SlideShare ist ein Scribd-Unternehmen logo
1 von 40
English workshop
LO: To explore and apply skills for
higher level responses:
Connotation and denotation; signs
and signifiers.
WJEC English Literature Unit 1, Section A:
Prose (different cultures)
Of Mice and Men by John Steinbeck
O Assessment Objectives
O AO1: Respond to texts critically and imaginatively;
select and evaluate relevant textual detail to illustrate
and support interpretations
O AO2: Explain how language, structure and form
contribute to writers’ presentation of ideas, themes and
settings
O AO4: Relate texts to their social, cultural and historical
contexts; explain how texts have been influential and
significant to self and other readers in different contexts
and at different times
Unit 1, Section B: Unseen
Poetry
AO1: Respond to texts critically and imaginatively;
select and evaluate relevant textual detail to
illustrate and support interpretations
AO2: Explain how language, structure and form
contribute to writers’ presentation of ideas, themes
and settings
AO3: Make comparisons and explain links between
texts, evaluating writers’ different ways of
expressing meaning and achieving effects
AO1
OIdeas – relate to Thinking and
Understanding – usually expressed by
abstract nouns (identity, loneliness)
OFeelings – relate to personal and
emotional states, expressed as nouns or
adjectives (fear/afraid, pleasure/pleased)
OAttitudes – relates to consistent
behavioural approaches to ideas, events or
situations.
AO2
O Structure
O Form
O Language
First explore what these
terms mean:
Structure: whole text or
extract
ODramatic structure: sequence of events
building up to a powerful conclusion/climax
OLogical structure: series of events
sequenced by time
OOpposition structures: problem/solution
Question/answer - Cause/effect
Structure: syntax
OSentence types – simple/complex /
compound/minor
OSentence function -
declarative/interrogative/exclamative/
imperative
OSyntax – how individual sentences are
structured.
Form:
OCharacterisation
OSetting
ONarrative technique
OPlot/Events
Characterisation
Characterisation should be the
focus, not characters.
Remember that the characters
have been created by the
authors to represent aspects of
human behaviour and to arouse
specific attitudes in the reader
or audience.
Language:
OFormal/Informal
OImagery -
simile/metaphor/personification/symbolism
ODenotation/connotation
OAural impact - alliteration/assonance
OWord classes – Noun types, pre-
modifiers…
AO4
OSocial – how did other texts
influence the writer?
OCultural – Comparing and
contrasting values and attitudes of
different readers/audiences.
OHistorical – What impacted on the
language and content of the text?
Higher level answers
discuss:
O relationship of author with reader or audience
O contextual awareness
O sub textual meaning/purpose
O Don't offer one `right answer` but rather
discuss the given texts within their contexts.
Writing Skills
OThe way you express your response
is important – sophisticated
writing.
OIt is vital to keep developing your
writing skills.
OTo achieve an A and A* grade,
students must have sophisticated
writing skills. (Don't neglect this
area)
Key A-A*
Specific Skills
Frequent use of short quotation,
supported by explanation
Written `Voice`
Sophisticated Connectives
Specialist Language
Complex comparisons
Sentence Structures – simple and
complex
Complex Punctuation - .,;:
‘A’ grade students should
understand...
OSemantics: the relationship between symbol
and sign
O Words: and the things they denote, connote
OPragmatics: the study of factors which
govern our choices of language – such as social
awareness, our culture and our sense of
etiquette
Denotation and
connotation
O Words in texts can work on more than one
level.
O This is described by the terms denotation
and connotation.
O They are important terms for you to
understand.
Guess
O I think denotation is…..
O I think connotation is…..
DENOTATION is the straight forward or
common- sense meaning of a sign
O Literally what is actually shown in an
image or through language.
O A red rose is a flower
O An apple is a fruit we eat
O A lamb is a young sheep
CONNOTATION is the extra, linked
meaning that goes with any sign.
O The connotations of a sign will be much
more personal than the straight forward
denotation because they are to do with
personal ideas and feelings about it.
O The connotations will not be the same for
everybody.
O For romantics a red rose can be a
symbol of love.
O In Lancashire it is a symbol for the
county.
O It has even been a symbol for a political
party.
O These are all connotations or extra
layers of meaning that the image carries
with it.
Think about the apple…
It can be a symbol of health.
It can have associated meanings of New York -“The Big Apple”.
It can even stand for sin.
These are all connotations or extra layers of meaning that the image
carries with it.
Signs and signifiers:
O Signs – work like denotation – it’s what
you see
O Signifiers work like connotation – it’s what
the sign signifies!
What is this?
What if I am a mathematician?
Now what is it?
Now what is it?
What is it now?
Now what have these lines
become?
What does this symbol
signify?
Now what does it signify?
What is this telling you to do?
How do you know?
Signs are there to signify things
but they have a cultural reference
• In other words, they only “make sense”
if we understand what they mean.
• We only understand what they mean
because we have a shared knowledge
– I know a red light means stop, so do
you, so do all other drivers so we all
stop at red traffic lights.
What is this?
Actually…
O It is a Norwegian Pine tree, covered in snow and
with a red ribbon on (denotation)
O But it signifies: (connotation)
O Christmas
O Presents
O Families
O And this is because we share a cultural
knowledge about the use of Norwegian Pine
trees (thanks to Queen Victoria’s husband,
Prince Albert, who brought this German cultural
tradition to England in the 1840s!)
Putting it all together:
O On the following page, you will see an
advert.
O This time, you will read the images to look
at the denotation and the connotations of
it.
O You need to talk about the use of signs
and signifiers in this advert.
This advert depicts toddlers in roller skates
and this is the denotation of it.
However, what are the connotations of it?
What are the key signs and signifiers?
Now apply this to a text
O Read the description below:
A tall man stood in the doorway. He held a crushed Stetson hat
under his arm while he combed his long, black, damp hair straight
back. Like the others he wore blue jeans and a short denim jacket.
When he had finished combing his hair he moved into the room,
and he moved with a majesty achieved only by royalty and master
craftsmen. He was a jerkline skinner, the prince of the ranch,
capable of driving ten, sixteen, even twenty mules with a single line
to the leaders. He was capable of killing a fly on the wheeler’s butt
with a bull whip without touching the mule. There was a gravity in
his manner and a quiet so profound that all talk stopped when he
spoke. His authority was so great that his word was taken on any
subject, be it politics or love.
What is the denotation of this description (What does it mean)?
What is the connotation? What does it tell us about Steinbeck’s
opinion of Slim and his position in the ranch? Focus on the
language used and write an analytical paragraph using the
terminology from this lesson.

