movement where the
African-American community
experimented with dance
styles such as swing, Lindy
Hop and the Charleston
● Vernacular Jazz is a general
term that encompasses a
long list of dances with
African American roots
Swing Dance
● Influenced by Swing music
and rhythms
● Was born in Harlem in 1927
● The heart and soul of jazz
dance solidified between
the 1920s and 1940s
● Partner dances
The Lindy Hop
Frankie Manning
Born in the Savoy Ballroom
Notable People
Whitey’s Lindy Hoppers
Frankie Manning
Norma Miller
Al Minns & Leon James
Now it’s your turn to try!
★ You are going to learn 5 Lindy Hop steps
★ Watch the videos on the next slides to
learn how to do these steps
★ On the document - take notes about what
each style feels like in your body
★ At the end, you will collaborate as a class to
create a combination using all of these
Lindy Hop steps!
★ Have fun!
Bee’s Knees
Shorty George
Charleston
Suzie Q
Al & Leon Triplets
The
Beginnings of
Tap Dance
● Jazz tap was gaining popularity through artists such as
○ Bill “Bojangles” Robinson
○ John Bubbles
○ Fred Astaire
○ The Nicholas Brothers
○ Jeni LeGon
○ Condos Brothers
○ Jimmy Slyde
● Some of these artists were traveling with Jazz and Big Band artists such as Duke
Ellington
○ Vaudeville
○ Cotton Club
○ Apollo Theater
○ Other NYC clubs
● Important contributions to the style based on their own creations, movement style,
manner of rhythmic impulse, and conversational exchanges with with musicians
Inspired by Rhythm
● The “National Anthem” of tap
● Was a mix of social dances
○ The Shim Sham
○ Push and Cross
○ Tack Annie
○ Half Break
● Originally created by Leonard Reed and Willie Bryant as a tap number that
the whole ensemble could perform together
○ Initially called the Goofus and was done to the “Turkey in the Straw”
● Later renamed the Shim Sham Shimmy after it performed at a club called
the Shim Sham - the dance spread like wildfire!
● There are now many variations including the Frankie Manning version which
he adapted after learning it at the Savoy Ballroom as more of a jazz routine
The Shim Sham
Let’s
MUSICAL
THEATER TAP
★ Another name is Show Tap or Broadway Tap
★ Progresses the story/plot of the musical/movie
★ Focuses heavily on the dancing and entertainment value
★ Generally, light sounding but can have shading
★ Progressed from Irish Jig and the Juba, to soft shoe, to the different styles of tap we
have today
What makes it ‘musical theater’ tap?
THROUGH THE YEARS
1935
The Little
Colonel
1952
Singin’ in the
Rain
1932
Anything Goes
1942
Yankee Doodle
Dandy
Walking Happy
1966 1967 1971 1975
Thoroughly
Modern Millie
Follies A Chorus Line
THROUGH THE YEARS
1982
The Tap Dance
Kid
1992
Jelly’s Last Jam
1980
42nd Street
1985
Black and Blue
Crazy for You
1992 1992 1995 2003
Newsies Bring in Da Noise,
Bring in Da Funk
Never Gonna
Dance
THROUGH THE YEARS
2008
Shrek: The
Musical
2016
Spongebob
Squarepants
The Musical
2004
Mary Poppins
2015
Holiday Inn
Influential Dances & People
Stair Dance with Shirley Temple
In The Little Colonel (1935)
Bill “Bojangles” Robinson
Influential Dances & People
Good Morning with Debbie Reynolds & Donald O’Connor
In Singin’ in the Rain (1952)
Gene Kelly
Influential Dances & People
That’s How You Jazz
from Jelly’s Last Jam (1992)
Gregory Hines
Dance in Modern Musicals
I’m Not a Loser (2016)
Spongebob Squarepants The
Musical
RHYTHM TAP &
HOOFIN’
The Forerunner of Rhythm Tap
★ Emerged from Vaudeville
★ Fast and flashy tap does with wooden bottom shoes
★ Combination of Irish Clogging Styles, High Kicks, and
complex African rhythms and steps
★ Famous Buck and Wing tappers: Harland Dixon and
Jimmy Doyle
Buck and Wing
WHAT MAKES IT RHYTHM TAP?
Tap shoes didn’t
have screws and
metal until 1921
★ Percussive heel drops, focusing more on heels and lower half of the body rather than
toes and upper body
★ Grounded
★ Focuses more on acoustic rather than aesthetic qualities
★ Focus is always on the feet
★ Syncopation became popular - drummers were inspired by tap dancers!
★ Invented by John W. Bubbles, the “Father of Rhythm Tap”
How is this style different from Musical Theater/Show tap?
★ Dancing into the floor
★ Emphasis on stamps & stomps and other rhythmic percussions, sounds and
syncopations
WHAT MAKES IT HOOFIN’?
