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PERFORMING ART CENTRE
SYDNEY OPERA HOUSE
(Multi-venue performing art centre, Sydney)
Architect- JORN UTZON
Ar. Jorn utzon
Architectural style:-
Expressionist
Modernism
When built:-
1959-1973
Location
Surrounded by SYDNEY COVE AND FARM COVE and inward by ROYAL BOTANICAL GARDEN
“….THIS WAS AN IDEAL PROJECT FOR AN ARCHITECT….FIRST BECAUSE THERE WAS A
LOVELY PEACE WITH GOOD VIEW AND SECONDLY THERE WAS NO DETERMINANT
PROGRAM….” (JORN UTZON)
IN SHORT
ROYAL BOTANIC GARDEN
CONCERT HALL OPERA THEATRE
RESTAURANT
SYDNEY COVE
FARM COVE
FORECOURT
NORTHERN BROADWALK
The projects was divided into 3 parts:
Stage 1: PODIUM
Stage 2: OUTER SHELL
Stage 3: INTERIOR
SHELL CONSTRUCTION
HOLLOW CONCRETE RIBS
Concrete ribs were held together by steel
cables and special type of Glue
SHELL CONSTRUCTION
Shell Covering
Over 1 million ceramic tiles has been used on
roof.
Pre-moulded plates
The use of tiles in Islamic architecture was an important influence on Utzon at
the Sydney Opera House.
The Friday Mosque in Isfahan, Iran, also influenced Utzon’s early designs for
the Major Hall.
FRAME WORK OF SHELLS
TILES LAYOUT
SHELL CONSTRUCTION
Glass Facade
MATERIALS
• Made of reinforced concrete
• Façade of tinted glass with steel frame
• Interior is made of pink granite extracted
from Tarana, timber and plywood from
NSW.
• The covers of the theatre are covered with
1.056 million glossy white and cream tiles.
Environmental pressures
Building is designed to withstand the loads caused due to strong winds and pioneer
wind technology is used.
In-situ and reinforced concrete structure.
Use of tile clad shells and precast reconstituted granite clad.
Visitors or tourism pressures
Most popular visitors attraction.
Symbol of the city of Sydney.
More than four million people visit each year and this figure increases by 4.5% per
annum.
Visitors facilities and statistics.
One of the words busiest performing arts venues.
Site functions as grand public gathering place and function specific facilities as well as
general services.
• Visitors facilities and statistics.
• One of the words busiest performing arts venues.
• Site functions as grand public gathering place and function specific facilities as well
as general services.
• Exterior accessible to the public at all the times.
• Interior attracts international, national tourist as well as Australian school children.
• Daily tours to explain building history and architecture.
• Accessibility
• Building is daily accessible except Christmas day and good Friday.
• Internal performance spaces accessible for performance and tours
• Public transport- bus , ferry ,taxi, train.
• Free shuttle survive for elderly and less mobile visitors.
• Underground car parking with accomodation of 1200 cars.
THANK YOU

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Performing art centre - SYDNEY OPERA HOUSE

  • 1. PERFORMING ART CENTRE SYDNEY OPERA HOUSE (Multi-venue performing art centre, Sydney) Architect- JORN UTZON
  • 2. Ar. Jorn utzon Architectural style:- Expressionist Modernism When built:- 1959-1973
  • 3. Location Surrounded by SYDNEY COVE AND FARM COVE and inward by ROYAL BOTANICAL GARDEN “….THIS WAS AN IDEAL PROJECT FOR AN ARCHITECT….FIRST BECAUSE THERE WAS A LOVELY PEACE WITH GOOD VIEW AND SECONDLY THERE WAS NO DETERMINANT PROGRAM….” (JORN UTZON)
  • 4.
  • 6. ROYAL BOTANIC GARDEN CONCERT HALL OPERA THEATRE RESTAURANT SYDNEY COVE FARM COVE FORECOURT NORTHERN BROADWALK
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. The projects was divided into 3 parts: Stage 1: PODIUM Stage 2: OUTER SHELL Stage 3: INTERIOR
  • 15. SHELL CONSTRUCTION HOLLOW CONCRETE RIBS Concrete ribs were held together by steel cables and special type of Glue
  • 16. SHELL CONSTRUCTION Shell Covering Over 1 million ceramic tiles has been used on roof. Pre-moulded plates
  • 17. The use of tiles in Islamic architecture was an important influence on Utzon at the Sydney Opera House. The Friday Mosque in Isfahan, Iran, also influenced Utzon’s early designs for the Major Hall.
  • 18. FRAME WORK OF SHELLS TILES LAYOUT
  • 20. MATERIALS • Made of reinforced concrete • Façade of tinted glass with steel frame • Interior is made of pink granite extracted from Tarana, timber and plywood from NSW. • The covers of the theatre are covered with 1.056 million glossy white and cream tiles.
  • 21. Environmental pressures Building is designed to withstand the loads caused due to strong winds and pioneer wind technology is used. In-situ and reinforced concrete structure. Use of tile clad shells and precast reconstituted granite clad. Visitors or tourism pressures Most popular visitors attraction. Symbol of the city of Sydney. More than four million people visit each year and this figure increases by 4.5% per annum. Visitors facilities and statistics. One of the words busiest performing arts venues. Site functions as grand public gathering place and function specific facilities as well as general services.
  • 22. • Visitors facilities and statistics. • One of the words busiest performing arts venues. • Site functions as grand public gathering place and function specific facilities as well as general services. • Exterior accessible to the public at all the times. • Interior attracts international, national tourist as well as Australian school children. • Daily tours to explain building history and architecture. • Accessibility • Building is daily accessible except Christmas day and good Friday. • Internal performance spaces accessible for performance and tours • Public transport- bus , ferry ,taxi, train. • Free shuttle survive for elderly and less mobile visitors. • Underground car parking with accomodation of 1200 cars.
  • 23.
  • 24.