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DISCLAIMER:	
  THIS	
  IS	
  A	
  VERY	
  PERSONAL	
  TALK	
  AND	
  THE	
  OPINIONS	
  PRESENTED	
  
THEREIN	
  ARE	
  MY	
  OW.	
  THEY	
  MAY	
  NOT	
  NECESSARILY	
  BE	
  THE	
  OFFICIAL	
  POSITIONS	
  OF	
  
THE	
  ORGANIZATIONS	
  I	
  WORK	
  FOR.	
  
	
  
IntroducAon:	
  	
  
•  technical	
  project	
  coordinator	
  for	
  German	
  Digital	
  Library	
  hNps://www.deutsche-­‐
digitale-­‐bibliothek.de	
  (short:„DDB“)	
  
•  at	
  German	
  NaAonal	
  Library	
  hNp://www.dnb.de	
  
•  trained	
  physicist,	
  switched	
  careers	
  1	
  year	
  ago	
  (so	
  take	
  my	
  statements	
  with	
  a	
  grain	
  
of	
  salt)	
  
•  anecdote:	
  held	
  original	
  leNer	
  by	
  Albert	
  Einstein	
  1st	
  day	
  at	
  work	
  =>	
  sense	
  of	
  
belonging,	
  right	
  place	
  for	
  me	
  
•  transiAon	
  from	
  end	
  user	
  to	
  provider	
  of	
  cultural	
  data	
  almost	
  completed:	
  ideal	
  
moment	
  to	
  talk	
  about	
  some	
  possible	
  improvements	
  
ExplanaAon	
  of	
  „strange“	
  Atle:	
  
•  chinese	
  folk	
  myth:	
  chinese	
  ghosts	
  can	
  only	
  walk	
  in	
  straight	
  lines	
  =>	
  defense	
  
mechanism:	
  place	
  otherwise	
  useless	
  „shadow	
  walls“	
  behind	
  doors	
  and	
  portals,	
  so	
  
that	
  the	
  ghosts	
  run	
  into	
  that	
  walls	
  
•  I	
  ran	
  into	
  some	
  walls	
  during	
  my	
  first	
  year,	
  more	
  about	
  that	
  later...	
  
•  possible	
  metaphor	
  for	
  some	
  obstacles	
  that	
  present	
  themselves	
  again	
  and	
  again	
  in	
  
digital	
  cultural	
  heritage	
  
•  soluAon	
  maybe	
  not	
  to	
  wear	
  nor	
  even	
  tear	
  those	
  walls	
  down	
  but	
  to	
  find	
  our	
  ways	
  	
  
1	
  
...	
  there‘s	
  a	
  Ame	
  shi`,	
  or	
  a	
  Ame	
  lag	
  of	
  about	
  10	
  years:	
  To	
  put	
  it	
  bluntly,	
  the	
  Internet	
  
is	
  perceived	
  like	
  it	
  was	
  sAll	
  2004:	
  
•  web	
  portals	
  are	
  seen	
  as	
  state	
  of	
  the	
  art	
  
•  either	
  the	
  mobile	
  and	
  the	
  social	
  revoluAon	
  haven‘t	
  registered	
  with	
  a	
  lot	
  of	
  people	
  
•  APIs	
  are	
  few	
  and	
  far	
  between	
  
But	
  things	
  are	
  about	
  to	
  change:	
  
•  Europeana	
  Labs	
  in	
  beta	
  hNp://labs.europeana.eu/	
  
•  DDB	
  published	
  her	
  API	
  in	
  November	
  2013	
  hNp://api.deutsche-­‐digitale-­‐
bibliothek.de/	
  
2	
  
Today,	
  everybody	
  moves	
  in	
  her/his	
  „filter	
  bubble“	
  to	
  prevent	
  drowning	
  in	
  the	
  flood	
  
of	
  informaAon.	
  
