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2 | GALWAYnow March 2015
eath is something
that affects us all.
We all die and at
some stage in our
lives, wonder what
happens after we die.
But for Róisín Fitzpatrick, who
was seriously ill, she claims a
near-death experience saw her
drawn out of her body and en-
veloped in a radiant light. It was
there, in a blissful vision of the af-
terlife that she experienced a
most powerful transformation.
Her remarkable experience is
now captured in her new book,
Taking Heaven Lightly, which sug-
gests that the ‘light at the end of
the tunnel’ theory might not be
too far from the truth.
It all started in 2004 when, with-
out any warning, she suffered a
life-threatening brain haemor-
rhage. “It was the day after my
birthday and I was at home on my
own and I turned my head and
suddenly I had a blindingly excru-
ciating headache. I started to get
hot and cold sweats and was feel-
ing very, very nauseous and I
called the ambulance.” Róisín
managed to stay conscious until
the ambulance arrived and
brought her to the ICU in Beau-
mont Hospital where she was told
that she had a very high risk of
dying. Róisín could salsa dance for
hours on end. She didn’t smoke
and she hardly ever drank alcohol.
To go from being so fit and healthy
to literally facing death was very
frightening to her.
“I remember feeling utterly ter-
rified, like I was just standing on
the edge of the unknown – the
edge of an abyss and I didn’t
know what was going to hap-
pen.” That’s when Róisín says her
life changed forever.
“The next thing I knew, I was
floating and I felt a beautiful, radi-
ant light. And at the same time, I
felt embraced by a warmth that
was so loving. It was like a pure
love that I had never felt before.
And there was a silence – a
hushed silence and a profound
peace,” she says.
The most bizarre thing, accord-
ing to Róisín, was that her think-
ing was more lucid than ever, but
she was no longer in her body. “I
remember thinking, if I’m not in
my body, then who am I? What
am I? And where am I? Is this
death? And if it is, bring it on – it
was fabulous!” She describes the
light as a “beautiful, white, irides-
cent light” that transformed into
waves of energy – and she was
part of it – she was the one with
the eternal light. “I recently
learned that one of the Gaelic
ways of saying ‘may you rest in
peace’ is ‘solas sioraí’, which liter-
ally means ‘eternal light’. And
that’s exactly what I experienced,”
she says.
“I felt I was always one with eter-
nal light and I realised that we al-
ways continue to exist. It’s like you
just put on a coat of skin and bone
and muscle when you’re born, and
you take that coat off when you
leave, but you’re always part of the
eternal light.” Since the experience,
life has become really simple for
Róisín who says that this pure en-
ergy is the essence of who we all
are when we let all the drama of
everyday life fade away. It made her
realise that society’s teachings are
no longer important.
“I didn’t have my house with
me, I didn’t have my car, I didn’t
have my mobile phone, I didn’t
have any of my university diplo-
mas. I didn’t even have my body.
It was so basic. I was pure energy.
And I realised that this is the
deepest truth of who I am and
who everybody is. So we’re so
much more powerful than we
could ever imagine and we could
transform that energy into creat-
ing our best lives.”
“It was really enlightening. It re-
ally changed my whole perspec-
tive of death, and ironically it has
given me the freedom to live life
because I have no fear of death
whatsoever. And really, the only
thing that matters is to connect
with this love and light and live
this in my life. So I became an
artist – the Artist of the Light,”
says Róisín who previously
worked as the liaison between the
European Commission and the
European Bank for privatisation
projects. But after her life chang-
ing experience, Róisín became an
artist. She now uses her art as a
physical manifestation of the pure
energy and radiant light she expe-
rienced in the hospital that day.
“When I came back, I found it too
difficult to express in words what I
had experienced so I shared it
through art,” she says, explaining
that it was only after people urged
her to explain what the art was
about that she started to get more
and more comfortable telling the
story. She now uses clear crystal
on white silk canvases to recreate
the beauty of this light.
“There’s a beautiful quote by
George Bernard Shaw, ‘use a glass
mirror to see your face, use works
of art to see your soul’. And that’s
the intention of my art – for peo-
ple to see the beauty of their own
soul,” says Róisín.
feature
taking heaven
lightly is available
in eason, dubray
andwaterstones
bookstores
around Ireland
as well as charlie
byrne’s and other
independent
bookstores in
galway.
Light
After LifeIn 2004, an unexpected braIn haemorrhage left róIsín
fItzpatrIck fIghtIng for her lIfe. but as she lay In the In-
tensIve care unIt of beaumont hospItal, an out-of-body
experIence changed her perspectIve of lIfe and death
forever, wrItes JessIca thompson.
