25. How does his portrayal of those groups socially construct and/or dispel conceptions of race, gender, class, sexuality, nationality, etc.?
26. How does the material and its delivery mesh with societal values (e.g., is it considered funny/serious, acceptable/unacceptable), and who gets to decide the threshold for those values?
27. If the audience responds positively (i.e., laughs) to humor based on race, gender, sexuality, etc., what does that mean about the jokes, the groups who are the butt of jokes, and the everyday societal situations (i.e., our cultural framework) that give power to the jokes?
28. When audience members laugh, but are not from members of the social group being roasted, at what point does this convey prejudice and discrimination?