Places of inspiration: playing and making in the library
1. Places of inspiration: playing and
making in the library
Talk for:
New Media Writing Prize
2018 Awards evening
16th January 2019
Stella Wisdom, Digital Curator
@miss_wisdom
Blog: http://britishlibrary.typepad.co.uk/digital-scholarship/
2. www.bl.uk 2
The British Library is the
national library of the UK
We receive a copy of every
publication produced in the UK and
Ireland
From 6 April 2013, legal deposit
covers e-books, e-journals and
other types of electronic
publication
Plus other material that is made
available to the public in the UK on
handheld media such as CD-
ROMs and microfilm, on the web
(including websites) and by
download from a website.
http://www.bl.uk/aboutus/legaldeposit/
3. www.bl.uk 3
Over 150 Million items
are stored in London and in
Yorkshire
If you saw 5 items a day
it would take you 80,000
years to see the whole
collection
Digitisation is crucial for
opening up access to
this content and collections
http://www.bl.uk/aboutus/quickinfo/facts/
4. www.bl.uk 4
The UK Web Archive
http://www.webarchive.org.uk
A collaboration between all of the UK Legal Deposit Libraries:
⢠Bodleian Libraries, Oxford University
⢠British Library
⢠Cambridge University Libraries
⢠National Library of Scotland
⢠National Library of Wales
⢠Trinity College, Dublin
Aims to collect all UK websites at least once per year
5. www.bl.uk 5
Born-Digital Manuscripts and Personal Digital Archives
The Wendy Cope Archive
http://www.wired.co.uk/news/archive/2011-05/10/british-library-digital-archives
6. www.bl.uk 6
Born-Digital Manuscripts and Personal Digital Archives
Enhanced Curation: Hanif Kureishi's writing study
https://www.bl.uk/collection-items/hanif-kureishis-writing-study
Panoramic view of writer Hanif Kureishiâs study created by taking a series of
photographs of the room and digitally stitching them together to make one image.
7. www.bl.uk 7
Founded in 2010, the Digital
Scholarship Department at British
Library supports researchers and
staff to make innovative use of our
digital collections and data.
We are a group of cross disciplinary
experts in the areas of digitisation,
librarianship, digital history &
humanities, computer and data
science, looking at how technology is
transforming research, and in turn,
our services.
@BL_DigiSchol
8.
9. ⢠Making
â Off the Map Competition
â Rob Shermanâs Residency
â Interactive Fiction Summer School
â Mechanical Curator
â Read Watch Play Online Jams
⢠Odyssey Jam 2017
⢠Gothic Novel Jam 2018
⢠Events
â International Games Week in Libraries
⢠WordPlay
⢠AdventureX
â London Games Festival
⢠Off the Page
⢠Collecting and preserving
â Emerging Formats
⢠Ambient Literature
What Iâll talk about today:
16. www.bl.uk 16
Digital Rosslyn Chapel
De Montfort University student project created
http://rosslynchapeldmu.blogspot.co.uk/
https://youtu.be/wdUxeeVKm9g
17. www.bl.uk 17
The Off the Map Competition
⢠A new type of collaboration
⢠Explores how British Library digital collections
can be used in creative ways
⢠Engagement with new audiences
⢠Opportunity for students in the UK to
showcase their talents to industry
19. www.bl.uk 19
John Leake, An exact surveigh of the streets lanes and churches contained within the
ruines of the City of London, 1667. Maps Crace port 2.58
20. www.bl.uk 20
2013 winning team:
Pudding Lane Productions from De Montfort University, Leicester
Created an interpretation of 17th Century London
http://youtu.be/SPY-hr-8-M0 (Flythrough starts at 0:50)
21. Gothic theme, a tie-in with the Library's exhibition
Terror and Wonder: The Gothic Imagination
3 October 2014 - 20 January 2015
⢠Fonthill Abbey
Home of William Beckford, author of Vathek
⢠Edgar Allan Poeâs
Masque of the Red Death
⢠Whitby and its association
with Bram Stokerâs novel Dracula
Off the Map 2014
24. 2014 winning team: Gothulus Rift, University of South Wales
Created a Fonthill Abbey inspired game called Nix using Oculus Rift
http://nixgamedevblog.blogspot.co.uk/
YouTube flythrough: http://youtu.be/8ESieZO4VHw
25.
