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PAM2 MK2 Training 2014
Front Panel Control Explained 
• ‘Home’ Button – shortcut 
access 
• USB port for configuration 
save/recall and system 
update 
• Headphone socket 
• Preset hotkey switches 1-8 
Presets 1 to 5 default to 
SDI1,SDI2, AES, Analog 
and Optical inputs 
• Multi-function buttons 9 
and 10
Front Panel Control Explained 
• Master Volume – Push to Cut/Dim 
• Scroll Encoder – Push/Hold and 
turn to select audio channels and 
Push/Select for menus 
• Data / Loudness Button – Toggle 
between Data / Loudness and 
Meter views 
Data button used for ‘Save’ when 
in menu modes 
• Video Button– Toggle between 
Video and Meter views 
Video button used as ‘Back’ when 
in menu modes
Front Panel Switch Mode Selection 
• By repeatedly pressing the ‘Home’ button
Saving User Presets 
• PAM2-MK2 features 24 user 
preset locations 
• Push and hold any Preset 
Hotkey to enter ‘User Save’ 
menu 
• Select a ‘User’ memory 
location 
• Clear any previous memory 
data and use the encoder to 
enter a name 
• Once complete, press ‘done’ 
and the preset will be saved to 
the selected location
Main Menu 
• Accessed via the encoder 
• Select from six options 
• ‘Setup’ for engineering and 
‘set and forget’ functions 
• ‘Input’ usually not required if 
preset defaults are maintained 
• ‘Monitor’ modes can be 
replicated via front panel using 
‘Home’ button
Setup 1 Menu – Key Features 
• Meter scale, reference, 
colours, peak level and hold 
• External Monitor On/Off 
• System Mute defeat mode 
• USB device save and load 
• Audio Delay – detail to follow
Setup 2 Menu – Key Features 
• User and Hotkey Preset Lock 
• Screen Brightness Levels 
• Auxiliary Mixer – detail to 
follow 
• Preset Standard Switching – 
detail to follow 
• External / Internal 
Loudspeaker Mute – detail to 
follow
Aux Input Mixer 
• Ideal for mixing Comms 
audio with monitored SDI 
• Aux Mixer is accessed via 
Setup Menu 2 
• Select input source 
analogue or AES 
• Select whether source is 
mono or stereo 
• Adjust gain as required 
• Gain can be adjusted 
from the Input Menu
Split Mono Selection 
• Split Mono allows the user 
to listen to a left and right 
signal from non-paired 
audio channels 
• Use ‘Scroll’ to select the first 
mono signal 
• Whilst the LED adjacent to 
the encoder is flashing scroll 
the encoder (without 
pushing) to the second 
mono channel
Loudness Measurement – Left Screen Overview 
‘Measured 
Dynamic 
Value’ 
‘Target 
Value’ 
‘Measured 
Value’ 
Moving 
Cursor 
‘Target 
Value’ 
Reference 
Line 
‘Channel 
Under 
Test’ 
Measured 
Audio
Loudness Setup Menu Overview – Source 
Selection 
• Loudness Setup Menu Overview 
– Source Selection 
• ‘Fixed’ mode – Audio measured 
is defined by manual channel 
selection 
• ‘Follow’ mode – Audio measured 
is defined by ‘Scroll’ selection 
• ‘Dolby’ mode – Audio measured 
is Dolby encoded channel 
defined
Loudness Setup Menu Overview – Target Value 
• ‘Target’ sets 
desired loudness 
target value 
between range -13 
and -34 LU 
• Dialnorm is 
automatically 
selected when 
‘Source’ is set to 
Dolby
Loudness Setup Menu Overview – 
Start/Stop/Reset 
• Loudness measurement is 
activated and may be paused 
and reset as required 
• Start measuring loudness from 
the targeted channels via the 
‘button’ or from a GPI closure 
• ‘Stop’ pauses the 
measurement. Toggle this 
button or use a GPI to control 
• ‘Reset’ discards any previously 
measured values or history and 
may be activated via the 
button or GPI
Loudness Setup Menu Overview – Display 
Modes 
• Display Modes define 
measurement integration 
settings 
• ‘3 Sec’ activates a 3 second 
sliding window (sample at 
400 ms) 
• ‘Integrated’ mode measures 
loudness across the entire 
duration of the audio 
programme (as defined by 
start/stop/reset) 
• ‘Gated’ is similar to 
Integrated but discards 
audio 10dB below target 
level
Loudness Setup Menu Overview – Limit 
Threshold 
• ‘Limit’ sets a threshold 
value above Target at 
which the LU reading ‘red 