Weitere ähnliche Inhalte

Was ist angesagt?

American gothic
American gothicAmerican gothic
American gothic
kguymon
 
Short stories revision guide
Short stories revision guideShort stories revision guide
Short stories revision guide
themerch78
 
Music Video - Initial Planning Ideas
Music Video - Initial Planning IdeasMusic Video - Initial Planning Ideas
Music Video - Initial Planning Ideas
redheadrogers
 
Revision questions
Revision questionsRevision questions
Revision questions
sparkly
 
Theme In Literature
Theme In LiteratureTheme In Literature
Theme In Literature
Mark Dixon
 

Was ist angesagt? (20)

American gothic
American gothicAmerican gothic
American gothic
 
Elit 10 class 20
Elit 10 class 20Elit 10 class 20
Elit 10 class 20
 
Showcase final
Showcase finalShowcase final
Showcase final
 
Transition from KS3 to KS4
Transition from KS3 to KS4 Transition from KS3 to KS4
Transition from KS3 to KS4
 
Short stories revision guide
Short stories revision guideShort stories revision guide
Short stories revision guide
 
Ewrt 1 b class 4
Ewrt 1 b class 4Ewrt 1 b class 4
Ewrt 1 b class 4
 
I poetry
I poetryI poetry
I poetry
 
Writing advice from John Steinbeck - Steinbeck's Writing Style (The Pearl)
Writing advice from John Steinbeck - Steinbeck's Writing Style (The Pearl)Writing advice from John Steinbeck - Steinbeck's Writing Style (The Pearl)
Writing advice from John Steinbeck - Steinbeck's Writing Style (The Pearl)
 