	
  
•  Except	
  from	
  those	
  with	
  an	
  extra	
  moAvaAon	
  nobody	
  acAvely	
  hunts	
  for	
  data	
  &	
  
informaAon	
  anymore.	
  
•  Consequence:	
  We	
  must	
  offer	
  our	
  data	
  and	
  provide	
  our	
  services	
  where	
  our	
  
endusers	
  are:	
  
•  physically:	
  on	
  mobile	
  devices	
  and	
  other	
  appliances	
  
•  community-­‐wise:	
  social	
  media!	
  
•  Even	
  beNer:	
  empower	
  others	
  to	
  write	
  the	
  apps	
  and	
  build	
  the	
  websites	
  that	
  are	
  
taylored	
  to	
  the	
  specific	
  needs	
  of	
  the	
  people.	
  
One	
  important	
  way	
  to	
  do	
  this	
  is	
  to	
  provide	
  a	
  public	
  API,	
  I‘m	
  going	
  to	
  present	
  two	
  
examples	
  how	
  the	
  DDB	
  API	
  is	
  used.	
  
3	
  
„DDB	
  Katzen“	
  –	
  TwiNerbot	
  by	
  Peter	
  Mayr	
  
•  came	
  up	
  almost	
  immediately	
  a`er	
  API	
  publicaAon	
  
•  copy	
  cat	
  of	
  similar	
  bot	
  by	
  DPLA	
  hNp://twiNer.com/HistoricalCats,	
  more	
  serious	
  
example:	
  Europeanabot	
  
•  underlying	
  concept	
  of	
  serenditpitous	
  encounter	
  much	
  stronger	
  tnan	
  this	
  play	
  on	
  
an	
  internet	
  meme	
  
•  insighlul	
  tlak	
  by	
  Peter	
  Mayr	
  hNps://www.youtube.com/watch?v=l_i-­‐_2YEpT0,	
  
about	
  how	
  to	
  bring	
  light	
  to	
  the	
  dark	
  corners	
  of	
  the	
  deep	
  web	
  
	
  
4	
  
Right	
  now,	
  we‘re	
  hiding	
  our	
  treasures	
  behind	
  search	
  slits,	
  in	
  catalogues	
  and	
  
portals	
  ...	
  like	
  Gollum.	
  
	
  
Our	
  users	
  need	
  expert	
  knowledge,	
  and	
  special	
  kind	
  of	
  aotude	
  to	
  go	
  speluniing	
  in	
  our	
  
data.	
  	
  
	
  
They	
  may	
  get	
  lost	
  someAmes	
  like	
  the	
  explorer	
  who	
  hurt	
  himself	
  in	
  the	
  depicted	
  cave	
  
some	
  weeks	
  ago	
  	
  
hNp://de.wikipedia.org/wiki/Riesending-­‐Schachth
%C3%B6hle#Unfall_des_H.C3.B6hlenforschers_Johann_Westhauser	
  
	
  
We	
  need	
  different	
  access	
  methods	
  so	
  that	
  different	
  users	
  can	
  discover	
  our	
  treasures	
  
differently,	
  but	
  more	
  easily.	
  
5	
  
One	
  possible	
  approach	
  demonstrated	
  in	
  this	
  screenshot	
  of	
  an	
  interacAve	
  
visualizaAon	
  of	
  the	
  DDB	
  data	
  as	
  a	
  whole.	
  
