Architect Francine Houben brings touches from the Netherlands to Dudley Square building - Style - The Boston Globe

1/3/15, 11:48 PMArchitect Francine Houben brings touches from the Netherlands to Dudley Square building - Style - The Boston Globe
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Dutch architect’s design brings
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Architect Francine Houben envisions building as a symbol
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DINA RUDICK/GLOBE STAFF
The new Bruce C. Bolling Municipal
Building in Dudley Square.
PHIL NIJHUIS FOR THE BOSTON GLOBE
Francine Houben designed the city’s new Bruce Bolling Building.
By Linda Matchan GLOBE STAFF JANUARY 02, 2015
DELFT, the Netherlands — Far away from
Roxbury, in the land of tulips and windmills, is a
small replica of the new Bruce C. Bolling
Municipal Building in Dudley Square.
It is an architectural scale model, and it is sitting
in the board room of architect Francine
Houben’s firm Mecanoo. Houben — considered
one of the world’s most influential architects —

designed the $125 million Roxbury building, in collaboration with Watertown-based
Sasaki Associates. It opens this month and will be the new headquarters for Boston’s
public schools.
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Municipal buildings are notoriously unpleasant and user-unfriendly — mazes of
confusing corridors, lookalike cubicles, dim light, and salvaged furniture. But this one
is different.
The
building is meant to be a symbol, the centerpiece of a revitalized, no- longer-neglected
Dudley Square that will “unlock its potential,” in the words of the late Thomas M.
Menino, who as mayor championed the project.
It incorporates the facades of three buildings more than a century old, including the
iconic Ferdinand furniture building, which has been vacant for 40 years. It is infused
with light, thanks to a multitude of windows, glass walls, and open work stations.
There are “alternative” desk spaces for workers who want a change of scenery, and a
roof garden with a panoramic view of Boston’s skyline. And the furnishings for the
500-plus employees who will work there are a modernist snob’s dream — ergonomic
Herman Miller chairs, sleek Knoll work stations, fancy European-style kitchens with
blue refrigerators, presumably to keep bag lunches cold.
Much of the building, including the roof garden, has nothing to do with schools at all.
There are plans for street-level restaurants and shops, community events, even an
incubator for startups.
Architect Victor Vizgaitis, a principal at Sasaki, said the design is a statement about
“government catching up to where the private sector has been.”
Houben said the building reflects the “Dutch touch.” But both agree it is a radical
building for Boston, especially given its location in a neighborhood that came to be
known for violence and disinvestment.

A model of the Bruce C. Bolling Municipal Building, located in Roxbury’s Dudley Square.
This is one of the reasons why Houben was drawn to the project, in addition to the fact
that she loves Boston (she was a visiting professor at the Harvard Graduate School of
Design in 1997) and that it gives her firm a toehold in the United States. For years, she
worked on housing projects in urban renewal areas of the Netherlands.
“I worked in these kind of neighborhoods to improve them,” said Houben, the
founding partner and creative director of the 120-person global firm located in Delft, a
quaint 13th-century city famous for Vermeer and Delft Blue pottery. “They have a
certain idea, I have a pencil, and I can realize dreams.”
She dreams big. Her projects include the Library of Birmingham in England, the
largest library in Europe, a transparent glass building wrapped in a filigree of
interlacing rings; the Library of the Technical University of Delft, constructed of glass
and enveloped in grass; and the futuristic Wei-Wu-Ying Center for the Arts in Taiwan,
with nearly 6,000 seats plus an open-air theater. She is currently working on a 17.6-