Pride and Prejudice Class Presentation 2
Pride and Prejudice Class Presentation 2Pride and Prejudice Class Presentation 2
Pride and Prejudice Class Presentation 2
 
Learning Object: Text Analysis, Of Mice and Men
Learning Object: Text Analysis, Of Mice and MenLearning Object: Text Analysis, Of Mice and Men
Learning Object: Text Analysis, Of Mice and Men
 
Music Video - Initial Planning Ideas
Music Video - Initial Planning IdeasMusic Video - Initial Planning Ideas
Music Video - Initial Planning Ideas
 
The Unseen poem
The Unseen poemThe Unseen poem
The Unseen poem
 
Literary analysisppt
Literary analysispptLiterary analysisppt
Literary analysisppt
 
Mansfield Park
Mansfield ParkMansfield Park
Mansfield Park
 
Revision questions
Revision questionsRevision questions
Revision questions
 
2 lotf qqt
2 lotf qqt2 lotf qqt
2 lotf qqt
 
Theme In Literature
Theme In LiteratureTheme In Literature
Theme In Literature
 
Literary analysis
Literary analysisLiterary analysis
Literary analysis
 
The god of small things
The god of small thingsThe god of small things
The god of small things
 
Scout in 'To Kill a Mockingbird'
Scout in 'To Kill a Mockingbird'Scout in 'To Kill a Mockingbird'
Scout in 'To Kill a Mockingbird'
 

Andere mochten auch

Blood Brothers: Tell Me It's Not True
Blood Brothers: Tell Me It's Not TrueBlood Brothers: Tell Me It's Not True
Blood Brothers: Tell Me It's Not True
Emma Sinclair
 
Perry bradley and tasmin
Perry   bradley and tasminPerry   bradley and tasmin
Perry bradley and tasmin
SusannaBadger
 
Lemon-aid: using Lemon to aid quantitative historical linguistic analysis
Lemon-aid: using Lemon to aid quantitative historical linguistic analysisLemon-aid: using Lemon to aid quantitative historical linguistic analysis
Lemon-aid: using Lemon to aid quantitative historical linguistic analysis
mbruemmer
 
Unit 2:Writing paper - mock exam preparation
Unit 2:Writing paper - mock exam preparationUnit 2:Writing paper - mock exam preparation
Unit 2:Writing paper - mock exam preparation
Emma Sinclair
 
Hegemony denotation connotation barthes
Hegemony denotation connotation barthesHegemony denotation connotation barthes
Hegemony denotation connotation barthes
DXTran
 
Spoken language study communication
Spoken language study communicationSpoken language study communication
Spoken language study communication
Emma Sinclair
 
Spoken language study 10
Spoken language study 10Spoken language study 10
Spoken language study 10
Emma Sinclair
 
Broken britain lesson_5
Broken britain lesson_5Broken britain lesson_5
Broken britain lesson_5
Emma Sinclair
 
Connectives for units 1 and 2
Connectives for units 1 and 2Connectives for units 1 and 2
Connectives for units 1 and 2
Emma Sinclair
 

Andere mochten auch (20)

Regi revision summer1: Reading paper WJEC Unit 1
Regi revision summer1: Reading paper WJEC Unit 1Regi revision summer1: Reading paper WJEC Unit 1
Regi revision summer1: Reading paper WJEC Unit 1
 
Wjec gcse exam prep higher paper unit 2
Wjec gcse exam prep  higher paper  unit 2Wjec gcse exam prep  higher paper  unit 2
Wjec gcse exam prep higher paper unit 2
 
Blood Brothers: Tell Me It's Not True
Blood Brothers: Tell Me It's Not TrueBlood Brothers: Tell Me It's Not True
Blood Brothers: Tell Me It's Not True
 
Perry bradley and tasmin
Perry   bradley and tasminPerry   bradley and tasmin
Perry bradley and tasmin
 
Lemon-aid: using Lemon to aid quantitative historical linguistic analysis
Lemon-aid: using Lemon to aid quantitative historical linguistic analysisLemon-aid: using Lemon to aid quantitative historical linguistic analysis
Lemon-aid: using Lemon to aid quantitative historical linguistic analysis
 
AS AO1 English Language
AS AO1 English LanguageAS AO1 English Language
AS AO1 English Language
 
Verbal and non- verbal linguistic devices in Pinter’s ‘ The Birthday Party’.
Verbal and non- verbal linguistic devices in Pinter’s ‘ The Birthday Party’.Verbal and non- verbal linguistic devices in Pinter’s ‘ The Birthday Party’.
Verbal and non- verbal linguistic devices in Pinter’s ‘ The Birthday Party’.
 
