SlideShare ist ein Scribd-Unternehmen logo
1 von 27
CREATIVE NONFICTION
First Topic: Introduction to Literary Genres
Content Standard: The learner understands the literary
conventions that govern the different genres
Performance Standard: The learner clearly and coherently uses
a chosen element conventionally identified with a genre for a written
output.
CREATIVITY
NONFICTIO
N
“Creative Nonfiction heightens the whole
concept of essay writing. It allows a writer to
employ the diligence of reported, the
shifting voices and viewpoints of a novelist,
the refined wordplay of a poet and the
analytical modes of an essayist,”
On July 15, Rivermaya will have a concert at
the Araneta Coliseum. The band has just
arrived from a successful tour in China and
Indonesia. Tickets for the concert are selling
quickly.
NEWS STORY
Fans of Philippine musical band Rivermaya are
in for a real thrill. On July 15, their idol, fresh
from their sold-out tour in China and Indiana,
will be at the Araneta Coliseum for a single
concert. Maria Andrada, 18, a Communication
Arts major from UST, says this is one concert she
would rather die for than miss. Judging from
ticket sales so far, at least 10,000 other people
agree with her.
NEWS STORY
The two improved examples above are
illustrations of creative nonfiction. Creative
nonfiction combines the validity of acts and
imaginative stance of a storytelling. The word
“creative” in creative nonfiction refers to the use
of literary craft in the writing of nonfiction – to
produce factually accurate essays or narratives
about actual events and people in a compelling
and interesting way.
UNDERSTANDING THE GENRES
OF FICTION AND DRAMA
“A Movie or Story in my Mind”
Try to remember a book, a story, a play, or a
film that you have read or seen that has had the
most impact on you.
It may be something that you have recently
read or seen, or something that you have read or
seen in a long time but you simple could not
forget. Fill the blanks with the necessary details.
1. Title of the book/story/play/film
__________________________________________________________________________
2. What is the story about?
__________________________________________________________________________
3. Who are the important characters in the story? Give a brief
description of each character.
a. Character 1: _______________________________________
Description: _____________________________________________________________
b. Character 2: _______________________________________
Description: _____________________________________________________________
c. Character 3: _______________________________________
Description: _____________________________________________________________
4. Where did the story take place?
_________________________________________________
FICTION
 defined as “a series of imagined
facts which illustrates truths
about human life.”
 commonly called “stories”, and
can either be short (Short Story)
or rather long (Novella or
Novel)
DRAMA
 uses traditional conventions of
fiction but has an additional
distinctive characteristic of
being performed and
 mounted on stage
ELEMENTS OF FICTION AND
DRAMA
Plot The sequence of events happening in a
story
Setting The place and time where and when an
event happen
Characteristics The persons who inhabit a story
Theme The central idea, or thesis, or overall
message that the story conveys
Comparison and Contrast of the Conventions and Devices between
Fiction and Drama
 Fiction is generally classified as short story or novel.
A Short Story is a brief artistic prose form that
centers on a single main incident and intends to
produce a single dominant impression. A novel is an
extensive prose narrative that contains chapters ad
interludes.
Comparison and Contrast of the Conventions and Devices between
Fiction and Drama
 Plays (drama), however, are generally classified into
acts or major divisions. The most common are one-
act play, which has one unit of time, one unit of
place, and one unit of action play; and three-act
play, which showcases a longer exposition of the
them and conflict.
Comparison and Contrast of the Conventions and Devices between
Fiction and Drama
 All stories must have on point of view. The point of
view is the vantage point or the angle from which
the readers can see how the story unfolds. It can be
told from the perspective of a narrator, a main or
supporting character, or an observer. It can also
come from an omniscient (all-knowing) being.
Comparison and Contrast of the Conventions and Devices between
Fiction and Drama
 Drama also employs point of view but this is not
apparent and evident in a play. What is visible is the
interplay of dialogue between and among
characters. This is the component that moves the
action of the play. A dialogue is what the viewers see
and hear in a performance and these are the words
uttered by the characters in a dramatic play.
Comparison and Contrast of the Conventions and Devices between
Fiction and Drama
Exposition Introduces he characters and dramatic situation of the story or play
Rising Action Introduces the conflict of the story or play
Climax Introduces the central moment of crisis that defines the conflict
Falling Action Introduces the aftermath of conflict (whether it is resolved or not)
Resolution/denou
ement
Introduces the moment of insight, discovery, or revelation of the
after the falling action
 The development and plot in both fiction and drama has
a pattern. Generally, it contains the following:
NARRATIVE DEVICES
 Foreshadowing is used in fiction and drama as a guide
or hint at what is to happen next in the story
 Irony is also used both in fiction and drama when words
that are uttered, either by the author or the characters I
the story, are the opposites f what they actually mean.
The intention here s to present a difference between
what is imagined will happen and what actually happens.
NARRATIVE DEVICES
Flashback is employed by an author or a playwright
through the use of a past event that will help the readers
understand the present. That is generally utilized to
achieve dramatic effect or impact on the readers and
audiences.
A conflict is both present in fiction and drama. It provides
and showcases the opposing objectives of the
protagonist and the antagonist, or inside the protagonist.
NARRATIVE DEVICES
 The use of deus ex machina in both fiction and drama
was once a noble strategy. Today, it is a sign of weakness
o the written work. Once referring to the Greek practice
of physically lowering a “god” to the stage at the end of
the play to solve all the problems, today it refers to a
contrived element in the plot used to solve a problem.
TUNGKUNG LANGIT AT ALUNSINA
This is an old mythical story about the earth’s creation as
told by the people d=from Panay. How is this different
from the bible story of creation?
How to You compare and contrast the personalities of
Tungkung Langit and Alunsina? List down their respective
characteristics below.
TUNGKUNG LANGIT AT ALUNSINA
TUNGKUNG LANGIT ALUNSINA
TUNGKUNG LANGIT AT ALUNSINA
What do you think is the main conflict of the
story?
What general message do creation stories convey?
One day, Tungkung Langit told his wife that he would be
away from home for some time to put an end to the chaotic
disturbances in the flow of time and the position of things.
However, despite this purpose, Alunsina sent the breeze to spy
on Tungkung Langit. This made the latter very angry upon
knowing about it.
Immediately after his return from his trip, he called
this act to her attention, saying that it as ungodly of her to be
jealous, there being no other creature in the world except the
two of them. This reproach was resented by Alunsina and a
quarrel between them followed.
TUNGKUNG LANGIT AT ALUNSINA
Rewrite the excerpt by using dialouge. Imagine what
Tungkung Langit would be saying to Alunsina, and how
Alunsina would respond to Tungkung Langit’s accusations.
Visualize the quarrel scene of the gods and write imaginary
dialoguge below. Write this dialogue on the following lines.
Narrative detail:
_______________________________________________________________________________
_____________________________________________________________________________________________
Tungkung Langit:
______________________________________________________________________________
Alunsina:
_____________________________________________________________________________________
Tungkung Langit:
______________________________________________________________________________