kilometer cycling route in China that
will link the city of Jiaozuo to the
mountains.
“Francine may be one of the most
important architects working in the
world right now,” said Kairos Shen,
chief planner for the Boston
Redevelopment Authority, who was
trained as an architect at MIT.
In February, Houben was named 2014
Woman Architect of the Year by the
Architects’ Journal, a United Kingdom-
based architecture magazine. That same
month, Mecanoo won the competition
to revamp the Martin Luther King Jr.
Memorial Library in Washington, “to
give it a rebirth,” she said. “A totally
new vision.” The original was designed
by Mies van der Rohe.
“I specialize in things I’ve never done
before,” said Houben, 59. Her buildings
bear little resemblance to one another except for a sense of drama, and the occasional
unexpected use of an intense hue she calls “Mecanoo Blue.” (Thus, the Mecanoo Blue
refrigerators in the Bolling building, which is named for the former city councilor from
Roxbury who died in 2012.) Her work also draws inspiration from nature. This was not
easy to accomplish in the Dudley Square project, where nature is in short supply. So
she looked instead to the building’s bricks.
“I come from a brick country,” said Houben, whose office, a former hospital, is located
on a canal in Delft’s historic city center, where streets are paved with all manner of
brickwork, much of it irregular and textured. “The rivers bring clay, and that’s our
Architect Francine Houben (pictured) says of
the Bolling Municipal Building: “It will be a
catalyst for the neighborhood.”

The Ferdinand building in 1911.
material. There’s not a lot of wood here.”
Boston, she added, is “very much about bricks,” and so was the original Ferdinand
building, though little of the structure remained except its facade.
Houben said she felt strongly that the city should
purchase and restore not only the Ferdinand
building, but the Curtis and Waterman buildings
next to it so that there would be no more holes in
the ground between structures, and dismal
angles, but rather a triangle of elegant facades
connected by new construction. She felt the
people waiting at the Dudley bus station across
the street should be looking at something
uplifting, not depressing. The restored facades
are connected by dynamic, undulating waves of
textured bricks that are staggered and turned at
different angles, so that it looks — well, Dutch.
The pattern of the new brick entryway in front of
the old Ferdinand building also bears an uncanny resemblance to the brick on Oude
Delft street, where Mecanoo is located.
Houben also looked to the people of Dudley Square for inspiration.
“We did interviews with people on the street, and they were very optimistic about the
neighborhood,” she said. “They had very good memories of the Ferdinand building,”
home at one time to the largest furniture retailer in New England.
To many people, it remains the enduring symbol of the glory days of Dudley Square,
once known as Boston’s “other downtown.” The elevated Orange Line rolled down
Washington Street, and the square bustled with shops, restaurants, and social halls.
Houben said the neighborhood people she spoke to missed the vitality of Dudley
Square.

“I asked them about their dreams also, and they wanted better places to eat, a place
where they could go for music,” she said. “I thought the building should be a little bit
jazzy.”
With all her experience in troubled neighborhoods, Houben said Dudley Square was
one of the saddest sites she had ever seen. And yet the potential seemed so great.
“I went to the top of the Ferdinand building and saw how nearby the city center was,”
she said. “Dudley Square and Roxbury are the gravity point of Boston.”
She thought about the people who would be using the building — the workers, the
teachers, the parents, the children — and that they deserved something much better.
“In my dream, this should be more like a village,” she said. “I call it Ferdinand Village.
It should be welcoming from all sides. People on the street can see the craftsmanship
in the bricks. Parents with children will come in and feel welcome; my dream is to
have free computers here for children who don’t have them at home. It will be a
catalyst for the neighborhood. There can be educational events; the Roxbury Film
Festival can have screenings here.”
It is now one of her favorite buildings, she said: “It is a pity that Thomas Menino
cannot see it finished.”

DINA RUDICK/GLOBE STAFF.
The new Bruce C. Bolling Municipal Building in Dudley Square.
Related:
• Boston’s best new buildings
• Witnesses to Dudley Square’s rebirth
• Dudley Square building to be renamed for Bruce Bolling
• Paul McMorrow: Pieces are being put in place for Dudley Square revival
• Photos: The faces of Dudley Square
Linda Matchan can be reached at linda.matchan@globe.com.
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Architect Francine Houben brings touches from the Netherlands to Dudley Square building - Style - The Boston Globe

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