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Panic! At The Disco: This Is 
Gospel: 
Music video analysis
vThe music video starts with a long panning 
shot of the singer, up his body towards his 
head, when the camera reaches his head he 
starts singing. This is a medium close up shot 
which is used to show that he is the main 
person in the video as he’s the performer. The 
pan up his body gives the audience the 
impress that he is unconscious (until he starts 
singing) as there is a heartbeat in the 
background so he can not be dead. He is 
wearing a white top and black jeans which can 
be seen as “basic clothing”. The setting is a 
black room with a white hospital bed, this 
focus the attention on the singer as it is non-interesting, 
it also makes it look like a hospital. 
Lyrics: In this shot he is about to 
sing “This is Gospel for the fallen 
ones” (Which is the first line of 
the song) – As he is on a hospital 
bed I think the aesthetics of the 
scene match the lyrics, as “fallen” 
can be linked with an injury. 
0.06s
The singer's face is half covered 
by shadows suggesting that he is 
been kept in a dark area. The 
shadows in the video could have 
many different meanings as there 
is no anchorage, however it could 
be suggesting that he has a two 
sided personality. However as it is 
quite ambiguous, there is no set 
meaning, so is left up to the 
audience to decide. 
0:11s 
So far in the video the only two 
colours shown are black and 
white. These are seen as basic 
colours, so do not grab the 
audience's attention, however 
the medium shot, aerial camera 
view focuses the attention onto 
the singer who is staring at the 
camera. This builds a connection 
with the audience as it breaks 
the fourth wall, with the eye 
contact.
0:18s 
A bright surgical style light turns on, highlighting the singer's body 
completely and pulls him out of the shadows. The lighting 
foreshadows the ending of the video as it ends with a fade to white, 
this is all a symbol of death, which links in with the hospital bed as 
hospital's can connote death for some people. At this point he has 
stopped singing and his eyes and mouth are closed which makes he 
look quite lifeless, this could be foreshadowing the end or the 
reinforcing the underling message of death that runs through the 
video.
The camera continues 
panning outwards until 
three characters appear 
in surgical gowns, the 
audience can make the 
deduction that they are 
doctors as their props 
are such things as: 
stethoscopes and 
scalpel. The aerial view 
also continues as it is 
useful to show the whole 
view of the singer, and it 
provides the audience 
with the view someone 
looking over would have, 
like a doctor, which helps 
submerse the audience. 
10 seconds later quite a bit of camera 
movement occurs, this is done as a crane 
shot. The different acts of the operating staff 
in the video are representative of the 
concept of an operation and the idea that 
despite every efforts, like the effort of 
doctors, there is no escaping the inevitability 
of death, which is the underling theme in the 
video and lyrics. 
0:21s
vThe camera moves as we see the 
singer spring up from the medical 
table as he sings “let me go”. The 
actions in this sequence match 
what he is singing which provides 
coherence This also represents 
the rock genre, as it is seen as a 
generic convention for rock songs 
to sing about freedom and 
breaking away, which is shown 
through both lyrics and video. 
0:43s 
● The camera then switches to an Aerial shot, 
which is used to show the singers struggle to get 
away. All the time this is happening the light is 
focused on the singer, this signifies his 
importance to the audience. The Aerial shot is 
also good because the video is very performance 
based, this shot incorporates both his actions, as 
there is enough room in shot to see his actions, 
yet still focuses on his face.
Even as the singer moves around frantically 
the camera stays in deep focus on him. Deep 
focus is used to keep the music video centred 
around the singer, so all the extras don't grab 
the attention away from the singer. This is a 
generic convention for a music video with a 
performance aspect as the singer is in deep 
focus, while singing to the camera, whereas 
the background is in shallow focus. 
This is a concept music 
video, which at this 
point in the video is 
shown through the 
doctors. The 
choreography in the 
video makes all the 
doctor's movements 
look precise, but also 
like they are robots, 
which could be a 
reference to society 
being controlling, as 
this type of view is 
linked with the rock 
genre, so would be 
sticking to the brand 
identity. 
1:03s
01:20s 
The mise-en-scene in this 
scene changes when there 
is a transitions in location. 
