Post Script LaTeX ?

July 29, 2013
Daftar Isi
1 PSTricks 3
1.1 Memulai PSTricks . . . . . . . . . . . . . . . . . . . . . . . . . . 3
2 Dasar-dasar PSTricks 5
2.1 Arguments dan Delimiters . . . . . . . . . . . . . . . . . . . . . . 5
2.2 Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
2.3 Pengaturan Parameter Graﬁk . . . . . . . . . . . . . . . . . . . . 6
2.4 Dimensi, Koordinat, dan Sudut . . . . . . . . . . . . . . . . . . . 6
3 Dasar- dasar suatu Objek 7
3.1 Garis dan Polygon . . . . . . . . . . . . . . . . . . . . . . . . . . 7
3.2 Sudut, Lingkaran, dan Elips . . . . . . . . . . . . . . . . . . . . . 10
3.3 Kurva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3.4 Dots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
3.5 Plots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
3.6 Style Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
4 Picture tools 18
4.1 Placing and Rotating Whatever . . . . . . . . . . . . . . . . . . . 18
4.2 Repetition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
5 Text Tricks 21
5.1 Rotating . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
5.2 Frame Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
6 Nodes and Node Connections 24
7 PST-Labo 25
7.1 Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
7.2 glassType . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
7.3 bouchon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
7.4 pince . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
7.5 tubeDroit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
7.6 tubeCoude . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
7.7 tubeCoudeU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
7.8 tubeCoudeUB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
7.9 etiquette and Numero . . . . . . . . . . . . . . . . . . . . . . . 28
7.10 tubePenche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
2

7.11 tubeSeul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
7.12 becBunsen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
7.13 barbotage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
7.14 substance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
7.15 tubeRecourbe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
7.16 tubeRecourbeCourt . . . . . . . . . . . . . . . . . . . . . . . . . 32
7.17 doubletube . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
7.18 refrigerantBoulle . . . . . . . . . . . . . . . . . . . . . . . . . 33
7.19 recuperationGaz . . . . . . . . . . . . . . . . . . . . . . . . . . 34
7.20 burette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
7.21 niveauReactifBurette and couleurReactifBurette . . . . . . 35
7.22 AspectMelange and CouleurDistillat . . . . . . . . . . . . . . 36
7.23 phmetre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
7.24 agitateurMagnetique . . . . . . . . . . . . . . . . . . . . . . . . 37
7.25 niveauLiquide1, niveauLiquide2, niveauLiquide3 and aspectLiquide1,
aspectLiquide2, aspectLiquide3 . . . . . . . . . . . . . . . . 38
7.26 Distilasi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
8 Lorem ipsum 40
9 Kantlipsum 41
10 Blindtext 43
1 PSTricks
PSTricks merupakan koleksi dari PostScript yang didasarkan atau dipe-
runtukkan untuk dokumen TEX yang kompatibel dengan banyak makro paket
LATEX yang ada. PSTricks sendiri mendukung berbagai dokumen TEX seperti
PLAINTEX, ConTeXt dan memberikan warna, graﬁk, perputaran, cabang, dan
perpindahan dokumen atau animasi. PSTricks diambil dari PostScript dan di-
taruh ke dalam adonan kue yang bernama TEX, maka jadilah disebut dengan
PSTricks. Untuk menginstal paket PSTricks, Anda bisa melakukan penginsta-
lan secara menyeluruh paket LATEX di bagian MikTeX packet manager.
1.1 Memulai PSTricks
Memulai menggunakan PSTricks, salah satu cara yang akan dijelaskan dibawah
ini :
1. Mulailah membuat dokumen baru dan deﬁnisikan paket pstricks.
documentclass[10pt]{article}
usepackage{lipsum}
usepackage{fancyvrb}
3

usepackage{pst-tree,pstricks}
begin{document}
title{Can you use pstricks at LaTeX ?}
author{Hir Wanto}
date{July 29, 2013}
maketitle
section{PSTricks}
lipsum[1]
end{document}
2. Khusus bagi Anda yang memakai TeX Editor seperti WindEdt maka
ceklah ketersedian paket PSTricks Anda dibagian kanan Application bar,
kemudian pilihlah MikTeX Package Manager. Jika Anda belum mengin-
stal PSTricks, maka salah satunya Anda bisa menginstal via Online.
3. Selanjutnya, untuk Anda pemakai WinEdt, ubahlah pengaturan hasil
Outputnya dengan meng-klik Menu Options > Execution Modes > TeX Options,
kemudian klik radio button dvi>ps>pdf lalu klik Apply dan terakhir klik
OK untuk menyetujui perubahan pengaturan.
4. Beberapa paket dari PSTricks yaitu :
(a) pst-2dplot
(b) pst-3d
(c) pst-3dplot
(d) pst-abspos
(e) pst-am
(f) pst-asr
(g) pst-bar
(h) pst-barcode
(i) pst-bezier
(j) pst-blur
(k) pst-bspline
(l) pst-calender
(m) pst-circ
(n) pst-coil
5. Untuk memanggil paket pstricks maka pada bagian premble, dengan
mengetik usepackage{pstricks}. Jika Anda ingin membuat cabang
pohon(tree) maka Anda dapat menambahkan pada bagian paket yaitu
usepackage{pst-tree,pstricks}. Berikut contohnya yaitu :
4