John W. Bubbles
Father of
Rhythm Tap
★ Lost his leg at the age of 12
★ Created his own style of dance - a peg leg, and a shoe with 2 taps
CLAYTON ‘PEG LEG’ BATES
Savion Glover
★ From Newark, NJ
★ Was on Broadway at the age of 11 in The Tap
Dance Kid, his career took off from there
★ Performed on Sesame Street
★ Did all of the tapping in Happy Feet
★ Married tap and hip hop
★ Developed his own dancing style he dubbed
"free style hard core"
INFLUENTIAL FEMALE TAPPERS
THE SYNCOPATED LADIES
DORRANCE DANCE
CHLOE & MAUD ARNOLD
MICHELLE DORRANCE
Musical
Theater Jazz
Vaudeville was coming to an end as the
stock market crashed in 1929
The Palace Theater in NYC began showing
only cinematic productions (movies!)
Surviving Broadway shows - anything that
lasted longer than 1 run - began to play on
the extravagant styles of feathers, glitz, and
glamour of the 1920s
● Ned Wayburn created a school in both
NYC and Chicago - Ned Wayburn Institute
of Dancing - to train chorus girls as dancers
● Trained many notable dancers of the
1900s including
○ Fred and Adele Astaire
○ Al Johnson
○ Will Rogers
○ And 122 others!
● Known for a stylized jazz walk (that we still
use today), straight lines, V formation,
rectangles, circles
● Focused on the idea that dance was a
spectacle rather than a more meaningful
vehicle of expression
● In the 1940s - musicals began to develop
more of the character, thought, theme,
and emotions
Ned Wayburn
More notable dance directors of the 1920s & 1930s
● Seymour Felix - felt that dance must support
the plot, character development, and overall
spirit of the musical. Thought many tricks were
unnecessary to a meaningful Broadway show
● Albertina Rasch - classical ballet background.
Trained her own dancers. Choreographed
dance sequences that were unrelated to the
plot. Combinated ballet technique and popular
syncopated jazz styles of the 20s
● Robert Alton - worked collaboratively with
Cole Porter, Rodgers and Hart, Rodgers and
Hammerstein to create musicals such as
Anything Goes, and the Ziegfeld Follies of
1936. Mixed ballet, tap, and jazz for a more
dynamic range and levels of interest for shows.
Inspired by improvisation from tap and jazz -
he often choreographed without researching
the show!
Seymour Felix
Robert Alton
Albertina Rasch
Jack Cole
● “Father of Theatrical Jazz Dance”
● Began working with Ruth St
Denis and Ted Shawn in the
1920s with Humphrey-Weidman
● Fascinated by cultural dances
from around the world such as
East Indian and Cambodian
Ballet
● Very isolated and strong
movement
● This focus has inspired a lot of
jazz dance that we see today
● His career took off in the 1940s
● Famous works: A Funny Thing
Happened on the Way to the
Forum, Man of La Mancha
Agnes De Mille
● Had a passion for acting as both
her father and her uncle were
Hollywood directors
● Inspired by watching Anna Pavlova
and became obsessed with
studying ballet
● Was one of the first dancers to
receive a leading role in a musical
as many were given to singers and
actors. She was a triple threat!
● Influential because she created a
demand for high level of technical
expertise in dancers
● Famous works: Rodeo, Oklahoma!
George Balanchine
● A classically trained Russian
ballet dancer
● Wanted to bring more than just
simplistic dances to the
Broadway stage
● Wanted commercial
components to of the dance to
be important
● Opened the door for an artistic
approach to ballet in musical
theater
● Technical excellence became
an important aspect of
Broadway
● Famous works: On Your Toes, a
list of ballet repertoire
Pick 1 Choreographer to Research
You will choose one choreographer
from this list to research.
Please find the following:
1. Date and place of birth
2. What they’ve choreographed
3. Important fact
4. Important fact
5. Important fact
6. Photo
BONUS: a video of something
they choreographed
Put this information on the slide with
your name
Choreographers to Choose From:
● Jerome Robbins
● Bob Fosse
● Michael Bennett
● Michael Kidd
● Gower Champion
● George Faison
● Gillian Lynne
● Savion Glover
● Susan Stroman
● Andy Blankenbuehler
Geysy
Gillian Lynne
Date of birth: February 20,1926
Bromley, united kingdom
What she choreographed-
cats , the phantom of the opera, and aspects of love
She was an english ballerina
She started her career at the age of 16
Aside from being a dancer and choreographer she was also a actress
Anna
Susan Stroman
❏ DOB & Place : October 17,1954. Wilmington, DE.
❏ Susan choreographed Crazy for you, Contact,
The scottsboro Boys & The producers.
Leikel
Enuavyre
Born: April 8,1943 , Buffalo,Ny
Died:July 2,1987
Michael Bennett choreographed
the play “Seesaw”.