26. Fonthill Abbey model in Terror and Wonder exhibition at the British Library c Tony Antoniou
27. www.bl.uk 27
2015 Winning Game:
âThe Wondering Lands of Aliceâ
Team Off our Rockers, De Montfort University in Leicester
YouTube flythrough: https://youtu.be/7bwx4uUnbV4
28. www.bl.uk 28
Off the Map 2016 1st Place:
âThe Tempestâ by Team Quattro, De Montfort University, Leicester
YouTube flythrough: https://youtu.be/0lzpEFgpk3Y
29. www.bl.uk 29
Off the Map 2016 2nd Place:
âMidsummerâ by Tom Battey, London College of Communication
Blog: http://tombattey.com/design/developing-interactive-dialogue-in-
midsummer/
YouTube flythrough: https://youtu.be/sz-IKvp62NI
Download the game:
http://tombattey.com/portfolio-items/midsummer/
30. www.bl.uk 30
Off the Map 2016
3rd Place:
âThis Most Desolate Isleâ
by Alan Stewart
Brunel University
Made using Twine
33. www.bl.uk 33
Rob Sherman - Black Crown Project
âBlack Crown represents Random
Houseâs ambition to push the
boundaries in online storytelling,
experiment with new business
models and launch a new author
in a groundbreaking way,â
Dan Franklin, Digital Publisher
37. www.bl.uk 37
Rob Sherman â On My Wifeâs Back
HMS Terror and HMS Erebus were lost on the ill-fated Franklin expedition in
search of the Northwest Passage in 1845
38. www.bl.uk 38
Rob Sherman â On My Wifeâs Back
Isaak Scinbank, the âArctic Anglerâ of Milldale
http://onmywifesback.tumblr.com/post/100107314408/scinbank
39. www.bl.uk 39
Rob Sherman â On My Wifeâs Back
http://britishlibrary.typepad.co.uk/collectioncare/2014/11/the-salmon-
book-conservation-in-reverse-.html
45. Many creative projects have used Public Domain
images from the Microsoft Partnership
Digitisation Project 2006-8
⢠68,000 volumes (47,000+ titles) published in
the 19th century mostly in English
⢠Excluded authors active 1850-1901 and who
died after 1936
⢠Output: 25 million pages
46. The illustrations were extracted algorithmically from the
digitised books:
46
<?xml version="1.0"
encoding="UTF-8" ?>
- <mets:mets
xmlns:xsi="http://ww
w.w3.org/2001/XML
Schema-instance"
xmlns:mets="http://w
ww.loc.gov/METS/"
xsi:schemaLocation=
"http://www.loc.gov/
METS/
http://www.loc.gov/
standards/mets/ver
sion18/mets.xsd
info:lc/xmlns/premi
s-v2
Image snipped out
Algorithmically
From ALTO XML
Image taken from page 207 of 'London and its Environs. A
picturesque survey of the metropolis and the suburbs ...
Translated by Henry Frith. With ... illustrations'
ALTO XML
52. David Normal created light boxes around the
Burning man, using the British Libraryâs Flickr Images
The Crossroads of Curiosity Installation
at Burning Man Festival
53. The Crossroads of Curiosity Installation at the British Library
June to November 2015
The installation featured an âaugmented realityâ self-guided tour enabling viewers to
explore the meaning and origins of the paintingâs symbols using Blippar.
www.crossroadsofcuriosity.com
http://www.bl.uk/events/the-crossroads-of-curiosity-installation
54. www.bl.uk 54
Sarah Cole, Poetic Places
Creative-Entrepreneur-In-Residence
http://www.poeticplaces.uk/
55. www.bl.uk 55
What is Poetic Places?
⢠A free, native app for Android and iOS devices.
⢠Bring poetic depictions of places into the physical world,
helping people to encounter literature and heritage in
relevant locations, accompanied by materials drawn from
cultural heritage collections.
⢠Brings literature and heritage into everyday life in
unexpected moments. Serendipitous discovery; not tours.
