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Curriculum Design/
Organization
• Arrangement of elements of a curriculum into a substantive
entity.
• Substance and organization of goals and culture content so
arranged to reveal potential progression through levels of
schooling
Elements/Components
of Curriculum Design
Subject
Matter
Learning
Experiences
Evaluation
Approaches
Objectives/
Goals
Subject
Matter
Method and
Organization
Evaluation
Objectives/
Goals
From H. H. Giles
Ronald Doll describes four
sources of ideas that undergird
curriculum design.
SCIENCE
Society
Eternal and
Divine
Knowledge
SCIENCE
• Scientific method provides meaning for
the curriculum design.
• Select and arrange in the curriculum
those elements of reality that can be
observed and quantified.
Society
• School is an agent of society, thus the school
should draw its ideas for the curriculum from
the analysis of the social situation
• Curriculum design can only be
completely understood if it is
contextualized socially,
economically, and politically
Eternal and Divine
• Draw on the past for guidance as to what
is appropriate content. Reflects deeply to the work
or eternal truths advanced by great persons.
• Related to eternal truth revealed
through such sources as the
Bible or other religious
documents
Knowledge
Disciplined Knowledge
• has a particular method or methods by
which scholars extend its boundaries
Undisciplined Knowledge
• does not have unique content,
but has content that is
clustered according to the
focus of the investigation
Learner
• Curriculum should be derived from
what we know about the learner---how he/she
learns and forms attitudes,
generates interests, and develops values
HORIZONTA
L
ORGANIZATI
VERTICAL
ORGANIZATION
• scope and integration
side by side arrangement of
curriculum elements
• sequence and continuity
longitudinal placement of
curriculum elements
• It corresponds to Bruners’
“spiral curriculum”
Integration
• breath and depth of curriculum content
• The range or extent of "content" (whether information to
be learned, skills to be acquired etc.) that will be included in
a course or program. It must be sufficient to lead learners to
achieve the program or course outcomes. However, there is a
constant tension between breadth and depth when
considering scope. In general, when deep learning is
required, "lean" is best.
• It refers to the horizontal relationship among
major curriculum components at any given point
in time (also known as horizontal organization).
• Integration fosters reinforcement of key learning
and interrelating content with learning experiences
to other subjects.
• It is the vertical relationship among curricular areas
by ordering learning experiences so that learners build
on previous experiences and move to broader, deeper
or more complex understandings and applications.
• Common ways of sequencing content within courses
include simple to complex, wholes to parts (or part to
wholes), prerequisite abilities, and chronological.
• It refers to the vertical manipulation or
repetition of curriculum components such as
ideas or skills which are important in the
learning process.
Articulation refers to the interrelatedness of
various aspects of the curriculum.
Balance gives appropriate weight to each aspect
of the design so that distortions do not occur.
Hunkins, F. P. & Ornstein, A. C. Curriculum:
Foundations, Principles, and Issues (United States,
1988), pp. 165-188.

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Curriculim design

  • 1.
  • 2. Curriculum Design/ Organization • Arrangement of elements of a curriculum into a substantive entity. • Substance and organization of goals and culture content so arranged to reveal potential progression through levels of schooling
  • 5.
  • 6. Ronald Doll describes four sources of ideas that undergird curriculum design.
  • 8. SCIENCE • Scientific method provides meaning for the curriculum design. • Select and arrange in the curriculum those elements of reality that can be observed and quantified.
  • 9. Society • School is an agent of society, thus the school should draw its ideas for the curriculum from the analysis of the social situation • Curriculum design can only be completely understood if it is contextualized socially, economically, and politically
  • 10. Eternal and Divine • Draw on the past for guidance as to what is appropriate content. Reflects deeply to the work or eternal truths advanced by great persons. • Related to eternal truth revealed through such sources as the Bible or other religious documents
  • 11. Knowledge Disciplined Knowledge • has a particular method or methods by which scholars extend its boundaries Undisciplined Knowledge • does not have unique content, but has content that is clustered according to the focus of the investigation
  • 12. Learner • Curriculum should be derived from what we know about the learner---how he/she learns and forms attitudes, generates interests, and develops values
  • 13.
  • 15. • scope and integration side by side arrangement of curriculum elements
  • 16. • sequence and continuity longitudinal placement of curriculum elements • It corresponds to Bruners’ “spiral curriculum”
  • 17.
  • 19. • breath and depth of curriculum content • The range or extent of "content" (whether information to be learned, skills to be acquired etc.) that will be included in a course or program. It must be sufficient to lead learners to achieve the program or course outcomes. However, there is a constant tension between breadth and depth when considering scope. In general, when deep learning is required, "lean" is best.
  • 20. • It refers to the horizontal relationship among major curriculum components at any given point in time (also known as horizontal organization). • Integration fosters reinforcement of key learning and interrelating content with learning experiences to other subjects.
  • 21. • It is the vertical relationship among curricular areas by ordering learning experiences so that learners build on previous experiences and move to broader, deeper or more complex understandings and applications. • Common ways of sequencing content within courses include simple to complex, wholes to parts (or part to wholes), prerequisite abilities, and chronological.
  • 22. • It refers to the vertical manipulation or repetition of curriculum components such as ideas or skills which are important in the learning process.
  • 23. Articulation refers to the interrelatedness of various aspects of the curriculum. Balance gives appropriate weight to each aspect of the design so that distortions do not occur.
  • 24. Hunkins, F. P. & Ornstein, A. C. Curriculum: Foundations, Principles, and Issues (United States, 1988), pp. 165-188.

Hinweis der Redaktion

  1. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  2. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  3. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  4. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  5. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  6. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  7. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  8. Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
  9. Escape can mean two things here: escape from reality into an alternate world, or escape from a trap or confinement. This play hints at the moral ramifications of some kinds of escape, asking the question of who is left behind and what happens to them when you leave.
  10. Escape can mean two things here: escape from reality into an alternate world, or escape from a trap or confinement. This play hints at the moral ramifications of some kinds of escape, asking the question of who is left behind and what happens to them when you leave.
  11. Escape can mean two things here: escape from reality into an alternate world, or escape from a trap or confinement. This play hints at the moral ramifications of some kinds of escape, asking the question of who is left behind and what happens to them when you leave.
  12. Escape can mean two things here: escape from reality into an alternate world, or escape from a trap or confinement. This play hints at the moral ramifications of some kinds of escape, asking the question of who is left behind and what happens to them when you leave.