● Overtime he earned eight
tony awards from previous
musicals
● At 16 he dropped out of
highschool to dance in
european tour of Jorome
robbins
● He set up a series of
workshops because life for
dancers in 1970 was a little
challenging
Marcos
Angie
Cinthia
Jerome Robbins
● Was born on October 11, 1918,Manhattan, New York, NY
● He was an American Choreographer. He choreograph “Afternoon of
a faun
● Worked in classical ballet
● Created 54 ballets
● Directed more than 20 broadway shows
Monica
Christina
Savion Glover
● Savion Glover was born in november 19, 1973 Newark,NJ U.S
● Savion is an american dancer and choreographer who became know for his unique
pounding style of tap dancing,called “hitting”.
● In 1992, Glover became the youngest recipient of a national endowment for the arts
grant.
● Glover was nominated for several tony awards for bring in da noise,bring in da funk,
winning the best choreography award.
● Savion Glover was interviewed by the history makers on november 30,2016
Preview
Preview
6:17
Nyasia
“Diamond’s Are a
Girls Best Friend” in
Gentlemen Prefer
Blondes (1953)
Choreography by
Jack Cole
Rodeo (1973)
Choreography by Agnes de Mille
“On Your Toes” in
Slaughter on 10th
Avenue (1939)
Choreography by George
Balanchine
“Rich Man’s
Frug” in Sweet
Charity (1969)
Choreography
by Bob Fosse
“One” in A Chorus
Line (1985)
Choreography by
Michael Bennett
“Audition” in 42nd
Street (1933)
Choreography by
Gower Champion
Jazz
Dance
Today
As we’ve seen over time, jazz dance
is social by nature. In its earliest
form as a means of communication
and community between enslaved
people, up until now as hip hop
and commercialized dance, jazz still
serves as a social art form.
● Popular music and jazz dance have always gone
hand in hand
● As jazz continued to evolve throughout the years,
many different styles have emerged such as
○ Disco
○ Hip Hop
○ Commercial Jazz
○ MTV dancing
○ Just to name a few
● Keeping up with popular trends and pop music has
been vital to keeping this evolution of dance alive
○ The Hustle
○ Electric Slide
○ YMCA
○ The Frug
○ Cha Cha Slide
○ The Dougie
○ Cupid Shuffle
○ The Wobble
○ Plus many, MANY more!
Hip Hop
● Represents a form of
communication that emerged out
of a marginalized society in the
concrete jungle of the NYC Bronx
neighborhood
● Shaped by sociocultural and
sociopolitical circumstances in the
1970s and developed during
economical struggles and
environmental turmoil, hip hop
gave voice to restless and
tumultuous inner-city youth.
● Roots in the social fabric of African
and Afro-Caribbean concepts that
have the re-inventions in ragtime,
jazz, blues, rhythm and blues,
rock’n’roll, funk, and soul
More Tap Resources!
★ Savion! My Life in Tap by Savion Glover
★ PBS Tap Dance in America (with Gregory Hines) on Youtube
★ Up From the Hold: The Story of Tap - New Yorker article (includes more resources)
British Columbia Vernacular Jazz Dance Society. (n.d.).
What Is Vernacular Jazz Dance? BCVJDS. Retrieved
December 3, 2021, from
https://www.vernacularjazzdancesociety.ca/?page_id=16.
Guarino, L., Oliver, W., & Amin, T. N. (2015). In Jazz
dance: A history of the roots and branches (pp. 35–44).
essay, University Press of Florida.
Nicholls, C. (2020, October 23). Pattin' Juba was a
foundation of jazz dance. Dance Magazine. Retrieved
November 19, 2021, from
https://www.dancemagazine.com/jazz-dance-2646414724
.html?rebelltitem=2#rebelltitem2.
Resources
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Mercury is the closest planet to the
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Saturn is a gas giant
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Venus is the second
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MERCURY
Mercury is the closest
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SATURN NEPTUNE
Saturn is the ringed
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Neptune is the
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Venus is the second
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Despite being red, Mars is
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Neptune is the fourth-largest
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Jazz Dance History.pdf

  • 1. Dance History What is the story of the artform we study?
  • 3. Jazz dance, a uniquely American dance form, is rooted in and informed by African movement idioms and aesthetics that traveled to the United States with the trafficking of African people, commonly referred to as the Middle Passage or the transatlantic slave trade. During the enslavement era, African dances were transformed into African American dances with the addition of various movements derived from whites. Post-enslavement and through-out the twentieth century, African-American dance evolved in several directions, one of which was jazz dance. While the term jazz dance was not coined until the 1920s, the primary ancestry of jazz dance can be found by studying African dance forms and how they changed in the context of plantation life. Where does jazz dance originate from? Guarino, L., Oliver, W., & Amin, T. N. (2015). In Jazz dance: A history of the roots and branches (pp. 35–44). essay, University Press of Florida.
