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Love and Death 
in 
W. H. Auden’s Poetry 
Presenter: Hira Mukhtar 
Instructor: Prof. Liaqat Masih
W. H. Auden 
• one of the best poets of the 20th century 
• exemplar of modernism along with T.S. Eliot 
and Ezra Pound 
• wildly inventive and diverse in his array of 
forms and styles 
• wrote abstruse and highly intellectual poems 
having accessible language and relatable 
themes
W. H. Auden 
• known for his poems about death, tyranny, 
and the role of poetry 
• also renowned for his love poems 
• “As I Walked Out One Evening”, “Lullaby”, and 
“O Tell Me the Truth About Love”, feature 
stirring passages about how beautiful and 
inspiring love can be 
• “Funeral Blues” features a man deeply in love 
with another
W. H. Auden 
“If equal affection cannot be, 
Let the more loving one be me.” 
(The More Loving One)
For Auden, love: 
• is beautiful and inspiring 
• has sobering trace of sorrow 
• is short lived 
• is affected by sickness and time 
• is sweet but death cuts it short
For Auden, death: 
• is an ever-present reality 
• cuts life and love short 
• affects every man, even those having fame 
• can come as martyrdom, sickness, old age, or 
through war 
• is a natural end to human life
Auden’s poems 
• celebrate life and love 
• face the reality of death
Lullaby by W. H. Auden 
Lay your sleeping head, my love, 
Human on my faithless arm; 
Time and fevers burn away 
Individual beauty from 
Thoughtful children, and the grave 
Proves the child ephemeral: 
But in my arms till break of day 
Let the living creature lie, 
Mortal, guilty, but to me 
The entirely beautiful.
Lullaby (cont.) 
Soul and body have no bounds: 
To lovers as they lie upon 
Her tolerant enchanted slope 
In their ordinary swoon, 
Grave the vision Venus sends 
Of supernatural sympathy, 
Universal love and hope; 
While an abstract insight wakes 
Among the glaciers and the rocks 
The hermit's carnal ecstasy.
Lullaby (cont.) 
Certainty, fidelity 
On the stroke of midnight pass 
Like vibrations of a bell, 
And fashionable madmen raise 
Their pedantic boring cry: 
Every farthing of the cost, 
All the dreadful cards foretell, 
Shall be paid, but from this night 
Not a whisper, not a thought, 
Not a kiss nor look be lost.
Lullaby (cont.) 
Beauty, midnight, vision dies: 
Let the winds of dawn that blow 
Softly round your dreaming head 
Such a day of welcome show 
Eye and knocking heart may bless. 
Find the mortal world enough; 
Noons of dryness see you fed 
By the involuntary powers, 
Nights of insult let you pass 
Watched by every human love.
Lullaby 
• is a love poem punctuated by death 
• address to the sleeping loved one 
• how love works in a mortal and imperfect 
world 
• a bit negative but affirms the value of love 
• imperfection is what makes the lover "entirely 
beautiful“ 
• thought of death is there
Lullaby 
• beloved is called both "living" and "mortal“ 
• "find the mortal world enough" – that we 
should be satisfied with the here and now, 
and not look to God for answers 
• we should accept the mortality of all life and 
rejoice in the meaning that death provides 
• not exactly the happiest love poem but has a 
realistic outlook on life and death
Examples 
Time and fevers burn away 
Individual beauty from 
Thoughtful children, and the grave 
Proves the child ephemeral: (3-6) 
• speaker's focus on death 
• nothing lasts forever 
• children grow up and lose their beauty 
• everyone dies eventually
Examples 
But in my arms til break of day 
Let the living creature lie, 
Mortal, guilty but to me 
The entirely beautiful. (7-10) 
• sleeping beloved as a "living creature” 
• won’t be living one day 
• the beloved is "mortal” 
• reminder that everyone will die some day
Examples 
Certainty, fidelity 
On the stroke of midnight pass 
Like vibrations of a bell, (21-23) 
• symbols of time passing – a clock and a bell 
• reminds that time is always passing
Examples 
Beauty, midnight, vision dies; (31) 
• nothing lasts forever 
• not just human beings die 
• beauty doesn't last forever 
• ideas are also mortal 
• even midnight "dies" every night
Examples 
Find the mortal world enough (36) 
• asks his sleeping beloved to be satisfied with 
their earthly life 
• the world and their love are enough for both 
of them 
• no need of a god or supernatural powers
Conclusion 
• Auden is a realist 
• He understands poetry might not directly influence 
anything 
• He has a habit of calling things by their real names 
(the sun, the law, death, love) 
• It brings us into a better relationship with reality 
• He doesn’t give the readers the fairy-tale like happily-ever- 
afters 
• He shows them the real picture of life i.e. beautiful 
but mortal
Thank you 
for your time 


