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Charles Correa is an Indian architect and
urban planner, particularly noted for his
sensitivity to the needs of the urban poor
and for his use of traditional methods and
materials
•Born into a middle-class Catholic family
in Bombay
•Became fascinated with the principles of
design as a child
•At Michigan two professors who
influenced him the most -Walter Salders
and Buckminister Fuller.
•Kevin lynch , then in the process of
developing his themes for image of the
city triggered Correa’s interest in urban
issues
•‘India of those days was a different place,
it was a brand-new country, there was so
much hope; India stimulated me.’
CHARLES CORREA
Education
1946-1948 Inter-science. St. Xavier's college, university of Bombay
1949-1953 B.Arch., University of Michigan.
1953-1955 M.Arch., Massachusetts institute of technology.
Professional Experience
1955-1958 Partner with G.M. BHUTA associates
1964-1965 Prepared master plan proposing twin city across the harbor from
Bombay.
1971-1975 Chief architect to CIDCO
1975-1976 Consultant to UN secretory-general for HABITAT
1975-1983 Chairman Housing Urban Renewal & Ecology Board
1985 Chairman Dharavavi planning commission
CHARLES CORREA
 1961 Prize for low-income housing
 1972 PadmaShri by the President of India
 1980 Awarded an Honorary Doctorate by the University of
Michigan
 1984 Gold Medal- Royal Institute of British Architects
 1985 Prize for the Improvement in the Quality of Human
Settlements from the International Union of
Architects.
 1986 Chicago Architecture Award.
 1987 Gold Medal- Indian Institute of Architects
 1990 Gold Medal (International Union of Architects)
 1994 The Premium Imperial from Japan society of art.
 1999 Aga khan award for vidhan sabha, bhopal
CHARLES CORREA Award
s
• Incrementality
• Identity
• Income generation
• Equity
• Attempt to explore a local vernacular within a modern environment.
• Emphasis on prevailing resources, energy and climate as major
determinants in ordering of space.
• Open-to-sky Concept- Can make a decisive difference between livable
habitat and claustrophobia.
• Particularly for low-income groups. - Even in reasonably dense housing,
individual terrace principles were also applied to high-rise buildings in
Mumbai. E.g. : Sonmarg Apartments (1962), Mumbai , Another
variation: to turn this verandah into a garden, preferable of double
height. E.g. : Kanchenjunga apartment, Mumbai
CHARLES CORREA Principl
es
CHARLES CORREA List of celebrated
projects
Jawahar Kala Kendra
Jaipur
Kanchanjunga Apartments
Mumbai
Champalimaud Centre for the
Unknown
Lisbon, Portugal
Kanchanjunga
Apartments
72, Pedder Road
Mumbai
Garden terraces actually a modern interpretation
of a feature of the traditional Indian bungalow:
the verandah
Each apartment provided with a deep, two
story-high garden terrace that is oriented away
from the sun so as to afford protection from
the elements
Colors of India
Jawahar Kala
Kendra
JLN Marg, Jaipur
•IT IS AN ARTS CENTRE DEDICATED TO JAWAHARLAL NEHRU
•LIKE THE CITY, IT IS ALSO DOUBLE CODED: A CONTEMPORARY BUILDING
BASED ON AN ARCHAIC NOTION OF THE COSMOS: THE NAVGRAH
MANDALA
•ONE OF THE SQUARES MOVED ASIDE TO PROVIDE ENTRY, JUST LIKE IT
WAS IN THE ORIGINAL CITY PLAN OF JAIPUR.
JAWAHAR KALA KENDRA
• External walls, 8m high, clad in
red Agra stone.
• On these external walls, presence
of each planet is expressed by
inlaying on a square white
marble with polished black
granite and mica.
• These are expressed in their
traditional symbols.
• Central square is void – true
source of all energy
Entrance Stairs Central OAT
CHAMPALIMAUD CENTRE
FOR THE UNKNOWN
Lisbon, Portugal
• Opened on 5th october,2010
• Location : Lisbon , Portugal on the waterfront.
