41. Louise O. Fresco - chairman of WUR - wearing a Living Colour scarf
42. Materials by Diana Scherer, Beatrice Waanders, Neffa and Pyrates Smart Fabrics dyed with Living Colour
43. - to decrease textile dyeing pollution
- to create safe & healthy working and living conditions for
textile workers and people all around the world
- to make healthy, non-toxic clothes available to everyone
Why do we need bacterial pigments?
44. www.livingcolour.eu
DDW - Fashion? Future Design for the Present exhibition
Campina Melkontvangst
DDW - Work in Progress exhibition
Klokgebouw Hall 2.03
45. LIVING SYSTEMS: A THEORETICAL
FRAMEWORK
Jeroen van den Eijnde | ArtEZ University of the Arts
59. Rhizomatic thinking,
alternative, disruptive, non-linear and non-hierarchical
systems with no beginning, middle or end
(Deleuze and Guattari, 1987). Photo credits: Aniela Hoitink | NEFFA
What if? Mother of pearl could be the new car paint for Tesla? Instead of using. This is the next step we have to take.
We convinced the teachers of our scientific knowlegde and started in the lab of the University of Rotterdam.
We produce products from cell to scalable product
We make it more easier for designer to gain knowlegde about these fields
We facilitate the space, consulting for companies and build a blue community
Have you ever thought about what chemicals you’re wearing on your skin?
Conclusion: So why do we need Bacterial Pigments?
To decrease 20% of our planet’s industrial water pollution and CO2 emission.
To create safe and healthy working and living conditions for textile workers and people living in low-wage countries, and all around the world.
To make healthy, non-toxic clothes available to everyone.
7. Where to find us (Ilfa)
Foto’s
Klokgebouw - Work in Progress - Hall 2.03
Campina Melkontvangst - Fashion? Future design for the present.website: livingcolour.eu
Instagram: livingcolourcollective