On the Interactional Meaning of Fundamental Legal Concepts
On the Interactional Meaning of Fundamental Legal ConceptsOn the Interactional Meaning of Fundamental Legal Concepts
On the Interactional Meaning of Fundamental Legal Concepts
 
Unit 2:Writing paper - mock exam preparation
Unit 2:Writing paper - mock exam preparationUnit 2:Writing paper - mock exam preparation
Unit 2:Writing paper - mock exam preparation
 
Letter writing
Letter writingLetter writing
Letter writing
 
Semantics [Report in Language Study]
Semantics [Report in Language Study]Semantics [Report in Language Study]
Semantics [Report in Language Study]
 
Gruffalo Linguistic Analysis
Gruffalo Linguistic AnalysisGruffalo Linguistic Analysis
Gruffalo Linguistic Analysis
 
Hegemony denotation connotation barthes
Hegemony denotation connotation barthesHegemony denotation connotation barthes
Hegemony denotation connotation barthes
 
Spoken language study communication
Spoken language study communicationSpoken language study communication
Spoken language study communication
 
Spoken language study 10
Spoken language study 10Spoken language study 10
Spoken language study 10
 
Spellbound 2
Spellbound 2Spellbound 2
Spellbound 2
 
Comparing texts
Comparing textsComparing texts
Comparing texts
 
Broken britain lesson_5
Broken britain lesson_5Broken britain lesson_5
Broken britain lesson_5
 
Connectives for units 1 and 2
Connectives for units 1 and 2Connectives for units 1 and 2
Connectives for units 1 and 2
 
sense reference denotation and connotation
sense reference denotation and connotationsense reference denotation and connotation
sense reference denotation and connotation
 

Ähnlich wie Language skills for higher level responses WJEC

Purpose, Audience, Form and Tone
Purpose, Audience, Form and TonePurpose, Audience, Form and Tone
Purpose, Audience, Form and Tone
Suzie Allen
 
Eng 112 responding and reacting to literature
Eng 112 responding and reacting to literatureEng 112 responding and reacting to literature
Eng 112 responding and reacting to literature
English83R
 
Engl 825 Session 4
Engl 825  Session 4Engl 825  Session 4
Engl 825 Session 4
lisyaseloni
 
Essay Explanation
Essay ExplanationEssay Explanation
Essay Explanation
Tia Chen
 

Ähnlich wie Language skills for higher level responses WJEC (20)

CREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptxCREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptx
 
Purpose, Audience, Form and Tone
Purpose, Audience, Form and TonePurpose, Audience, Form and Tone
Purpose, Audience, Form and Tone
 
CREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptxCREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptx
 
21st-Cent-Litt.pptx
21st-Cent-Litt.pptx21st-Cent-Litt.pptx
21st-Cent-Litt.pptx
 
Literature-Program-in-K-to-12 (1).pptx
Literature-Program-in-K-to-12 (1).pptxLiterature-Program-in-K-to-12 (1).pptx
Literature-Program-in-K-to-12 (1).pptx
 
Relationships between language, context and meaning.pptx
Relationships between language, context and meaning.pptxRelationships between language, context and meaning.pptx
Relationships between language, context and meaning.pptx
 
UNIT NO 1, 6471 English IV B.Ed
UNIT NO 1,  6471 English IV B.EdUNIT NO 1,  6471 English IV B.Ed
UNIT NO 1, 6471 English IV B.Ed
 
Short Story Notes 2009
Short Story Notes 2009Short Story Notes 2009
Short Story Notes 2009
 
