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Renaissance Period (1400-1600
 Was the period of economic progress. The period
stirred enthusiasm for the study of ancient philosophy
and artistic values.
 Characterized by accurate anatomy, scientific
perspective, and deeper landscape.
 Paintings depicted real- life figures
 Sculptures were naturalistic portraits of human
beings.
 Architecture during this period was characterized by
its symmetry and balance.
Renaissance held up the ideal of the well-
rounded man, knowledgeable in a number of
fields such as philosophy, science, arts,
including, painting and music- who applies his
knowledge to productive and creative activity.
Renaissance was a period of artistic
experimentation. It brought man into full view
just like the human figure in Greek Art.
The greatest cathedral building was of the
age was the rebuilding of St. Peter’s Basilica
in Rome.
St. Peters
Basilica
FAMOUS
RENAISSANCE
ARTWORKS AND
ARTISTS
Michelangelo di Lodovico
Buonarroti Simoni (1475-1564)
An Italian sculptor, painter, architect, and poet.
He was considered the greatest living artist in
his lifetime, and ever since then he was
considered as one of the greatest artists of all
time.
His outstanding works as sculptor were the
following: Pieta, Bacchus, Moses, David,
Dying Slave, Dawn and Dusk and Last
Judgment.
 Michelangelo (1475-1564)
PIETA
DAVID
Last Judgment
BACCHUS
MOSES
DYING
SLAVE
DAWN
LEONARDO DI SER PIERO DA
VINCI (1452-1519)
 Was a painter, architect, scientist, and mathematician.
 He was popularized in present times through the novel
and movie “Da Vinci Code”
 He is known as ultimate “Renaissance Man” because
of his intellect. Interest, talent and his expression of
humanist and classical values.
 He is widely considered to be one of the greatest
painters of all time and perhaps the most diversely
talented person to have ever lived.
Leonardo Da Vinci
 His well known works were: the Last Supper, Mona
Lisa, the Vitruvian Man, The Adoration of Magi,
the Virgin of the Rocks.
 Mona Lisa stems from description by Renaissance
art historian Giorgio Vasari, who wrote,” Leonardo
undertook to paint for Francesco del Giocondo the
Portrait of Mona Lisa, his wife.” Mona, in Italian, is a
polite form of address originating as Madonna-
similar to Ma’am, ”Madame,” or “My Lady” in English.
This became Madonna and its contraction Mona. The
title of the Painting, through traditionally spelled
”Mona” is also commonly spelled in Modern Italian
as “Monna Lisa”.
MONA LISA
THE LAST
SUPPER
The Virtruvian Man
The Adoration of Magi
VIRGIN OF THE
ROCKS
RAFFAELLO SANZIO DA URBINO
(RAPHAEL) (1483-1520)
 Was an Italian painter and architect of High
Renaissance period.
 His work was admired for its clarity of form and ease
of composition and for its visual achievement of the
interpreting the Divine and incorporating Christian
doctrines.
 His main contributions to art were his unique
draftsmanship and compositional skills.
 His works were: the Sistine Madonna, the School of
Athens, the Transfiguration.
RAPHAE
L
The Sistine Madonna
The School of
Athens
The Transfiguration
DONATO DI NICCOLO DI BETTO
BARDI(DONATELLO)(1386-
1466)
He was an early Renaissance Italian sculptor
from Florence.
He is known for his work in bas-relief, a form
of shallow relief sculpture
His works included the following statues and
relief: David, Statue of St. George,
Equestrian Monument of Gattamelata,
Prophet Habacuc and the Feast of Herod.
DONATELLO
DAVID
Statue of St. George
EQUESTRIAN MONUMENT OF
GATTAMELATA
THE FEAST OF HEROD
 Baroque was derived from the Portuguese word
barocco which means “irregular shaped pearl or
stone.” it describes a fairly complex idiom and focuses
on painting, sculpture, as well as architecture.
 Baroque art above all reflects the tensions of the age
notably the desire of the Catholic Church in Rome to
reassert itself in the wake of the Protestant
Reformation which is almost the same with catholic
Reformation Art of the Period.
