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SCULPTURES FROM
THE CLASSICAL
PERIOD
SCULPTURES FROM THE EGYPTIAN ERA
Symbolic elements were widely used
such as forms, hieroglyphics, relative,
size location, materials, color, actions
and gestures
Their tombs required the most
extensive used of sculpture.
The most common materials used for
sculptures are wood, ivory and stones.
CHARACTERISTICS OF THE SCULPTURES
 1. symbolisms were heavily used to
represents the Gods. They were represented
as composite creature with animal heads on
human bodies.
 2. relief compositions were arranged in
horizontal lines to record an event or
represent an action
 3. most of the time the Gods were shown
larger than humans, the kings larger than
their followers, the dead larger than the
 4. empty space were filled with figures or
hieroglyphics
 5. all individual components were all brought
to the plane of representation and laid out
like writing.
QUEEN NEFERTITI, PAINTED LIMESTONE
 18th dynasty, 1375-1357 BC
 realistic with heavy lided eyes, slender neck,
determined chin and pure profile under her
heavy crown.
 Queen, refers to the great royal wife of the
Egyptian pharoah.
THE PHAROAH MENKAURE AND HIS QUEEN
 4th dynasty, 2548 – 2530 B.C.E
 An example of portraits presented in rigid
postures, and were simple and powerful with
very little show of private emotion.
GREEK SCULPTURES
 One of the most popular styles of the Greek
Sculptures was the Hellenistic style.
 Hellenistic denotes a preference in sculpture
for more elaborated patterns, mannered
arrangement of figures and groups, and an
emphasis on the representation of movement
for dramatic effects.
MYRON; THE DISCOBULUS
450 BC
- Shows an
attitude of
maximum
tension, full of
compressed
energy, and about
to explode an
action.
ROMAN SCULPTURES
These are made of monumental
terra-cotta.
They rather produced reliefs in
the Great Roman triumphal
columns with continuous
narrative reliefs around.
THE PORTONACIO SARCOPHAGUS
-Used for the burial of
Roman General
involved in the campaign
of Marcus Aurellius
-- the best known and
most elaborate of all “
sarcophagus” ( it is a box
– liked funeral receptacle
for a dead body. Comes
from a Greek word
“sarx” meaning flesh and
“phagein” meaning
-“ to eat”}
-- it depicts battle scenes
between Romans and
Germans
--Carved in Marble
SARCOPAGUS, FROM CERVETIRI
-Museo Nazionale
de Villa Giulia,
Rome
-- Made of Terra
Cotta
-- length 6’7”
- (2.06 m)
-- a husband and a
wife are shown
reclining
comfortably, as if
they were on a
couch.
BYZANTINE SCULPTURES
The dominant themes are religious,
everyday life scenes and motifs from
nature.
Animals were used as symbols (dove,
deer, peafowl) while some had acrostic
signs( form of writing in which taking the
first letter; syllable or word of different
lines and putting together it can be read a
massage) that contained a great
THE BARBERINI DIPTYCH
-An early
example
Of
Byzantin
e Ivory
work
ROMANESQUE SCULPTURES
 Some of the famous sculptural are
reliquaries, altar frontals, crucifixes, and
devotional images.
 Small individual works of art were
generally made of costly materials for royal
and aristocratic patrons.
 These lightweight devotional images were
usually carried in the professions both
inside and outside the churches.
LAST JUDGEMENT
- Tymapnum (
an architectural
element with the
arch or
pediment) of the
west portal,
Cathedral of
Saint – Lazare,
Autun
Burgundy
France, 1120-35
by Gislebertus
GOTHIC SCULPTURES
Have a greater freedom of style.
They no longer lay closely against
the wall, but begun to project
outward.
Figures were given their own
particular attitudes instead of being
set into particular patterns and are
more lively and realistic.
RESURRECTION OF THE VIRGIN
End of
the 12th
century
Cathedra
l Amiens

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Sculptures from the classical period.pptx

  • 2. SCULPTURES FROM THE EGYPTIAN ERA Symbolic elements were widely used such as forms, hieroglyphics, relative, size location, materials, color, actions and gestures Their tombs required the most extensive used of sculpture. The most common materials used for sculptures are wood, ivory and stones.
  • 3. CHARACTERISTICS OF THE SCULPTURES  1. symbolisms were heavily used to represents the Gods. They were represented as composite creature with animal heads on human bodies.  2. relief compositions were arranged in horizontal lines to record an event or represent an action  3. most of the time the Gods were shown larger than humans, the kings larger than their followers, the dead larger than the
  • 4.  4. empty space were filled with figures or hieroglyphics  5. all individual components were all brought to the plane of representation and laid out like writing.
  • 5. QUEEN NEFERTITI, PAINTED LIMESTONE  18th dynasty, 1375-1357 BC  realistic with heavy lided eyes, slender neck, determined chin and pure profile under her heavy crown.  Queen, refers to the great royal wife of the Egyptian pharoah.
  • 6. THE PHAROAH MENKAURE AND HIS QUEEN  4th dynasty, 2548 – 2530 B.C.E  An example of portraits presented in rigid postures, and were simple and powerful with very little show of private emotion.
  • 7. GREEK SCULPTURES  One of the most popular styles of the Greek Sculptures was the Hellenistic style.  Hellenistic denotes a preference in sculpture for more elaborated patterns, mannered arrangement of figures and groups, and an emphasis on the representation of movement for dramatic effects.
  • 8. MYRON; THE DISCOBULUS 450 BC - Shows an attitude of maximum tension, full of compressed energy, and about to explode an action.
  • 9. ROMAN SCULPTURES These are made of monumental terra-cotta. They rather produced reliefs in the Great Roman triumphal columns with continuous narrative reliefs around.
  • 10. THE PORTONACIO SARCOPHAGUS -Used for the burial of Roman General involved in the campaign of Marcus Aurellius -- the best known and most elaborate of all “ sarcophagus” ( it is a box – liked funeral receptacle for a dead body. Comes from a Greek word “sarx” meaning flesh and “phagein” meaning -“ to eat”} -- it depicts battle scenes between Romans and Germans --Carved in Marble
  • 11. SARCOPAGUS, FROM CERVETIRI -Museo Nazionale de Villa Giulia, Rome -- Made of Terra Cotta -- length 6’7” - (2.06 m) -- a husband and a wife are shown reclining comfortably, as if they were on a couch.
  • 12. BYZANTINE SCULPTURES The dominant themes are religious, everyday life scenes and motifs from nature. Animals were used as symbols (dove, deer, peafowl) while some had acrostic signs( form of writing in which taking the first letter; syllable or word of different lines and putting together it can be read a massage) that contained a great
  • 13. THE BARBERINI DIPTYCH -An early example Of Byzantin e Ivory work
  • 14. ROMANESQUE SCULPTURES  Some of the famous sculptural are reliquaries, altar frontals, crucifixes, and devotional images.  Small individual works of art were generally made of costly materials for royal and aristocratic patrons.  These lightweight devotional images were usually carried in the professions both inside and outside the churches.
  • 15. LAST JUDGEMENT - Tymapnum ( an architectural element with the arch or pediment) of the west portal, Cathedral of Saint – Lazare, Autun Burgundy France, 1120-35 by Gislebertus
  • 16. GOTHIC SCULPTURES Have a greater freedom of style. They no longer lay closely against the wall, but begun to project outward. Figures were given their own particular attitudes instead of being set into particular patterns and are more lively and realistic.
  • 17. RESURRECTION OF THE VIRGIN End of the 12th century Cathedra l Amiens