⢠Browse the poems and places without being in situ.
59. Odyssey Jam 2017
https://itch.io/jam/odysseyjam
Writing challenge tied in with Read Watch Play, a partnership of libraries
worldwide encouraging themed discussions of books, films, music and games,
each month they have a theme and for March 2017 it was #waterread.
60. Odyssey Jam 2017 entries
https://itch.io/jam/odysseyjam/entries
We encouraged entrants to make use of the digitised images on Flickr that The
British Library had released under a creative commons license.
Some games used these images, e.g. No One and 108 suitors.
61. 200th anniversary of the
publication of Frankenstein. A
perfect opportunity to run a gothic
novel themed challenge.
Gothic Novel Jam with Read Watch
Play; participants to make
something creative inspired by the
gothic novel genre and share it on
the itch.io Gothic Novel Jam site.
Entries invited to include stories,
poetry, art, games, music, films,
pictures, soundscapes, or any
other type of digital media
response.
We wanted participants to use
images from the British Library
Flickr account as inspiration
62. Gothic Novel Jam 2018
We received 46 entries submitted by people from all around the world including UK,
Australia, America and France.
https://itch.io/jam/gothic-novel-jam/entries
63. We encouraged entrants to use the digitised images on Flickr that The British Library had
released as Public Domain. As a glow brings out a haze by Eldridge Misnomer
is a lovely example of how these illustrations are used as a key part of the storytelling.
64. 3rd to 9th November 2019
8th to 14thNovember 2020
http://games.ala.org/international-games-week
http://games.ala.org/gaming-at-the-british-library
66. www.bl.uk 66
For 2018 International Games Week the British Library hosted
The Narrative Games Convention: AdventureX
http://adventurexpo.org/
https://youtu.be/PyJl5stFteI
67. www.bl.uk 67
2017 Off the Page: Literature and Games event at British Library
Part of London Games Festival Fringe
Featured:
⢠Jon Ingold of Inkle and writer of Heaven's Vault
⢠Meg Jayanth, writer of 80 Days
⢠Tracy Fullerton, Walden, a game
⢠Guy Gadney on adapting John Wyndhamâs The Kraken Wakes and creating online AI
thriller The Suspect
⢠Jeremy Hogan, Kim based on the Rudyard Kipling novel
⢠Jakub Szamalek, Senior Writer The Witcher 3: The Wild Hunt
Currently planning âOff the Page: Chapter 2â for Saturday 13th April 2019
http://games.london/
68. www.bl.uk 68
Emerging Formats Project
This project builds our ability to collect publications designed for mobile devices
that respond to reader interaction or are structured as databases.
Focus on three format types: eBook mobile apps, web-based interactive narratives
and structured data.
https://www.bl.uk/projects/emerging-formats
74. Emerging Formats at the British
Library
16 January 2019
New Media Writing Prize Awards
Jeremy Jenkins
Curator, Emerging Media,
Contemporary British Collections
75. www.bl.uk
Whatâs Covered
⢠An introduction to Contemporary British;
⢠Legal Deposit & E Legal Deposit;
⢠Emerging formats; scoping and
explorartion
⢠Emerging tools & collections.
75
76. www.bl.uk
Contemporary British Collections
76
⢠Overlapping time periods
⢠Published: post-2000, by date of publication
⢠Mss & Archives: post-1949, e.g. by death of originator
⢠Sound & Vison: 19th century onwards (entire archive);
⢠News offer with deep roots and contemporary complexity.
⢠Overlapping territoriality
⢠Published: UK-published;
⢠Mss & Archives: Strong association with UK;
⢠Sound & Vision: UK content very well represented, but strong
international content.
77. www.bl.uk
Contemporary British Collections
77
⢠Huge collections
⢠E.g. LD web archive in one year c.5M websites;
⢠Sound & Vision c.7M recordings;
⢠News Collections â 34,000 titles (60M issues);
⢠40,000 emails in one writerâs collection; science digital.
⢠Rapid annual growth of collections
⢠e.g. UK books, c.100K titles p.a.
⢠e.g. sound recordings, c.55K titles p.a.
⢠Large and varied mss collections.