Weitere Àhnliche Inhalte

Was ist angesagt?

English for academic and professional purposes ppt#1
English for academic and professional purposes ppt#1English for academic and professional purposes ppt#1
English for academic and professional purposes ppt#1RanelRabago
 
Creative Non-fiction
Creative Non-fictionCreative Non-fiction
Creative Non-fictiongrace albite
 
INTRODUCTION TO CREATIVE NON FICTION.pptx
INTRODUCTION TO CREATIVE NON FICTION.pptxINTRODUCTION TO CREATIVE NON FICTION.pptx
INTRODUCTION TO CREATIVE NON FICTION.pptxPrincessAnnCanceran
 
CREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptxCREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptxjeissalara3
 
Different Forms of Creative Nonfiction
Different Forms of Creative NonfictionDifferent Forms of Creative Nonfiction
Different Forms of Creative NonfictionEniamrach2492
 
21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdf
21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdf21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdf
21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdfAndre Philip Tacderas
 
Patterns of Development.pptx
Patterns of Development.pptxPatterns of Development.pptx
Patterns of Development.pptxNicoCelorico
 
Reaction Paper-Review-Critique Paper.pptx
Reaction Paper-Review-Critique Paper.pptxReaction Paper-Review-Critique Paper.pptx
Reaction Paper-Review-Critique Paper.pptxCendz Flores
 
