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VOCAL MUSIC
 is a type of music performed by
one or more singers, either with
instrumental accompaniment, or
without instrumental
accompaniment (a cappella), in
which singing provides the main
focus of the piece.
SACRED MUSIC
 is music performed or
composed for religious
use or through religious
influence.
LITURGICAL
 is a form of music originating
as a part of religious ceremony.
It includes a number of
traditions, both ancient and
modern.
DEVOTIONAL
 is a hymn which accompanies religious
observances and rituals.
Traditionallydevotional music has been a
part of Christian music, Hindu music,
Sufi music, Buddhist music,
Islamic music and Jewish music. Each
major religion has its own tradition
with devotional hymns.
SACRED MUSIC ARE
HEARD IN CHURCHES’
MASS, PASTORES,
SENAKULO, PASYON,
SALUBONG, FLORES DE
MAYO, SANTACRUZAN
MASS
“ALLELUIA ALLELUIA”
• is a term used to
describe the main
eucharistic
liturgical service
in many forms of
Western
Christianity.
PASTORES
“Vamos pastores Vamos”
• A form of
sacred musical comp
osition, is a choral
composition that sets
the invariable portions
of the
Eucharisticliturgy
to music.
SENAKULO
“THE CENTURIONS”
• is a Lenten play
that depicts
events from the
Old and New
Testaments
related to the life,
sufferings, and
death of Christ.
PASYON
“PANALANGIN SA DIYOS”
• is a type of
doctrinal and
didactic
religious verse
that narrates
the life of Jesus
Christ.
SALUBONG
“AWIT NG SALUBONG”
• is an Easter
Sunday pre-dawn
ritual or
ceremony that
reenacts the
Risen Christ's
meeting with His
mother.
FLORES DE MAYO
“AVE MARIA”
• It is one of the
May devotions
to the Blessed
Virgin Mary and
lasts for the
entire month.
SANTACRUZAN
“BIRHENG MAHAL”
• Is the ritual pageant
held on the last day of
the Flores de Mayo. It
honors the finding of
the True Cross by
Helena of
Constantinople
(known as Reyna
Elena) and
Constantine the Great.
SECULAR MUSIC
•is any music not written
for the church.
HARANA
• was a traditional
form of courtship in
the Philippines
wherein men
introduced
themselves and/or
wooed women by
singing underneath
her window at night.
“DUNGAWIN MO, HIRANG”
BALITAW
• is an extemporaneous
exchange of love verses
between a man and a
woman. Danced and
mimed, it is accompanied
by a song, or the dancers
themselves sing,
improvising the steps and
verses.
“BALITAW” (VISAYAN
SONG)
KUMINTANG
• is a style of
Philippine music
and dance from
the 19th century. It
is a traditional
Filipino love song
as well.
“SINGKIL”
POLKA
• A lively dance in
duple meter,
performed by
couples.
SONG IN POLKA BAL
ART MUSIC
 is music that implies
advanced structural and
theoretical considerations or a
written musical tradition.
KUNDIMAN
• is a genre of
traditional Filipino
love songs.
“DAHIL SA’YO”
INSTRUMENTAL MUSIC
 is a musical composition or
recording without lyrics, or
singing, although it might include
some inarticulate vocals, such
as shouted backup vocals in a
Big Band setting.
RONDALLA
• is an ensemble of
stringed instruments
played with the
plectrum or pick and
generally known as
plectrum
instruments.
“SARUNG BANGGI”
BRASS BAND
• a group of musicians
playing brass
instruments and
sometimes also
percussion.
“SHUT UP AND DANCE”
MUSIKONG BUMBONG
• refers to the music or
sound that originated
from a bamboo tube.
PANGKAT KAWAYAN GROUP
BAMBOO ORGAN
• is made up
mostly
of bamboo dates
back to the
Spanish era.
ANGKLUNG ENSEMBLE
• is a musical
instrument made
of a varying
number of
bamboo tubes
attached to a
bamboo frame.