78. www.bl.uk
The Legal Deposit Libraries (Non-Print Works)
Regulations 2013
⢠Applies to the published work;
⢠Print is the default option â where it exists;
⢠Electronic deposit is one copy shared by all libraries;
⢠Where electronic is the only published format,
delivery is by web harvester or alternative;
arrangement agreed with publisher.
78
79. www.bl.uk
Key purpose of the regulations
⢠To ensure a national collection of non-print publications;
⢠To enable an efficient system in which material is archived and preserved
in the legal deposit libraries;
⢠To govern how the deposited copies may be used, balancing the needs
of libraries and researchers with the interests of publishers and right
holders;
⢠To facilitate long-term preservation, so that the material may continue to
be accessed in future;
⢠To ensure long-term viability by requiring both legal deposit libraries and
publishers to share the responsibility for archiving without imposing an
unreasonable burden on any institution.
80. www.bl.uk
Communications
Alexandria article: âComplex digital media and its impact on UK Legal Deposit Librariesâ
Presentation and panel at No Time To Wait, 25-26 October at BFI, Southbank
Web Archive Conference 12- 14 November, National Library of New Zealand.
Panel on Legal Deposit in Digital Age
Complex Digital Objects collecting institutions group: Tate, BFI, British Museum, Science Museum, The
National Archives
AdventureX â Storytelling in Games, British Library 10- 11th November
Workshop on Emerging Formats collections 12th November
iPres 2018
80
81. www.bl.uk
Observations: mobile eBooks & interactives
Functionality identified with apps include:
⢠Interaction with camera
⢠Interaction with internal gyroscope (rocking, turning, rotating)
⢠Interaction with touch screen
⢠Annotation
⢠Access to external data sets
⢠Rich visuals
⢠Sound
⢠Animation
⢠Maps
Functionality varies across editions, operating systems,
devices, privacy settings
81
Apps developed for
children are more likely
to make use of device
peripherals and
therefore be more likely
to be device dependent
83. www.bl.uk
Emerging Formats Paper
⢠Paper given at iPres 2018 conference in
Boston September 2018;
⢠Collecting various forms of born-digital
digital publications since 2013;
⢠Emerging Formats project looked at
selected types of content that were
potentially in scope for NPLD;
⢠Engagement with content underlined the
significance of the interactive elements.
83
https://zenodo.org/record/1303008#.W6kDurmovGj
84. www.bl.uk
Flashback project: fighting obsolescence
⢠The British Libraryâs digital collection dates
back to the late 1970s, digital content held
on thousands of floppy disks, CD-ROMs
and other disk media in the British Library's
collections.
⢠The 'Flashback Legacy Labâ
⢠Developed a process to rescue this content
from the shelves so that it could be
accessed by modern readers
⢠Ingest the imaged content into our
repository and make available in the
Reading Rooms.
⢠https://www.bl.uk/projects/flashback
84
85. www.bl.uk
Emerging Tools
⢠PhD Student looking at How Mobile
phones are Changing Story Telling;
⢠UK Web Archive: Supporting future
researchers by attempting to capture and
archive project websites
⢠Build Web archive collections on specific
subjects
85
https://beta.webarchive.org.uk/en/ukwa/index
The work of Labs is really about a number of stories, stories about digital collections and about researchers wanting to ask fascinating research questions about them. Letâs now tell you a story about one collection and the intended and unintended consequences of working with it.
60 seconds
The Library digitised 68,000 predominantly 19th century books from our collections a few years ago (around 2.7 % of the physical total in that period). You can view them from our catalogue or read them on your <click>IPad via the Historical Books app developed by BiblioLabs.
There are 22 million individual page images, along with full text scans of these images, all of which contain untold quantity of useful data such as names of people, places, historical events, dates.
with no restrictions on use by Microsoft
So the question became then, what next? What can 68,000 books tell us?
60 seconds
As the books were scanned for text, this had a fortunate âside effectâ the software not only tries to detect the text on the page but also where the images might be. There had already been some interest in the images from the community of researchers. It seemed easy to extract them.
s part of the Labs competition, Matt Prior attended one of our hack events and when examining our book data and was very interested in the images from the books.
