SlideShare ist ein Scribd-Unternehmen logo
1 von 34
C.S. Lewis and Jungian ArchetypesC.S. Lewis and Jungian Archetypes
ArchetypesArchetypes
 ImagesImages ((Stock ResponsesStock Responses))
 ColorsColors
 ShapesShapes
 Proportions / RatiosProportions / Ratios
 SymbolsSymbols ((Stock ResponsesStock Responses))
 Designs / PatternsDesigns / Patterns
 AnimalsAnimals
 SceneryScenery
 Character typesCharacter types ((MythicMythic))
 Plot / Story Patterns (Plot / Story Patterns (MythMyth))
. . . which evoke a. . . which evoke a
UniversalUniversal
InstinctualInstinctual
EmotionalEmotional
ReactionReaction
From the CollectiveFrom the Collective
UnconsciousUnconscious
““Archetypes are theArchetypes are the
Numinous”Numinous”
““We cannot tell whetherWe cannot tell whether
God and theGod and the
unconscious are twounconscious are two
different entities”different entities”
Numinous OnlyNuminous Only
1.1. Numinous ExperienceNuminous Experience
2.2. Recognition of MoralRecognition of Moral
LawLaw
(External to self)(External to self)
3.3. Numinous, GuardianNuminous, Guardian
of Moral Lawof Moral Law
4.4. Numinous BecomeNuminous Become
ManMan
Archetypes
““If [Stock Responses] are my basic truths, then they areIf [Stock Responses] are my basic truths, then they are
basic truths the loss of which means imaginativebasic truths the loss of which means imaginative
death” (death” (Preface to Paradise LostPreface to Paradise Lost))
Stock themes: “love is sweet, death bitter,Stock themes: “love is sweet, death bitter,
virtue lovely, and children and gardens delightful”virtue lovely, and children and gardens delightful”
““Different kinds of danger strike different chords fromDifferent kinds of danger strike different chords from
the imagination”the imagination”
““Different kinds of danger strikeDifferent kinds of danger strike
different chords from the imagination”different chords from the imagination”
(C.S. Lewis 1962, 16-17)
Tiger Fear
Ghost Dread,
Uncanny
Mighty Spirit
Awe,
Wonder,
Shrinking
Relationship of Fear, Dread, and Awe
Analysis requires separation and segmentation.
But reality operates like a spectrum.
Physical DangerPhysical Danger
The Body UnmadeThe Body Unmade
How would you dealHow would you deal
with this Fear?with this Fear?
Climb a TreeClimb a Tree
Danger of the PsycheDanger of the Psyche
The Mind UnmadeThe Mind Unmade
ThresholdThreshold
How would you deal with thisHow would you deal with this
Fear?Fear?
T.S. Elliot on Charles WilliamsT.S. Elliot on Charles Williams
Danger of The SoulDanger of The Soul
The Being UnmadeThe Being Unmade
Inability to Cope, to Understand, to Exist inInability to Cope, to Understand, to Exist in
the Presence ofthe Presence of
How would you deal with this Fear?How would you deal with this Fear?
BehemothLeviathan
Introduction to All
Hallows Eve
C.S. Lewis, “Weight of
Glory”
We are Numinous Beings
Archetypes are more than
merely symbols and
motifs in literature. As
human universals, they
can be acted out or lived
in.
Werewolf Vampire
Werewolf
Vampire
Dark Lord
Physical
Psyche
Soul
Decay: A pattern of Destruction
Not a regression
Decay is a mutation into something
wholly different
It is an expanding of potential
Degrees of Decay:
Dog
Tiger
Ghost
Human
Demon
Archangel
Pattern:
Older (Male) Preying
(sexually) on Younger
(Female)
The Experienced
Afflicting The Innocent
(rather than instructing)
Images:
Prowling, Pursuing
Festering Appetite
Devouring
“Gaffer (Old Man) Wolf” By Charles Perrault
Pattern:
Older (Male) Preying
(sexually) on Younger
(Female)
The Reverse Pattern:
Naïve fascination with
the dangerous or
forbidden
Or the Tragic Coming of
Age Story
Are there Numinous beings beyond humans?
Individual against Society: Numinous being against
System / or does Society function as a Numinous
being?
Decay & Decadence vs. Benevolence, the use of Power
Light and Dark: Is the Numinous connected to the
Moral?
Newtown shooting
Batman shooting
HS shootings
Whistling
UniversalUniversal
““Instinctual”Instinctual”
Lewis unsure of theLewis unsure of the
theory of Collectivetheory of Collective
UnconsciousUnconscious
““Not Universal”Not Universal”
But, Stock ResponsesBut, Stock Responses
parallel the Moral Lawparallel the Moral Law
Myth is God speakingMyth is God speaking
through Poetsthrough Poets
Should they beShould they be
universal?universal?
Lewis’s “Myth” & “StockLewis’s “Myth” & “Stock
Responses”Responses”
C.G. Jung, Man and His
Symbols
C.G. Jung, Essential Jung
C.S. Lewis, The Problem
of Pain
C.S. Lewis, The Abolition
of Man
C.S. Lewis, An
Experiment in Criticism
C.S. Lewis, “On Stories”
C.S. Lewis, “Psycho-
Analysis and Literary
Criticism”