Róisín’s intention is to have
her art hanging in public places
“so that people can just walk in
and, no matter what’s going on
in life, they can just stand in front
of the piece and breath and just
feel that power and feel that light
connecting with them. Because
we are really so much more pow-
erful than we can begin to imag-
ine and we can tap into Solas
Sioraí – this eternal light that
we’re always part of.
“And when we do it, it doesn’t
mean that life is easy; there will
always be challenges in life, but
we can find the strength and the
courage to move through them.”
The public artwork is mostly in
America, though Róisín has had
exhibitions on both sides of the
Atlantic. There is a permanent
piece hanging in Richard Bran-
son’s Spa Resort, just outside
New York, and another in Fitz-
patrick’s Hotel in New York. Her
work can also be seen in the
Glucksman Ireland House and in
the Irish American Heritage Mu-
seum. But if you don’t want to
travel to New York to see it,
there’s also a piece at the Na-
tional Conference Hall in Dublin.
Following the very successful
launch of her book, Taking
Heaven Lightly, which was at-
tended by US Ambassador Kevin
O’Malley, Róisín is working on
her second book, entitled Solas
Sioraí, which will delve even
deeper into the eternal light she
experienced. She has worked
with Dr Bruce Greyson, a leading
Near Death Experience medical
expert, who verified her experi-
ence as genuine and, along with
other leading experts, guided her
in her research.
Taking Heaven Lightly has been
praised by many experts, includ-
ing Dr Bruce Greyson. “Experi-
ences like Róisín’s have now
been validated by hundreds of
scientific studies around the
world and provide evidence that
consciousness is more than the
brain, and indeed, that we are
more than our bodies. As a guide
to enhancing your own spiritual-
ity,Taking Heaven Lightly is a love
story in the most sublime sense.”
Through her art and her book,
Róisín hopes to change people’s
perspective of death so that we
can start to live life in a positive
way, because in the end, that’s
what’s most important. “Yes, it
was a near death experience, but
really it was a near life experience
because from this, I understood
the true meaning of life.”
“ThenextthingIknew,Iwas
floatingandIfeltabeautiful,
radiantlight.Andatthe
sametime,Ifeltembraced
byawarmththatwas
soloving.Itwaslikea
purelovethatIhad
neverfeltbefore.
Andtherewasa
silence–ahushed
silenceanda
profoundpeace.”
March 2015 GALWAYnow | 3

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Roisin.qxd_Layout 1

  • 1. 2 | GALWAYnow March 2015 eath is something that affects us all. We all die and at some stage in our lives, wonder what happens after we die. But for Róisín Fitzpatrick, who was seriously ill, she claims a near-death experience saw her drawn out of her body and en- veloped in a radiant light. It was there, in a blissful vision of the af- terlife that she experienced a most powerful transformation. Her remarkable experience is now captured in her new book, Taking Heaven Lightly, which sug- gests that the ‘light at the end of the tunnel’ theory might not be too far from the truth. It all started in 2004 when, with- out any warning, she suffered a life-threatening brain haemor- rhage. “It was the day after my birthday and I was at home on my own and I turned my head and suddenly I had a blindingly excru- ciating headache. I started to get hot and cold sweats and was feel- ing very, very nauseous and I called the ambulance.” Róisín managed to stay conscious until the ambulance arrived and brought her to the ICU in Beau- mont Hospital where she was told that she had a very high risk of dying. Róisín could salsa dance for hours on end. She didn’t smoke and she hardly ever drank alcohol. To go from being so fit and healthy to literally facing death was very frightening to her. “I remember feeling utterly ter- rified, like I was just standing on the edge of the unknown – the edge of an abyss and I didn’t know what was going to hap- pen.” That’s when Róisín says her life changed forever. “The next thing I knew, I was floating and I felt a beautiful, radi- ant light. And at the same time, I felt embraced by a warmth that was so loving. It was like a pure love that I had never felt before. And there was a silence – a hushed silence and a profound peace,” she says. The most bizarre thing, accord- ing to Róisín, was that her think- ing was more lucid than ever, but she was no longer in her body. “I remember thinking, if I’m not in my body, then who am I? What am I? And where am I? Is this death? And if it is, bring it on – it was fabulous!” She describes the light as a “beautiful, white, irides- cent light” that transformed into waves of energy – and she was part of it – she was the one with the eternal light. “I recently learned that one of the Gaelic ways of saying ‘may you rest in peace’ is ‘solas sioraí’, which liter- ally means ‘eternal light’. And that’s exactly what I experienced,” she says. “I felt I was always one with eter- nal light and I realised