lines’ within a range 0 to 
+6LU 
• An ‘over limit’ reading 
activates an output GPI 
trigger
Loudness Histogram 
• To access Histogram from 
top level, press ‘Data’ 
button 
• Then press ‘Loud’
Loudness Histogram 
• Loudness Histogram provides 
an instant overview of channel 
loudness behaviour 
• The time constant can be 
adjusted to display 2, 10, 20, 
40 or 80 minute history 
• The ‘Loudness History’ button 
is used to access the 
Loudness Setup Menu 
• The ‘Display’ button changes 
the time constant of the 
graphical view between 3 
second, Integral and Gated 
modes retrospectively
Assign Matrix - Overview 
• The Assign Matrix is designed for use in applications where audio 
is delivered or transported in ‘non standard’ channel orders and 
where multiple commentary or language soundtracks are present 
within a common embedded video signal 
• Assign Matrix functionality is based around a 16 into 6 user 
configurable tool which exclusively routes input audio channels to 
monitoring busses defined as Left, Right, Centre, LFE, Left 
Surround and Right Surround 
• The key to use of the Assign Matrix is the ability to save complex 
setups as User Presets for instant recall
Assign Matrix 
• The Assign Matrix can be 
accessed from the Main Menu 
• Any of 16 input channels can 
be routed to the 6 output 
busses 
• As shown in this typical 
example; Channel 3,4, 5 and 
6 are clean surround 
channels, Centre (dialogue) 
is routed from channel 16. 
LFE is ‘Off’ 
• Press ‘Active’ to turn on the 
Assign Matrix
Assign Matrix – Bargraph Views 
• From the previous example – 
The Left screen displays the 
routing selections with a stereo 
downmix activated 
• From the previous example – The 
Left screen displays the routing 
selections with a stereo downmix 
activated
Audio Delay 
• The Audio Delay feature can be 
accessed from the Setup Menu 
• A delay between 1 and 250ms can 
be applied to the audio output 
busses 
• The audio delay feature is not a 
system default. It should be 
applied as a User Preset as 
required 
• This feature is designed as a 
means to compensate for video 
processing and display latency 
helping to ensure that lip sync is 
maintained in production and 
technical monitoring environments
Loudspeaker Muting 
• Internal and External 
Loudspeaker outputs can be 
muted via the Setup 2 menu 
• The LS mute feature is not a 
system default. It should be 
applied as a User Preset as 
required 
• By controlling external and 
internal speaker outputs 
independently, it is easy to use 
PAM2-MK2 in applications where 
internal speakers are operated for 
general use and external full 
range systems for more critical 
listening – typically in Ingest or 
QC Suites
Preset Standard Switching - Overview 
• Preset Standard switching was introduced into PAM2-MK2 
following a request to be able to configure a condition where 
the audio monitoring unit automatically switches between 
listening states depending on the input signal format 
• PAM2-MK2 is capable of determining which audio channels to 
monitor depending on whether the input video signal is SD or 
HD, Dolby encoded or PCM audio 
• This feature is aimed for use in monitoring applications where 
outgoing video is switched between SD/stereo and 
HD/surround sound, with or without Dolby encoding – the 
operator no longer has to change audio selection manually as 
PAM2-MK2 will automatically choose the correct audio channel 
to monitor
Preset Standard Switching 
• The Preset Standard Option can be 
found within the Setup 2 menu 
• There are 3 criteria that can be set 
to define the system behaviour 
when a signal changes 
• Define a User Preset to be selected 
automatically when incoming video 
or audio is SD/HD/PCM/Dolby 
• Define a further User Preset to be 
selected automatically when 
incoming video or audio changes 
• Typical conditions might exist 
where one preset defaults to an 
HD signal with Dolby E 5.1 and 
another is SD stereo
Preset Standard Switching 
• User Presets will automatically switch as 
the input signal standard changes 