pstree[radius=3pt]{Tp}{%
TC*
pstree{TC}{TC* TC*}
TC*}
6. Selesai.
2 Dasar-dasar PSTricks
2.1 Arguments dan Delimiters
Makro PSTricks menggunakan delimiters seperti ini :
{arg} Curly braces
[arg] Brackets (only for optional arguments)
(x,y) Parentheses and commas for coordinates
= and,for parameters par1=val1,
2.2 Color
PSTricks memiliki warna grayscale seperti :
black,darkgray,gray,lightgray,and white
dan warnanya seperti :
red,green,blue,cyan,magenta,and,yellow
yang merupakan warna yang telah dideﬁnisikan sebelumnya di PSTricks. Dibawah
ini diberikan contoh penggunaan warna yaitu :
• Input :
5

psset{fillstyle=solid}%
pscircle[fillcolor=yellow]{0.5}
definecolor{LightOrange} {cmyk}{0,0.2,0.4,0}%
pscircle[fillcolor=LightOrange](3.2,0){0.5}
• Output :
2.3 Pengaturan Parameter Grafik
PSTricks mengggunakan sistem nilai dari parameter yang diberikan seperti
garis, grafik, atau grafik yang dikombinasikan dengan teks. Kamu bisa men-
gubah nilai standar warna yang ada dengan memanggil perintah yaitu psset.
psset{fillstyle=solid}%
pscircle[fillcolor=yellow]{0.5}
definecolor{LightOrange} {cmyk}{0,0.2,0.4,0}%
pscircle[fillcolor=LightOrange](3.2,0){0.5}
2.4 Dimensi, Koordinat, dan Sudut
Argumen didalam PSTricks adalah dimensi sedangkan pilihannya adalah unit.
Pengaturan unit standar menggunakan
unit=dim ukuran standar : 1 cm
sebagai parameter. Pernyataan berikut mempunyai ukuran yang sama :
psset{linewidth=.5cm}
psset{linewidth=.5
Kamu bisa menggunakan pengaturan standar dimensi didalam pengaturan yang
bukan PSTricks :
pssetlength{cmd}{dim}
psaddtolength{cmd}{dim}
dimana cmd merupakan dimensi yang terdaftar sedangkan dim adalah panjang
dengan unit yang dipilih. Pengaturan koodinat pasangan yaitu (x,y). Perintah
SpecialColor, misalkan kamu menggunakan koordinat polar yaitu (<r>,<a>)
dengan r jari-jari dan a sudut. Kamu tetap bisa juga menggunakan koodinat
kartesius.
Secara standar, pengaturan unitnya terdiri dari tiga parameter yaitu :
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xunit=dim Default: 1cm
yunit=dim Default: 1cm
runit=dim Default: 1cm
3 Dasar- dasar suatu Objek
Dibagian ini akan diberikan dasar objek seperti garis, polygon, sudut, lingkaran,
dan lain sebagainya.
3.1 Garis dan Polygon
Objek ini menggunakan parameter dibawah ini :
inearc=dim Default: 0pt
Jari-jari sudut digambar di titik sudut garis menggunakan psline dan pspolygon
sedangkan untuk dim seharusnya bernilai positif.
framearc=num Default: 0
Didalam psframe dan makro yang berhubungan dengannya, jari-jari yang men-
gelilingi sudut adalah dalam pengaturan standar satu setengah num dikali denga
lebar atau tinggi frame yang mana lebih sedikit dari itu. num seharusnya antara
0 dan 1.
cornersize=relative/absolute Default:relative
Jika cornersize adalah relatif, maka parameter framearc menghasilkan jari-jari
yang mengelilingi sudut untuk psframe, sebagaimanan penjelasan diatas maka
jari-jari bertahan pada ukuran frame. Jika cornersize adalah absolut, maka pa-
rameter linearc menghasilkan jari-jari yang mengelilingi sudut untuk psframe(jari-
jarinya tetap pada ukurannya).
psline*[par]{arrows}(x0,y0)(x1,y1)...(xn,yn)
Perintah ini menggambarkan suatu garis yang berisi titik -titik koordinat yang
diberikan. Untuk contoh Input :
psline[linewidth=2pt,linearc=.25]{->}(4,2)(0,1)(2,0)
Output :
7

qline(coor0)(coor1)
Perintah ini menggambar garis bukan berdasarkan pada parameter arrow tetapi
hanya segmen garis tunggal saja. Input :
qline(0,0)(2,1)
Output :
pspolygon*[par](x0,y0)(x1,y1)(x2,y2) (xn,yn)
Perintah ini adalah sama dengan psline hanya berbeda pada path garis yang
tertutup. Untuk contoh
Input :
pspolygon[linewidth=1.5pt](0,2)(1,2)
pspolygon*[linearc=.2,linecolor=darkgray](1,0)(1,2)(4,0)(4,2)
Output :
psframe*[par](x0,y0)(x1,y1)
Perintah ini menggambarkan suatu persegi dengan titik -titik sudut yaitu (x0, y0)
dan (x1, y1). Input :
psframe[linewidth=2pt,framearc=.3,fillstyle=solid,
fillcolor=lightgray](4,2)
psframe*[linecolor=white](1,.5)(2,1.5)
Output :
8