 Was the period of artistic styles in exaggerated
motion, drama, tension, and grandeur. The style in
Rome, Italy, and spread to most of Europe.
MICHELANGELO MERISI or
AMERIGI DA CARAVAGGIO (1571-
1610)
 He was better known as Caravaggio. He was an
Italian artist who wanted to deviate from the classical
masters of the Renaissance.
 He was an outcast in his society, because of his own
actions and the lack of modesty and reverence for
religious subjects in his own paintings.
 Perhaps he started out as a specialist in his paintings
of still life, especially of fruits.
CARAVAGGIO
SUPPER AT
EMMAUS
CONVERSION OF ST. PAUL
ENTOMBMENT OF
CHRIST
GIAN LORENZO BERNINI (1598-
1680)
Wan an Italian artist and the first Baroque
artist. He practiced architecture and sculpture,
painting, stage design, and was also a
playwright. He was also the last in the list of
the dazzling universal geniuses.
As a prodigy, his first artworks date from his 8th
birthday.
Among his works were: The goat Amalthea
with Infant Jupiter and Faun, Damned Soul
and the Blessed soul.
The Goat Amalthea with the
Infant Jupiter and A Faun
DAMNED
SOUL
BLESSED
SOUL
ECSTACY OF ST.
TERESA
PETER PAUL
RUBENS
Rubens was flemish Baroque painter. He was
well known for his paintings of mythical and
figurative subjects, landscapes, portraits, and
Counter-subjects, landscapes, portraits, and
Counter- Reformation altarpieces.
His commissioned works were creatures, and
hunt scenes. His famous works were:
Samson and Delilah, Landscape with a
Tower, Portrait of Helene Fourment, and
The Three Graces.
Samson and Delilah
LANDSCAPE WITH A
TOWER
PORTRAIT OF HELENE
FOURMENT
THE THREE
GRACES
REMBRANDT HARMENZOON VAN
RIJN (1606-1669)
Was a brilliant Dutch realist, painter, and
etcher. He is generally considered as one of
the greatest etcher. He is generally considered
as one of the greatest painters and printmakers
in European art.
He followed no particular faith, but was
interested in spiritual values and often chooses
religious subjects.
No artist has painted himself as often as did
Rembrandt.
SELF-
PORTRAIT
DIEGO VELASQUEZ (1599-
1660)
He was one of the finest masters of
composition and one of the most important
painters in Spanish Golden Age.
He worked out solutions to pictorial problems
of design that transcend the style of any
period.
He was the case of a painter who discovered
his avocation almost at the very start of his
career.
His works were: The Surrender of Breda, Las
Meninas, Los Barachos and Maria Theresa.
The Surrender of Breda
Las Meninas
Maria Theresa

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Arts renaissance and baroqie

  • 1.
  • 2. Renaissance Period (1400-1600  Was the period of economic progress. The period stirred enthusiasm for the study of ancient philosophy and artistic values.  Characterized by accurate anatomy, scientific perspective, and deeper landscape.  Paintings depicted real- life figures  Sculptures were naturalistic portraits of human beings.  Architecture during this period was characterized by its symmetry and balance.
  • 3. Renaissance held up the ideal of the well- rounded man, knowledgeable in a number of fields such as philosophy, science, arts, including, painting and music- who applies his knowledge to productive and creative activity. Renaissance was a period of artistic experimentation. It brought man into full view just like the human figure in Greek Art. The greatest cathedral building was of the age was the rebuilding of St. Peter’s Basilica in Rome.
  • 6. Michelangelo di Lodovico Buonarroti Simoni (1475-1564) An Italian sculptor, painter, architect, and poet. He was considered the greatest living artist in his lifetime, and ever since then he was considered as one of the greatest artists of all time. His outstanding works as sculptor were the following: Pieta, Bacchus, Moses, David, Dying Slave, Dawn and Dusk and Last Judgment.
  • 12. MOSES
  • 14. DAWN
  • 15. LEONARDO DI SER PIERO DA VINCI (1452-1519)  Was a painter, architect, scientist, and mathematician.  He was popularized in present times through the novel and movie “Da Vinci Code”  He is known as ultimate “Renaissance Man” because of his intellect. Interest, talent and his expression of humanist and classical values.  He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person to have ever lived.