•• SHD Onnllyy

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PAM2 MK2 Audio Monitoring system training 2014

  • 2. Front Panel Control Explained • ‘Home’ Button – shortcut access • USB port for configuration save/recall and system update • Headphone socket • Preset hotkey switches 1-8 Presets 1 to 5 default to SDI1,SDI2, AES, Analog and Optical inputs • Multi-function buttons 9 and 10
  • 3. Front Panel Control Explained • Master Volume – Push to Cut/Dim • Scroll Encoder – Push/Hold and turn to select audio channels and Push/Select for menus • Data / Loudness Button – Toggle between Data / Loudness and Meter views Data button used for ‘Save’ when in menu modes • Video Button– Toggle between Video and Meter views Video button used as ‘Back’ when in menu modes
  • 4. Front Panel Switch Mode Selection • By repeatedly pressing the ‘Home’ button
  • 5. Saving User Presets • PAM2-MK2 features 24 user preset locations • Push and hold any Preset Hotkey to enter ‘User Save’ menu • Select a ‘User’ memory location • Clear any previous memory data and use the encoder to enter a name • Once complete, press ‘done’ and the preset will be saved to the selected location
  • 6. Main Menu • Accessed via the encoder • Select from six options • ‘Setup’ for engineering and ‘set and forget’ functions • ‘Input’ usually not required if preset defaults are maintained • ‘Monitor’ modes can be replicated via front panel using ‘Home’ button
  • 7. Setup 1 Menu – Key Features • Meter scale, reference, colours, peak level and hold • External Monitor On/Off • System Mute defeat mode • USB device save and load • Audio Delay – detail to follow
  • 8. Setup 2 Menu – Key Features • User and Hotkey Preset Lock • Screen Brightness Levels • Auxiliary Mixer – detail to follow • Preset Standard Switching – detail to follow • External / Internal Loudspeaker Mute – detail to follow
  • 9. Aux Input Mixer • Ideal for mixing Comms audio with monitored SDI • Aux Mixer is accessed via Setup Menu 2 • Select input source analogue or AES • Select whether source is mono or stereo • Adjust gain as required • Gain can be adjusted from the Input Menu
  • 10. Split Mono Selection • Split Mono allows the user to listen to a left and right signal from non-paired audio channels • Use ‘Scroll’ to select the first mono signal • Whilst the LED adjacent to the encoder is flashing scroll the encoder (without pushing) to the second mono channel
  • 11. Loudness Measurement – Left Screen Overview ‘Measured Dynamic Value’ ‘Target Value’ ‘Measured Value’ Moving Cursor ‘Target Value’ Reference Line ‘Channel Under Test’ Measured Audio
  • 12. Loudness Setup Menu Overview – Source Selection • Loudness Setup Menu Overview – Source Selection • ‘Fixed’ mode – Audio measured is defined by manual channel selection • ‘Follow’ mode – Audio measured is defined by ‘Scroll’ selection • ‘Dolby’ mode – Audio measured is Dolby encoded channel defined
  • 13. Loudness Setup Menu Overview – Target Value • ‘Target’ sets desired loudness target value between range -13 and -34 LU • Dialnorm is automatically selected when ‘Source’ is set to Dolby
  • 14. Loudness Setup Menu Overview – Start/Stop/Reset • Loudness measurement is activated and may be paused and reset as required • Start measuring loudness from the targeted channels via the ‘button’ or from a GPI closure • ‘Stop’ pauses the measurement. Toggle this button or use a GPI to control • ‘Reset’ discards any previously measured values or history and may be activated via the button or GPI
  • 15. Loudness Setup Menu Overview – Display Modes • Display Modes define measurement integration settings • ‘3 Sec’ activates a 3 second sliding window (sample at 400 ms) • ‘Integrated’ mode measures loudness across the entire duration of the audio programme (as defined by start/stop/reset) • ‘Gated’ is similar to Integrated but discards audio 10dB below target level
  • 16. Loudness Setup Menu Overview – Limit Threshold • ‘Limit’ sets a threshold value above Target at which the LU reading ‘red lines’ within a range 0 to +6LU • An ‘over limit’ reading activates an output GPI trigger
