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1. Remove anger from arguments
2. Create a persuasive image
3. Make your audience receptive
4. Learn to make a presentation
5. Spur collaboration through
questions
6. Redefine issues
7. Learn identity strategy
8. Solve American mysteries
Skills
1. Remove anger from
arguments.
Rhetoric Types
Type Topic Tense
Forensic Blame Past
Demonstrative Values Present
Deliberative Choices Future
gottman.com
“YOU ARE ALWAYS…”
“KNOW WHAT YOUR PROBLEM IS?”
“I CAN’T EVEN TRUST YOU TO…”
Happily married couples argue as much
as unhappy ones. But the unhappy
couples tend to use the past and
present tenses.
Logic
Emotion
Character
Basic Tools
Logos
Pathos
Ethos
Basic Tools
Logos = Audience’s beliefs &
expectations
Pathos = Audience’s mood
Ethos = Audience’s view of you
Audience
• Arguments are not won on
points.
• The audience is all important.
• To remove anger, switch to the
future.
• Offer choices.
(Hint: In committees, speak last.)
Takeaways
2. Create a persuasive image.
Caring
Craft
Cause
Ethos
Caring/eunoia
Craft/phronesis
Cause/arêté
Ethos
Caring/eunoia
Ethos
Santa: Buy this toy at another store!
Mothers: We can trust Macy’s!
“Miracle on 34th Street”
Caring/eunoia
Ethos
Caring
Malden Mills kept paying its employees after
the plant burned down. Customer loyalty in
the region highest in the world.
Cui bono?
Caring
Who
benefits?
Caring
Craft/phronesis
Ethos
Craft at its best: ripping up the manual and
improvising.
“Apollo 13”
Craft/phronesis
Ethos
The medical profession relies on Craft: book
learning + experience.
Tell a client why you are better than a
younger colleague.
Cause/arêté
Ethos
Cheerios ad deliberately
provoked racists to create a
“cause.” Buying Cheerios
makes people feel noble and
anti-racist.
Caring: What they want
Craft: “That depends”
Cause: Their greater good
Audience
Caring: What they want
Craft: “That depends”
Cause: Their greater good
Talk a business student into a poetry class.
• Talk about the audience’s
advantage
• Show how you don’t benefit
• Share your audience’s values
• Argue from a shared identity
• Create a common cause
Takeaways
3. Make your audience receptive
System One System Two
People are more persuasive than
when they’re in System One, like
Homer Simpson: relaxed, not really
thinking.
• Simple, short sentences
• Make audience smile
• Build tension, release their
posture
• Make audience feel powerful
• Simple type
Cognitive Ease
Dana Carney, Asst. Prof., UC Haas School of Business
Make your audience receptive
by having them assume
powerful poses. Ask them to
stretch!
4. Make a presentation
a) Pain Statement
b) Value Proposition
Elevator Pitch
a) Problem (the pain)
b) Solution (the cure)
c) Call to Action
Elevator Pitch: Key Elements
1. Identifier: Who you are, what
you do
2. Pain: problem affecting
audience
3. Value Proposition : solution in
form of work/product
4. Validation: facts, examples,
statistics
Elevator Pitch: Outline
I am a persuasion consultant.
I create strategies to deal with a growing
problem: resistance to science. For
example, more and more parents refuse to
vaccinate their children. National
epidemics loom.
Identifier
Pain Statement
My strategies combine marketing
principles with persuasion theory to
change the conversation—and minds—at
low cost. I created a national strategy,
scripts, and a training program for
pediatricians to talk parents into
vaccinating their children. Similarly, the
same tools can help your organization
change the conversation on climate
change.
Value Proposition
Pediatricians using my methods show a
success rate among skeptical parents of
70% over the methods they had been
using. The results are being published in a
major medical journal.
Let me send you the link to my site. If we
can set up a meeting within the next
couple of weeks, I’d be willing to sketch
out a strategy for you at no charge. What’s
your email?
Validation
Call to Action
1. Identifier
2. Pain Statement
3. Value Proposition
4. Validation
5. Call to action
Outline your own elevator pitch.
1. Introduction (elevator speech)
2. Narration (story)
3. Division (the other side)
4. Refutation
5. Peroration (summary or
ending)
Cicero’s Outline
Stories lessen counter-
argument.
Narration
Lab experiment with 53 subjects on perils of drinking; study of
1,215 subjects viewing 40 prime-time TV commercials, USA.
