Residential Interior Design Traditional Design portfolio
1.
2.
3. ï Sandra, age 32, Madison,
Wisconsin
ï Hobbies: Reading,
gardening, watching TV,
exercise
ï Style: Informal, traditional
but cozy interiors
ï Collectibles: plants and
quilts
ï Color Preference: Earthy
Colors
4. The space will suit the clientâs desire aesthetically in that it will have a Nomad feel to
the space. Of the six personas Nomadâs enjoy earth tones predominately but the space
will be contrasted with pops of organic colors or sheens as accents. This is to provide
ample visual interest. Nothing will be symmetrical, to evoke a relaxed atmosphere to
enjoy the hobbies of watching television and reading. Balance will be achieved in visual
weight. The collection of the clientâs plants will aid in balance. The focal point of the
rooms will be the north wall elevation as this offers the breathtaking views of the rolling
forested Wisconsin hills. Highlighting the architectural focal point of windows also allows
the view of the clientâs garden to be seen. The furniture will have soft curvilinear lines.
Traditional geometric patterns will be mixed with classic prints. Functionally, there will be
armoires with glass doors to highlight the collection of quilts. Lastly, there will be an area
for working out.
8. REFERENCE # FURNITURE ITEM QUANTITY
D11 DINING SET 1
D12 SERVER/ HUTCH 1
H13 ENTRY TABLE 1
H14 BOOKSHELF 1
B15 BEDROOM ARMOIR/ MEDIA CTR 1
B16 BEDROOM OTOOMAN 1
B17 QUEEN BED 1
B18 LEFT (LOWER) NIGHT STAND 1
B19 RIGHT (UPPER) NIGHT STAND 1
9. My client is Sandra, age 32, from Madison, Wisconsin. Her hobbies include reading, watching
television, exercise and gardening. The problem that I have been asked to resolve is to provide an
overall aesthetic of a traditional atmosphere utilizing earth tones. The functional objective would be
an exercise area, storage for her quilt collection and available space her plant collection. The space
will suit the clientâs request in that it will have a Nomad feel to the space. Of the six personas Nomadâs
enjoy earth tones predominately but the space will be contrasted with pops of organic colors or
sheens as accents. This is to provide ample visual interest. Nothing will be symmetrical, to evoke a
relaxed atmosphere to enjoy the hobbies of watching television and reading. Balance will be
achieved in visual weight. The collection of the clientâs plants will aid in balance. The focal point of the
rooms will be the north wall elevation as this offers the breathtaking views of the rolling forested
Wisconsin hills. Highlighting the architectural focal point of windows also allows the view of the clientâs
garden to be seen. The furniture will have soft curvilinear lines. Traditional geometric patterns will be
mixed with classic prints. Functionally, there will be armoires with glass doors to highlight the collection
of quilts. Lastly, there will be an area for working out.
10. Upon entering the space there is a large walk in foyer with a coat closet off to the left. I have
placed an entry cabinet in the foyer for keys, gloves and scarves. The drawer storage helps organize
incoming and outgoing mail so that there is not too much clutter, also as my client has proposed. Also
in the main hall just off of the foyer is a large bookshelf for storing the clientâs books and plants.
Adjacent to the foyer is a large dining table for entertaining. I chose a round table so that 3â walking
clearance would surround the perimeter of the dining table and seating. Off to the right of the dining
set there is a kitchen. I chose the dining room to be placed here for ease of access to the kitchen.
Additionally in the dining room I placed a large server/ sideboard for additional storage and counter
space for entertaining. North of the dining room there is the living room. I chose to separate the
spaces (the dining and the living room) with the sofa. This position of the sofa also allows for the north
wall and windows, overlooking the clientâs hobby garden and Wisconsin rolling hills, to remain the
focal point of the room. I placed an accent chair on the north wall as a reading nook for my clientâs
hobby of reading. There is also a media cabinet along the north wall. It is low profile to be subtle in the
room and not distract from the exterior view. The flooring here and throughout the entire residential
floor plan is a dark wood. I chose this because of itâs earth tone resembling rich soil. I placed a large
trellis print yellowish green rug which compliments the upholstery on the accent chair, the drapes and
the wall color which is dried parsley.