CREATIVE WRITING
CREATIVE WRITINGCREATIVE WRITING
CREATIVE WRITINGLeah Condina
 
Writing a reaction paper or review - EAPP
Writing a reaction paper or review - EAPPWriting a reaction paper or review - EAPP
Writing a reaction paper or review - EAPPMariechris David
 
LESSON-3-21st-century (1).pptx
LESSON-3-21st-century (1).pptxLESSON-3-21st-century (1).pptx
LESSON-3-21st-century (1).pptxMrGo4
 
Critical Reading as Reasoning
Critical Reading as ReasoningCritical Reading as Reasoning
Critical Reading as ReasoningLala Jeon
 
21st century asian literature
21st century asian literature21st century asian literature
21st century asian literatureSincerelyn Ganob
 
Creative Writing - Intertextuality.pptx
Creative Writing - Intertextuality.pptxCreative Writing - Intertextuality.pptx
Creative Writing - Intertextuality.pptxKenneth Cabañas
 
EAPP Lesson 6.pptx
EAPP Lesson 6.pptxEAPP Lesson 6.pptx
EAPP Lesson 6.pptxJulieAnnCorpin2
 

Was ist angesagt? (20)

module 4.pptx
module 4.pptxmodule 4.pptx
module 4.pptx
 
English for academic and professional purposes ppt#1
English for academic and professional purposes ppt#1English for academic and professional purposes ppt#1
English for academic and professional purposes ppt#1
 
Creative Non-fiction
Creative Non-fictionCreative Non-fiction
Creative Non-fiction
 
INTRODUCTION TO CREATIVE NON FICTION.pptx
INTRODUCTION TO CREATIVE NON FICTION.pptxINTRODUCTION TO CREATIVE NON FICTION.pptx
INTRODUCTION TO CREATIVE NON FICTION.pptx
 
CREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptxCREATIVE NONFICTION.pptx
CREATIVE NONFICTION.pptx
 
Different Forms of Creative Nonfiction
Different Forms of Creative NonfictionDifferent Forms of Creative Nonfiction
Different Forms of Creative Nonfiction
 
21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdf
21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdf21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdf
21st CENTURY LITERATURE FROM THE PHILIPPINES AND THE WORLD.pdf
 
Patterns of Development.pptx
Patterns of Development.pptxPatterns of Development.pptx
Patterns of Development.pptx
 
Creative Nonfiction Module 3
Creative Nonfiction Module 3Creative Nonfiction Module 3
Creative Nonfiction Module 3
 
Text as a connected discourse
Text as a connected discourseText as a connected discourse
Text as a connected discourse
 
position paper
position paperposition paper
position paper
 
Reaction Paper-Review-Critique Paper.pptx
Reaction Paper-Review-Critique Paper.pptxReaction Paper-Review-Critique Paper.pptx
Reaction Paper-Review-Critique Paper.pptx
 
CREATIVE WRITING
CREATIVE WRITINGCREATIVE WRITING
CREATIVE WRITING
 
Writing a reaction paper or review - EAPP
Writing a reaction paper or review - EAPPWriting a reaction paper or review - EAPP
Writing a reaction paper or review - EAPP
 
LESSON-3-21st-century (1).pptx
LESSON-3-21st-century (1).pptxLESSON-3-21st-century (1).pptx
LESSON-3-21st-century (1).pptx
 
Critical Reading as Reasoning
Critical Reading as ReasoningCritical Reading as Reasoning
Critical Reading as Reasoning
 
21st century asian literature
21st century asian literature21st century asian literature
21st century asian literature
 
Creative Writing - Intertextuality.pptx
Creative Writing - Intertextuality.pptxCreative Writing - Intertextuality.pptx
Creative Writing - Intertextuality.pptx
 
Creative-Writing CG
Creative-Writing CGCreative-Writing CG
Creative-Writing CG
 
EAPP Lesson 6.pptx
EAPP Lesson 6.pptxEAPP Lesson 6.pptx
EAPP Lesson 6.pptx
 

Ähnlich wie Creative Nonfiction

I. Introduction to Literary Genres.pdfxx
I. Introduction to Literary Genres.pdfxxI. Introduction to Literary Genres.pdfxx
I. Introduction to Literary Genres.pdfxxPaulCagadas1
 
E lements of short story, drama and poetry
E lements of short story, drama and  poetryE lements of short story, drama and  poetry
E lements of short story, drama and poetryAngelito Pera
 