• Historical significance as portugese sailed from this location to discover the ‘unknown
lands’.
CHAMPALIMAUD CENTRE
CONCEPT:
The 3 units that constitute the
project (the largest for the doctors
and scientist, the second for the
theatre, the exhibition hall, the
Foundation offices, etc, and the
third is an open-air amphitheater for
the city) have been arranged to
create a 125m long pathway leading
diagonally across the site, towards
the open seas.
• Correa said after visiting the site
“the site must be structured along a
powerful architectural diagonal
axis, an open-to-sky space, going
right from the entrance to the
opposite corner, where you finally
see the river beginning to merge
with the ocean and the great
unknown”
1
2
3
• The pathway is ramped up (at a gentle slope of
1:20) – so as one ascend, he see only sky ahead
of him.
• At the end of the ramp are two stone
monoliths, straight from the quarry. When one
reach the highest point, he begin to see a large
body of water, which seemingly connects (i.e.,
without any visual break) to the ocean beyond.
• In the center of this water body, just below the
surface of the water, is an oval shaped object—
made of stainless steel and slightly convex, so
that it reflects the blue sky and passing clouds
above.
• The material used in making the building is lioz
stone. The Lioz is a well-known limestone from
Portugal, with a considerable history. It iis an
historical Portuguese natural stone that has
been used for centuries on public buildings and
hence the site was a historical site, therefore
this stone was chosen by Correa.
Lioz stone
View through the water body
Pathway
PLAN OF GROUND FLOOR
Key Plan
Section
Vivarium Through the glass vessel
Glass vessel connecting two units Built form
Open air Amphitheatre Two huge monolith columns
Interior of the built form
Interior of the building
CHAMPALIMAUD CENTRE
OTHER SIGNIFICANT PROJECTS
MADHYA PRADESH VIDHAN SABHA
HINDUSTAN LEVER PAVILION
TUBE HOUSE
BRITISH COUNCIL
LIC BUILDING
Presented By: Amit Khatkar, Dhir Dhwaj Singh, Priyavarth Singh Arya
B.Arch 2nd Year
State Institute of Urban
Planning and Architecture

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Ar. CHARLES CORREA

  • 1. Charles Correa is an Indian architect and urban planner, particularly noted for his sensitivity to the needs of the urban poor and for his use of traditional methods and materials •Born into a middle-class Catholic family in Bombay •Became fascinated with the principles of design as a child •At Michigan two professors who influenced him the most -Walter Salders and Buckminister Fuller. •Kevin lynch , then in the process of developing his themes for image of the city triggered Correa’s interest in urban issues •‘India of those days was a different place, it was a brand-new country, there was so much hope; India stimulated me.’ CHARLES CORREA
  • 2. Education 1946-1948 Inter-science. St. Xavier's college, university of Bombay 1949-1953 B.Arch., University of Michigan. 1953-1955 M.Arch., Massachusetts institute of technology. Professional Experience 1955-1958 Partner with G.M. BHUTA associates 1964-1965 Prepared master plan proposing twin city across the harbor from Bombay. 1971-1975 Chief architect to CIDCO 1975-1976 Consultant to UN secretory-general for HABITAT 1975-1983 Chairman Housing Urban Renewal & Ecology Board 1985 Chairman Dharavavi planning commission CHARLES CORREA
  • 3.  1961 Prize for low-income housing  1972 PadmaShri by the President of India  1980 Awarded an Honorary Doctorate by the University of Michigan  1984 Gold Medal- Royal Institute of British Architects  1985 Prize for the Improvement in the Quality of Human Settlements from the International Union of Architects.  1986 Chicago Architecture Award.  1987 Gold Medal- Indian Institute of Architects  1990 Gold Medal (International Union of Architects)  1994 The Premium Imperial from Japan society of art.  1999 Aga khan award for vidhan sabha, bhopal CHARLES CORREA Award s