•  by	
  Prof.	
  Dr.	
  Marian	
  Dörk	
  and	
  his	
  students	
  from	
  the	
  University	
  of	
  Applied	
  Sciences	
  
Potsdam	
  
•  shown:	
  number	
  of	
  objects	
  itemized	
  by	
  cultural	
  sector	
  over	
  Ame	
  
•  focus	
  on	
  the	
  libraries	
  (color:	
  yellow):	
  drop	
  of	
  number	
  of	
  digiAzed	
  works	
  a`er	
  1875	
  
apparent	
  
•  „black	
  hole	
  of	
  copyright“:	
  a	
  work,	
  wriNen	
  in	
  1875	
  by	
  an	
  author	
  at	
  age	
  20,	
  who	
  
lived	
  for	
  90	
  years	
  will	
  enter	
  the	
  public	
  domain	
  in	
  2015	
  
•  rise	
  in	
  modern	
  days	
  due	
  to	
  works	
  that	
  are	
  published	
  digitally	
  and	
  needn‘t	
  be	
  
digiAzed	
  (they	
  are	
  not	
  necessarily	
  in	
  the	
  public	
  domain)	
  
(Copy)rights	
  issue	
  is	
  the	
  biggest	
  obstacle	
  of	
  all.	
  
	
  
While	
  we	
  –	
  as	
  a	
  future	
  OpenGLAM	
  group	
  –	
  won‘t	
  be	
  able	
  to	
  change	
  the	
  law	
  single-­‐
handedly,	
  there	
  are	
  two	
  things	
  we	
  can	
  do:	
  
•  educate	
  the	
  cultural	
  insAtuAons,	
  especially	
  the	
  smaller	
  ones	
  
•  empower	
  them	
  to	
  ...	
  
6	
  
...	
  be	
  a	
  liNle	
  bit	
  bolder,	
  especially	
  in	
  legal	
  maNers	
  	
  
	
  
<some	
  controversial	
  remarks>	
  
	
  
Say,	
  you‘re	
  a	
  small	
  cultural	
  insAtuAon,	
  e.g.	
  a	
  one-­‐person-­‐library	
  in	
  a	
  museum	
  and	
  
have	
  some	
  objects	
  you‘d	
  like	
  to	
  publish	
  digitally	
  under	
  an	
  open	
  license.	
  Than	
  there	
  
are	
  other	
  problems	
  ...	
  
7	
  
First	
  you	
  need	
  to	
  digitze	
  your	
  objects,	
  e.g.	
  scan	
  Berlin‘s	
  first	
  telephone	
  book.	
  
•  access	
  to	
  the	
  big	
  digiAzaAon	
  faciliAes	
  is	
  nearly	
  impossible	
  
•  there	
  are	
  iniAaAves	
  like	
  digiS	
  (hNp://www.servicestelle-­‐digitalisierung.de/)	
  and	
  its	
  
counterpart	
  in	
  Brandenburg	
  (hNp://www.{-­‐potsdam.de/informieren/
organisaAon/fachbereiche/informaAonswissenscha`en/fachbereich/
koordinierungsstelle-­‐brandenburg-­‐digital/)	
  to	
  overcome	
  that	
  hurdle	
  
•  to	
  make	
  your	
  digiAzed	
  objects	
  findable	
  and	
  consumable	
  you	
  need	
  
•  provide	
  metadata,	
  publish	
  them	
  in	
  portals	
  like	
  DDB,	
  Europeana	
  
•  metadata	
  standards	
  are	
  not	
  your	
  day-­‐to-­‐day	
  business,	
  tools	
  available	
  are	
  too	
  
complicated	
  or	
  
•  not	
  availabe	
  at	
  all,	
  quote	
  „In	
  25	
  years	
  I	
  haven‘t	
  seen	
  a	
  beNer	
  tool	
  for	
  conceptual	
  
mappings	
  than	
  an	
  excel	
  sheet.“	
  
•  vendors	
  of	
  collecAon	
  management	
  so`ware	
  don‘t	
  support	
  standards	
  
8	
  
Somebody	
  has	
  to	
  host	
  the	
  data.	
  
	
  
Lots	
  of	
  development	
  going	
  on,	
  Europeana	
  and	
  DDB	
  haven‘t	
  found	
  their	
  final	
  form	
  
and	
  business	
  model	
  –	
  will	
  look	
  quite	
  differntly	
  in	
  a	
  few	
  years.	
  