Make a hero.
Narration
Persuasive narrators usually start with a
hero—a main character the audience
identifies with.
Represents a value.
Hero
The hero should stand for something—a
value the audience shares.
• Weight loss.
Hero values
Subway’s Jared, who lost
weight eating Subway
sandwiches, represents an
American value.
• Weight loss
• Patriotism
• Religion
Hero values
• Weight loss
• Patriotism
• Religion
Hero values
(Hint: Invite the reader into the hero story.)
Sword & Plough used its founder,
a captain in the U.S. Army, as its
hero. The company stands for
environmentalism and honoring
veterans.
• Weight loss
• Patriotism
• Religion
• Web 2.0
• Awesome youth
Hero values
Give the hero a quest.
Narration
1. Leave comfort zone
2. Receive the mission
3. Face obstacles/enemies
4. Setback
5. Climax: charge!
6. Victory
7. Moral
Hero Quest (“Arc”)
1. Leave comfort zone
2. Receive the mission
3. Face obstacles/enemies
4. Setback
5. Climax: charge!
6. Victory
7. Moral
Describe your career or work as a hero journey.
• Story removes counter-
arguments.
• Create a hero who personifies
audience’s values.
• Create a hero quest.
• Invite audience to join the
quest.
Takeaways
1. Introduction (elevator speech)
2. Narration (story)
3. Division (the other side)
4. Refutation
5. Peroration (summary or
ending)
Cicero’s Outline
Two-sided argument:
• Less effective if audience agrees.
• Immunization effect.
• Must be rebutted immediately.
Division
Daniel O’Keefe, meta-analysis of 45 argument comparisons,
Communication Yearbook, vol. 22
1. Introduction (elevator speech)
2. Narration (story)
3. Division (the other side)
4. Refutation
5. Peroration (summary or
ending)
Cicero’s Outline
• Summary
• Call to action (simple, easy, first
step)
• Vision (“I have a dream”)
• Emotion
Peroration (Ending)
1. Summary
2. Call to Action
3. Vision
4. Emotion
Outline your own peroration.
Introduction, Narration 
Ethos
Division, Rebuttal  Logos
Peroration  Pathos
Cicero’s Outline Takeaways
Ethos, then Logos, then Pathos
(Character, Logic, Emotion)
Use Division only if audience is
skeptical or will hear opposing
view later.
Cicero’s Outline Takeaways
1. Threat (pain statement)
2. Solution (value proposition)
3. Story
4. Evidence
5. Call to Action
Presenter Outline
1. Threat (pain statement)
2. Solution (value proposition)
3. Story
4. Evidence
5. Call to Action
Threat
Less successful when audience
is aware of threat and solution.
Threat
“For
saving
life”
Body odor (B.O.)
Lifebuoy became a
huge seller by
inventing “B.O.”
Describe a threat that your work “cures.”
1. Threat (pain statement)
2. Solution (value proposition)
3. Story
4. Evidence
5. Call to Action
Threat
Get audience involved: Ask for
solutions.
“Turn to the person next to you.
Discuss what should be done about
body odor.”
Solution
1. Threat (pain statement)
2. Solution (value proposition)
3. Story
4. Evidence
5. Call to Action
Threat
Get audience involved:
Ask, “What would you do?”
“What would you do if you had a chance
to stop Kony? Wouldn’t you use all the
resources you had?”
Story
Ads calling for self-prophecies increase compliance.
1. “Support the Cancer Society.”
2. “Ask yourself: Will you support
the Cancer Society?”
Story
Version 1: 31% response rate
Version 2: 52% response rate
1. Threat (pain statement)
2. Solution (value proposition)
3. Story
4. Evidence
5. Call to Action
Threat
• Does not work if audience is
resistant.
Evidence
Al Gore turned climate change
into a cause of the American
left. Republicans suddenly
stopped believing in the facts
and data.
• Does not work if audience is
resistant.
• Use evidence to validate you.
Evidence
• Does not work if audience is
resistant.
• Use evidence to validate you.
• Precise numbers seem more
accurate than round numbers.
Hint: include sources.
Evidence
If you are obese, your risk of getting
heart disease is much greater.
If you are obese, your risk of getting
heart disease is more than a third
greater.
If you are obese, your risk of getting
heart disease is 42% greater.
More than one-third do not understand percentages! (2002
German study)
Get audience involved:
Ask for reasons.