  • 4. • Incrementality • Identity • Income generation • Equity • Attempt to explore a local vernacular within a modern environment. • Emphasis on prevailing resources, energy and climate as major determinants in ordering of space. • Open-to-sky Concept- Can make a decisive difference between livable habitat and claustrophobia. • Particularly for low-income groups. - Even in reasonably dense housing, individual terrace principles were also applied to high-rise buildings in Mumbai. E.g. : Sonmarg Apartments (1962), Mumbai , Another variation: to turn this verandah into a garden, preferable of double height. E.g. : Kanchenjunga apartment, Mumbai CHARLES CORREA Principl es
  • 5. CHARLES CORREA List of celebrated projects
  • 6. Jawahar Kala Kendra Jaipur Kanchanjunga Apartments Mumbai Champalimaud Centre for the Unknown Lisbon, Portugal
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  • 19. Garden terraces actually a modern interpretation of a feature of the traditional Indian bungalow: the verandah Each apartment provided with a deep, two story-high garden terrace that is oriented away from the sun so as to afford protection from the elements
  • 22. •IT IS AN ARTS CENTRE DEDICATED TO JAWAHARLAL NEHRU •LIKE THE CITY, IT IS ALSO DOUBLE CODED: A CONTEMPORARY BUILDING BASED ON AN ARCHAIC NOTION OF THE COSMOS: THE NAVGRAH MANDALA •ONE OF THE SQUARES MOVED ASIDE TO PROVIDE ENTRY, JUST LIKE IT WAS IN THE ORIGINAL CITY PLAN OF JAIPUR. JAWAHAR KALA KENDRA
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  • 26. • External walls, 8m high, clad in red Agra stone. • On these external walls, presence of each planet is expressed by inlaying on a square white marble with polished black granite and mica. • These are expressed in their traditional symbols. • Central square is void – true source of all energy
  • 28. CHAMPALIMAUD CENTRE FOR THE UNKNOWN Lisbon, Portugal
  • 29. • Opened on 5th october,2010 • Location : Lisbon , Portugal on the waterfront. • Historical significance as portugese sailed from this location to discover the ‘unknown lands’. CHAMPALIMAUD CENTRE
  • 30. CONCEPT: The 3 units that constitute the project (the largest for the doctors and scientist, the second for the theatre, the exhibition hall, the Foundation offices, etc, and the third is an open-air amphitheater for the city) have been arranged to create a 125m long pathway leading diagonally across the site, towards the open seas. • Correa said after visiting the site “the site must be structured along a powerful architectural diagonal axis, an open-to-sky space, going right from the entrance to the opposite corner, where you finally see the river beginning to merge with the ocean and the great unknown” 1 2 3
  • 31. • The pathway is ramped up (at a gentle slope of 1:20) – so as one ascend, he see only sky ahead of him. • At the end of the ramp are two stone monoliths, straight from the quarry. When one reach the highest point, he begin to see a large body of water, which seemingly connects (i.e., without any visual break) to the ocean beyond. • In the center of this water body, just below the surface of the water, is an oval shaped object— made of stainless steel and slightly convex, so that it reflects the blue sky and passing clouds above. • The material used in making the building is lioz stone. The Lioz is a well-known limestone from Portugal, with a considerable history. It iis an historical Portuguese natural stone that has been used for centuries on public buildings and hence the site was a historical site, therefore this stone was chosen by Correa. Lioz stone View through the water body Pathway
  • 32. PLAN OF GROUND FLOOR
  • 34. Vivarium Through the glass vessel Glass vessel connecting two units Built form
  • 35. Open air Amphitheatre Two huge monolith columns Interior of the built form Interior of the building
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  • 45. Presented By: Amit Khatkar, Dhir Dhwaj Singh, Priyavarth Singh Arya B.Arch 2nd Year State Institute of Urban Planning and Architecture