psdiamond*[par](x0,y0)(x1,y1)
Perintah ini menggambar suatu bentuk berlian(diamond) denga titik tengah
(x0, y0) dan setengah tinggi dan lebarnya adalah sama dengan x1 dan y1. Input
:
psdiamond[framearc=.3,fillstyle=solid,
fillcolor=lightgray](2,1)(1.5,1)
Output :
Diamond diputar dibagian tengah menggunakan
gangle=angle Default: 0
Input :
psdiamond[framearc=.3,fillstyle=solid,
gangle=120,fillcolor=lightgray](2,1)(1.5,1)
Output :
pstriangle*[par](x0,y0)(x1,y1)
pstriangle menggambarkan graﬁk berbentuk segitiga dengan titik basis ten-
gah di (x0, y0) dan titik- titik yang lain yaitu x1 dan y1.
Input :
pstriangle*[gangle=10](2,.5)(4,1)
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Output :
3.2 Sudut, Lingkaran, dan Elips
pscircle*[par](x0,y0){radius}
Ini menggambarkan lingkaran dengan pusat di (x0, y0) dan mempunyai jari-jari
r. Untuk contoh :
Input :
pscircle[linewidth=2pt](.5,.5){1.5}
Output :
qdisk(coor){radius}
Perintah ini salah satu versi dari pscircle*. Catatan bahwa dua argumennya
adalah oblogatory dan tidak ada parameter argumen. Untuk mengubah warna
disks, kamu harus menggunakan psset:
Input :
psset{linecolor=gray}
qdisk(2,3){4pt}
Output :
10

pswedge*[par](x0,y0){radius}{angle1}{angle2}
Perintah ini menggambarkan suatu potongan lingkaran dengan jari dan meng-
gunakan parameter sudut yang diberikan.
Input :
pswedge[linecolor=gray,linewidth=2pt,fillstyle=solid]{2}{0}{70}
Output :
psellipse*[par](x0,y0)(x1,y1)
Titik (x0, y0) adalah pusat dari elips, dan titik radius horizontal dan vertikalnya
adalah x1 dan y1. Untuk contoh
Input :
psellipse[fillcolor=lightgray](.5,0)(1.5,1)
Output :
psarc*[par]{arrows}(x,y){radius}{angleA}{angleB}
Perintah ini menggambarkan dari sudut A ke sudut B dengan berlawanan arah
jarum jam, dengan jari -jari r dan pusat di (x, y). Kamu harus memasukkan
argumen arrow atau argumen (x, y). Untuk contoh.
Input :
psarc*[showpoints=true](1.5,1.5){1.5}{215}{0}
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showpoints=true menggambarkan garis putus -putus pada potongan lingkaran.
Output :
Input :
psarc*[showpoints=false](1.5,1.5){1.5}{215}{0}
showpoints=falsetidak menampilkan garis putus-putus pada potongan lingkaran.
Output :
Input :
SpecialCoor
psline[linewidth=2pt](4;50)(0,0)(4;10)
psarc[arcsepB=2pt]{->}{3}{10}{50}
Output :
psarcn*[par]{arrows}(x,y){radius}{angleA}{angleB}
12

psarcn* sama dengan psarc tetapi searah dengan jarum jam. Kamu juga
bisa menggunakan psarc dengan menukar angleA dengan angleB dan arah
panahnya.
Input :
SpecialCoor
psline[linewidth=2pt](4;50)(0,0)(4;10)
psarcn[arcsepB=2pt]{->}{3}{10}{50}
Output :
psellipticarc*[par]{arrows}(x0,y0)(x1,y1){angleA}{angleB}
Perintah ini menggambarkan elips dari angleA ke angleB berlawanan dengan
arah jarum jam dan pusat (x0, y0) serta titik-titik radiusnya x1 dan y1. Untuk
contoh.
Input :
psellipticarc[showpoints=false,arrowscale=2]{->}
(.5,0)(1.5,1){215}{0}
Output :
13

Input :
psellipticarcn[showpoints=false,arrowscale=2]{->}
(.5,0)(1.5,1){215}{0}
Untuk psellipticarcn sama dengan psellipticarc tetapi dengan arah
searah jarum jam. Output :
3.3 Kurva
psbezier*[par]{arrows}(x0,y0)(x1,y1)(x2,y2)(x3,y3)
psbezier menggambarkan kurva bezier yang terdiri dari empat titik kontrol.
Untuk contoh :
psbezier[linewidth=2pt,showpoints=true]{->}
(0,0)(1,4)(2,1)(4,3.5)
showpoints=true menggambarkan keempat titik saling terhubung dan garis
putus-putus.
Output :
psbezier[linewidth=2pt,showpoints=false]{->}
(0,0)(1,4)(2,1)(4,3.5)
showpoints=false tidak menggambarkan keempat titik saling terhubung dan
garis putus-putus tetapi hanya kurva bezier saja.
Output :
14

parabola*[par]{arrows}(x0,y0)(x1,y1)
Perintah ini menggambarkan parabola di titik (x0, y0) dan titik maksimum dan
minimum di (x1, y1). Untuk contoh
Input :
parabola*(1,1)(2,3)
psset{xunit=.01}
parabola{<->}(400,3)(200,0)
Output :
pscurve*[par]{arrows}(x1,y1)...(xn,yn)
Input :
pscurve[showpoints=true]{<->}(0,1.3)(0.7,1.8)
(3.3,0.5)(4,1.6)(0.4,0.4)
Output :
Input :
pscurve[showpoints=false]{<->}(0,1.3)(0.7,1.8)
(3.3,0.5)(4,1.6)(0.4,0.4)
Output :
15