“Think of five reasons why rhetoric
should be required in every school.
You’ll find it easy.”
Call to Action
Audiences asked to provide easy reasons for buying a product
rated the product higher. (1997 German study)
Get audience involved:
Ask them to imagine the
outcome.
“Imagine what Finland will be like when
every student knows the art of
persuasion. Can you picture it?”
Call to Action
Customers asked to imagine life with TV cable—saving money,
spending more time with family—were twice as likely to subscribe.
(1982 American study)
Make the action immediate, easy,
and low risk.
Call to Action
Persuasion scores of ads with easy action steps 19% higher than
those without.
• Present a novel threat.
• Get audience involvement. Ask:
solutions, what they would do,
imagine outcome, reasons for action.
• Use evidence only with supportive
audiences, and mostly to validate
you.
• Make action immediate, easy, low
risk.
Presenter Outline Takeaways
Compose a call to action to generate business.
5. Spur collaboration
through questions.
Why?
What if?
How?
Collaborative
Outline
I got these questions from a terrific book. It doesn’t come
out until March, but I got to read this book in galley and I
think it’s going to be huge. Warren Berger spent two years
interviewing the most creative and successful people,
asking them what questions they ask. He figured that a lot of
great things come not from knowing the answers but from
asking the right questions. And he found that the most
successful basically asked three: Why? What if? and How?
You ever hear of Van Phillips? You certainly know his invention, which
came our of those three questions. In 1976, Van was a 21-year-old
college student who lost his leg in a freak waterskiing accident. Doctors
fitted him with a pink foot attached to an aluminum tube. Phillips asked
the Why question: “If they can put a man on the moon, why can’t they
make a decent foot?” He switched his college to Northwestern, where
they have the best prosthetics education in the world. And he spent ten
years trying to develop a better foot. He asked the What If question:
“What if I can design a foot that’s superior to the human foot? How
could you do that? And so he studied the biomechanics of animals like
the cheetah.
And he came up with the Flex Foot. These
days, Philllips is asking why the Flex Foot has
to be so expensive. What if it would be made
available to victims of land mines in poorer
nations? How can he make it cheaper?
In my conversations with the author of A More
Beautiful Question, Warren Berger, I I asked
him, Why limit these three questions to
creativity? What if the questions applied to
persuasion as well? How could they be used
to create an atmosphere of collaboration,
instead of hostility, in an argument? And it
really works.
Why?
What if…?
How?
Why?
What if?
How?
Collaborative
Outline
6. Redefine issues.
Turn weak points into
strong.
Redefinition
One of the best ways to do this is to take the aspects of a
proposal that seem the weakest to you, and see if you can
turn them into your greatest assets.
One of my clients is the smallest Ivy League
university. To compete with other institutions,
I helped it turned turn its size into an asset
by having fundraisers refer to its “agility.”
Small size = nimbleness,
agility
Weak Strong
Limitations = forced to
innovate
Weak Strong
For many of my clients, I find
advantageous terms to replace weaker
terms.
Write down the terms you use
to talk about your work. Take the
weakest ones, and redefine them.
• Study your weakest points.
• Turn weaknesses into strengths.
• Use your audience’s values.
Presenter Outline Takeaways
1. Broaden the issue
2. Redefine the terms
3. Personalize the issue
4. Switch to the future
Framing
Broaden the issue:
This isn’t just about rhetoric. It’s
about creating a generation of
world leaders.
Framing
Redefine the terms:
Economic data  Decision
metrics
Framing
Personalize the issue:
My son is graduated from a top
college. And he still isn’t ready
for the world.
Framing
Switch to the future:
The question is not what colleges have
done wrong. The question is how we’re
going to prepare students for the
challenges to come.
Framing
7. Learn identity strategy.
Identity
Ernest Shackleton recruited his crew to sail to
Antarctica with an identity strategy.
The DVD workout P90X used the same identity
strategy. While other workouts claimed they
were easy. P90X said the opposite: That only
the toughest could do it. It’s now the bestselling
workout in the world.
I used a similar strategy with U.S. military
vaccinators. Instead of getting soldiers to
forget their smallpox scars, I urged turning
the scars into badges of honor with a
For America’s largest healthcare
provider, we used identity strategy and
changed the terms. “Vaccination” is now
called “protection.” Mothers want to
protect their babies at all cost.
Appeal to the audience’s best sense of
self.