  • 4. The Blending of African Cultural Groups ● Buck Dance ● Juba ● Buzzard Lope ● Turkey Trot ● Snake Hips ● Fish tail ● Fish Bone ● Camel Walk ● Cakewalk ● Ring Shout ● Water Dances ← Refer to dances that emerged from the blending of various african cultural groups during enslavement. ← Evidence that dance was a communal expression that became the basis for popular black dances ← Many of these dances had to be performed in secret gatherings
  • 5. Minstrel Shows 1830s ● Black sociocultural dances were being popularized for white audiences ● A form of entertainment that largely caricatured black people ● Blackface was gaining popularity - white performed would cover their faces in black greasepaint or burnt cork where they performed hyperstylized, satirized versions of black dances derived from plantation traditions ● Common finale of minstrel shows was the Cakewalk
  • 6. The cakewalk began as a social dance on plantations where African slaves made fun of the grandeur of European court dances. It was a satirical and joyful expression for an otherwise oppressed people and was later incorporated into minstrel and vaudeville shows around New York City. This changed the fabric of theatrical dance in America. Nicholls, C. (2020, October 23)
  • 7. Vaudeville 1870s ● Touring variety shows with black and black white-faced performers ● Included acrobats, jugglers, child performers, and chorus girls ● Ragtime music from New Orleans, deeply grounded in African aesthetic principles was the historical antecedent to jazz music ● Characteristics of Ragtime: ○ Syncopation ○ Polyrhythms ○ Percussive use of piano
  • 8.
  • 9. The mix of European-derived couples dances in the early 20th century and social dances were circulating in black communities blended together to create popular dances such as The Charleston, the Black Bottom, the Suzy-Q, and the Lindy Hop Jazz dance is a uniquely American artform as it blends African and European cultural influences with the Black experience in America.
  • 10. Vernacular Jazz “Dances, rooted in African American traditions and movements, done to jazz music from the late 1800s to beyond.” -(What Is Vernacular Jazz Dance?)
  • 11. What is Vernacular Jazz? ● Birthed in Harlem, NY ● The Cotton Club was the center of the dance movement where the African-American community experimented with dance styles such as swing, Lindy Hop and the Charleston ● Vernacular Jazz is a general term that encompasses a long list of dances with African American roots
  • 12. Swing Dance ● Influenced by Swing music and rhythms ● Was born in Harlem in 1927 ● The heart and soul of jazz dance solidified between the 1920s and 1940s ● Partner dances
  • 13. The Lindy Hop Frankie Manning Born in the Savoy Ballroom
  • 14. Notable People Whitey’s Lindy Hoppers Frankie Manning Norma Miller Al Minns & Leon James
  • 15. Now it’s your turn to try! ★ You are going to learn 5 Lindy Hop steps ★ Watch the videos on the next slides to learn how to do these steps ★ On the document - take notes about what each style feels like in your body ★ At the end, you will collaborate as a class to create a combination using all of these Lindy Hop steps! ★ Have fun!
  • 20. Al & Leon Triplets
  • 22. ● Jazz tap was gaining popularity through artists such as ○ Bill “Bojangles” Robinson ○ John Bubbles ○ Fred Astaire ○ The Nicholas Brothers ○ Jeni LeGon ○ Condos Brothers ○ Jimmy Slyde ● Some of these artists were traveling with Jazz and Big Band artists such as Duke Ellington ○ Vaudeville ○ Cotton Club ○ Apollo Theater ○ Other NYC clubs ● Important contributions to the style based on their own creations, movement style, manner of rhythmic impulse, and conversational exchanges with with musicians Inspired by Rhythm
  • 23. ● The “National Anthem” of tap ● Was a mix of social dances ○ The Shim Sham ○ Push and Cross ○ Tack Annie ○ Half Break ● Originally created by Leonard Reed and Willie Bryant as a tap number that the whole ensemble could perform together ○ Initially called the Goofus and was done to the “Turkey in the Straw” ● Later renamed the Shim Sham Shimmy after it performed at a club called the Shim Sham - the dance spread like wildfire! ● There are now many variations including the Frankie Manning version which he adapted after learning it at the Savoy Ballroom as more of a jazz routine The Shim Sham
  • 24.
  • 27. ★ Another name is Show Tap or Broadway Tap ★ Progresses the story/plot of the musical/movie ★ Focuses heavily on the dancing and entertainment value ★ Generally, light sounding but can have shading ★ Progressed from Irish Jig and the Juba, to soft shoe, to the different styles of tap we have today What makes it ‘musical theater’ tap?