Weitere ähnliche Inhalte

Andere mochten auch

Febrian gilang a.w xll ips 2
Febrian gilang a.w xll ips 2Febrian gilang a.w xll ips 2
Febrian gilang a.w xll ips 2anggafebrian12
 
Αστικές και περιαστικές καλλιέργειες - Α. Καράγιωργας
Αστικές και περιαστικές καλλιέργειες - Α. ΚαράγιωργαςΑστικές και περιαστικές καλλιέργειες - Α. Καράγιωργας
Αστικές και περιαστικές καλλιέργειες - Α. ΚαράγιωργαςCreativity Platform
 
How real-time customer feedback can leverage profit for your business
How real-time customer feedback can leverage profit for your businessHow real-time customer feedback can leverage profit for your business
How real-time customer feedback can leverage profit for your businessChristine Ellis
 
The temple of edfu, nadia, miguel and kristina
 The temple of edfu, nadia, miguel and kristina The temple of edfu, nadia, miguel and kristina
The temple of edfu, nadia, miguel and kristinakristina_krasimirova
 
Використання функцій в ЕТ EXCEL
Використання функцій в ЕТ EXCELВикористання функцій в ЕТ EXCEL
Використання функцій в ЕТ EXCELtanya-m
 
Sample ppt (jigar patel m13cl08 ).ppx
Sample ppt  (jigar patel m13cl08 ).ppxSample ppt  (jigar patel m13cl08 ).ppx
Sample ppt (jigar patel m13cl08 ).ppxjigarpatidar21
 
The temple of edfu, nadia, miguel and kristina
The temple of edfu, nadia, miguel and kristinaThe temple of edfu, nadia, miguel and kristina
The temple of edfu, nadia, miguel and kristinakristina_krasimirova
 
ESF Style Collection
ESF Style CollectionESF Style Collection
ESF Style CollectionAlan Lowry
 
Hermeticity
HermeticityHermeticity
HermeticityEWI
 

Andere mochten auch (14)

Febrian gilang a.w xll ips 2
Febrian gilang a.w xll ips 2Febrian gilang a.w xll ips 2
Febrian gilang a.w xll ips 2
 
Αστικές και περιαστικές καλλιέργειες - Α. Καράγιωργας
Αστικές και περιαστικές καλλιέργειες - Α. ΚαράγιωργαςΑστικές και περιαστικές καλλιέργειες - Α. Καράγιωργας
Αστικές και περιαστικές καλλιέργειες - Α. Καράγιωργας
 
How real-time customer feedback can leverage profit for your business
How real-time customer feedback can leverage profit for your businessHow real-time customer feedback can leverage profit for your business
How real-time customer feedback can leverage profit for your business
 
The temple of edfu, nadia, miguel and kristina
 The temple of edfu, nadia, miguel and kristina The temple of edfu, nadia, miguel and kristina
The temple of edfu, nadia, miguel and kristina
 
Halla Tomasdottir TED Speaker Presentation of women on boards nwci
Halla Tomasdottir TED Speaker Presentation of  women on boards nwciHalla Tomasdottir TED Speaker Presentation of  women on boards nwci
Halla Tomasdottir TED Speaker Presentation of women on boards nwci
 
10 Weeks of Free
10 Weeks of Free10 Weeks of Free
10 Weeks of Free
 
Використання функцій в ЕТ EXCEL
Використання функцій в ЕТ EXCELВикористання функцій в ЕТ EXCEL
Використання функцій в ЕТ EXCEL
 
The Man with the Horns
The Man with the HornsThe Man with the Horns
The Man with the Horns
 