Noble adventurer
Extreme-sports lover
Self-sacrificing soldier
Good mother
Identity Takeaway
Name an irrational political stand.
Now describe it using identity theory.
Can you suggest a “cure”?
1. Remove anger from arguments
2. Create a persuasive image
3. Make your audience receptive
4. Learn to make a presentation
5. Spur collaboration through
questions
6. Redefine issues
7. Learn identity strategy
Skills
Jay@JayHeinrichs.com
JayHeinrichs.com
ArgueLab.com
Thank You for Arguing

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How to Give Persuasive Presentations

  • 1. 1. Remove anger from arguments 2. Create a persuasive image 3. Make your audience receptive 4. Learn to make a presentation 5. Spur collaboration through questions 6. Redefine issues 7. Learn identity strategy 8. Solve American mysteries Skills
  • 2. 1. Remove anger from arguments.
  • 3. Rhetoric Types Type Topic Tense Forensic Blame Past Demonstrative Values Present Deliberative Choices Future
  • 4. gottman.com “YOU ARE ALWAYS…” “KNOW WHAT YOUR PROBLEM IS?” “I CAN’T EVEN TRUST YOU TO…” Happily married couples argue as much as unhappy ones. But the unhappy couples tend to use the past and present tenses.
  • 7. Logos = Audience’s beliefs & expectations Pathos = Audience’s mood Ethos = Audience’s view of you Audience
  • 8. • Arguments are not won on points. • The audience is all important. • To remove anger, switch to the future. • Offer choices. (Hint: In committees, speak last.) Takeaways
  • 9. 2. Create a persuasive image.
  • 13. Santa: Buy this toy at another store! Mothers: We can trust Macy’s! “Miracle on 34th Street”
  • 15. Caring Malden Mills kept paying its employees after the plant burned down. Customer loyalty in the region highest in the world.
  • 19. Craft at its best: ripping up the manual and improvising. “Apollo 13”
  • 20. Craft/phronesis Ethos The medical profession relies on Craft: book learning + experience.
  • 21. Tell a client why you are better than a younger colleague.
  • 23. Cheerios ad deliberately provoked racists to create a “cause.” Buying Cheerios makes people feel noble and anti-racist.
  • 24. Caring: What they want Craft: “That depends” Cause: Their greater good Audience
  • 25. Caring: What they want Craft: “That depends” Cause: Their greater good Talk a business student into a poetry class.
  • 26. • Talk about the audience’s advantage • Show how you don’t benefit • Share your audience’s values • Argue from a shared identity • Create a common cause Takeaways
  • 27. 3. Make your audience receptive
  • 28. System One System Two People are more persuasive than when they’re in System One, like Homer Simpson: relaxed, not really thinking.
  • 29. • Simple, short sentences • Make audience smile • Build tension, release their posture • Make audience feel powerful • Simple type Cognitive Ease
  • 30. Dana Carney, Asst. Prof., UC Haas School of Business Make your audience receptive by having them assume powerful poses. Ask them to stretch!
  • 31. 4. Make a presentation
  • 32. a) Pain Statement b) Value Proposition Elevator Pitch
  • 33. a) Problem (the pain) b) Solution (the cure) c) Call to Action Elevator Pitch: Key Elements
  • 34. 1. Identifier: Who you are, what you do 2. Pain: problem affecting audience 3. Value Proposition : solution in form of work/product 4. Validation: facts, examples, statistics Elevator Pitch: Outline
  • 35. I am a persuasion consultant. I create strategies to deal with a growing problem: resistance to science. For example, more and more parents refuse to vaccinate their children. National epidemics loom. Identifier Pain Statement
  • 36. My strategies combine marketing principles with persuasion theory to change the conversation—and minds—at low cost. I created a national strategy, scripts, and a training program for pediatricians to talk parents into vaccinating their children. Similarly, the same tools can help your organization change the conversation on climate change. Value Proposition
  • 37. Pediatricians using my methods show a success rate among skeptical parents of 70% over the methods they had been using. The results are being published in a major medical journal. Let me send you the link to my site. If we can set up a meeting within the next couple of weeks, I’d be willing to sketch out a strategy for you at no charge. What’s your email? Validation Call to Action
  • 38. 1. Identifier 2. Pain Statement 3. Value Proposition 4. Validation 5. Call to action Outline your own elevator pitch.