  • 28. THROUGH THE YEARS 1935 The Little Colonel 1952 Singin’ in the Rain 1932 Anything Goes 1942 Yankee Doodle Dandy Walking Happy 1966 1967 1971 1975 Thoroughly Modern Millie Follies A Chorus Line
  • 29. THROUGH THE YEARS 1982 The Tap Dance Kid 1992 Jelly’s Last Jam 1980 42nd Street 1985 Black and Blue Crazy for You 1992 1992 1995 2003 Newsies Bring in Da Noise, Bring in Da Funk Never Gonna Dance
  • 30. THROUGH THE YEARS 2008 Shrek: The Musical 2016 Spongebob Squarepants The Musical 2004 Mary Poppins 2015 Holiday Inn
  • 31. Influential Dances & People Stair Dance with Shirley Temple In The Little Colonel (1935) Bill “Bojangles” Robinson
  • 32. Influential Dances & People Good Morning with Debbie Reynolds & Donald O’Connor In Singin’ in the Rain (1952) Gene Kelly
  • 33. Influential Dances & People That’s How You Jazz from Jelly’s Last Jam (1992) Gregory Hines
  • 34. Dance in Modern Musicals I’m Not a Loser (2016) Spongebob Squarepants The Musical
  • 36. The Forerunner of Rhythm Tap ★ Emerged from Vaudeville ★ Fast and flashy tap does with wooden bottom shoes ★ Combination of Irish Clogging Styles, High Kicks, and complex African rhythms and steps ★ Famous Buck and Wing tappers: Harland Dixon and Jimmy Doyle Buck and Wing
  • 37. WHAT MAKES IT RHYTHM TAP? Tap shoes didn’t have screws and metal until 1921 ★ Percussive heel drops, focusing more on heels and lower half of the body rather than toes and upper body ★ Grounded ★ Focuses more on acoustic rather than aesthetic qualities ★ Focus is always on the feet ★ Syncopation became popular - drummers were inspired by tap dancers! ★ Invented by John W. Bubbles, the “Father of Rhythm Tap” How is this style different from Musical Theater/Show tap?
  • 38. ★ Dancing into the floor ★ Emphasis on stamps & stomps and other rhythmic percussions, sounds and syncopations WHAT MAKES IT HOOFIN’?
  • 39. John W. Bubbles Father of Rhythm Tap
  • 40. ★ Lost his leg at the age of 12 ★ Created his own style of dance - a peg leg, and a shoe with 2 taps CLAYTON ‘PEG LEG’ BATES
  • 41. Savion Glover ★ From Newark, NJ ★ Was on Broadway at the age of 11 in The Tap Dance Kid, his career took off from there ★ Performed on Sesame Street ★ Did all of the tapping in Happy Feet ★ Married tap and hip hop ★ Developed his own dancing style he dubbed "free style hard core"
  • 42. INFLUENTIAL FEMALE TAPPERS THE SYNCOPATED LADIES DORRANCE DANCE CHLOE & MAUD ARNOLD MICHELLE DORRANCE
  • 43. Musical Theater Jazz Vaudeville was coming to an end as the stock market crashed in 1929 The Palace Theater in NYC began showing only cinematic productions (movies!) Surviving Broadway shows - anything that lasted longer than 1 run - began to play on the extravagant styles of feathers, glitz, and glamour of the 1920s
  • 44. ● Ned Wayburn created a school in both NYC and Chicago - Ned Wayburn Institute of Dancing - to train chorus girls as dancers ● Trained many notable dancers of the 1900s including ○ Fred and Adele Astaire ○ Al Johnson ○ Will Rogers ○ And 122 others! ● Known for a stylized jazz walk (that we still use today), straight lines, V formation, rectangles, circles ● Focused on the idea that dance was a spectacle rather than a more meaningful vehicle of expression ● In the 1940s - musicals began to develop more of the character, thought, theme, and emotions Ned Wayburn
  • 45. More notable dance directors of the 1920s & 1930s ● Seymour Felix - felt that dance must support the plot, character development, and overall spirit of the musical. Thought many tricks were unnecessary to a meaningful Broadway show ● Albertina Rasch - classical ballet background. Trained her own dancers. Choreographed dance sequences that were unrelated to the plot. Combinated ballet technique and popular syncopated jazz styles of the 20s ● Robert Alton - worked collaboratively with Cole Porter, Rodgers and Hart, Rodgers and Hammerstein to create musicals such as Anything Goes, and the Ziegfeld Follies of 1936. Mixed ballet, tap, and jazz for a more dynamic range and levels of interest for shows. Inspired by improvisation from tap and jazz - he often choreographed without researching the show! Seymour Felix Robert Alton Albertina Rasch
  • 46. Jack Cole ● “Father of Theatrical Jazz Dance” ● Began working with Ruth St Denis and Ted Shawn in the 1920s with Humphrey-Weidman ● Fascinated by cultural dances from around the world such as East Indian and Cambodian Ballet ● Very isolated and strong movement ● This focus has inspired a lot of jazz dance that we see today ● His career took off in the 1940s ● Famous works: A Funny Thing Happened on the Way to the Forum, Man of La Mancha
  • 47. Agnes De Mille ● Had a passion for acting as both her father and her uncle were Hollywood directors ● Inspired by watching Anna Pavlova and became obsessed with studying ballet ● Was one of the first dancers to receive a leading role in a musical as many were given to singers and actors. She was a triple threat! ● Influential because she created a demand for high level of technical expertise in dancers ● Famous works: Rodeo, Oklahoma!