psecurve*[par]{arrows}(x1,y1)...(xn,yn)]
Input :
psecurve[showpoints=true](.125,8)(.25,4)(.5,2)
(1,1)(2,.5)(4,.25)(8,.125)
Output :
psccurve[showpoints=true](.5,0)(3.5,1)(3.5,0)(.5,1)
Output :
3.4 Dots
psdot*[par](x1,y1)
psdots*[par](x1,y1)(x2,y2)...(xn,yn)
psdots*[showpoints=false](0,0)(0.5,0.3)
3.5 Plots
psset{xunit=1.7cm}
parametricplot[linewidth=1.2pt,plotstyle=ccurve]%
{0}{360}{t sin t 2 mul sin}
psline{<->}(0,-1.2)(0,1.2)
psline{<->}(-1.2,0)(1.2,0)
16

Output :
3.6 Style Graphics
psellipse[linestyle=dashed,dash=3pt 2pt](2,1)(2,1)
Output :
psline[linestyle=dotted,dotsep=2pt]{|->>}(4,1)
Output :
psline(0,0)(1.8,3)
psline[border=2pt]{*->}(0,3)(1.8,0)
psframe*[linecolor=gray](2,0)(4,3)
psline[linecolor=white,linewidth=1.5pt]{<->}(2.2,0)(3.8,3)
psellipse[linecolor=white,linewidth=1.5pt,
bordercolor=gray,border=2pt](3,1.5)(.7,1.4)
Output :
17

psline[doubleline=true,linearc=.5,
doublesep=1.5pt]{->}(0,0)(3,1)(4,0)
Output :
pspolygon[linearc=2pt,shadow=true,shadowangle=45,
xunit=1.1](-1,-.55)(-1,.5)(-.8,.5)(-.8,.65)
(-.2,.65)(-.2,.5)(1,.5)(1,-.55)
Output :
4 Picture tools
4.1 Placing and Rotating Whatever
psset{unit=1.2cm}
pspicture(-2.2,-2.2)(2.2,2.2)
pswedge[fillstyle=solid,fillcolor=gray]{2}{0}{70}
pswedge[fillstyle=solid,fillcolor=lightgray]{2}{70}{200}
pswedge[fillstyle=solid,fillcolor=darkgray]{2}{200}{360}
SpecialCoor
psset{framesep=1.5pt}
rput(1.2;35){psframebox*{small$9.0M}}
uput{2.2}[45](0,0){Oreos}
uput{2.2}[135](0,0){Heath}
uput{2.2}[280](0,0){M&M}
endpspicture
Output :
18

$9.0M
Oreos
$16.7M
Heath
$23.1M
M&M
Penjelasan :
rput{34}{%
psframe(-1,0)(2,1)
rput[br]{*0}(2,1){emph{stuff}}}
Output :
stuﬀ
rput[b]{90}(-1,0){Here is a marginal note.}
Output :
Hereisamarginalnote.
4.2 Repetition
multirput(.5,0)(.3,.1){12}{*}
19

Output :
* * * * * * * * * * * *
defzigzag{psline(0,0)(.5,1)(1.5,-1)(2,0)}%
psset{unit=.25,linewidth=1.5pt}
multips(0,0)(2,0){8}{zigzag}
Output :
begin{pspicture}(-3.4,-3.4)(3.4,3.4)
definecolor{mygray}{gray}{0}% Initialize mygray for benefit
psset{fillstyle=solid,fillcolor=mygray} % of this line.
SpecialCoor
degrees[1.1]
multido{n=0.0+0.1}{11}{%
definecolor{mygray}{gray}{n}%
psset{fillcolor=mygray}%
rput{n}{pswedge{3}{-.05}{.05}}
uput{3.2}[n](0,0){smalln}}
end{pspicture}
Output :
20

0.0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
5 Text Tricks
Output :
0
1
2
3
4
0 1 2 3 4
psclip{%
pscustom[linestyle=none]{%
psplot{.5}{4}{2 x div}
lineto(4,4)}
pscustom[linestyle=none]{%
psplot{0}{3}{3 x x mul 3 div sub}
lineto(0,0)}}
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psframe*[linecolor=gray](0,0)(4,4)
endpsclip
psplot[linewidth=1.5pt]{.5}{4}{2 x div}
psplot[linewidth=1.5pt]{0}{3}{3 x x mul 3 div sub}
psaxes(4,4)
5.1 Rotating
Output :
Left
Down
Right
Largebfseriesrotateleft{Left}
rotatedown{Down}rotateright{Right}
5.2 Frame Boxes
pspolygon[fillcolor=gray,
fillstyle=crosshatch*](0,0)(3,0)(3,2)(2,2)
rput(2,1){psframebox*[framearc=.3]{Label}}
Output :
Label
psdblframebox[linewidth=1.5pt]{%
parbox[c]{15cm}{raggedright
A double frame is drawn
with the gap between lines equal
to texttt{doublesep}}}
Output :
A double frame is drawn with the gap between lines equal to doublesep
psshadowbox{textbf{Great Idea!!}}
Output :
Great Idea!!
22

pscirclebox{begin{tabular}{c}
You are here end{tabular}}
Output :
You are
here
cput[doubleline=true](1,.5){large $K_1$}
Output :
K1
At the introductory price of
psovalbox[boxsep=false,linecolor=darkgray]
{$13.99},
it pays to act now!
Output :
At the introductory price of $13.99, it pays to act now!
psdiabox[shadow=true]{Largetextbf{Happy?}}
Output :
Happy?
pstribox[trimode=R,framesep=5pt]
{textbf{Begin}}
Output :
Begin
pstribox[trimode=*U]{Huge Begin}
23

