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KNOW ABOUT THE COMMISSIONING 
PROCESS FOR WRITING FOR 
TELEVISION AND VIDEO 
By Ben Jordan, Jake Challis and Ashley Carter
COMMISSIONING PROCESS 
TV or Film companies may hire someone to organise or help out in the production. 
For example if someone needed help with the script the person they hired would 
improve the script in order to help the film or TV programme.
ROLES INVOLVED IN THE 
COMMISSIONING PROCESS 
Commissioning Editor - usually identifies books and media products to publish. 
Executive Producer - responsible for the overall quality control and success of TV productions. 
Producer - are responsible for all aspects of the films production. Putting together a collection of talented cast and 
crew and turning story ideas into profitable films. 
Director - the driving force to a films production – visuals and defining style and structure of the film, the bringing it 
to life. 
Editorial Assistant - provide support at all stages of the publication projects for books, magazines and online 
newsletters. 
Researcher -originate and develop programme ideas and present their findings to decision makers. 
Script Editor - ensure their film and TV dramas that are shot out of script sequence are successful and make sense. 
Literary Agent - is an agent who represents writers and their written work and also assists in deal making and 
negotiation sales. 
Writer - Writers produce works of fiction and non- fiction, poetry scripts for radio, TV or Film, non- fiction books, 
newspaper Articles and Website content.
COMMISSIONING BODIES 
Examples of commissioning bodies: 
Corporations such as the BBC. 
Independent production companies e.g. Bedlam Productions Ltd. 
Independent directors and producers e.g. J Blakeson. 
Organizations such as the independent cinema office 
Competitions e.g. The Sunday Times: First Light.
ROLE OF A WRITER 
Writer- Writers produce works of fiction and non- fiction, poetry scripts for 
radio, TV or Film, non- fiction books, newspaper Articles and Website 
content. 
During pre-production the writer will break down the script into individual 
scenes and he/she will identify locations, props, cast members, costumes 
and special effects. 
Take into consideration the target audience and make a judgement of the 
certificate. 
The writer will draw up a preliminary plan of the script (draft). 
To write or improve the script again (rewrite). 
The writer will finalise the script, which is called a page lockdown.
BECOMING A WRITER 
An agent aids the writer in distributing their work and represents the writer’s 
publications. 
Additionally, they are paid a fixed percentage (20%) of the profit of sales of 
their clients. 
If you’re writing about something that’s been done before, you may need to 
think about royalty payments to the writer of the original piece so you can use 
their work. 
A professional script should be presented in size 12 font, and ideally no more 
than 120 pages and no less than 90 pages.
LEGAL AND ETHICAL 
CONSIDERATIONS 
Copyright - Copyright is the legal right, given to the creator for a fixed 
number of years, to print, publish, perform, film, or record literary, artistic, or 
musical material. 
Censorship - The removal of speech that is deemed obscene, indecent, or 
controversial to younger audiences. 
Watershed - Watersheds are the time (9pm) that adult content is allowed to be 
broadcasted on T.V. 
Plagiarism - Writers taking credit for other peoples work by passing it off as 
their own.

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Tv And Video Presentation

  • 1. KNOW ABOUT THE COMMISSIONING PROCESS FOR WRITING FOR TELEVISION AND VIDEO By Ben Jordan, Jake Challis and Ashley Carter
  • 2. COMMISSIONING PROCESS TV or Film companies may hire someone to organise or help out in the production. For example if someone needed help with the script the person they hired would improve the script in order to help the film or TV programme.
  • 3. ROLES INVOLVED IN THE COMMISSIONING PROCESS Commissioning Editor - usually identifies books and media products to publish. Executive Producer - responsible for the overall quality control and success of TV productions. Producer - are responsible for all aspects of the films production. Putting together a collection of talented cast and crew and turning story ideas into profitable films. Director - the driving force to a films production – visuals and defining style and structure of the film, the bringing it to life. Editorial Assistant - provide support at all stages of the publication projects for books, magazines and online newsletters. Researcher -originate and develop programme ideas and present their findings to decision makers. Script Editor - ensure their film and TV dramas that are shot out of script sequence are successful and make sense. Literary Agent - is an agent who represents writers and their written work and also assists in deal making and negotiation sales. Writer - Writers produce works of fiction and non- fiction, poetry scripts for radio, TV or Film, non- fiction books, newspaper Articles and Website content.
  • 4. COMMISSIONING BODIES Examples of commissioning bodies: Corporations such as the BBC. Independent production companies e.g. Bedlam Productions Ltd. Independent directors and producers e.g. J Blakeson. Organizations such as the independent cinema office Competitions e.g. The Sunday Times: First Light.
  • 5. ROLE OF A WRITER Writer- Writers produce works of fiction and non- fiction, poetry scripts for radio, TV or Film, non- fiction books, newspaper Articles and Website content. During pre-production the writer will break down the script into individual scenes and he/she will identify locations, props, cast members, costumes and special effects. Take into consideration the target audience and make a judgement of the certificate. The writer will draw up a preliminary plan of the script (draft). To write or improve the script again (rewrite). The writer will finalise the script, which is called a page lockdown.
  • 6. BECOMING A WRITER An agent aids the writer in distributing their work and represents the writer’s publications. Additionally, they are paid a fixed percentage (20%) of the profit of sales of their clients. If you’re writing about something that’s been done before, you may need to think about royalty payments to the writer of the original piece so you can use their work. A professional script should be presented in size 12 font, and ideally no more than 120 pages and no less than 90 pages.
  • 7. LEGAL AND ETHICAL CONSIDERATIONS Copyright - Copyright is the legal right, given to the creator for a fixed number of years, to print, publish, perform, film, or record literary, artistic, or musical material. Censorship - The removal of speech that is deemed obscene, indecent, or controversial to younger audiences. Watershed - Watersheds are the time (9pm) that adult content is allowed to be broadcasted on T.V. Plagiarism - Writers taking credit for other peoples work by passing it off as their own.

Hinweis der Redaktion

  1. Size 12 font will make the script about 1 page of dialogue a minute therefore 120 pages will be a 2 Nhour film.