  • 39. 1. Introduction (elevator speech) 2. Narration (story) 3. Division (the other side) 4. Refutation 5. Peroration (summary or ending) Cicero’s Outline
  • 40. Stories lessen counter- argument. Narration Lab experiment with 53 subjects on perils of drinking; study of 1,215 subjects viewing 40 prime-time TV commercials, USA.
  • 41. Make a hero. Narration Persuasive narrators usually start with a hero—a main character the audience identifies with.
  • 42. Represents a value. Hero The hero should stand for something—a value the audience shares.
  • 43. • Weight loss. Hero values Subway’s Jared, who lost weight eating Subway sandwiches, represents an American value.
  • 44. • Weight loss • Patriotism • Religion Hero values
  • 45. • Weight loss • Patriotism • Religion Hero values (Hint: Invite the reader into the hero story.)
  • 46. Sword & Plough used its founder, a captain in the U.S. Army, as its hero. The company stands for environmentalism and honoring veterans.
  • 47. • Weight loss • Patriotism • Religion • Web 2.0 • Awesome youth Hero values
  • 48. Give the hero a quest. Narration
  • 49. 1. Leave comfort zone 2. Receive the mission 3. Face obstacles/enemies 4. Setback 5. Climax: charge! 6. Victory 7. Moral Hero Quest (“Arc”)
  • 50. 1. Leave comfort zone 2. Receive the mission 3. Face obstacles/enemies 4. Setback 5. Climax: charge! 6. Victory 7. Moral Describe your career or work as a hero journey.
  • 51. • Story removes counter- arguments. • Create a hero who personifies audience’s values. • Create a hero quest. • Invite audience to join the quest. Takeaways
  • 52. 1. Introduction (elevator speech) 2. Narration (story) 3. Division (the other side) 4. Refutation 5. Peroration (summary or ending) Cicero’s Outline
  • 53. Two-sided argument: • Less effective if audience agrees. • Immunization effect. • Must be rebutted immediately. Division Daniel O’Keefe, meta-analysis of 45 argument comparisons, Communication Yearbook, vol. 22
  • 54. 1. Introduction (elevator speech) 2. Narration (story) 3. Division (the other side) 4. Refutation 5. Peroration (summary or ending) Cicero’s Outline
  • 55. • Summary • Call to action (simple, easy, first step) • Vision (“I have a dream”) • Emotion Peroration (Ending)
  • 56. 1. Summary 2. Call to Action 3. Vision 4. Emotion Outline your own peroration.
  • 57. Introduction, Narration  Ethos Division, Rebuttal  Logos Peroration  Pathos Cicero’s Outline Takeaways
  • 58. Ethos, then Logos, then Pathos (Character, Logic, Emotion) Use Division only if audience is skeptical or will hear opposing view later. Cicero’s Outline Takeaways
  • 59. 1. Threat (pain statement) 2. Solution (value proposition) 3. Story 4. Evidence 5. Call to Action Presenter Outline
  • 60. 1. Threat (pain statement) 2. Solution (value proposition) 3. Story 4. Evidence 5. Call to Action Threat
  • 61. Less successful when audience is aware of threat and solution. Threat
  • 62. “For saving life” Body odor (B.O.) Lifebuoy became a huge seller by inventing “B.O.”
  • 63. Describe a threat that your work “cures.”
  • 64. 1. Threat (pain statement) 2. Solution (value proposition) 3. Story 4. Evidence 5. Call to Action Threat
  • 65. Get audience involved: Ask for solutions. “Turn to the person next to you. Discuss what should be done about body odor.” Solution
  • 66. 1. Threat (pain statement) 2. Solution (value proposition) 3. Story 4. Evidence 5. Call to Action Threat
  • 67. Get audience involved: Ask, “What would you do?” “What would you do if you had a chance to stop Kony? Wouldn’t you use all the resources you had?” Story Ads calling for self-prophecies increase compliance.
  • 68. 1. “Support the Cancer Society.” 2. “Ask yourself: Will you support the Cancer Society?” Story Version 1: 31% response rate Version 2: 52% response rate
  • 69. 1. Threat (pain statement) 2. Solution (value proposition) 3. Story 4. Evidence 5. Call to Action Threat
  • 70. • Does not work if audience is resistant. Evidence
  • 71. Al Gore turned climate change into a cause of the American left. Republicans suddenly stopped believing in the facts and data.