	
  
Let	
  me	
  close	
  with	
  a	
  personal	
  rant	
  of	
  mine	
  ...	
  
Maybe	
  you	
  know	
  the	
  famous	
  quote	
  about	
  lies	
  from	
  19th	
  century	
  BriAsh	
  prime	
  
minister	
  Benjamin	
  Disraeli:	
  „There	
  are	
  three	
  kinds	
  of	
  lies:	
  lies,	
  damn	
  lies	
  and	
  
staAsAcs.“	
  	
  
	
  
When	
  I	
  started	
  about	
  one	
  year	
  ago,	
  I	
  read	
  enthusiasAcally	
  about	
  ontogies,	
  RDF,	
  
triple	
  stores,	
  SPARQL	
  queries	
  ...	
  only	
  to	
  find	
  out,	
  that	
  for	
  many	
  of	
  these	
  concepts	
  
there	
  are	
  no	
  robust	
  implementaAons	
  out	
  there.	
  One	
  cURL	
  statement	
  may	
  be	
  enough	
  
to	
  bring	
  down	
  every	
  triple	
  store	
  around.	
  
	
  
9	
  
...	
  so	
  I	
  was	
  quite	
  disillusioned	
  about	
  Linked	
  Open	
  Data.	
  	
  
	
  
•  But,	
  as	
  of	
  latest,	
  not	
  so	
  much	
  anymore	
  ...	
  I‘m	
  tentaAvely	
  opAmisAc	
  ,	
  that	
  finally	
  
concepts,	
  technology	
  and	
  acceptance	
  may	
  come	
  together.	
  	
  
•  	
  similar	
  to	
  „Internet	
  of	
  things“	
  
•  example:	
  DDB	
  person	
  enAty	
  pages,	
  	
  
•  Benjamin	
  Disraeli:	
  hNps://www.deutsche-­‐digitale-­‐bibliothek.de/enAty/
118526014	
  
•  fed	
  by	
  LOD	
  service	
  at	
  DNB,	
  that	
  pulls	
  life	
  data	
  &	
  links	
  from	
  GND	
  
(„Gemeinsame	
  Normdatei“	
  =	
  Integrated	
  Authority	
  File),	
  portrait	
  pictures	
  
from	
  Wikipedia	
  
•  CHANGE	
  IS	
  IN	
  THE	
  AIR,	
  another	
  sign	
  for	
  that	
  is	
  presented	
  by	
  Helene	
  Hahn,	
  who	
  
will	
  talk	
  about	
  the	
  phenomenal	
  success	
  of	
  Germany‘s	
  first	
  hackathon	
  with	
  open	
  
culture	
  data	
  
Thanks	
  for	
  having	
  me.	
  
10	
  

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3_stephan bartholmei_2014 07-15-open glam-workshop-with_notes