Sample ppt (jigar patel m13cl08 ).ppx
Sample ppt  (jigar patel m13cl08 ).ppxSample ppt  (jigar patel m13cl08 ).ppx
Sample ppt (jigar patel m13cl08 ).ppx
 
heath robinson
heath robinsonheath robinson
heath robinson
 
The temple of edfu, nadia, miguel and kristina
The temple of edfu, nadia, miguel and kristinaThe temple of edfu, nadia, miguel and kristina
The temple of edfu, nadia, miguel and kristina
 
Cingagoler honey
Cingagoler honeyCingagoler honey
Cingagoler honey
 
ESF Style Collection
ESF Style CollectionESF Style Collection
ESF Style Collection
 
Hermeticity
HermeticityHermeticity
Hermeticity
 

Ähnlich wie Cinema2013

Dream theatres.ppt shortspeech
Dream theatres.ppt  shortspeechDream theatres.ppt  shortspeech
Dream theatres.ppt shortspeechJean Raffa
 
Narrative investigation
Narrative investigationNarrative investigation
Narrative investigationleahfisher12
 
literary-theories_session-6_psychology-of-literature-compatibility-mode.pdf
literary-theories_session-6_psychology-of-literature-compatibility-mode.pdfliterary-theories_session-6_psychology-of-literature-compatibility-mode.pdf
literary-theories_session-6_psychology-of-literature-compatibility-mode.pdfRangothriSreenivasaS
 
Jung and the Tempest
Jung and the TempestJung and the Tempest
Jung and the TempestTrolljima
 
Being john malkovich no vi
Being john malkovich no viBeing john malkovich no vi
Being john malkovich no viKa Hui
 
The History of Gothic Dreams
The History of Gothic DreamsThe History of Gothic Dreams
The History of Gothic DreamsHolly Hirst
 
Example of narrative analysis
Example of narrative analysisExample of narrative analysis
Example of narrative analysisRafaelPerezOlivan
 
Archetypal symbols (best)
Archetypal symbols (best)Archetypal symbols (best)
Archetypal symbols (best)beatuspervenia
 

Ähnlich wie Cinema2013 (13)

Dream theatres.ppt shortspeech
Dream theatres.ppt  shortspeechDream theatres.ppt  shortspeech
Dream theatres.ppt shortspeech
 
Narrative investigation
Narrative investigationNarrative investigation
Narrative investigation
 
literary-theories_session-6_psychology-of-literature-compatibility-mode.pdf
literary-theories_session-6_psychology-of-literature-compatibility-mode.pdfliterary-theories_session-6_psychology-of-literature-compatibility-mode.pdf
literary-theories_session-6_psychology-of-literature-compatibility-mode.pdf
 
Jung and the Tempest
Jung and the TempestJung and the Tempest
Jung and the Tempest
 
Mind Body Problem
Mind Body ProblemMind Body Problem
Mind Body Problem
 
Being john malkovich no vi
Being john malkovich no viBeing john malkovich no vi
Being john malkovich no vi
 
The History of Gothic Dreams
The History of Gothic DreamsThe History of Gothic Dreams
The History of Gothic Dreams
 
Example of narrative analysis
Example of narrative analysisExample of narrative analysis
Example of narrative analysis
 
Zombie Rights
Zombie RightsZombie Rights
Zombie Rights
 
Narrative analysis example
Narrative analysis exampleNarrative analysis example
Narrative analysis example
 
04 mind
04 mind04 mind
04 mind
 
Archetypal symbols (best)
Archetypal symbols (best)Archetypal symbols (best)
Archetypal symbols (best)
 