Output :
Begin
6 Nodes and Node Connections
rnode{A}{%
parbox{4cm}{raggedright
I made the file symbol a node.
Now I can draw an
arrow so that you know what
I am talking about.}}
ncarc[nodesep=8pt]{->}{A}{file}
Output :
I made the ﬁle symbol a
node. Now I can draw an
arrow so that you know
what I am talking about.
rnode{A}{sp} hskip 2cm rnode{B}{Bit}
ncline{A}{B}
Output :
sp Bit
Rnode{A}{sp} hskip 2cm Rnode{B}{Bit}
ncline{A}{B}
Output :
sp Bit
cnode(0,1){.25}{A}
pnode(3,0){B}
ncline{<-}{A}{B}
Output :
24

7 PST-Labo
PST-Labo merupakan makro dari LATEX yang dikembangkan untuk aplikasi
dalam bidang kimia khususnya alat -alat laboratorium seperti gelas kaca, tabung
erlemenyer, pipet, tempat distilasi, dan lain sebagainya. PST-Labo dikem-
bangkan oleh Marqua Luque dan Christophe Jorssen dengan lebih banyak objek
dan parameter.
Dibawah ini akan diberikan beberapa penjelasan mengenai PST-Labo.
7.1 Parameter
Tabel akan dijelaskan tentang parameter khusus paket pst-labo.
7.2 glassType
glassType merupakan jenis gelas yang digunakan dalam laboratorium seperti
gelas berbentuk ballon,erlemeyer, dan lain sebagainya dengan isi cairan standar.
Untuk contoh dapat dilihat dibawah ini :
Input :
psset{unit=0.5cm}
pstTubeEssais
pstTubeEssais[glassType=ballon]
pstTubeEssais[glassType=erlen]
pstTubeEssais[glassType=becher]
pstTubeEssais[glassType=flacon]
pstTubeEssais[glassType=fioleJauge]
Output :
7.3 bouchon
bouchon merupakan gelas kimia lengkap dengan penutupnya. Input :
25

psset{unit=0.5cm}
psset{unit=0.45cm}
psset{bouchon=true}
pstTubeEssais[glassType=tube]
pstTubeEssais[glassType=flacon]
Output :
7.4 pince
pince merupakan tabung test dengan perekat kayu. Input :
psset{unit=0.5cm}
psset{bouchon=false,pince=true}
pstTubeEssais[glassType=tube]hspace{1cm}
Output :
7.5 tubeDroit
Input :
psset{unit=0.5cm}
psset{tubeDroit=true}
rule{0pt}{4cm}%
pstTubeEssais[pince=false]
26

pstTubeEssais[glassType=ballon,pince=false]
pstTubeEssais[glassType=erlen,pince=false]
Output :
7.6 tubeCoude
Input :
psset{unit=0.5cm}
psset{tubeCoude=true}
rule{0pt}{2.5cm}%
pstTubeEssais[glassType=erlen,pince=false,tubeDroit=false]
Output :
7.7 tubeCoudeU
Input :
psset{unit=0.5cm}
psset{tubeCoudeU=true}
rule{0pt}{2.5cm}%
27

Output :
7.8 tubeCoudeUB
Input :
psset{unit=0.5cm,glassType=ballon}
pstChauffageBallon[tubeCoudeU] pstChauffageBallon[tubeCoudeUB]
Output :
7.9 etiquette and Numero
Input :
psset{unit=0.5cm}
pstTubeEssais[etiquette]
pstTubeEssais[etiquette,Numero=1]
28

pstTubeEssais[glassType=flacon,bouchon,%
etiquette,Numero={small Cu$^{2+}$}]
Output :
1 Cu2+
7.10 tubePenche
Input :
psset{unit=0.5cm}
pstTubeEssais[tubeDroit=true,tubePenche=40]
pstTubeEssais[tubePenche=-20,bouchon]
Output :
7.11 tubeSeul
Input :
psset{unit=0.5cm,glassType=ballon,becBunsen}
psframebox{pstChauffageTube[becBunsen,barbotage]}
psframebox{pstChauffageTube[tubeSeul=true]}
Output :
29

7.12 becBunsen
Input :
psset{unit=0.5cm,tubeSeul=true}
pstChauffageTube
pstChauffageTube[becBunsen=false]
Output :
7.13 barbotage
Input :
psset{unit=0.5cm}
pstChauffageTube[tubeSeul=true]
pstChauffageTube[barbotage]
30