  • 1. DISCLAIMER:  THIS  IS  A  VERY  PERSONAL  TALK  AND  THE  OPINIONS  PRESENTED   THEREIN  ARE  MY  OW.  THEY  MAY  NOT  NECESSARILY  BE  THE  OFFICIAL  POSITIONS  OF   THE  ORGANIZATIONS  I  WORK  FOR.     IntroducAon:     •  technical  project  coordinator  for  German  Digital  Library  hNps://www.deutsche-­‐ digitale-­‐bibliothek.de  (short:„DDB“)   •  at  German  NaAonal  Library  hNp://www.dnb.de   •  trained  physicist,  switched  careers  1  year  ago  (so  take  my  statements  with  a  grain   of  salt)   •  anecdote:  held  original  leNer  by  Albert  Einstein  1st  day  at  work  =>  sense  of   belonging,  right  place  for  me   •  transiAon  from  end  user  to  provider  of  cultural  data  almost  completed:  ideal   moment  to  talk  about  some  possible  improvements   ExplanaAon  of  „strange“  Atle:   •  chinese  folk  myth:  chinese  ghosts  can  only  walk  in  straight  lines  =>  defense   mechanism:  place  otherwise  useless  „shadow  walls“  behind  doors  and  portals,  so   that  the  ghosts  run  into  that  walls   •  I  ran  into  some  walls  during  my  first  year,  more  about  that  later...   •  possible  metaphor  for  some  obstacles  that  present  themselves  again  and  again  in   digital  cultural  heritage   •  soluAon  maybe  not  to  wear  nor  even  tear  those  walls  down  but  to  find  our  ways     1  
  • 2. ...  there‘s  a  Ame  shi`,  or  a  Ame  lag  of  about  10  years:  To  put  it  bluntly,  the  Internet   is  perceived  like  it  was  sAll  2004:   •  web  portals  are  seen  as  state  of  the  art   •  either  the  mobile  and  the  social  revoluAon  haven‘t  registered  with  a  lot  of  people   •  APIs  are  few  and  far  between   But  things  are  about  to  change:   •  Europeana  Labs  in  beta  hNp://labs.europeana.eu/   •  DDB  published  her  API  in  November  2013  hNp://api.deutsche-­‐digitale-­‐ bibliothek.de/   2  
  • 3. Today,  everybody  moves  in  her/his  „filter  bubble“  to  prevent  drowning  in  the  flood   of  informaAon.     •  Except  from  those  with  an  extra  moAvaAon  nobody  acAvely  hunts  for  data  &   informaAon  anymore.   •  Consequence:  We  must  offer  our  data  and  provide  our  services  where  our   endusers  are:   •  physically:  on  mobile  devices  and  other  appliances   •  community-­‐wise:  social  media!   •  Even  beNer:  empower  others  to  write  the  apps  and  build  the  websites  that  are   taylored  to  the  specific  needs  of  the  people.   One  important  way  to  do  this  is  to  provide  a  public  API,  I‘m  going  to  present  two   examples  how  the  DDB  API  is  used.   3  
  • 4. „DDB  Katzen“  –  TwiNerbot  by  Peter  Mayr   •  came  up  almost  immediately  a`er  API  publicaAon   •  copy  cat  of  similar  bot  by  DPLA  hNp://twiNer.com/HistoricalCats,  more  serious   example:  Europeanabot   •  underlying  concept  of  serenditpitous  encounter  much  stronger  tnan  this  play  on   an  internet  meme   •  insighlul  tlak  by  Peter  Mayr  hNps://www.youtube.com/watch?v=l_i-­‐_2YEpT0,   about  how  to  bring  light  to  the  dark  corners  of  the  deep  web     4  
  • 5. Right  now,  we‘re  hiding  our  treasures  behind  search  slits,  in  catalogues  and   portals  ...  like  Gollum.     Our  users  need  expert  knowledge,  and  special  kind  of  aotude  to  go  speluniing  in  our   data.       They  may  get  lost  someAmes  like  the  explorer  who  hurt  himself  in  the  depicted  cave   some  weeks  ago     hNp://de.wikipedia.org/wiki/Riesending-­‐Schachth %C3%B6hle#Unfall_des_H.C3.B6hlenforschers_Johann_Westhauser     We  need  different  access  methods  so  that  different  users  can  discover  our  treasures   differently,  but  more  easily.   5  