Into Thin Air Essay
Into Thin Air EssayInto Thin Air Essay
Into Thin Air Essay
 

Cinema2013

  • 1. C.S. Lewis and Jungian ArchetypesC.S. Lewis and Jungian Archetypes
  • 2. ArchetypesArchetypes  ImagesImages ((Stock ResponsesStock Responses))  ColorsColors  ShapesShapes  Proportions / RatiosProportions / Ratios  SymbolsSymbols ((Stock ResponsesStock Responses))  Designs / PatternsDesigns / Patterns  AnimalsAnimals  SceneryScenery  Character typesCharacter types ((MythicMythic))  Plot / Story Patterns (Plot / Story Patterns (MythMyth)) . . . which evoke a. . . which evoke a UniversalUniversal InstinctualInstinctual EmotionalEmotional ReactionReaction From the CollectiveFrom the Collective UnconsciousUnconscious
  • 3.
  • 4. ““Archetypes are theArchetypes are the Numinous”Numinous” ““We cannot tell whetherWe cannot tell whether God and theGod and the unconscious are twounconscious are two different entities”different entities” Numinous OnlyNuminous Only
  • 5. 1.1. Numinous ExperienceNuminous Experience 2.2. Recognition of MoralRecognition of Moral LawLaw (External to self)(External to self) 3.3. Numinous, GuardianNuminous, Guardian of Moral Lawof Moral Law 4.4. Numinous BecomeNuminous Become ManMan
  • 6.
  • 7.
  • 9. ““If [Stock Responses] are my basic truths, then they areIf [Stock Responses] are my basic truths, then they are basic truths the loss of which means imaginativebasic truths the loss of which means imaginative death” (death” (Preface to Paradise LostPreface to Paradise Lost)) Stock themes: “love is sweet, death bitter,Stock themes: “love is sweet, death bitter, virtue lovely, and children and gardens delightful”virtue lovely, and children and gardens delightful” ““Different kinds of danger strike different chords fromDifferent kinds of danger strike different chords from the imagination”the imagination”
  • 10. ““Different kinds of danger strikeDifferent kinds of danger strike different chords from the imagination”different chords from the imagination”
  • 11. (C.S. Lewis 1962, 16-17) Tiger Fear Ghost Dread, Uncanny Mighty Spirit Awe, Wonder, Shrinking
  • 12.
  • 13.
  • 14. Relationship of Fear, Dread, and Awe Analysis requires separation and segmentation. But reality operates like a spectrum.
  • 15. Physical DangerPhysical Danger The Body UnmadeThe Body Unmade How would you dealHow would you deal with this Fear?with this Fear? Climb a TreeClimb a Tree
  • 16. Danger of the PsycheDanger of the Psyche The Mind UnmadeThe Mind Unmade ThresholdThreshold How would you deal with thisHow would you deal with this Fear?Fear? T.S. Elliot on Charles WilliamsT.S. Elliot on Charles Williams
  • 17. Danger of The SoulDanger of The Soul The Being UnmadeThe Being Unmade Inability to Cope, to Understand, to Exist inInability to Cope, to Understand, to Exist in the Presence ofthe Presence of How would you deal with this Fear?How would you deal with this Fear?
  • 19. Introduction to All Hallows Eve C.S. Lewis, “Weight of Glory” We are Numinous Beings
  • 20. Archetypes are more than merely symbols and motifs in literature. As human universals, they can be acted out or lived in.
  • 23. Decay: A pattern of Destruction Not a regression Decay is a mutation into something wholly different It is an expanding of potential Degrees of Decay: Dog Tiger Ghost Human Demon Archangel
  • 24. Pattern: Older (Male) Preying (sexually) on Younger (Female) The Experienced Afflicting The Innocent (rather than instructing) Images: Prowling, Pursuing Festering Appetite Devouring
  • 25. “Gaffer (Old Man) Wolf” By Charles Perrault
  • 26.
  • 27.
  • 28. Pattern: Older (Male) Preying (sexually) on Younger (Female) The Reverse Pattern: Naïve fascination with the dangerous or forbidden Or the Tragic Coming of Age Story
  • 29. Are there Numinous beings beyond humans? Individual against Society: Numinous being against System / or does Society function as a Numinous being? Decay & Decadence vs. Benevolence, the use of Power Light and Dark: Is the Numinous connected to the Moral?
  • 30.
  • 31.
  • 33. UniversalUniversal ““Instinctual”Instinctual” Lewis unsure of theLewis unsure of the theory of Collectivetheory of Collective UnconsciousUnconscious ““Not Universal”Not Universal” But, Stock ResponsesBut, Stock Responses parallel the Moral Lawparallel the Moral Law Myth is God speakingMyth is God speaking through Poetsthrough Poets Should they beShould they be universal?universal? Lewis’s “Myth” & “StockLewis’s “Myth” & “Stock Responses”Responses”
  • 34. C.G. Jung, Man and His Symbols C.G. Jung, Essential Jung C.S. Lewis, The Problem of Pain C.S. Lewis, The Abolition of Man C.S. Lewis, An Experiment in Criticism C.S. Lewis, “On Stories” C.S. Lewis, “Psycho- Analysis and Literary Criticism”