11. To the left of the common area is the clientâs bedroom. I chose this as the location for the bedroom
because of the large closet. I chose a double wide armoire and media cabinet to host the clientâs quilt
collection as well as serve as a t.v. viewing area. The furniture within this room is arranged so that there is
adequate room for video aerobics or video yoga in front of the television. I chose to place the media and
armoires next to each other and serve as a wall for privacy from the living area. There is an ottoman for dressing
at the foot of a queen size bed. I chose asymmetrical nightstands as this offers a less formal feel to the space;
cozy is what the client asked for.
All of the furnishings are traditional in style. The fabrics I chose are mostly earth tones of browns, gray,
black and green. For visual interest I chose to add an organic radish color for contrast, whereas the drapery
panels are more vibrant the dining chair upholstery is more muted. The prints are traditional florals and stripes
and the soft floor coverings under the living room, dining room and queen bed have a geometric trellis. The solid
on the sofa is chenille and is suitable for warmth.
In conclusion my client was looking for a traditional space that was informal, cozy and warm without
clutter. The use of aysmmetrical furniture arrangements in the living room and bedroom give an informal yet
cozy appeal. The earth tone color palette with an accent color of organic radish communicate warmth. The
accent color is a subtle change from the traditional color of burgundy likewise. There is an exercise area in the
bedroom with a media center for video aerobics or yoga. There is a reading nook in the living room as well as a
bookshelf in the main hallway. There is adequate storage within the double armoire in the bedroom to host quilt
storage. The furniture arrangement allows for plenty of shelving and floor space for her plant collection. Finally
the furniture arrangement allows the client to relax and view her hobby of gardening overlooking the north wall
elevation.
12.
13. ï I chose this tufted, nail head trim sofa
because it is traditional in style which is
the preference of my client. It is to be
uholstered in an earth tone of grayish
brown also according to my clientâs
preference. The material will be
chenille to add to the âcozyâ feeling
she is looking for.
FIGURE 11. SOFA. THE THOMAS PHEASANT COLLECTION.
14. ï I chose this high wing back, tufted
accent chair because it is traditional in
style. It compliments the sofa. It is to be
upholstered in a small print floral filled
with earth tones of yellow green, jade
green with a pop of florals in a radish
color. The chair upholstery will also
compliment the soft flooring with green
and cream. The radish color will
compliment the drapery panels.
FIGURE 12. WING CHAIR. BAKER FURNITURE.
15. ï I chose this apothecary media console
because of itâs traditional style. It is low
to the finished floor and does not
dominate the room. I chose this low
profile cabinet to host the television so
that the focal point of the room would
remain the view of the clientâs hobby
garden and rolling Wisconsin hills.
FIGURE 14. BEVEL LOW CABINET. BAKER FURNITURE.
16. ï I chose this chair because it is
traditional in style and will be
upholstered in a muted raddish color
which is the accent color to the overall
space that is predominately filled with
earth tones. The muted upholstery
choice has more of an earth tone
appearance to blend in but offer a
subtle compliment to the accent color.
FIGURE 13. TALBOTT UPHOLSTERED HOST CHAIR
17. ï Traditional Style with inlay.
Compliments dining chairs.
ï 100% Wood/ Sustainable.
FIGURE 15. BONAIRE ROUND DINING TABLE. LEXINGTON
26. ï Benjamin Moore Natura Interior
Zero VOC Paint (Eggshell Finish) 1
Gal.
ï Virtually odorless
ï Zero VOC's regardless of color
ï Quick return to service
ï 100% Acrylic
ï Provides a durable, Washable film
ï Spatter-resistant
ï I chose this for the wall color color
because it is light in contrast to all
of the furniture yet it compliments
the soft flooring and upholstery on
the accent chair. It has more of a
green tone to it as earth tones do.
Figure 1. Benjamin Moore Paint. Dried Parsely 522.
27. ï Benjamin Moore Natura Interior Zero
VOC Paint (Eggshell Finish) 1 Gal.
ï Virtually odorless
ï Zero VOC's regardless of color
ï Quick return to service
ï 100% Acrylic
ï Provides a durable, Washable film
ï Spatter-resistant
ï I chose this ceiling paint because it
coordinates with the pearl color in
the soft flooring. Additionally it adds
a light contrast to all the dark
furnishings and option 2 materials.
