1. Another way of talking
about theme:
Using grounded theory in the
humanities
James Kelley
Mississippi State University â Meridian
MLA 2013
2. A little background
My first (near) use of grounded theory without
ever having heard the term:
âSong, Story, or History: Resisting Claims of a
Coded Message in the African American Spiritual
âFollow the Drinking Gourd.ââ The Journal of
Popular Culture 41.2 (2008)
3. Multiple sources
Multiple sources, including:
⢠Two episodes on television series: The Fresh
Prince of Bel-Air and Treasure Hunters
⢠Internet sites for and by educators at the K-12
level (including over 50 lesson plans)
⢠Internet sites (and an educational video) by
three government agencies: NASA, NSA, NPS
⢠Published pieces in the academic and popular
presses
4. Theoretical sampling
My method of collecting information resembled the
âtheoretical samplingâ discussed in Barney Glaser
and Anselm Straussâ The Discovery of Grounded
Theory: Strategies for Qualitative Research (1967).
â˘The sampling was purposeful, not random or
rigidly preplanned.
â˘The number and types of groups were not
determined until the research was completed.
There was âan ongoing inclusion of groups.â
5. Approach to the information
My method of making sense of the information
also resembled their methods. According to
Glaser and Strauss,
â˘grounded theory requires the âhard study of
much data.â
â˘grounded theory is the opposite of âlogo-
deductive theory.â It is âgrounded inâ and
âemerges fromâ the data.
7. Recursive process
Collecting, coding, and analyzing are done
together as much as possible. They blur and
intertwine continuously. One should not
disregard the âfresh analytical ideaâ that occurs
after the process has begun. The âconstant
comparisonâ of different groups highlights
meaningful similarities and differences.
When does the process end?
8. Example of To Kill a Mockingbird
To Kill a Mockingbird is the single most widely
discussed novel at enotes.com. There are
presently:
6,664 Q&A items for To Kill a Mockingbird
2,848 Q&A items for Lord of the Flies
1,440 Q&A items for 1984
1,340 Q&A items for The Scarlet Letter
1,060 Q&A items for Frankenstein
9. Theme 1: Moral Character
When talking to students about fictional
characters in Leeâs novel, particularly when
talking about Atticus Finch and Bob Ewell, the
teachers frequently move from character
analysis to explicit and implicit statements of
morality. Describing the fictional characters in
the novel becomes a way of talking about moral
character in our world.
10. Theme 2: Life Lessons
When talking to students about the experiences
and changes of the younger characters in the
novel, particularly when talking about Scout and
Jem Finch, the teachers frequently move in their
answers toward explicit and implicit discussions
of identity development, intellectual and social
development, loss of innocence, growing
awareness of hypocrisy and evil in the world,
and other topics related to adolescence.
11. Theme 3: Text and Context
When talking to students about the novelâs
setting and publication date, the teachers touch
briefly on past and present organizations of
race, class, and gender. The novelâs immediate
setting (the town of Maycomb, AL) often
receives detailed treatment in the teachersâ
answers, whereas discussions of social
structures in the early 1930s and in the late
1950s are often brief and undeveloped.
12. Bringing the themes together
The teachersâ tendency to focus on unchanging and
universal truths, particularly the central idea of a
young person learning to distinguish between good
and evil â coupled with the tendency to discuss the
novel without reference to the Jim Crow laws of the
period in which the story is set and/or the early
Civil Rights era during which the novel was first
published â transforms the complex novel To Kill a
Mockingbird into a simple and timeless morality
tale.
15. Sample teachersâ posts on
the rose bush
The following two posts can be compared and
contrasted for the following:
â˘Level of detail
â˘Discussion of symbolism
â˘Discussion of ambiguity
â˘Use of direct quotations from the novel
16. One post on the rose bush
âThe rose bush is like Pearl. It grows in a location where it
serves as a stark contrast against the prison. Pearl is
beautiful and grows in stark contrast to the fact that she
was created out of "sin." Pearl and her mother, Hester
Pryne, have been brought before the small counsel so
they can determine if Hester should be allowed to raise
the child, Pearl. They identify Hester as a sinful woman
and do not want the child to be raised to follow in her
mother's footsteps. When Pearl is asked where she came
from, she tells them that she was plucked from the rose
bush. Her wit is also thorn like.â Posted by mkcapen1
Teacher Middle School on January 29, 2010 at 8:05 AM
17. A second post on the rose bush
âThe rose bush in this novel is another example of a
symbol, just like the character of Hester Prynne,
that defies easy interpretation and eschews
classification. The narrator remains deliberately
vague about how this important symbol can be
interpreted, but what I think your question refers
to is one possible legend that is cited as a potential
explanation for the existence of the rose bush at
the prison door, which is a rather incongruous place
for a such a beautiful flower to grow.
18. A second post on the rose bush, cont.
âNote what the text tells us about this: âThis rosebush, by a
strange chance, has been kept alive in history; but whether it
had merely survived out of the stern old wilderness, so long
after the fall of the gigantic pines and oaks that originally
overshadowed it--or whether, as there is fair authority for
believing, it had sprung up under the footsteps of the sainted
Ann Hutchinson, as she entered the prison door--we shall not
take upon us to determine.â Thus we can see that one potential
story that explains the existence of the rose bush is that it
sprang up beneath the saint Ann Hutchinson as she entered the
prison door, but the truth of this rumor is never given.â Posted
by accessteacher Teacher High School - 10th Grade on July 28,
2011 at 9:38 PM
19. To Kill a Mockingbird and
The Scarlet Letter
I now wonder where the differences lie in how
teachers discuss these two novels:
The individual teachers?
The school grades?
The texts themselves?
I wonder if we are more likely to ascribe complexity
to some texts (e.g. Hawthorneâs novels and short
stories) and less likely to do the same for others
(e.g. Robert Frostâs poetry, To Kill a Mockingbird, or
Harry Potter).
20. Celebration of flexibility and freedom
The Discovery of Grounded Theory is worth
reading not only for its discussion of the method
but also for its challenge to the still dominant
model in social science research:
â˘âthe rigorous rules of verificationâ are âso
stifling to the creative energies required for
discovering theoryâ (7)
â˘âescaping the shackles of existing theoriesâ (38)
21. Literary Studies
I have used grounded theory to examine
discussions of specific literary works:
â˘Harper Leeâs To Kill a Mockingbird
â˘Nathaniel Hawthorneâs âYoung Goodman
Brownâ and The Scarlet Letter
â˘Robert Frostâs poetry, concentrating on âThe
Road Not Takenâ and âStopping by Woods on a
Snowy Eveningâ
â˘J.K. Rowlingâs Harry Potter
22. Cultural Studies
I have also used grounded theory to examine non-literary
phenomena:
â˘claims of a coded message in the song âFollow the
Drinking Gourdâ
â˘how gamers talk about the physical appearance of the
male characters that they are able to create and
manipulate within a popular online multiplayer game
â˘choices for names of guilds by LGBT gamers in online
games
â˘motivations and aesthetic concerns of people who
create and/or consume âcelebrity fakeâ pornography
23. Conclusion
Glaser and Strauss had only the sociologist in mind
as they wrote their book, stating that generating
sociological theory is something that âonly
sociologists can do.â
But their method, built around the âhard study of
much dataâ and intended to liberate âthe creative
energies required for discovering theory,â can help
any of us answer almost any question that begins
with the words âHow do peopleâŚ?â
24. Source
Glaser, Barney G. and Anselm L. Strauss. The
Discovery of Grounded Theory: Strategies for
Qualitative Research. Chicago: Aldine
Publishing, 1967.