Output :
7.14 substance
Input :
psset{unit=0.5cm,glassType=becher}
pstTubeEssais
pstTubeEssais[substance=pstBullesChampagne]
pstTubeEssais[substance=pstFilaments{red}]
pstTubeEssais[substance=pstBilles]
pstTubeEssais[substance=pstBULLES{white}]
Output :
Input :
pstTubeEssais[solide={pstTournureCuivre[50]}]
pstTubeEssais[solide={pstGrenailleZinc[80]}]
pstTubeEssais[glassType=ballon,solide={pstClouFer[50]}]
31

Output :
7.15 tubeRecourbe
Input :
psset{unit=0.5cm,glassType=erlen,recuperationGaz,
substance=pstTournureCuivre}
pstChauffageBallon
pstChauffageBallon[tubeRecourbe]
Output :
7.16 tubeRecourbeCourt
Input :
psset{unit=0.5cm,glassType=flacon,recuperationGaz,
substance=pstFilaments{red}}
pstChauffageBallon[tubeRecourbe]
pstChauffageBallon[tubeRecourbeCourt]
32

Output :
7.17 doubletube
Input :
rule{0pt}{4cm}
psset{unit=0.5cm,glassType=ballon,%
substance=pstClouFer}
pstBallon
pstBallon[doubletube]
Output :
7.18 refrigerantBoulle
Input :
33

psset{unit=0.5cm}
pstBallon[refrigerantBoulles,glassType=ballon,%
substance=pstClouFer]
Output :
7.19 recuperationGaz
Input :
psset{unit=0.5cm,glassType=flacon,tubeRecourbe,
substance={pstFilaments[10]{red}}}
pstChauffageBallon
pstChauffageBallon[recuperationGaz]
Output :
34

7.20 burette
Input :
psset{unit=0.4cm}
pstDosage[glassType=erlen]
pstDosage[glassType=erlen,burette=false]
Output :
7.21 niveauReactifBurette and couleurReactifBurette
Input :
35

psset{unit=0.4cm,glassType=erlen,niveauLiquide1=60}
pstDosage[niveauReactifBurette=25,couleurReactifBurette=cyan]
pstDosage[niveauReactifBurette=10]
Output :
7.22 AspectMelange and CouleurDistillat
Input :
psset{unit=0.4cm}
pstDistillationquad
pstDistillation[AspectMelange=Diffusion,CouleurDistillat=red]
36

Output :
7.23 phmetre
Input :
psset{unit=0.5cm,glassType=becher,burette=false}
pstDosage
pstDosage[phmetre]
Output :
PH
◦
C
7.24 agitateurMagnetique
Input :
psset{unit=0.5cm,burette=false,glassType=becher}
pstDosage
pstDosage[agitateurMagnetique=false]
37

Output :
7.25 niveauLiquide1, niveauLiquide2, niveauLiquide3 and
aspectLiquide1, aspectLiquide2, aspectLiquide3
Input :
rule{0pt}{6cm}
pstDosage[niveauReactifBurette=18,niveauLiquide1=30,
aspectLiquide1=Champagne,%
glassType=becher,phmetre=true]
pstDosage[niveauReactifBurette=20,niveauLiquide1=40,
aspectLiquide1=Champagne,%
glassType=becher,phmetre=false,agitateurMagnetique=false]
Output :
PH
◦
C
7.26 Distilasi
Input :
psset{unit=0.5cm}
pstDistillation(-3,-10)(7,6)
Output :
38

8 Lorem ipsum
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Ut purus elit, vestibu-
lum ut, placerat ac, adipiscing vitae, felis. Curabitur dictum gravida mauris.
Nam arcu libero, nonummy eget, consectetuer id, vulputate a, magna. Donec
vehicula augue eu neque. Pellentesque habitant morbi tristique senectus et ne-
tus et malesuada fames ac turpis egestas. Mauris ut leo. Cras viverra metus
rhoncus sem. Nulla et lectus vestibulum urna fringilla ultrices. Phasellus eu
tellus sit amet tortor gravida placerat. Integer sapien est, iaculis in, pretium
quis, viverra ac, nunc. Praesent eget sem vel leo ultrices bibendum. Aenean
faucibus. Morbi dolor nulla, malesuada eu, pulvinar at, mollis ac, nulla. Cur-
abitur auctor semper nulla. Donec varius orci eget risus. Duis nibh mi, congue
eu, accumsan eleifend, sagittis quis, diam. Duis eget orci sit amet orci dignissim
rutrum.
Nam dui ligula, fringilla a, euismod sodales, sollicitudin vel, wisi. Morbi
auctor lorem non justo. Nam lacus libero, pretium at, lobortis vitae, ultricies et,
tellus. Donec aliquet, tortor sed accumsan bibendum, erat ligula aliquet magna,
vitae ornare odio metus a mi. Morbi ac orci et nisl hendrerit mollis. Suspendisse
ut massa. Cras nec ante. Pellentesque a nulla. Cum sociis natoque penatibus et
magnis dis parturient montes, nascetur ridiculus mus. Aliquam tincidunt urna.
Nulla ullamcorper vestibulum turpis. Pellentesque cursus luctus mauris.
Nulla malesuada porttitor diam. Donec felis erat, congue non, volutpat at,
tincidunt tristique, libero. Vivamus viverra fermentum felis. Donec nonummy
pellentesque ante. Phasellus adipiscing semper elit. Proin fermentum massa
ac quam. Sed diam turpis, molestie vitae, placerat a, molestie nec, leo. Mae-
cenas lacinia. Nam ipsum ligula, eleifend at, accumsan nec, suscipit a, ipsum.
Morbi blandit ligula feugiat magna. Nunc eleifend consequat lorem. Sed lacinia
nulla vitae enim. Pellentesque tincidunt purus vel magna. Integer non enim.
Praesent euismod nunc eu purus. Donec bibendum quam in tellus. Nullam cur-
sus pulvinar lectus. Donec et mi. Nam vulputate metus eu enim. Vestibulum
pellentesque felis eu massa.
Quisque ullamcorper placerat ipsum. Cras nibh. Morbi vel justo vitae lacus
tincidunt ultrices. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. In
hac habitasse platea dictumst. Integer tempus convallis augue. Etiam facilisis.
Nunc elementum fermentum wisi. Aenean placerat. Ut imperdiet, enim sed
gravida sollicitudin, felis odio placerat quam, ac pulvinar elit purus eget enim.
Nunc vitae tortor. Proin tempus nibh sit amet nisl. Vivamus quis tortor vitae
risus porta vehicula.
Fusce mauris. Vestibulum luctus nibh at lectus. Sed bibendum, nulla a fau-
cibus semper, leo velit ultricies tellus, ac venenatis arcu wisi vel nisl. Vestibulum
diam. Aliquam pellentesque, augue quis sagittis posuere, turpis lacus congue
quam, in hendrerit risus eros eget felis. Maecenas eget erat in sapien mattis
porttitor. Vestibulum porttitor. Nulla facilisi. Sed a turpis eu lacus commodo
facilisis. Morbi fringilla, wisi in dignissim interdum, justo lectus sagittis dui, et
vehicula libero dui cursus dui. Mauris tempor ligula sed lacus. Duis cursus enim
ut augue. Cras ac magna. Cras nulla. Nulla egestas. Curabitur a leo. Quisque
40