M3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptx
M3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptxM3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptx
M3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptxElleMaRie3
 
This home work is for the story by Flannery OConnor, A Good Man I.docx
This home work is for the story by Flannery OConnor, A Good Man I.docxThis home work is for the story by Flannery OConnor, A Good Man I.docx
This home work is for the story by Flannery OConnor, A Good Man I.docxjwilliam16
 
Lesson 1.pptx
Lesson 1.pptxLesson 1.pptx
Lesson 1.pptxJecevilEnso1
 
Reaction Paper # 2—After reading this week’s notes Reading Fi.docx
Reaction Paper # 2—After reading this week’s notes Reading Fi.docxReaction Paper # 2—After reading this week’s notes Reading Fi.docx
Reaction Paper # 2—After reading this week’s notes Reading Fi.docxaudeleypearl
 
Literary_Terms_and_Devices.ppt
Literary_Terms_and_Devices.pptLiterary_Terms_and_Devices.ppt
Literary_Terms_and_Devices.pptMahamnoor43
 
ANALYZING LITERATURE.pptx
ANALYZING LITERATURE.pptxANALYZING LITERATURE.pptx
ANALYZING LITERATURE.pptxNikkiEncila1
 
21st Century Literature-Fiction and Non-Fiction.pptx
21st Century Literature-Fiction and Non-Fiction.pptx21st Century Literature-Fiction and Non-Fiction.pptx
21st Century Literature-Fiction and Non-Fiction.pptxVANESSADELACRUZ64
 
ENGLISH (LIT) LECTURE.pptx
ENGLISH (LIT) LECTURE.pptxENGLISH (LIT) LECTURE.pptx
ENGLISH (LIT) LECTURE.pptxJimLordLapastura
 
21st Century Literature-Inferring Literary Meaning based on Usage .pptx
21st Century Literature-Inferring Literary Meaning based on Usage .pptx21st Century Literature-Inferring Literary Meaning based on Usage .pptx
21st Century Literature-Inferring Literary Meaning based on Usage .pptxVANESSADELACRUZ64
 
Literature Ii Elements Of Literature
Literature Ii  Elements Of LiteratureLiterature Ii  Elements Of Literature
Literature Ii Elements Of LiteratureXimena GĂłmez
 
Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)
Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)
Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)Dr. Jeanneath Velarde
 
Character and Conflict
Character and Conflict Character and Conflict
Character and Conflict McRae
 
Short Story In Depth Powerpoint
Short Story In Depth PowerpointShort Story In Depth Powerpoint
Short Story In Depth Powerpointautumnrain76
 
INTRODUCTION TO LITERATURE.pptx
INTRODUCTION TO LITERATURE.pptxINTRODUCTION TO LITERATURE.pptx
INTRODUCTION TO LITERATURE.pptxDaksayaniGaneson1
 
literary terms
 literary terms literary terms
literary termsPato_Ch
 
Literary devices s1
Literary devices s1Literary devices s1
Literary devices s1Pato_Ch
 
Film narrative part 1
Film narrative part 1Film narrative part 1
Film narrative part 1MissConnell
 

Ähnlich wie Creative Nonfiction (20)

I. Introduction to Literary Genres.pdfxx
I. Introduction to Literary Genres.pdfxxI. Introduction to Literary Genres.pdfxx
I. Introduction to Literary Genres.pdfxx
 
E lements of short story, drama and poetry
E lements of short story, drama and  poetryE lements of short story, drama and  poetry
E lements of short story, drama and poetry
 
M3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptx
M3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptxM3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptx
M3-ELEMENTS OF PHILIPPINE LITERARY GENRES1 [Autosaved].pptx
 
This home work is for the story by Flannery OConnor, A Good Man I.docx
This home work is for the story by Flannery OConnor, A Good Man I.docxThis home work is for the story by Flannery OConnor, A Good Man I.docx
This home work is for the story by Flannery OConnor, A Good Man I.docx
 
Lesson 1.pptx
Lesson 1.pptxLesson 1.pptx
Lesson 1.pptx
 
Reaction Paper # 2—After reading this week’s notes Reading Fi.docx
Reaction Paper # 2—After reading this week’s notes Reading Fi.docxReaction Paper # 2—After reading this week’s notes Reading Fi.docx
Reaction Paper # 2—After reading this week’s notes Reading Fi.docx
 