  • 72. • Does not work if audience is resistant. • Use evidence to validate you. Evidence
  • 73. • Does not work if audience is resistant. • Use evidence to validate you. • Precise numbers seem more accurate than round numbers. Hint: include sources. Evidence
  • 74. If you are obese, your risk of getting heart disease is much greater. If you are obese, your risk of getting heart disease is more than a third greater. If you are obese, your risk of getting heart disease is 42% greater. More than one-third do not understand percentages! (2002 German study)
  • 75. Get audience involved: Ask for reasons. “Think of five reasons why rhetoric should be required in every school. You’ll find it easy.” Call to Action Audiences asked to provide easy reasons for buying a product rated the product higher. (1997 German study)
  • 76. Get audience involved: Ask them to imagine the outcome. “Imagine what Finland will be like when every student knows the art of persuasion. Can you picture it?” Call to Action Customers asked to imagine life with TV cable—saving money, spending more time with family—were twice as likely to subscribe. (1982 American study)
  • 77. Make the action immediate, easy, and low risk. Call to Action Persuasion scores of ads with easy action steps 19% higher than those without.
  • 78. • Present a novel threat. • Get audience involvement. Ask: solutions, what they would do, imagine outcome, reasons for action. • Use evidence only with supportive audiences, and mostly to validate you. • Make action immediate, easy, low risk. Presenter Outline Takeaways
  • 79. Compose a call to action to generate business.
  • 82. I got these questions from a terrific book. It doesn’t come out until March, but I got to read this book in galley and I think it’s going to be huge. Warren Berger spent two years interviewing the most creative and successful people, asking them what questions they ask. He figured that a lot of great things come not from knowing the answers but from asking the right questions. And he found that the most successful basically asked three: Why? What if? and How?
  • 83. You ever hear of Van Phillips? You certainly know his invention, which came our of those three questions. In 1976, Van was a 21-year-old college student who lost his leg in a freak waterskiing accident. Doctors fitted him with a pink foot attached to an aluminum tube. Phillips asked the Why question: “If they can put a man on the moon, why can’t they make a decent foot?” He switched his college to Northwestern, where they have the best prosthetics education in the world. And he spent ten years trying to develop a better foot. He asked the What If question: “What if I can design a foot that’s superior to the human foot? How could you do that? And so he studied the biomechanics of animals like the cheetah.
  • 84. And he came up with the Flex Foot. These days, Philllips is asking why the Flex Foot has to be so expensive. What if it would be made available to victims of land mines in poorer nations? How can he make it cheaper?
  • 85. In my conversations with the author of A More Beautiful Question, Warren Berger, I I asked him, Why limit these three questions to creativity? What if the questions applied to persuasion as well? How could they be used to create an atmosphere of collaboration, instead of hostility, in an argument? And it really works.
  • 86. Why?
  • 88. How?
  • 91. Turn weak points into strong. Redefinition One of the best ways to do this is to take the aspects of a proposal that seem the weakest to you, and see if you can turn them into your greatest assets.
  • 92. One of my clients is the smallest Ivy League university. To compete with other institutions, I helped it turned turn its size into an asset by having fundraisers refer to its “agility.”
  • 93. Small size = nimbleness, agility Weak Strong
  • 94. Limitations = forced to innovate Weak Strong
  • 95. For many of my clients, I find advantageous terms to replace weaker terms.
  • 96.
  • 97.
  • 98. Write down the terms you use to talk about your work. Take the weakest ones, and redefine them.
  • 99. • Study your weakest points. • Turn weaknesses into strengths. • Use your audience’s values. Presenter Outline Takeaways
  • 100. 1. Broaden the issue 2. Redefine the terms 3. Personalize the issue 4. Switch to the future Framing
  • 101. Broaden the issue: This isn’t just about rhetoric. It’s about creating a generation of world leaders. Framing
  • 102. Redefine the terms: Economic data  Decision metrics Framing
  • 103. Personalize the issue: My son is graduated from a top college. And he still isn’t ready for the world. Framing
  • 104. Switch to the future: The question is not what colleges have done wrong. The question is how we’re going to prepare students for the challenges to come. Framing
  • 105. 7. Learn identity strategy.
  • 106. Identity Ernest Shackleton recruited his crew to sail to Antarctica with an identity strategy.
  • 107.
  • 108. The DVD workout P90X used the same identity strategy. While other workouts claimed they were easy. P90X said the opposite: That only the toughest could do it. It’s now the bestselling workout in the world.