  • 48. George Balanchine ● A classically trained Russian ballet dancer ● Wanted to bring more than just simplistic dances to the Broadway stage ● Wanted commercial components to of the dance to be important ● Opened the door for an artistic approach to ballet in musical theater ● Technical excellence became an important aspect of Broadway ● Famous works: On Your Toes, a list of ballet repertoire
  • 49. Pick 1 Choreographer to Research You will choose one choreographer from this list to research. Please find the following: 1. Date and place of birth 2. What they’ve choreographed 3. Important fact 4. Important fact 5. Important fact 6. Photo BONUS: a video of something they choreographed Put this information on the slide with your name Choreographers to Choose From: ● Jerome Robbins ● Bob Fosse ● Michael Bennett ● Michael Kidd ● Gower Champion ● George Faison ● Gillian Lynne ● Savion Glover ● Susan Stroman ● Andy Blankenbuehler
  • 50. Geysy Gillian Lynne Date of birth: February 20,1926 Bromley, united kingdom What she choreographed- cats , the phantom of the opera, and aspects of love She was an english ballerina She started her career at the age of 16 Aside from being a dancer and choreographer she was also a actress
  • 51. Anna Susan Stroman ❏ DOB & Place : October 17,1954. Wilmington, DE. ❏ Susan choreographed Crazy for you, Contact, The scottsboro Boys & The producers.
  • 53. Enuavyre Born: April 8,1943 , Buffalo,Ny Died:July 2,1987 Michael Bennett choreographed the play “Seesaw”. ● Overtime he earned eight tony awards from previous musicals ● At 16 he dropped out of highschool to dance in european tour of Jorome robbins ● He set up a series of workshops because life for dancers in 1970 was a little challenging
  • 55. Angie
  • 56. Cinthia Jerome Robbins ● Was born on October 11, 1918,Manhattan, New York, NY ● He was an American Choreographer. He choreograph “Afternoon of a faun ● Worked in classical ballet ● Created 54 ballets ● Directed more than 20 broadway shows
  • 58. Christina Savion Glover ● Savion Glover was born in november 19, 1973 Newark,NJ U.S ● Savion is an american dancer and choreographer who became know for his unique pounding style of tap dancing,called “hitting”. ● In 1992, Glover became the youngest recipient of a national endowment for the arts grant. ● Glover was nominated for several tony awards for bring in da noise,bring in da funk, winning the best choreography award. ● Savion Glover was interviewed by the history makers on november 30,2016 Preview Preview 6:17
  • 60. “Diamond’s Are a Girls Best Friend” in Gentlemen Prefer Blondes (1953) Choreography by Jack Cole
  • 62. “On Your Toes” in Slaughter on 10th Avenue (1939) Choreography by George Balanchine
  • 63. “Rich Man’s Frug” in Sweet Charity (1969) Choreography by Bob Fosse
  • 64. “One” in A Chorus Line (1985) Choreography by Michael Bennett
  • 65. “Audition” in 42nd Street (1933) Choreography by Gower Champion
  • 67. As we’ve seen over time, jazz dance is social by nature. In its earliest form as a means of communication and community between enslaved people, up until now as hip hop and commercialized dance, jazz still serves as a social art form.
  • 68. ● Popular music and jazz dance have always gone hand in hand ● As jazz continued to evolve throughout the years, many different styles have emerged such as ○ Disco ○ Hip Hop ○ Commercial Jazz ○ MTV dancing ○ Just to name a few ● Keeping up with popular trends and pop music has been vital to keeping this evolution of dance alive ○ The Hustle ○ Electric Slide ○ YMCA ○ The Frug ○ Cha Cha Slide ○ The Dougie ○ Cupid Shuffle ○ The Wobble ○ Plus many, MANY more!
  • 69. Hip Hop ● Represents a form of communication that emerged out of a marginalized society in the concrete jungle of the NYC Bronx neighborhood ● Shaped by sociocultural and sociopolitical circumstances in the 1970s and developed during economical struggles and environmental turmoil, hip hop gave voice to restless and tumultuous inner-city youth. ● Roots in the social fabric of African and Afro-Caribbean concepts that have the re-inventions in ragtime, jazz, blues, rhythm and blues, rock’n’roll, funk, and soul
  • 70.