The transition is done so it 
looks like the shot was 
taken in the same place 
which the editing helps do. 
The lighting in the two 
transitions helps crate this 
look as in the “hospital 
room” the light centres on 
the singers face and 
darkens around him, so 
only white can be seen 
which leads to the second 
part of the transition where 
he is standing. 
This fools the audience into thinking 
that the shot is continuous, which it is 
not. This shows that despite constantly 
changing, the camera looks as though 
it is in the same place (close up).
1:32s 
● In this part of the music video the camera looks as if it falls back and 
into another place, this transition, because of the editing, looks 
somewhat seamless. 
The mise-en-scene in this scene 
includes the singing wearing a suit. This 
is because he is being buried as he is 
having a funeral because he is 
supposedly dead. This shows the 
concept side of the video as it has a 
liner story starting from the hospital that 
leads on to the coffin. The black in the 
suit connotes death but also power, 
which is ironic as the singer lacks this 
throughout the whole video. 
● The lyrics “Led away by imperfect impostors” means being tricked by people 
who pretend they are saints or prefect. This could be a deeper message 
about religion and how it can misguide people in some cases, even until the 
day they die.
● The Camera 
in this section 
backs out 
slowly from 
an extreme 
close up. 
This shows 
the lack of 
space in the 
coffin for 
movement as 
it is confined 
or trapped, 
which is a 
generic 
convention of 
rock songs. 
01.49s 
● In this part of the sequence 
the actions in the video 
reflect the lyrics: “Don’t try 
to sleep through the end of 
the world, Bury me alive, 
'Cause I won’t give up 
without a fight” first of all he 
is buried alive and then he 
fights to get out of the 
coffin. 
● There is an intertextual 
reference of the singer 
being like Dracula the 
vampire at this point in 
the video. This is from 
his body language and 
the fact he comes back 
to life, so hard to “kill 
off” which happens 
quite a bit in the video.
3:06s 
● There is a 
Juxtaposition at the 
end as the singer 
gives up fighting 
which is a big 
constant to the rest 
of the video as that 
is all that he has 
been doing 
throughout the 
course of the video. 
As the video comes to the End, the heartbeat from the beginning make 
a reprise, and slowly fades like a life support machine as the heartbeats 
stop beating. This shows that he's now dead (and his eyes are closed), 
the scene then transitions by fading to white, which is associated which 
death, and is a symbol of death as he is “going into the light”, which 
was referenced near the start of of the video with the surgical lighting.

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Analysis of "This Is Gospel" by Panic! At The Disco

  • 1. Panic! At The Disco: This Is Gospel: Music video analysis
  • 2. vThe music video starts with a long panning shot of the singer, up his body towards his head, when the camera reaches his head he starts singing. This is a medium close up shot which is used to show that he is the main person in the video as he’s the performer. The pan up his body gives the audience the impress that he is unconscious (until he starts singing) as there is a heartbeat in the background so he can not be dead. He is wearing a white top and black jeans which can be seen as “basic clothing”. The setting is a black room with a white hospital bed, this focus the attention on the singer as it is non-interesting, it also makes it look like a hospital. Lyrics: In this shot he is about to sing “This is Gospel for the fallen ones” (Which is the first line of the song) – As he is on a hospital bed I think the aesthetics of the scene match the lyrics, as “fallen” can be linked with an injury. 0.06s
  • 3. The singer's face is half covered by shadows suggesting that he is been kept in a dark area. The shadows in the video could have many different meanings as there is no anchorage, however it could be suggesting that he has a two sided personality. However as it is quite ambiguous, there is no set meaning, so is left up to the audience to decide. 0:11s So far in the video the only two colours shown are black and white. These are seen as basic colours, so do not grab the audience's attention, however the medium shot, aerial camera view focuses the attention onto the singer who is staring at the camera. This builds a connection with the audience as it breaks the fourth wall, with the eye contact.