egestas wisi eget nunc. Nam feugiat lacus vel est. Curabitur consectetuer.
Suspendisse vel felis. Ut lorem lorem, interdum eu, tincidunt sit amet,
laoreet vitae, arcu. Aenean faucibus pede eu ante. Praesent enim elit, rutrum
at, molestie non, nonummy vel, nisl. Ut lectus eros, malesuada sit amet, fer-
mentum eu, sodales cursus, magna. Donec eu purus. Quisque vehicula, urna sed
ultricies auctor, pede lorem egestas dui, et convallis elit erat sed nulla. Donec
luctus. Curabitur et nunc. Aliquam dolor odio, commodo pretium, ultricies
non, pharetra in, velit. Integer arcu est, nonummy in, fermentum faucibus,
egestas vel, odio.
Sed commodo posuere pede. Mauris ut est. Ut quis purus. Sed ac odio. Sed
vehicula hendrerit sem. Duis non odio. Morbi ut dui. Sed accumsan risus eget
odio. In hac habitasse platea dictumst. Pellentesque non elit. Fusce sed justo
eu urna porta tincidunt. Mauris felis odio, sollicitudin sed, volutpat a, ornare
ac, erat. Morbi quis dolor. Donec pellentesque, erat ac sagittis semper, nunc
dui lobortis purus, quis congue purus metus ultricies tellus. Proin et quam.
Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos
hymenaeos. Praesent sapien turpis, fermentum vel, eleifend faucibus, vehicula
eu, lacus.
9 Kantlipsum
As any dedicated reader can clearly see, the Ideal of practical reason is a rep-
resentation of, as far as I know, the things in themselves; as I have shown else-
where, the phenomena should only be used as a canon for our understanding.
The paralogisms of practical reason are what ﬁrst give rise to the architectonic
of practical reason. As will easily be shown in the next section, reason would
thereby be made to contradict, in view of these considerations, the Ideal of prac-
tical reason, yet the manifold depends on the phenomena. Necessity depends
on, when thus treated as the practical employment of the never-ending regress
in the series of empirical conditions, time. Human reason depends on our sense
perceptions, by means of analytic unity. There can be no doubt that the objects
in space and time are what ﬁrst give rise to human reason.
Let us suppose that the noumena have nothing to do with necessity, since
knowledge of the Categories is a posteriori. Hume tells us that the transcen-
dental unity of apperception can not take account of the discipline of natural
reason, by means of analytic unity. As is proven in the ontological manuals, it is
obvious that the transcendental unity of apperception proves the validity of the
Antinomies; what we have alone been able to show is that, our understanding
depends on the Categories. It remains a mystery why the Ideal stands in need
of reason. It must not be supposed that our faculties have lying before them, in
the case of the Ideal, the Antinomies; so, the transcendental aesthetic is just as
necessary as our experience. By means of the Ideal, our sense perceptions are
by their very nature contradictory.
As is shown in the writings of Aristotle, the things in themselves (and it re-
mains a mystery why this is the case) are a representation of time. Our concepts
41