MODULE 3.pptx
MODULE 3.pptxMODULE 3.pptx
MODULE 3.pptx
 
Literary Criticism: Structuralist Approach
Literary Criticism: Structuralist ApproachLiterary Criticism: Structuralist Approach
Literary Criticism: Structuralist Approach
 
VARP
VARPVARP
VARP
 
Voice Audience Register Purpose
Voice Audience Register Purpose Voice Audience Register Purpose
Voice Audience Register Purpose
 
Can someone write this essay for me ASAP in APA.docx
Can someone write this essay for me ASAP in APA.docxCan someone write this essay for me ASAP in APA.docx
Can someone write this essay for me ASAP in APA.docx
 
Eng 112 responding and reacting to literature
Eng 112 responding and reacting to literatureEng 112 responding and reacting to literature
Eng 112 responding and reacting to literature
 
L and l
L and lL and l
L and l
 
L and l
L and lL and l
L and l
 
Engl 825 Session 4
Engl 825  Session 4Engl 825  Session 4
Engl 825 Session 4
 
Essay Explanation
Essay ExplanationEssay Explanation
Essay Explanation
 
Romeo And Juliet Essay Quotes.pdf
Romeo And Juliet Essay Quotes.pdfRomeo And Juliet Essay Quotes.pdf
Romeo And Juliet Essay Quotes.pdf
 
Romeo And Juliet Essay Quotes
Romeo And Juliet Essay QuotesRomeo And Juliet Essay Quotes
Romeo And Juliet Essay Quotes
 

Mehr von Emma Sinclair

Unit 1 WJEC unseen poetry higher - past questions
Unit 1  WJEC unseen poetry higher - past questionsUnit 1  WJEC unseen poetry higher - past questions
Unit 1 WJEC unseen poetry higher - past questions
Emma Sinclair
 
Blood Brothers: One Day in October
Blood Brothers: One Day in OctoberBlood Brothers: One Day in October
Blood Brothers: One Day in October
Emma Sinclair
 
Blood Brothers: Marilyn Monroe 3
Blood Brothers: Marilyn Monroe 3Blood Brothers: Marilyn Monroe 3
Blood Brothers: Marilyn Monroe 3
Emma Sinclair
 
Blood Brothers: Take a Letter Miss Jones
Blood Brothers: Take a Letter Miss JonesBlood Brothers: Take a Letter Miss Jones
Blood Brothers: Take a Letter Miss Jones
Emma Sinclair
 

Mehr von Emma Sinclair (20)

The Handmaid's Tale Section 4
The Handmaid's Tale Section 4The Handmaid's Tale Section 4
The Handmaid's Tale Section 4
 
The Handmaid's Tale Section 3
The Handmaid's Tale Section 3 The Handmaid's Tale Section 3
The Handmaid's Tale Section 3
 
The Handmaid's Tale part 2 (pg2- 64)
The Handmaid's Tale part 2 (pg2- 64)The Handmaid's Tale part 2 (pg2- 64)
The Handmaid's Tale part 2 (pg2- 64)
 
The Handmaid's Tale section 1
The Handmaid's Tale section 1The Handmaid's Tale section 1
The Handmaid's Tale section 1
 
Unit 1 WJEC unseen poetry higher - past questions
Unit 1  WJEC unseen poetry higher - past questionsUnit 1  WJEC unseen poetry higher - past questions
Unit 1 WJEC unseen poetry higher - past questions
 
Unseen poetry WJEC revision
Unseen poetry WJEC revisionUnseen poetry WJEC revision
Unseen poetry WJEC revision
 
Of Mice and Men: past questions WJEC Unit 1
Of Mice and Men: past questions WJEC Unit 1Of Mice and Men: past questions WJEC Unit 1
Of Mice and Men: past questions WJEC Unit 1
 
Blood Brothers: Past questions WJEC
Blood Brothers: Past questions WJECBlood Brothers: Past questions WJEC
Blood Brothers: Past questions WJEC
 
Pride and Prejudice: Symbols - place, letters and balls
Pride and Prejudice: Symbols - place, letters and ballsPride and Prejudice: Symbols - place, letters and balls
Pride and Prejudice: Symbols - place, letters and balls
 
