Than you

1. Galant Adhitya

2.  Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has 5 daughters, but his
property is entailed & can only be passed to a male heir.
 His wife also lacks an inheritance, so his family faces becoming very poor upon his
death.
 Thus, it is imperative that at least one of the girls marry well to support the others
 Centers on the burgeoning relationship between Elizabeth Bennet & Fitzwilliam
Darcy, a rich aristocratic landowner

3.  tells the story of Victor Frankenstein, a young scientist who creates a life of sapient
creature in an unorthodox scientific experiment & was horrified by what he had made
 Captain Walton's introductory narrative  Victor Frankenstein's narrative  The
Creature's narrative  Victor Frankenstein's narrative resumes  Captain Walton's
conclusion
 Captain Walton's introductory narrative: A frame story written in epistolary form: a
fictional correspondence between him & his sister, Margaret Walton Saville
 Besides being a Gothic novel, also considered as one of the first science-fiction novel

4.  Born in a workhouse, the orphan is sold into apprenticeship. After escaping, He travels
to London, where he meets the “Artful Dodger", a member of a gang of juvenile
pickpockets led by the elderly criminal Fagin
 unromantically portrays the poor lives of criminals, and exposes the cruel treatment of
the many orphans, child labor & domestic violence
 may have been inspired by the story of Robert Blincoe, an orphan whose account of
working as a child labourer in a cotton mill was widely read in the 1830s. It is likely
that Dickens's own experiences

5.  Jane, a seemingly plain & simple girl as she battles through her cruel & abusive Aunt Reed,
the grim conditions at Lowood school, her love for Rochester & his marriage to Bertha.
 Jane overcomes these obstacles through her determination, sharp wit & courage. The novel
ends with Jane married to Rochester with children of their own.
 Bildungsroman following the experiences of its eponymous heroine: her growth to adulthood
 Prose fiction told from first-person narrative: actions & events are colored by a psychological
intensity  "first historian of the private consciousness"
 Contains social criticism with a strong sense of Christian morality at its core
 Considered by many to be ahead of its time because of Jane's individualistic character & how
it approaches the topics of sexuality, religion & feminism
 Its elements echo Brontë's own life. She & her sisters went to a school run by a headmaster
as severe as Mr Brocklehurst. Two of Charlotte's sisters died there from TBC (like Jane's
only friend, Helen Burns). Brontë was also a governess for some years

6.  concerns two families of the landed gentry the Earnshaws & the Lintons, & their
turbulent relationships with Earnshaw's adopted mysterious gypsy-like son, Heathcliff,
treated like a servant
 Revenge  he ran away from the young woman whom he loved very much & decided to
marry another, to then after he returns as rich & educated, & sets about to get his
revenge on the two families that he believed ruined his life.
 controversial for its depictions of mental and physical cruelty, & for its challenges to
morality, religious & societal Victorian values

7.  Framed as a series of letters from Gilbert Markham to his friend about the events
connected with his meeting a mysterious young widow, calling herself Helen Graham,
who arrives at Wildfell Hall, an Elizabethan mansion which has been empty for many
years, with her young son & a servant
 She pursues an artist's career & makes an income by selling her pictures. Her strict
seclusion soon gives rise to gossip in the neighboring village & she becomes a social
outcast
 Refusing to believe anything scandalous about her, Gilbert befriends her & discovers
her past. In the diary she gives Gilbert, she chronicles her husband's physical & moral
decline through alcohol & debauchery in the dissipated aristocratic society.
 Ultimately she flees with her son, whom she desperately wishes to save from his
father's influence.
 The depiction of marital strife & women's professional identification has also a strong
moral message mitigated by Brontë's belief in universal salvation

8.  A young girl falls through a rabbit hole into a fantasy world of
anthropomorphic creatures.
 Its play with logic gives the story lasting popularity with adults as well as children
 fantasy (literary nonsense genre)
 its narrative, structure, characters and Imagery  symbolism  parodies
 sequel Through the Looking-Glass (1871) & a shortened version for young children The
Nursery “Alice” (1890)
 has never been out of print & has been translated into at least 97 languages

9.  Novella version in the July 1890 issue of Lippincott’s Monthly Magazine  Philosophical
novel
 revolves around a portrait of Dorian Gray by Basil Hallward, whom is impressed &
infatuated by his beauty. Through him, Dorian meets Lord Henry Wotton & he soon is
enthralled by the aristocrat's hedonistic worldview: that beauty & sensual fulfilment are
the only things worth pursuing in life.
 Newly understanding that his beauty will fade, Dorian expresses the desire to sell his
soul, to ensure that the picture, rather than he, will age & fade.
 The wish is granted & Dorian pursues a libertine life of varied amoral experiences while
staying young & beautiful; all the while, his portrait ages & records every one of
Dorian's sins

10.  Epistolary novel the narrative is through letters, diary entries, & newspaper articles.
 has no single protagonist, but opens with solicitor Jonathan Harker, taking a business
trip to stay at the castle of a Transylvanian noble, Count Dracula. He escapes the castle
discovering Dracula is a vampire
 Dracula moves to England & plagues the seaside town of Whitby. A small group, led by
Abraham van Helsing, hunt Dracula and, in the end, kill him
 Gothic  horror  excessively frightening
 Gender & (homo)sexuality, race (of Jews), Disease (vampirism)

11.  Novella tells the story of Charles Marlow, a sailor who takes on an assignment from
a Belgian trading company as a ferry captain in the African interior.
 Marlow is given a text by Kurtz, an ivory trader working on a trading station far up the
river, who has "gone native" and is the object of Marlow's expedition.
 widely regarded as a critique of European colonialism, whilst also examining the
themes of power dynamics & morality.
 Although Conrad does not name the river where the narrative takes place, at the time
of writing the Congo Free State, the location of the large & economically
important Congo, was a private colony of Belgium's King Leopold II.

12.  Novel of manners  satire on class, wealth, marriage
 Romance  young girls marry up with older men
 Coming-off age  self knowledge
 Gothic
 Female writers used pseudonym