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History of Dance In India Part 2
MOHINIYATTAM

Originated in Kerala

It is closely related to Bharathanatyam

Originated as the temple dance performed by Devadasis, it
portrays feminine love in its myriad forms - carnal,
devotional and maternal- with accent more on Lasya and
Bhava. In the main items Cholkettu, Padavarnam and
Padam, Mudras and facial expressions are more important
than the rhythmic steps.

Costumes and ornaments of Mohiniyattam have much in
common with female characters of Koodiyattam and
Kathakali.
MOHINIYATTAM

The language used in
the lyrics is a pleasant
mixture of Malayalam
and Sanskrit, known as
Manipravalam

Mohiniyattam gives
more importance to
gestural and facial
acting

Dance
Yakshagana

From the rural areas of
Karnataka.

400 years old

Themes based on Hindu
epics

Has the characters
Sutra Dhara (conductor)
and the Vidhushaka (the
jester)

Dance
Kathak

Performed by a band of
storytellers who were
connected with a temple

Northern Kathak

Katha means story

Later added mime and
gestures to accompany their
storytelling

The dance focuses on
rhythm mostly but also
concentrates on erotic steps
Kathak

An interesting piece of cross-cultural reference and tidbit of
information.
Kathak was primarily associated with an institution known as the
tawaif. This is a much misunderstood institution of female
entertainers, very much like the geisha tradition of Japan. It was
a profession which demanded the highest standards of training,
intelligence, and most important, civility. It is said that it was
common for royalty to send their children to the tawaifs for
instruction in etiquette. Unfortunately, when the British
consolidated their hold over India during the Victorian era, this
great institution was branded as mere prostitution and was
outlawed. This set the artform of kathak into a downward spiral
that was not reversed until Independence when there was a
reawakening in interest in traditional Indian artforms.
Dance
Manipuri

Very ritualistic—heavy on the folklore and
mythology

Costumes are colorful and bright

Music is slow and rhythmic

Drums and cymbals are the main instruments

There are very specific guidelines of this style of
dance not like the others.
Manipuri

The dance was comprised of two dances Lai
Haraoba and Rasa Leela. The former deals with the
creation of the world and the latter deals with the
intimacy between Krishna and his consort – Radha.

Watch them dance.
Works Cited

http://www.indialine.com/travel/knowindia/dance.html

http://www.manipuri.20m.com/

www.youtube.com
Works Cited

http://www.indialine.com/travel/knowindia/dance.html

http://www.manipuri.20m.com/

www.youtube.com

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History of Dance in India Part 2

  • 1. History of Dance In India Part 2
  • 2. MOHINIYATTAM  Originated in Kerala  It is closely related to Bharathanatyam  Originated as the temple dance performed by Devadasis, it portrays feminine love in its myriad forms - carnal, devotional and maternal- with accent more on Lasya and Bhava. In the main items Cholkettu, Padavarnam and Padam, Mudras and facial expressions are more important than the rhythmic steps.  Costumes and ornaments of Mohiniyattam have much in common with female characters of Koodiyattam and Kathakali.
  • 3. MOHINIYATTAM  The language used in the lyrics is a pleasant mixture of Malayalam and Sanskrit, known as Manipravalam  Mohiniyattam gives more importance to gestural and facial acting  Dance
  • 4. Yakshagana  From the rural areas of Karnataka.  400 years old  Themes based on Hindu epics  Has the characters Sutra Dhara (conductor) and the Vidhushaka (the jester)  Dance
  • 5. Kathak  Performed by a band of storytellers who were connected with a temple  Northern Kathak  Katha means story  Later added mime and gestures to accompany their storytelling  The dance focuses on rhythm mostly but also concentrates on erotic steps
  • 6. Kathak  An interesting piece of cross-cultural reference and tidbit of information. Kathak was primarily associated with an institution known as the tawaif. This is a much misunderstood institution of female entertainers, very much like the geisha tradition of Japan. It was a profession which demanded the highest standards of training, intelligence, and most important, civility. It is said that it was common for royalty to send their children to the tawaifs for instruction in etiquette. Unfortunately, when the British consolidated their hold over India during the Victorian era, this great institution was branded as mere prostitution and was outlawed. This set the artform of kathak into a downward spiral that was not reversed until Independence when there was a reawakening in interest in traditional Indian artforms. Dance
  • 7. Manipuri  Very ritualistic—heavy on the folklore and mythology  Costumes are colorful and bright  Music is slow and rhythmic  Drums and cymbals are the main instruments  There are very specific guidelines of this style of dance not like the others.
  • 8. Manipuri  The dance was comprised of two dances Lai Haraoba and Rasa Leela. The former deals with the creation of the world and the latter deals with the intimacy between Krishna and his consort – Radha.  Watch them dance.