Revision: Social class - Themes and context
Revision: Social class - Themes and context Revision: Social class - Themes and context
Revision: Social class - Themes and context
 
Blood Brothers: Council Chamber
Blood Brothers: Council ChamberBlood Brothers: Council Chamber
Blood Brothers: Council Chamber
 
Blood Brothers: Act 2 final
Blood Brothers: Act 2 final Blood Brothers: Act 2 final
Blood Brothers: Act 2 final
 
Blood Brothers: One Day in October
Blood Brothers: One Day in OctoberBlood Brothers: One Day in October
Blood Brothers: One Day in October
 
Blood Brothers: Light Romance
Blood Brothers: Light RomanceBlood Brothers: Light Romance
Blood Brothers: Light Romance
 
Blood Brothers: Marilyn Monroe 3
Blood Brothers: Marilyn Monroe 3Blood Brothers: Marilyn Monroe 3
Blood Brothers: Marilyn Monroe 3
 
Blood Brothers: Act 2 - later stages
Blood Brothers: Act 2 - later stagesBlood Brothers: Act 2 - later stages
Blood Brothers: Act 2 - later stages
 
Blood Brothers: The Robbery
Blood Brothers: The RobberyBlood Brothers: The Robbery
Blood Brothers: The Robbery
 
Blood Brothers: Interview Willy Russell
Blood Brothers: Interview Willy Russell Blood Brothers: Interview Willy Russell
Blood Brothers: Interview Willy Russell
 
Blood Brothers: Take a Letter Miss Jones
Blood Brothers: Take a Letter Miss JonesBlood Brothers: Take a Letter Miss Jones
Blood Brothers: Take a Letter Miss Jones
 
Blood Brothers: Act 2 - class
Blood Brothers: Act 2 - classBlood Brothers: Act 2 - class
Blood Brothers: Act 2 - class
 

Kürzlich hochgeladen

1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
QucHHunhnh
 

Kürzlich hochgeladen (20)

A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writing
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpin
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and Mode
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The Basics
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 