have lying before them the paralogisms of natural reason, but our a posteriori
concepts have lying before them the practical employment of our experience.
Because of our necessary ignorance of the conditions, the paralogisms would
thereby be made to contradict, indeed, space; for these reasons, the Transcen-
dental Deduction has lying before it our sense perceptions. (Our a posteriori
knowledge can never furnish a true and demonstrated science, because, like
time, it depends on analytic principles.) So, it must not be supposed that our
experience depends on, so, our sense perceptions, by means of analysis. Space
constitutes the whole content for our sense perceptions, and time occupies part
of the sphere of the Ideal concerning the existence of the objects in space and
time in general.
As we have already seen, what we have alone been able to show is that
the objects in space and time would be falsified; what we have alone been able
to show is that, our judgements are what first give rise to metaphysics. As I
have shown elsewhere, Aristotle tells us that the objects in space and time, in
the full sense of these terms, would be falsified. Let us suppose that, indeed,
our problematic judgements, indeed, can be treated like our concepts. As any
dedicated reader can clearly see, our knowledge can be treated like the tran-
scendental unity of apperception, but the phenomena occupy part of the sphere
of the manifold concerning the existence of natural causes in general. Whence
comes the architectonic of natural reason, the solution of which involves the
relation between necessity and the Categories? Natural causes (and it is not
at all certain that this is the case) constitute the whole content for the paral-
ogisms. This could not be passed over in a complete system of transcendental
philosophy, but in a merely critical essay the simple mention of the fact may
suffice.
Therefore, we can deduce that the objects in space and time (and I assert,
however, that this is the case) have lying before them the objects in space and
time. Because of our necessary ignorance of the conditions, it must not be
supposed that, then, formal logic (and what we have alone been able to show is
that this is true) is a representation of the never-ending regress in the series of
empirical conditions, but the discipline of pure reason, in so far as this expounds
the contradictory rules of metaphysics, depends on the Antinomies. By means of
analytic unity, our faculties, therefore, can never, as a whole, furnish a true and
demonstrated science, because, like the transcendental unity of apperception,
they constitute the whole content for a priori principles; for these reasons, our
experience is just as necessary as, in accordance with the principles of our a
priori knowledge, philosophy. The objects in space and time abstract from all
content of knowledge. Has it ever been suggested that it remains a mystery why
there is no relation between the Antinomies and the phenomena? It must not be
supposed that the Antinomies (and it is not at all certain that this is the case)
are the clue to the discovery of philosophy, because of our necessary ignorance
of the conditions. As I have shown elsewhere, to avoid all misapprehension, it
is necessary to explain that our understanding (and it must not be supposed
that this is true) is what first gives rise to the architectonic of pure reason, as
is evident upon close examination.
42

The things in themselves are what ﬁrst give rise to reason, as is proven in
the ontological manuals. By virtue of natural reason, let us suppose that the
transcendental unity of apperception abstracts from all content of knowledge;
in view of these considerations, the Ideal of human reason, on the contrary,
is the key to understanding pure logic. Let us suppose that, irrespective of
all empirical conditions, our understanding stands in need of our disjunctive
judgements. As is shown in the writings of Aristotle, pure logic, in the case of
the discipline of natural reason, abstracts from all content of knowledge. Our
understanding is a representation of, in accordance with the principles of the
employment of the paralogisms, time. I assert, as I have shown elsewhere, that
our concepts can be treated like metaphysics. By means of the Ideal, it must
not be supposed that the objects in space and time are what ﬁrst give rise to
the employment of pure reason.
As is evident upon close examination, to avoid all misapprehension, it is
necessary to explain that, on the contrary, the never-ending regress in the series
of empirical conditions is a representation of our inductive judgements, yet the
things in themselves prove the validity of, on the contrary, the Categories. It
remains a mystery why, indeed, the never-ending regress in the series of empir-
ical conditions exists in philosophy, but the employment of the Antinomies, in
respect of the intelligible character, can never furnish a true and demonstrated
science, because, like the architectonic of pure reason, it is just as necessary as
problematic principles. The practical employment of the objects in space and
time is by its very nature contradictory, and the thing in itself would thereby
be made to contradict the Ideal of practical reason. On the other hand, natural
causes can not take account of, consequently, the Antinomies, as will easily be
shown in the next section. Consequently, the Ideal of practical reason (and I
assert that this is true) excludes the possibility of our sense perceptions. Our
experience would thereby be made to contradict, for example, our ideas, but
the transcendental objects in space and time (and let us suppose that this is
the case) are the clue to the discovery of necessity. But the proof of this is a
task from which we can here be absolved.
10 Blindtext
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam lobortis facilisis
sem. Nullam nec mi et neque pharetra sollicitudin. Praesent imperdiet mi
nec ante. Donec ullamcorper, felis non sodales commodo, lectus velit ultrices
augue, a dignissim nibh lectus placerat pede. Vivamus nunc nunc, molestie
ut, ultricies vel, semper in, velit. Ut porttitor. Praesent in sapien. Lorem
ipsum dolor sit amet, consectetuer adipiscing elit. Duis fringilla tristique neque.
Sed interdum libero ut metus. Pellentesque placerat. Nam rutrum augue a
leo. Morbi sed elit sit amet ante lobortis sollicitudin. Praesent blandit blandit
mauris. Praesent lectus tellus, aliquet aliquam, luctus a, egestas a, turpis.
Mauris lacinia lorem sit amet ipsum. Nunc quis urna dictum turpis accumsan
semper. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam lobortis
43

facilisis sem. Nullam nec mi et neque pharetra sollicitudin. Praesent imperdiet
mi nec ante. Donec ullamcorper, felis non sodales commodo, lectus velit ultrices
44

semper.
45

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