  • 17.  His well known works were: the Last Supper, Mona Lisa, the Vitruvian Man, The Adoration of Magi, the Virgin of the Rocks.  Mona Lisa stems from description by Renaissance art historian Giorgio Vasari, who wrote,” Leonardo undertook to paint for Francesco del Giocondo the Portrait of Mona Lisa, his wife.” Mona, in Italian, is a polite form of address originating as Madonna- similar to Ma’am, ”Madame,” or “My Lady” in English. This became Madonna and its contraction Mona. The title of the Painting, through traditionally spelled ”Mona” is also commonly spelled in Modern Italian as “Monna Lisa”.
  • 23. RAFFAELLO SANZIO DA URBINO (RAPHAEL) (1483-1520)  Was an Italian painter and architect of High Renaissance period.  His work was admired for its clarity of form and ease of composition and for its visual achievement of the interpreting the Divine and incorporating Christian doctrines.  His main contributions to art were his unique draftsmanship and compositional skills.  His works were: the Sistine Madonna, the School of Athens, the Transfiguration.
  • 28. DONATO DI NICCOLO DI BETTO BARDI(DONATELLO)(1386- 1466) He was an early Renaissance Italian sculptor from Florence. He is known for his work in bas-relief, a form of shallow relief sculpture His works included the following statues and relief: David, Statue of St. George, Equestrian Monument of Gattamelata, Prophet Habacuc and the Feast of Herod.
  • 30. DAVID
  • 31. Statue of St. George
  • 33. THE FEAST OF HEROD
  • 34.
  • 35.  Baroque was derived from the Portuguese word barocco which means “irregular shaped pearl or stone.” it describes a fairly complex idiom and focuses on painting, sculpture, as well as architecture.  Baroque art above all reflects the tensions of the age notably the desire of the Catholic Church in Rome to reassert itself in the wake of the Protestant Reformation which is almost the same with catholic Reformation Art of the Period.  Was the period of artistic styles in exaggerated motion, drama, tension, and grandeur. The style in Rome, Italy, and spread to most of Europe.
  • 36.
  • 37. MICHELANGELO MERISI or AMERIGI DA CARAVAGGIO (1571- 1610)  He was better known as Caravaggio. He was an Italian artist who wanted to deviate from the classical masters of the Renaissance.  He was an outcast in his society, because of his own actions and the lack of modesty and reverence for religious subjects in his own paintings.  Perhaps he started out as a specialist in his paintings of still life, especially of fruits.
  • 42. GIAN LORENZO BERNINI (1598- 1680) Wan an Italian artist and the first Baroque artist. He practiced architecture and sculpture, painting, stage design, and was also a playwright. He was also the last in the list of the dazzling universal geniuses. As a prodigy, his first artworks date from his 8th birthday. Among his works were: The goat Amalthea with Infant Jupiter and Faun, Damned Soul and the Blessed soul.
  • 43. The Goat Amalthea with the Infant Jupiter and A Faun
  • 47. PETER PAUL RUBENS Rubens was flemish Baroque painter. He was well known for his paintings of mythical and figurative subjects, landscapes, portraits, and Counter-subjects, landscapes, portraits, and Counter- Reformation altarpieces. His commissioned works were creatures, and hunt scenes. His famous works were: Samson and Delilah, Landscape with a Tower, Portrait of Helene Fourment, and The Three Graces.
  • 52. REMBRANDT HARMENZOON VAN RIJN (1606-1669) Was a brilliant Dutch realist, painter, and etcher. He is generally considered as one of the greatest etcher. He is generally considered as one of the greatest painters and printmakers in European art. He followed no particular faith, but was interested in spiritual values and often chooses religious subjects. No artist has painted himself as often as did Rembrandt.
  • 54. DIEGO VELASQUEZ (1599- 1660) He was one of the finest masters of composition and one of the most important painters in Spanish Golden Age. He worked out solutions to pictorial problems of design that transcend the style of any period. He was the case of a painter who discovered his avocation almost at the very start of his career. His works were: The Surrender of Breda, Las Meninas, Los Barachos and Maria Theresa.