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Concept of Love and Death in W. H. Auden's Poetry

  • 1. Love and Death in W. H. Auden’s Poetry Presenter: Hira Mukhtar Instructor: Prof. Liaqat Masih
  • 2. W. H. Auden • one of the best poets of the 20th century • exemplar of modernism along with T.S. Eliot and Ezra Pound • wildly inventive and diverse in his array of forms and styles • wrote abstruse and highly intellectual poems having accessible language and relatable themes
  • 3. W. H. Auden • known for his poems about death, tyranny, and the role of poetry • also renowned for his love poems • “As I Walked Out One Evening”, “Lullaby”, and “O Tell Me the Truth About Love”, feature stirring passages about how beautiful and inspiring love can be • “Funeral Blues” features a man deeply in love with another
  • 4. W. H. Auden “If equal affection cannot be, Let the more loving one be me.” (The More Loving One)
  • 5. For Auden, love: • is beautiful and inspiring • has sobering trace of sorrow • is short lived • is affected by sickness and time • is sweet but death cuts it short
  • 6. For Auden, death: • is an ever-present reality • cuts life and love short • affects every man, even those having fame • can come as martyrdom, sickness, old age, or through war • is a natural end to human life
  • 7. Auden’s poems • celebrate life and love • face the reality of death
  • 8. Lullaby by W. H. Auden Lay your sleeping head, my love, Human on my faithless arm; Time and fevers burn away Individual beauty from Thoughtful children, and the grave Proves the child ephemeral: But in my arms till break of day Let the living creature lie, Mortal, guilty, but to me The entirely beautiful.
  • 9. Lullaby (cont.) Soul and body have no bounds: To lovers as they lie upon Her tolerant enchanted slope In their ordinary swoon, Grave the vision Venus sends Of supernatural sympathy, Universal love and hope; While an abstract insight wakes Among the glaciers and the rocks The hermit's carnal ecstasy.
  • 10. Lullaby (cont.) Certainty, fidelity On the stroke of midnight pass Like vibrations of a bell, And fashionable madmen raise Their pedantic boring cry: Every farthing of the cost, All the dreadful cards foretell, Shall be paid, but from this night Not a whisper, not a thought, Not a kiss nor look be lost.
  • 11. Lullaby (cont.) Beauty, midnight, vision dies: Let the winds of dawn that blow Softly round your dreaming head Such a day of welcome show Eye and knocking heart may bless. Find the mortal world enough; Noons of dryness see you fed By the involuntary powers, Nights of insult let you pass Watched by every human love.
  • 12. Lullaby • is a love poem punctuated by death • address to the sleeping loved one • how love works in a mortal and imperfect world • a bit negative but affirms the value of love • imperfection is what makes the lover "entirely beautiful“ • thought of death is there
  • 13. Lullaby • beloved is called both "living" and "mortal“ • "find the mortal world enough" – that we should be satisfied with the here and now, and not look to God for answers • we should accept the mortality of all life and rejoice in the meaning that death provides • not exactly the happiest love poem but has a realistic outlook on life and death
  • 14. Examples Time and fevers burn away Individual beauty from Thoughtful children, and the grave Proves the child ephemeral: (3-6) • speaker's focus on death • nothing lasts forever • children grow up and lose their beauty • everyone dies eventually
  • 15. Examples But in my arms til break of day Let the living creature lie, Mortal, guilty but to me The entirely beautiful. (7-10) • sleeping beloved as a "living creature” • won’t be living one day • the beloved is "mortal” • reminder that everyone will die some day
  • 16. Examples Certainty, fidelity On the stroke of midnight pass Like vibrations of a bell, (21-23) • symbols of time passing – a clock and a bell • reminds that time is always passing
  • 17. Examples Beauty, midnight, vision dies; (31) • nothing lasts forever • not just human beings die • beauty doesn't last forever • ideas are also mortal • even midnight "dies" every night
  • 18. Examples Find the mortal world enough (36) • asks his sleeping beloved to be satisfied with their earthly life • the world and their love are enough for both of them • no need of a god or supernatural powers
  • 19. Conclusion • Auden is a realist • He understands poetry might not directly influence anything • He has a habit of calling things by their real names (the sun, the law, death, love) • It brings us into a better relationship with reality • He doesn’t give the readers the fairy-tale like happily-ever- afters • He shows them the real picture of life i.e. beautiful but mortal
  • 20. Thank you for your time 