  • 6. One  possible  approach  demonstrated  in  this  screenshot  of  an  interacAve   visualizaAon  of  the  DDB  data  as  a  whole.   •  by  Prof.  Dr.  Marian  Dörk  and  his  students  from  the  University  of  Applied  Sciences   Potsdam   •  shown:  number  of  objects  itemized  by  cultural  sector  over  Ame   •  focus  on  the  libraries  (color:  yellow):  drop  of  number  of  digiAzed  works  a`er  1875   apparent   •  „black  hole  of  copyright“:  a  work,  wriNen  in  1875  by  an  author  at  age  20,  who   lived  for  90  years  will  enter  the  public  domain  in  2015   •  rise  in  modern  days  due  to  works  that  are  published  digitally  and  needn‘t  be   digiAzed  (they  are  not  necessarily  in  the  public  domain)   (Copy)rights  issue  is  the  biggest  obstacle  of  all.     While  we  –  as  a  future  OpenGLAM  group  –  won‘t  be  able  to  change  the  law  single-­‐ handedly,  there  are  two  things  we  can  do:   •  educate  the  cultural  insAtuAons,  especially  the  smaller  ones   •  empower  them  to  ...   6  
  • 7. ...  be  a  liNle  bit  bolder,  especially  in  legal  maNers       <some  controversial  remarks>     Say,  you‘re  a  small  cultural  insAtuAon,  e.g.  a  one-­‐person-­‐library  in  a  museum  and   have  some  objects  you‘d  like  to  publish  digitally  under  an  open  license.  Than  there   are  other  problems  ...   7  
  • 8. First  you  need  to  digitze  your  objects,  e.g.  scan  Berlin‘s  first  telephone  book.   •  access  to  the  big  digiAzaAon  faciliAes  is  nearly  impossible   •  there  are  iniAaAves  like  digiS  (hNp://www.servicestelle-­‐digitalisierung.de/)  and  its   counterpart  in  Brandenburg  (hNp://www.{-­‐potsdam.de/informieren/ organisaAon/fachbereiche/informaAonswissenscha`en/fachbereich/ koordinierungsstelle-­‐brandenburg-­‐digital/)  to  overcome  that  hurdle   •  to  make  your  digiAzed  objects  findable  and  consumable  you  need   •  provide  metadata,  publish  them  in  portals  like  DDB,  Europeana   •  metadata  standards  are  not  your  day-­‐to-­‐day  business,  tools  available  are  too   complicated  or   •  not  availabe  at  all,  quote  „In  25  years  I  haven‘t  seen  a  beNer  tool  for  conceptual   mappings  than  an  excel  sheet.“   •  vendors  of  collecAon  management  so`ware  don‘t  support  standards   8  
  • 9. Somebody  has  to  host  the  data.     Lots  of  development  going  on,  Europeana  and  DDB  haven‘t  found  their  final  form   and  business  model  –  will  look  quite  differntly  in  a  few  years.     Let  me  close  with  a  personal  rant  of  mine  ...   Maybe  you  know  the  famous  quote  about  lies  from  19th  century  BriAsh  prime   minister  Benjamin  Disraeli:  „There  are  three  kinds  of  lies:  lies,  damn  lies  and   staAsAcs.“       When  I  started  about  one  year  ago,  I  read  enthusiasAcally  about  ontogies,  RDF,   triple  stores,  SPARQL  queries  ...  only  to  find  out,  that  for  many  of  these  concepts   there  are  no  robust  implementaAons  out  there.  One  cURL  statement  may  be  enough   to  bring  down  every  triple  store  around.     9  
  • 10. ...  so  I  was  quite  disillusioned  about  Linked  Open  Data.       •  But,  as  of  latest,  not  so  much  anymore  ...  I‘m  tentaAvely  opAmisAc  ,  that  finally   concepts,  technology  and  acceptance  may  come  together.     •   similar  to  „Internet  of  things“   •  example:  DDB  person  enAty  pages,     •  Benjamin  Disraeli:  hNps://www.deutsche-­‐digitale-­‐bibliothek.de/enAty/ 118526014   •  fed  by  LOD  service  at  DNB,  that  pulls  life  data  &  links  from  GND   („Gemeinsame  Normdatei“  =  Integrated  Authority  File),  portrait  pictures   from  Wikipedia   •  CHANGE  IS  IN  THE  AIR,  another  sign  for  that  is  presented  by  Helene  Hahn,  who   will  talk  about  the  phenomenal  success  of  Germany‘s  first  hackathon  with  open   culture  data   Thanks  for  having  me.   10