  • 71. More Tap Resources! ★ Savion! My Life in Tap by Savion Glover ★ PBS Tap Dance in America (with Gregory Hines) on Youtube ★ Up From the Hold: The Story of Tap - New Yorker article (includes more resources)
  • 72. British Columbia Vernacular Jazz Dance Society. (n.d.). What Is Vernacular Jazz Dance? BCVJDS. Retrieved December 3, 2021, from https://www.vernacularjazzdancesociety.ca/?page_id=16. Guarino, L., Oliver, W., & Amin, T. N. (2015). In Jazz dance: A history of the roots and branches (pp. 35–44). essay, University Press of Florida. Nicholls, C. (2020, October 23). Pattin' Juba was a foundation of jazz dance. Dance Magazine. Retrieved November 19, 2021, from https://www.dancemagazine.com/jazz-dance-2646414724 .html?rebelltitem=2#rebelltitem2. Resources
  • 73. Students Stop Here Teacher: Template slides follow
  • 74. Here’s what you’ll find in this Slidesgo template: 1. A slide structure based on a marketing campaign, which you can easily adapt to your needs. For more info on how to edit the template, please visit Slidesgo School or read our FAQs. 2. An assortment of graphic resources that are suitable for use in the presentation can be found in the alternative resources slide. 3. A thanks slide, which you must keep so that proper credits for our design are given. 4. A resources slide, where you’ll find links to all the elements used in the template. 5. Instructions for use. 6. Final slides with: 1. The fonts and colors used in the template. 2. A selection of illustrations. You can also customize and animate them as you wish with the online editor. Visit Storyset to find more. 3. More infographic resources, whose size and color can be edited. 4. Sets of customizable icons of the following themes: general, business, avatar, creative process, education, help & support, medical, nature, performing arts, SEO & marketing, and teamwork. You can delete this slide when you’re done editing the presentation. CONTENT OF THIS TEMPLATE
  • 75. TABLE OF CONTENTS ALL ABOUT US MARKET ANALYSIS CONTENT PLAN ALL ABOUT OUR BUDGET Here you could describe the topic of the section Here you could describe the topic of the section Here you could describe the topic of the section Here you could describe the topic of the section 01 02 04 05 GOALS & STRATEGY KPI OVERVIEW Here you could describe the topic of the section Here you could describe the topic of the section 03 06
  • 76. WHOA! This could be the part of the presentation where you can introduce yourself, write your email…
  • 77. OUR COMPANY Mercury is the closest planet to the Sun and the smallest one in the Solar System—it’s only a bit larger than the Moon. The planet’s name has nothing to do with the liquid metal since it was named after the Roman messenger god, Mercury
  • 78. ABOUT US 01 You can enter a subtitle here in case you need it
  • 79. OUR GOALS MARS SATURN It’s a cold place. The planet is full of iron oxide dust Saturn is composed mostly of hydrogen and helium VENUS Venus is the second planet from the Sun. It’s terribly hot
  • 80. ABOUT THE PRODUCT ● You can write about the product here ● You can write about the product here ● You can write about the product here
  • 82. CORE VALUES MARS MERCURY Despite being red, Mars is a cold place Mercury is the smallest planet VENUS SATURN Venus is the second planet from the Sun Saturn is a gas giant and has several rings
  • 83. WHAT SETS US APART? Mercury is the closest planet to the Sun and the smallest one Venus is the second planet from the Sun. It’s terribly hot MERCURY VENUS
  • 84. MILESTONES MARS VENUS Despite being red, Mars is a cold place Venus has a beautiful name. It’s terribly hot MERCURY Mercury is the closest planet to the Sun SATURN NEPTUNE Saturn is the ringed planet and a gas giant Neptune is the farthest planet JUPITER It’s the biggest planet in the Solar System
  • 85. Venus is the second planet from the Sun Despite being red, Mars is a cold place, not hot MARKET SHARE To modify this graph, click on it, follow the link, change the data and paste the new graph here VENUS MARS
  • 86. CORE CUSTOMER AUDIENCES GENDER 45% 55% INTERESTS AGE Male Female To modify this graph, click on it, follow the link, change the data and paste the new graph here
  • 87. CUSTOMER DEMOGRAPHICS Despite being red, Mars is a cold place MARS Mercury is the closest planet to the Sun MERCURY
  • 88. A PICTURE IS WORTH A THOUSAND WORDS
  • 89. MARKET SEGMENTATION To modify this graph, click on it, follow the link, change the data and paste the new graph here Saturn is composed mostly of hydrogen and also helium MERCURY 25% SATURN 25% JUPITER 50% Mercury is the closest planet to the Sun and the smallest one Jupiter is a gas giant and the biggest planet of them all