“WE ARE THE CHAMPIONS”
HIMIG PANGKAT KAWAYAN
• known as the
“Singing Bamboos”of
the Philippines ” is a
unique orchestra that
draws music from
unconventional
bamboo instruments.
SONG IN POLKA BAL

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grade 7 music 1st quarter

  • 1. VOCAL MUSIC  is a type of music performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece.
  • 2. SACRED MUSIC  is music performed or composed for religious use or through religious influence.
  • 3. LITURGICAL  is a form of music originating as a part of religious ceremony. It includes a number of traditions, both ancient and modern.
  • 4. DEVOTIONAL  is a hymn which accompanies religious observances and rituals. Traditionallydevotional music has been a part of Christian music, Hindu music, Sufi music, Buddhist music, Islamic music and Jewish music. Each major religion has its own tradition with devotional hymns.
  • 5. SACRED MUSIC ARE HEARD IN CHURCHES’ MASS, PASTORES, SENAKULO, PASYON, SALUBONG, FLORES DE MAYO, SANTACRUZAN
  • 6. MASS “ALLELUIA ALLELUIA” • is a term used to describe the main eucharistic liturgical service in many forms of Western Christianity.
  • 7. PASTORES “Vamos pastores Vamos” • A form of sacred musical comp osition, is a choral composition that sets the invariable portions of the Eucharisticliturgy to music.
  • 8. SENAKULO “THE CENTURIONS” • is a Lenten play that depicts events from the Old and New Testaments related to the life, sufferings, and death of Christ.
  • 9. PASYON “PANALANGIN SA DIYOS” • is a type of doctrinal and didactic religious verse that narrates the life of Jesus Christ.
  • 10. SALUBONG “AWIT NG SALUBONG” • is an Easter Sunday pre-dawn ritual or ceremony that reenacts the Risen Christ's meeting with His mother.
  • 11. FLORES DE MAYO “AVE MARIA” • It is one of the May devotions to the Blessed Virgin Mary and lasts for the entire month.
  • 12. SANTACRUZAN “BIRHENG MAHAL” • Is the ritual pageant held on the last day of the Flores de Mayo. It honors the finding of the True Cross by Helena of Constantinople (known as Reyna Elena) and Constantine the Great.
  • 13. SECULAR MUSIC •is any music not written for the church.
  • 14. HARANA • was a traditional form of courtship in the Philippines wherein men introduced themselves and/or wooed women by singing underneath her window at night. “DUNGAWIN MO, HIRANG”
  • 15. BALITAW • is an extemporaneous exchange of love verses between a man and a woman. Danced and mimed, it is accompanied by a song, or the dancers themselves sing, improvising the steps and verses. “BALITAW” (VISAYAN SONG)
  • 16. KUMINTANG • is a style of Philippine music and dance from the 19th century. It is a traditional Filipino love song as well. “SINGKIL”
  • 17. POLKA • A lively dance in duple meter, performed by couples. SONG IN POLKA BAL
  • 18. ART MUSIC  is music that implies advanced structural and theoretical considerations or a written musical tradition.
  • 19. KUNDIMAN • is a genre of traditional Filipino love songs. “DAHIL SA’YO”
  • 20. INSTRUMENTAL MUSIC  is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a Big Band setting.
  • 21. RONDALLA • is an ensemble of stringed instruments played with the plectrum or pick and generally known as plectrum instruments. “SARUNG BANGGI”
  • 22. BRASS BAND • a group of musicians playing brass instruments and sometimes also percussion. “SHUT UP AND DANCE”
  • 23. MUSIKONG BUMBONG • refers to the music or sound that originated from a bamboo tube. PANGKAT KAWAYAN GROUP
  • 24. BAMBOO ORGAN • is made up mostly of bamboo dates back to the Spanish era.
  • 25. ANGKLUNG ENSEMBLE • is a musical instrument made of a varying number of bamboo tubes attached to a bamboo frame. “WE ARE THE CHAMPIONS”
  • 26. HIMIG PANGKAT KAWAYAN • known as the “Singing Bamboos”of the Philippines ” is a unique orchestra that draws music from unconventional bamboo instruments. SONG IN POLKA BAL