  • 109. I used a similar strategy with U.S. military vaccinators. Instead of getting soldiers to forget their smallpox scars, I urged turning the scars into badges of honor with a
  • 110. For America’s largest healthcare provider, we used identity strategy and changed the terms. “Vaccination” is now called “protection.” Mothers want to protect their babies at all cost.
  • 111. Appeal to the audience’s best sense of self. Noble adventurer Extreme-sports lover Self-sacrificing soldier Good mother Identity Takeaway
  • 112. Name an irrational political stand. Now describe it using identity theory. Can you suggest a “cure”?
  • 113. 1. Remove anger from arguments 2. Create a persuasive image 3. Make your audience receptive 4. Learn to make a presentation 5. Spur collaboration through questions 6. Redefine issues 7. Learn identity strategy Skills

Hinweis der Redaktion

  1. So I want you to repeat them after me. Ready? Loud as you can. Why?
  2. I got these questions from a terrific book. It doesn’t come out until March, but I got to read this book in galley and I think it’s going to be huge. Warren Berger spent two years interviewing the most creative and successful people, asking them what questions they ask. He figured that a lot of great things come not from knowing the answers but from asking the right questions. And he found that the most successful basically asked three: Why? What if? and How? You ever hear of Van Phillips? You certainly know his invention, which came our of those three questions. In 1976, Van was a 21-year-old college student who lost his leg in a freak waterskiing accident. Doctors fitted him with a pink foot attached to an aluminum tube. Phillips asked the Why question: “If they can put a man on the moon, why can’t they make a decent foot?” He switched his college to Northwestern, where they have the best prosthetics education in the world. And he spent ten years trying to develop a better foot. He asked the What If question: “What if I can design a foot that’s superior to the human foot? How could you do that? And so he studied the biomechanics of animals like the cheetah.
  3. And he came up with the Flex Foot. These days, Philllips is asking why the Flex Foot has to be so expensive. What if it would be made available to victims of land mines in poorer nations? How can he make it cheaper? In my conversations with the author of A More Beautiful Question, Warren Berger, I I asked him, Why limit these three questions to creativity? What if the questions applied to persuasion as well? How could they be used to create an atmosphere of collaboration, instead of hostility, in an argument? And it really works.
  4. And he came up with the Flex Foot. These days, Philllips is asking why the Flex Foot has to be so expensive. What if it would be made available to victims of land mines in poorer nations? How can he make it cheaper? In my conversations with the author of A More Beautiful Question, Warren Berger, I I asked him, Why limit these three questions to creativity? What if the questions applied to persuasion as well? How could they be used to create an atmosphere of collaboration, instead of hostility, in an argument? And it really works.
  5. And he came up with the Flex Foot. These days, Philllips is asking why the Flex Foot has to be so expensive. What if it would be made available to victims of land mines in poorer nations? How can he make it cheaper? In my conversations with the author of A More Beautiful Question, Warren Berger, I I asked him, Why limit these three questions to creativity? What if the questions applied to persuasion as well? How could they be used to create an atmosphere of collaboration, instead of hostility, in an argument? And it really works.
  6. One of the best ways to do this is to take the aspects of a proposal that seem the weakest to you, and see if you can turn them into your greatest assets.
  7. Because of that small size, and the lack of graduate programs in areas like the humanities, we have to be more innovative. As a result, we ARE more innovative! And the Society of Fellows will be one great example of such innovation.
  8. I spend a lot of time with my clients on advantageous language. Note that we don’t get stuck on tradition here. We sort of brush against it, acknowledge it, by talking about rising global issues. This is about the future, about the edge of discovery—which doesn’t mean abandoning the past.
  9. One thing to keep in mind, when we’re talking about your audience’s beliefs and expectations, is that extremely wealthy people rarely talk of investments as a metaphor. Investments offer a return to the person who risked the money. So calling the Society of Fellows an investment would be a bad idea. The same is true in politics. Calling social programs an investment—even when those programs save money in the long run—doesn’t work with people who actually invest. Instead, I focus on efficiency and maximizing the dollar.
  10. Notice the phrase “robust churn.” Again, this turns a weakness into a strength. Fellows leave after two years. They go someplace else. Well, this just keeps things fresh. Also, after they leave, these scholars form a global hub with Dartmouth loyalties. This isn’t about training scholars who leave us. This is about networking. It’s an efficient way of putting Dartmouth in the center of the intellectual universe.