  • 17. Loudness Histogram • To access Histogram from top level, press ‘Data’ button • Then press ‘Loud’
  • 18. Loudness Histogram • Loudness Histogram provides an instant overview of channel loudness behaviour • The time constant can be adjusted to display 2, 10, 20, 40 or 80 minute history • The ‘Loudness History’ button is used to access the Loudness Setup Menu • The ‘Display’ button changes the time constant of the graphical view between 3 second, Integral and Gated modes retrospectively
  • 19. Assign Matrix - Overview • The Assign Matrix is designed for use in applications where audio is delivered or transported in ‘non standard’ channel orders and where multiple commentary or language soundtracks are present within a common embedded video signal • Assign Matrix functionality is based around a 16 into 6 user configurable tool which exclusively routes input audio channels to monitoring busses defined as Left, Right, Centre, LFE, Left Surround and Right Surround • The key to use of the Assign Matrix is the ability to save complex setups as User Presets for instant recall
  • 20. Assign Matrix • The Assign Matrix can be accessed from the Main Menu • Any of 16 input channels can be routed to the 6 output busses • As shown in this typical example; Channel 3,4, 5 and 6 are clean surround channels, Centre (dialogue) is routed from channel 16. LFE is ‘Off’ • Press ‘Active’ to turn on the Assign Matrix
  • 21. Assign Matrix – Bargraph Views • From the previous example – The Left screen displays the routing selections with a stereo downmix activated • From the previous example – The Left screen displays the routing selections with a stereo downmix activated
  • 22. Audio Delay • The Audio Delay feature can be accessed from the Setup Menu • A delay between 1 and 250ms can be applied to the audio output busses • The audio delay feature is not a system default. It should be applied as a User Preset as required • This feature is designed as a means to compensate for video processing and display latency helping to ensure that lip sync is maintained in production and technical monitoring environments
  • 23. Loudspeaker Muting • Internal and External Loudspeaker outputs can be muted via the Setup 2 menu • The LS mute feature is not a system default. It should be applied as a User Preset as required • By controlling external and internal speaker outputs independently, it is easy to use PAM2-MK2 in applications where internal speakers are operated for general use and external full range systems for more critical listening – typically in Ingest or QC Suites
  • 24. Preset Standard Switching - Overview • Preset Standard switching was introduced into PAM2-MK2 following a request to be able to configure a condition where the audio monitoring unit automatically switches between listening states depending on the input signal format • PAM2-MK2 is capable of determining which audio channels to monitor depending on whether the input video signal is SD or HD, Dolby encoded or PCM audio • This feature is aimed for use in monitoring applications where outgoing video is switched between SD/stereo and HD/surround sound, with or without Dolby encoding – the operator no longer has to change audio selection manually as PAM2-MK2 will automatically choose the correct audio channel to monitor
  • 25. Preset Standard Switching • The Preset Standard Option can be found within the Setup 2 menu • There are 3 criteria that can be set to define the system behaviour when a signal changes • Define a User Preset to be selected automatically when incoming video or audio is SD/HD/PCM/Dolby • Define a further User Preset to be selected automatically when incoming video or audio changes • Typical conditions might exist where one preset defaults to an HD signal with Dolby E 5.1 and another is SD stereo
  • 26. Preset Standard Switching • User Presets will automatically switch as the input signal standard changes •• SHD Onnllyy