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Bellows College
How has a contemporary artist expanded the range
of medium and techniques they utilized?
1CONTEMPORARY PHILIPPINE ARTS FROM THE REGION
Bellows College
Artist:
MARIA
TANIGUCHI
Born in 1981, Dumaguete City
best known for her ongoing series of labour-
intensive 'brick paintings' that are made of
repetitive patterns of grey-black rectangles
2
Bellows College
Graphite on paper, wooden
plinth
3
Bellows College
Untitled (Mirrors) as part of an Installation
entitled
Eco Studies (2011)
MEDIUM AND
TECHNIQUE
4
• She uses traditional
medium of acrylic on
canvas and the modern
style of abstraction, one
of the hallmarks of 20th
century
• It can be best described
as Conceptual
Performance that is site-
specific, sculptural, and
environmental.
Bellows College
MEDIUM AND
TECHNIQUE
5
• For the paintings, which
are all untitled and
unnumbered,Taniguchi
first draws out a grid,
then fills one 'brick' at a
time over a period of
months on the floor of
her Manila studio.While
the works differ in size,
the content—or lack
thereof—always remains
the same.
• Revealing the hand of
the artist and the
associated connotations
of labour in what at first
appears to be
mechanically produced,
the differing densities
are largely unplanned
and heighten the illusion
of textural space. At a
glance, the paintings
may resemble the grid
structures of densely
populated urban spaces
or sombre memorial
monuments.
Bellows College
Interpretation
6
• “The grain has moved
out of its shell, out of its
material dimension, it’s
moved on to being a
more abstract
encounter.””
• Her pieces command
quiet absorption. Maria
works on simple
premises that she
translates to pieces
whose strengths lie
precisely in that
simplicity—coupled with
meticulous and
painstaking detail.
Conceptual Art
A term applied to works that
stresses engagement with
ideas rather than purely
perceptual encounter
Bellows College 8
Echo Studies
(2011)
Reflects Taniguchi’s
focuses on her decisions,
sensitivities, and process that
continuously challenge
scientific objectivity in the
creation and manipulation of
data. Employing sound,
video, painting, drawing and
installation, the artist probes
relationships among subject,
representation and process.
Bellows College
Untitled (Dawn’s Arms)
Video and also digital print on photo paper
MEDIUM AND
TECHNIQUE
9
• Taniguchi engaged a
Filipino marble
craftsman to remake the
arms of a sculpture at
the Mies van der Rohe
Pavilion in Spain.
• Shots of the process are
interspersed with
footage of the jungle on
the island of Romblon,
while a black-and-white
photograph of the
resultant arms
accompany the video.
Bellows College
‘Figure Study’
A still video (2015)
Other art
forms in Echo
Studies
10
• shows workers digging
for clay in a dense jungle,
with cicadas and the
clanking of their shovels
audible
• She received an Ateneo
Art Award for her solo
exhibition Echo Studies
(2011) at the Jorge B
Vargas Museum
Bellows College
Viewing of ‘Untitled
(Dawn’s Arms)’
Exhibit installation view
ECHO STUDIES (2011)
11
‘Untitled’ (ram dram sram)
2015 die-cut paper

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Maria Taniguchi's Untitled (Mirrors) and Echo Studies

  • 1. Bellows College How has a contemporary artist expanded the range of medium and techniques they utilized? 1CONTEMPORARY PHILIPPINE ARTS FROM THE REGION
  • 2. Bellows College Artist: MARIA TANIGUCHI Born in 1981, Dumaguete City best known for her ongoing series of labour- intensive 'brick paintings' that are made of repetitive patterns of grey-black rectangles 2
  • 3. Bellows College Graphite on paper, wooden plinth 3
  • 4. Bellows College Untitled (Mirrors) as part of an Installation entitled Eco Studies (2011) MEDIUM AND TECHNIQUE 4 • She uses traditional medium of acrylic on canvas and the modern style of abstraction, one of the hallmarks of 20th century • It can be best described as Conceptual Performance that is site- specific, sculptural, and environmental.
  • 5. Bellows College MEDIUM AND TECHNIQUE 5 • For the paintings, which are all untitled and unnumbered,Taniguchi first draws out a grid, then fills one 'brick' at a time over a period of months on the floor of her Manila studio.While the works differ in size, the content—or lack thereof—always remains the same. • Revealing the hand of the artist and the associated connotations of labour in what at first appears to be mechanically produced, the differing densities are largely unplanned and heighten the illusion of textural space. At a glance, the paintings may resemble the grid structures of densely populated urban spaces or sombre memorial monuments.
  • 6. Bellows College Interpretation 6 • “The grain has moved out of its shell, out of its material dimension, it’s moved on to being a more abstract encounter.”” • Her pieces command quiet absorption. Maria works on simple premises that she translates to pieces whose strengths lie precisely in that simplicity—coupled with meticulous and painstaking detail.
  • 7. Conceptual Art A term applied to works that stresses engagement with ideas rather than purely perceptual encounter
  • 8. Bellows College 8 Echo Studies (2011) Reflects Taniguchi’s focuses on her decisions, sensitivities, and process that continuously challenge scientific objectivity in the creation and manipulation of data. Employing sound, video, painting, drawing and installation, the artist probes relationships among subject, representation and process.
  • 9. Bellows College Untitled (Dawn’s Arms) Video and also digital print on photo paper MEDIUM AND TECHNIQUE 9 • Taniguchi engaged a Filipino marble craftsman to remake the arms of a sculpture at the Mies van der Rohe Pavilion in Spain. • Shots of the process are interspersed with footage of the jungle on the island of Romblon, while a black-and-white photograph of the resultant arms accompany the video.
  • 10. Bellows College ‘Figure Study’ A still video (2015) Other art forms in Echo Studies 10 • shows workers digging for clay in a dense jungle, with cicadas and the clanking of their shovels audible • She received an Ateneo Art Award for her solo exhibition Echo Studies (2011) at the Jorge B Vargas Museum
  • 11. Bellows College Viewing of ‘Untitled (Dawn’s Arms)’ Exhibit installation view ECHO STUDIES (2011) 11 ‘Untitled’ (ram dram sram) 2015 die-cut paper