Meanwhile the algorithm that Ben had written to snip the images from the OCR scans was still churning away, how many were there going to be? The Mechanical Curator could publish them every hour, but was there somewhere we could put them all for people to browse when they wanted. Importantly if we did put them somewhere, could we get people to help us add descriptions to the individual images making them infinitely more discoverable.]
With an algorithm by Ben OâSteen we snipped out images from digitised books and put them on to Flickr on December 13 2013, there were over a million, but the problem we had was that we knew which books they came from (author/dates), but we didnâtâ have any information about the images. By releasing them onto flickr, we have got people to start tagging them and using them in very creative ways.
Hosting them internally was not an option and there was not sufficient metadata to put them on Wikipedia. Flickr seemed the obvious option as it is a platform that can support high usage, did not require metadata, allowed tagging and it is free for public domain images.
He speaks about his project, how he came across the images and what he did with them.
How he learnt about the image = it was pure serendipity
Taking images out of the context of books creates potential to reinvent them in a new context.
http://youtu.be/3AOa98RsA2Q
http://www.youtube.com/watch?feature=player_detailpage&v=3AOa98RsA2Q#t=48
Make sure subtitles are on.
This is a surprising use of the images we put onto Flickr. Once a year in the summer, tens of thousands of participants gather in Nevada's Black Rock Desert to create Black Rock City, dedicated to community, art, self-expression, and self-reliance. They depart one week later, having left no trace whatsoever. [This year it took place between August 25 to September 1, Nevada, USA, the show ends by burning an effigy of wooden man! <click>]
American Artist David Normal used images from your Flickr Commons collection and worked on a set of collages called "Crossroads of Curiosity". Â The finished paintings based on these collages were presented in full colour as ' lightboxes at this year's Burning Man Festival, the theme for which was "Caravansaryâ. They were presented around the base of the effigy of the Burning Man in the heart of the festival.
Aims developed quickly at project start
Refined over project, flexible mindset
Last point: to achieve this chose (needed) to use DIY app platformâŚ
I work in Contemporary British Published Collections
That is not important
We responsibilities for
Published items 2001-
Archives manuscripts
News media
Recorded sound & oral history
I donât need to spend much time convince the audience of the benefit of Libraries and the work they do. However in the present time we are faced with a range of new changes on the different type of information we are expected to consume.
Web archive I will talk about in a bit depth later
Performances of plays recorded live , wild life recording , ascents and dialects.
On air recording of broadcast news
MSS collections Kenneth Williams
Ted Hughes Writing \Room
The space occupied between the Printed Book and
GTA.5
How is this relevant to the BL
This is brought back to the intersection between games and literature.
In 2013 a computer game called Grand Theft Auto V
Sold more than 235 million units. The same year The Daily Telegraph described it has âBritainâs most successful exportâ
In 2015 The BBC and the Design Museum featured Grand theft Auto on a list of
âBritish Design Iconsâ
While GFA occupies the ground between what we collect and what is out of scope
It is of perceived cultural importance
This demonstrates the cultural importance of such material.
Eircom viewer
Why should we care?
Web Archive Conference 12- 14 November, National Library of New Zealand. Panel on Legal Deposit in Digital Age
Complex Digital Objects collecting institutions group: Tate, BfI, British Museum, Science Museum, The National Archives
Adventure X â Storytelling in Games, British Library 10- 11th November
Workshop on Emerging Formats collections 12th November
Preservation Planning for Emerging Formats at the British Library
result of 18 month of workshops ,
Looking at a section of apps
Reference work
A concordance to the Waste Land TS Eliot
And various, âEmerging Formatâ works , including a competition entrant
Project to make current and future born-digital content accessible.
Creates the ability to emulate content which has been superseded obsolescence.
Comparison with recorded sounds collections and digitisation.
through emulation present content as it would of appeared originally.
PhD placement looking How mobile phones are Changing Story telling, in deed the appearance of the mobile phone in the some of the entrants , has not only a delivery tool but a plot mechanism indicates the importance of this work .
within this his research Alistair Horne has developed a Narrative which connects the Reader/ listener to some of the stories of those laid to rest in the Brompton Cemetery, using location based information , interweaving sound with the ambient surroundings.