that we al- ways continue to exist. It’s like you just put on a coat of skin and bone and muscle when you’re born, and you take that coat off when you leave, but you’re always part of the eternal light.” Since the experience, life has become really simple for Róisín who says that this pure en- ergy is the essence of who we all are when we let all the drama of everyday life fade away. It made her realise that society’s teachings are no longer important. “I didn’t have my house with me, I didn’t have my car, I didn’t have my mobile phone, I didn’t have any of my university diplo- mas. I didn’t even have my body. It was so basic. I was pure energy. And I realised that this is the deepest truth of who I am and who everybody is. So we’re so much more powerful than we could ever imagine and we could transform that energy into creat- ing our best lives.” “It was really enlightening. It re- ally changed my whole perspec- tive of death, and ironically it has given me the freedom to live life because I have no fear of death whatsoever. And really, the only thing that matters is to connect with this love and light and live this in my life. So I became an artist – the Artist of the Light,” says Róisín who previously worked as the liaison between the European Commission and the European Bank for privatisation projects. But after her life chang- ing experience, Róisín became an artist. She now uses her art as a physical manifestation of the pure energy and radiant light she expe- rienced in the hospital that day. “When I came back, I found it too difficult to express in words what I had experienced so I shared it through art,” she says, explaining that it was only after people urged her to explain what the art was about that she started to get more and more comfortable telling the story. She now uses clear crystal on white silk canvases to recreate the beauty of this light. “There’s a beautiful quote by George Bernard Shaw, ‘use a glass mirror to see your face, use works of art to see your soul’. And that’s the intention of my art – for peo- ple to see the beauty of their own soul,” says Róisín. feature taking heaven lightly is available in eason, dubray andwaterstones bookstores around Ireland as well as charlie byrne’s and other independent bookstores in galway. Light After LifeIn 2004, an unexpected braIn haemorrhage left róIsín fItzpatrIck fIghtIng for her lIfe. but as she lay In the In- tensIve care unIt of beaumont hospItal, an out-of-body experIence changed her perspectIve of lIfe and death forever, wrItes JessIca thompson.
  • 2. Róisín’s intention is to have her art hanging in public places “so that people can just walk in and, no matter what’s going on in life, they can just stand in front of the piece and breath and just feel that power and feel that light connecting with them. Because we are really so much more pow- erful than we can begin to imag- ine and we can tap into Solas Sioraí – this eternal light that we’re always part of. “And when we do it, it doesn’t mean that life is easy; there will always be challenges in life, but we can find the strength and the courage to move through them.” The public artwork is mostly in America, though Róisín has had exhibitions on both sides of the Atlantic. There is a permanent piece hanging in Richard Bran- son’s Spa Resort, just outside New York, and another in Fitz- patrick’s Hotel in New York. Her work can also be seen in the Glucksman Ireland House and in the Irish American Heritage Mu- seum. But if you don’t want to travel to New York to see it, there’s also a piece at the Na- tional Conference Hall in Dublin. Following the very successful launch of her book, Taking Heaven Lightly, which was at- tended by US Ambassador Kevin O’Malley, Róisín is working on her second book, entitled Solas Sioraí, which will delve even deeper into the eternal light she experienced. She has worked with Dr Bruce Greyson, a leading Near Death Experience medical expert, who verified her experi- ence as genuine and, along with other leading experts, guided her in her research. Taking Heaven Lightly has been praised by many experts, includ- ing Dr Bruce Greyson. “Experi- ences like Róisín’s have now been validated by hundreds of scientific studies around the world and provide evidence that consciousness is more than the brain, and indeed, that we are more than our bodies. As a guide to enhancing your own spiritual- ity,Taking Heaven Lightly is a love story in the most sublime sense.” Through her art and her book, Róisín hopes to change people’s perspective of death so that we can start to live life in a positive way, because in the end, that’s what’s most important. “Yes, it was a near death experience, but really it was a near life experience because from this, I understood the true meaning of life.” “ThenextthingIknew,Iwas floatingandIfeltabeautiful, radiantlight.Andatthe sametime,Ifeltembraced byawarmththatwas soloving.Itwaslikea purelovethatIhad neverfeltbefore. Andtherewasa silence–ahushed silenceanda profoundpeace.” March 2015 GALWAYnow | 3