Figure 2. Benjamin Moore Paint. Rich Cream 2153-60
28.
29. Fabric
Material- Chenille. Viscose, Polyester
Natural Fibers
I chose this color for the sofa because
chenille is a cozy soft material. It is
also a traditional material. The color
is of the earth tone palette.
FIGURE 3. SOFA UPHOLSTERY. KRAVET SMART 33001.21
30. ï 100% Silk Organza, 100% Wool- Natural
Fibers/ Sustainable Materials.
ï I chose this material for the accent/
reading chair in the living room
because floral patterns are traditional.
It also matches the carpet color with
pearl and palm green colors. These are
earth tones predominately with a
splash of contrasting color for visual
interest.
Figure 4. Kravet 8515.3. Embroidered Upholstery
31. ï Materials 45% Cotton, 38% Rayon, 17%
Polyester. Sustainable cotton and
rayon. Recyclable polyester.
ï I chose this material for the dining room
chair upholstery in that it pulls the color
of the accent floral chair around the
open floor plan. It is also a traditional
herringbone pattern.
Figure 5. Classic Chevron Rose. Kravet.
32. ï 100% Polyester â Recyclable.
ï I chose this fabric because it can take
on the appearance of velvet which
give the space a âcozyâ feel. In color it
contrasts the predominately earth tone
browns and beiges of the room. It has
the appearance of an organic radish.
Figure 6. 9843.97 Drapery Fabric. Kravet
33. ï 100% Cotton.
ï For use in the bedroom.
Floral is traditional and the
color adds to the earth
tone color palette. It
contrasts with the deep
ebony furniture selections.
Figure 7. Kravet.
34. ï 100% Cotton
ï For use as pillow fabric. Coordinates
well with the comforter. Stripes are
traditional and adds a dark earth tone
contrast if used with the lighter beige
furniture according to all option 1
materials.
Figure 8. W3135.412. Kravet Wall Covering.
35.
36. ï This product is made up of Bamboo
which is plant based and
sustainable, contributing to a
healthy interior environment.
ï This hardwood flooring was selected
because the client wanted a
traditional style in which hardwood
floors are frequently utilized.
Figure 9. TERAGREN PORTFOLIO 5â BAMBOO FLOORING
37. ï 100% Recycled Face Fibers
ï Nylon
ï Chosen due to the geometric /
traditional style adding visual interest to
the overall floor plan in an earth-tone
lighter color in contrast to the dark
wood furniture selection.
Figure 10. Lasting Greatness. Color: Palm/ Pearl
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43. ï My design concept did help me finalize my design solutions.
ï How did learning about design elements and principles in Weeks 1 and 2 help you in your selections
of finishes, materials, and colors? Learning about the design elements and principles in Weeks 1 & 2
enabled me to recall balance in an asymmetrical furnishings/ materials.
ï Did this info on scale proportion and emphasis help you space plan? The information on emphasis
helped me space plan for this condominium in that I was able to place furniture to highlight the
architectural focal point of the room, which in this case was the north wall elevation.
ï .
44. ï What I see in my project in terms of scale is the height of all the furniture. There is visual balance in the bedroom
for instance among the circular night stand and the rectangular night table. Rhythm is within the repetition of
color pulling all of the rooms together.
ï In this final project I think what I have done well is to apply the clientâs desire for earth tones while adding a
splash of color for contrast and visual interest. I chose to use a floral pattern on the accent chair with a trellis
patterned soft floor covering. The color ties the two prints together and adds interest to the overall floor plan. I
also think I did well accommodating the mood she was trying to achieve which was traditional and warm. My
experience interviewing an interior designer from Ethan Allen, helped me to visualize a space in which
everything did not have to match or be from the same furniture set as if from a showroom. I think I utilized that
experience well in that none of my furniture pieces, with the exception of the bedroom armoire, are from the
same furniture set. Lastly I feel that gave her adequate space for her hobbies.
45. Kirkpatrick, Michelle. ID121. The Art Institute Pittsburgh. Basics of Interior Design, n.d. Web. 02 February 2014.
"Color Revolution." Http://colorevolution.shawcontractgroup.com/ceu/colorevolutionceu.php. N.p., n.d. Web. 02 Feb.
2014. <http://colorevolution.shawcontractgroup.com/ceu/colorevolutionceu.php>.