  • 4. 0:18s A bright surgical style light turns on, highlighting the singer's body completely and pulls him out of the shadows. The lighting foreshadows the ending of the video as it ends with a fade to white, this is all a symbol of death, which links in with the hospital bed as hospital's can connote death for some people. At this point he has stopped singing and his eyes and mouth are closed which makes he look quite lifeless, this could be foreshadowing the end or the reinforcing the underling message of death that runs through the video.
  • 5. The camera continues panning outwards until three characters appear in surgical gowns, the audience can make the deduction that they are doctors as their props are such things as: stethoscopes and scalpel. The aerial view also continues as it is useful to show the whole view of the singer, and it provides the audience with the view someone looking over would have, like a doctor, which helps submerse the audience. 10 seconds later quite a bit of camera movement occurs, this is done as a crane shot. The different acts of the operating staff in the video are representative of the concept of an operation and the idea that despite every efforts, like the effort of doctors, there is no escaping the inevitability of death, which is the underling theme in the video and lyrics. 0:21s
  • 6. vThe camera moves as we see the singer spring up from the medical table as he sings “let me go”. The actions in this sequence match what he is singing which provides coherence This also represents the rock genre, as it is seen as a generic convention for rock songs to sing about freedom and breaking away, which is shown through both lyrics and video. 0:43s ● The camera then switches to an Aerial shot, which is used to show the singers struggle to get away. All the time this is happening the light is focused on the singer, this signifies his importance to the audience. The Aerial shot is also good because the video is very performance based, this shot incorporates both his actions, as there is enough room in shot to see his actions, yet still focuses on his face.
  • 7. Even as the singer moves around frantically the camera stays in deep focus on him. Deep focus is used to keep the music video centred around the singer, so all the extras don't grab the attention away from the singer. This is a generic convention for a music video with a performance aspect as the singer is in deep focus, while singing to the camera, whereas the background is in shallow focus. This is a concept music video, which at this point in the video is shown through the doctors. The choreography in the video makes all the doctor's movements look precise, but also like they are robots, which could be a reference to society being controlling, as this type of view is linked with the rock genre, so would be sticking to the brand identity. 1:03s
  • 8. 01:20s The mise-en-scene in this scene changes when there is a transitions in location. The transition is done so it looks like the shot was taken in the same place which the editing helps do. The lighting in the two transitions helps crate this look as in the “hospital room” the light centres on the singers face and darkens around him, so only white can be seen which leads to the second part of the transition where he is standing. This fools the audience into thinking that the shot is continuous, which it is not. This shows that despite constantly changing, the camera looks as though it is in the same place (close up).
  • 9. 1:32s ● In this part of the music video the camera looks as if it falls back and into another place, this transition, because of the editing, looks somewhat seamless. The mise-en-scene in this scene includes the singing wearing a suit. This is because he is being buried as he is having a funeral because he is supposedly dead. This shows the concept side of the video as it has a liner story starting from the hospital that leads on to the coffin. The black in the suit connotes death but also power, which is ironic as the singer lacks this throughout the whole video. ● The lyrics “Led away by imperfect impostors” means being tricked by people who pretend they are saints or prefect. This could be a deeper message about religion and how it can misguide people in some cases, even until the day they die.
  • 10. ● The Camera in this section backs out slowly from an extreme close up. This shows the lack of space in the coffin for movement as it is confined or trapped, which is a generic convention of rock songs. 01.49s ● In this part of the sequence the actions in the video reflect the lyrics: “Don’t try to sleep through the end of the world, Bury me alive, 'Cause I won’t give up without a fight” first of all he is buried alive and then he fights to get out of the coffin. ● There is an intertextual reference of the singer being like Dracula the vampire at this point in the video. This is from his body language and the fact he comes back to life, so hard to “kill off” which happens quite a bit in the video.
  • 11. 3:06s ● There is a Juxtaposition at the end as the singer gives up fighting which is a big constant to the rest of the video as that is all that he has been doing throughout the course of the video. As the video comes to the End, the heartbeat from the beginning make a reprise, and slowly fades like a life support machine as the heartbeats stop beating. This shows that he's now dead (and his eyes are closed), the scene then transitions by fading to white, which is associated which death, and is a symbol of death as he is “going into the light”, which was referenced near the start of of the video with the surgical lighting.