  • 90. COMPETITOR ANALYSIS STRENGTHS WEAKNESSES ● Here you can list your competitor’s strength ● Here you can list your competitor’s strength ● Here you can list your competitor’s strength ● Here you can list your competitor’s weakness ● Here you can list your competitor’s weakness ● Here you can list your competitor’s weakness
  • 91. 4,560 Big numbers catch your audience’s attention
  • 92. STRATEGY MARS Despite being red, Mars is a cold place VENUS Venus has a beautiful name. It’s terribly hot JUPITER Jupiter is the biggest planet in the Solar System
  • 93. PERCENTAGES MARS JUPITER Despite being red, Mars is a cold place It’s the biggest planet in the Solar System VENUS Venus has a beautiful name. It’s terribly hot 45% 60% 20%
  • 94. —SOMEONE FAMOUS “This is a quote, words full of wisdom that someone important said and can make the reader get inspired”
  • 95. PRODUCT DESCRIPTION MERCURY It is the closest planet to the Sun and the smallest one SATURN Saturn is composed mostly of hydrogen and also helium JUPITER It’s a gas giant and the biggest planet NEPTUNE Neptune is the fourth-largest planet in the Solar System
  • 96. PRICING BASIC PRO Mercury is the closest planet to the Sun and the smallest of them all Jupiter is a gas giant and the biggest planet in the Solar System PREMIUM Saturn is composed mostly of hydrogen and also helium. It’s a gas giant $30.99 $50.00 $69.00
  • 98. PROMOTION MULTIMEDIA PRESS It’s a cold place. The planet is full of iron oxide dust Saturn is composed mostly of hydrogen and also helium MOBILE APP Venus is the second planet from the Sun. It’s terribly hot
  • 99. ADVERTISING CAMPAIGN 1 CHANNEL Paper press $500,000 budget GOALS 1. Here you can list your goals 2. Here you can list your goals 3. Here you can list your goals DESCRIPTION Mercury is the closest planet to the Sun and the smallest one in the Solar System—it’s only a bit larger than the Moon
  • 100. ADVERTISING CAMPAIGN 2 BUDGET $25,000,000 CHANNEL Multimedia GOALS 1. Here you can list your goals 2. Here you can list your goals 3. Here you can list your goals DESCRIPTION Mercury is the closest planet to the Sun and the smallest one in the Solar System
  • 101. A PICTURE ALWAYS REINFORCES THE CONCEPT Images reveal large amounts of data, so remember: use an image instead of long texts. Your audience will appreciate it
  • 102. PR OUTREACH It’s the fourth-brightest object in the sky It’s a gas giant, composed of hydrogen and helium Social media Press TV MEDIA CHANNEL KEY MESSAGE GOALS 65% 80% Goal 1 Goal 2
  • 103. BUDGET ALLOCATION JUPITER MERCURY VENUS Q1 $3,000 $4,000 $5,000 Q2 $3,200 $4,200 $5,100 Q2 $3,250 $4,220 $5,200 Q4 $3,260 $4,222 $5,350
  • 104. PREDICTED REACH To modify this graph, click on it, follow the link, change the data and paste the new graph here 50,000 18,000,000 New followers Mention and interactions SATURN Saturn is the ringed planet and a gas giant
  • 105. TIMELINE MARS Despite being red, Mars is a cold place VENUS Venus has a beautiful name. It’s terribly hot JUPITER Jupiter is the biggest planet in the Solar System SATURN Saturn is the ringed planet and a gas giant 01 02 03 04
  • 107. OUR TEAM JOHN JAMES You can replace the image on the screen with your own
  • 108. CREDITS: This presentation template was created by Slidesgo, including icons by Flaticon, infographics & images by Freepik Do you have any questions? addyouremail@freepik.com | +91 620 421 838 | yourcompany.com THANKS Please, keep this slide for the attribution
  • 109. ALTERNATIVE RESOURCES VECTOR: ● Brown texture ● Cardboard texture ● Paper texture PHOTO: ● Front view man opening delivered package ● Man with parcel looking camera ● Cheerful courier with parcels ● Hand giving cardboard box ● Set closed cardboard boxes
  • 110. RESOURCES VECTOR: ● Brown paper texture PHOTO: ● Stacked moving cardboard boxes against white wall ● Hand holding cardboard box ● High angle man couch opening box
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  • 113. Storyset Create your Story with our illustrated concepts. Choose the style you like the most, edit its colors, pick the background and layers you want to show and bring them to life with the animator panel! It will boost your presentation. Check out How it Works. Pana Amico Bro Rafiki Cuate
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  • 117. JANUARY FEBRUARY MARCH APRIL PHASE 1 Task 1 Task 2 JANUARY FEBRUARY MARCH APRIL MAY JUNE PHASE 1 PHASE 2 Task 1 Task 2 Task 1 Task 2
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  • 120. ...and our sets of editable icons You can resize these icons without losing quality. You can change the stroke and fill color; just select the icon and click on the paint bucket/pen. In Google Slides, you can also use Flaticon’s extension, allowing you to customize and add even more icons.
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