Language skills for higher level responses WJEC

  • 1. English workshop LO: To explore and apply skills for higher level responses: Connotation and denotation; signs and signifiers.
  • 2. WJEC English Literature Unit 1, Section A: Prose (different cultures) Of Mice and Men by John Steinbeck O Assessment Objectives O AO1: Respond to texts critically and imaginatively; select and evaluate relevant textual detail to illustrate and support interpretations O AO2: Explain how language, structure and form contribute to writers’ presentation of ideas, themes and settings O AO4: Relate texts to their social, cultural and historical contexts; explain how texts have been influential and significant to self and other readers in different contexts and at different times
  • 3. Unit 1, Section B: Unseen Poetry AO1: Respond to texts critically and imaginatively; select and evaluate relevant textual detail to illustrate and support interpretations AO2: Explain how language, structure and form contribute to writers’ presentation of ideas, themes and settings AO3: Make comparisons and explain links between texts, evaluating writers’ different ways of expressing meaning and achieving effects
  • 4. AO1 OIdeas – relate to Thinking and Understanding – usually expressed by abstract nouns (identity, loneliness) OFeelings – relate to personal and emotional states, expressed as nouns or adjectives (fear/afraid, pleasure/pleased) OAttitudes – relates to consistent behavioural approaches to ideas, events or situations.
  • 5. AO2 O Structure O Form O Language First explore what these terms mean:
  • 6. Structure: whole text or extract ODramatic structure: sequence of events building up to a powerful conclusion/climax OLogical structure: series of events sequenced by time OOpposition structures: problem/solution Question/answer - Cause/effect
  • 7. Structure: syntax OSentence types – simple/complex / compound/minor OSentence function - declarative/interrogative/exclamative/ imperative OSyntax – how individual sentences are structured.
  • 9. Characterisation Characterisation should be the focus, not characters. Remember that the characters have been created by the authors to represent aspects of human behaviour and to arouse specific attitudes in the reader or audience.
  • 11. AO4 OSocial – how did other texts influence the writer? OCultural – Comparing and contrasting values and attitudes of different readers/audiences. OHistorical – What impacted on the language and content of the text?
  • 12. Higher level answers discuss: O relationship of author with reader or audience O contextual awareness O sub textual meaning/purpose O Don't offer one `right answer` but rather discuss the given texts within their contexts.
  • 13. Writing Skills OThe way you express your response is important – sophisticated writing. OIt is vital to keep developing your writing skills. OTo achieve an A and A* grade, students must have sophisticated writing skills. (Don't neglect this area)
  • 14. Key A-A* Specific Skills Frequent use of short quotation, supported by explanation Written `Voice` Sophisticated Connectives Specialist Language Complex comparisons Sentence Structures – simple and complex Complex Punctuation - .,;:
  • 15. ‘A’ grade students should understand... OSemantics: the relationship between symbol and sign O Words: and the things they denote, connote OPragmatics: the study of factors which govern our choices of language – such as social awareness, our culture and our sense of etiquette
  • 16. Denotation and connotation O Words in texts can work on more than one level. O This is described by the terms denotation and connotation. O They are important terms for you to understand.
  • 17. Guess O I think denotation is….. O I think connotation is…..
  • 18. DENOTATION is the straight forward or common- sense meaning of a sign O Literally what is actually shown in an image or through language. O A red rose is a flower O An apple is a fruit we eat O A lamb is a young sheep
  • 19. CONNOTATION is the extra, linked meaning that goes with any sign. O The connotations of a sign will be much more personal than the straight forward denotation because they are to do with personal ideas and feelings about it. O The connotations will not be the same for everybody.
  • 20.
  • 21. O For romantics a red rose can be a symbol of love. O In Lancashire it is a symbol for the county. O It has even been a symbol for a political party. O These are all connotations or extra layers of meaning that the image carries with it.
  • 22.
  • 23. Think about the apple… It can be a symbol of health. It can have associated meanings of New York -“The Big Apple”. It can even stand for sin. These are all connotations or extra layers of meaning that the image carries with it.
  • 24. Signs and signifiers: O Signs – work like denotation – it’s what you see O Signifiers work like connotation – it’s what the sign signifies!
  • 26. What if I am a mathematician?
  • 27. Now what is it?
  • 28. Now what is it?
  • 29. What is it now?
  • 30. Now what have these lines become?
  • 31. What does this symbol signify?
  • 32. Now what does it signify?
  • 33. What is this telling you to do?
  • 34. How do you know?
  • 35. Signs are there to signify things but they have a cultural reference • In other words, they only “make sense” if we understand what they mean. • We only understand what they mean because we have a shared knowledge – I know a red light means stop, so do you, so do all other drivers so we all stop at red traffic lights.
  • 37. Actually… O It is a Norwegian Pine tree, covered in snow and with a red ribbon on (denotation) O But it signifies: (connotation) O Christmas O Presents O Families O And this is because we share a cultural knowledge about the use of Norwegian Pine trees (thanks to Queen Victoria’s husband, Prince Albert, who brought this German cultural tradition to England in the 1840s!)
  • 38. Putting it all together: O On the following page, you will see an advert. O This time, you will read the images to look at the denotation and the connotations of it. O You need to talk about the use of signs and signifiers in this advert.
  • 39. This advert depicts toddlers in roller skates and this is the denotation of it. However, what are the connotations of it? What are the key signs and signifiers?
  • 40. Now apply this to a text O Read the description below: A tall man stood in the doorway. He held a crushed Stetson hat under his arm while he combed his long, black, damp hair straight back. Like the others he wore blue jeans and a short denim jacket. When he had finished combing his hair he moved into the room, and he moved with a majesty achieved only by royalty and master craftsmen. He was a jerkline skinner, the prince of the ranch, capable of driving ten, sixteen, even twenty mules with a single line to the leaders. He was capable of killing a fly on the wheeler’s butt with a bull whip without touching the mule. There was a gravity in his manner and a quiet so profound that all talk stopped when he spoke. His authority was so great that his word was taken on any subject, be it politics or love. What is the denotation of this description (What does it mean)? What is the connotation? What does it tell us about Steinbeck’s opinion of Slim and his position in the ranch? Focus on the language used and write an analytical paragraph using the terminology from this lesson.