Literary_Terms_and_Devices.ppt
Literary_Terms_and_Devices.pptLiterary_Terms_and_Devices.ppt
Literary_Terms_and_Devices.ppt
 
ANALYZING LITERATURE.pptx
ANALYZING LITERATURE.pptxANALYZING LITERATURE.pptx
ANALYZING LITERATURE.pptx
 
21st Century Literature-Fiction and Non-Fiction.pptx
21st Century Literature-Fiction and Non-Fiction.pptx21st Century Literature-Fiction and Non-Fiction.pptx
21st Century Literature-Fiction and Non-Fiction.pptx
 
ENGLISH (LIT) LECTURE.pptx
ENGLISH (LIT) LECTURE.pptxENGLISH (LIT) LECTURE.pptx
ENGLISH (LIT) LECTURE.pptx
 
21st Century Literature-Inferring Literary Meaning based on Usage .pptx
21st Century Literature-Inferring Literary Meaning based on Usage .pptx21st Century Literature-Inferring Literary Meaning based on Usage .pptx
21st Century Literature-Inferring Literary Meaning based on Usage .pptx
 
Literature Ii Elements Of Literature
Literature Ii  Elements Of LiteratureLiterature Ii  Elements Of Literature
Literature Ii Elements Of Literature
 
Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)
Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)
Literature - Elements of Fiction (Dr. Jeanneath D. Velarde)
 
Character and Conflict
Character and Conflict Character and Conflict
Character and Conflict
 
Short Story In Depth Powerpoint
Short Story In Depth PowerpointShort Story In Depth Powerpoint
Short Story In Depth Powerpoint
 
INTRODUCTION TO LITERATURE.pptx
INTRODUCTION TO LITERATURE.pptxINTRODUCTION TO LITERATURE.pptx
INTRODUCTION TO LITERATURE.pptx
 
literary terms
 literary terms literary terms
literary terms
 
AProfile
AProfileAProfile
AProfile
 
Literary devices s1
Literary devices s1Literary devices s1
Literary devices s1
 
Film narrative part 1
Film narrative part 1Film narrative part 1
Film narrative part 1
 

Mehr von Andre Philip Tacderas

21st CENTURY LITERARY GENRES.pdf
21st CENTURY LITERARY GENRES.pdf21st CENTURY LITERARY GENRES.pdf
21st CENTURY LITERARY GENRES.pdfAndre Philip Tacderas
 
MODIFIERS (MISPLACED AND DANGLING).pdf
MODIFIERS (MISPLACED AND DANGLING).pdfMODIFIERS (MISPLACED AND DANGLING).pdf
MODIFIERS (MISPLACED AND DANGLING).pdfAndre Philip Tacderas
 
APA Citation and Reference.pdf
APA Citation and Reference.pdfAPA Citation and Reference.pdf
APA Citation and Reference.pdfAndre Philip Tacderas
 
First and Second Language: Theories of Language Learning & Theories
First and Second Language: Theories of Language Learning & TheoriesFirst and Second Language: Theories of Language Learning & Theories
First and Second Language: Theories of Language Learning & TheoriesAndre Philip Tacderas
 
ASSESSMENT CONCEPTS AND ISSUES
ASSESSMENT CONCEPTS AND ISSUESASSESSMENT CONCEPTS AND ISSUES
ASSESSMENT CONCEPTS AND ISSUESAndre Philip Tacderas
 
Approaches to literary criticism
Approaches to literary criticismApproaches to literary criticism
Approaches to literary criticismAndre Philip Tacderas
 
COMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGES
COMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGESCOMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGES
COMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGESAndre Philip Tacderas
 
Explicit and Implicit Claims, Critical Reading
Explicit and Implicit Claims, Critical ReadingExplicit and Implicit Claims, Critical Reading
Explicit and Implicit Claims, Critical ReadingAndre Philip Tacderas
 
Techniques in Selecting and organizing Information & Types of Writing
Techniques in Selecting and organizing Information & Types of WritingTechniques in Selecting and organizing Information & Types of Writing
Techniques in Selecting and organizing Information & Types of WritingAndre Philip Tacderas
 

Mehr von Andre Philip Tacderas (20)

Introduction to Philosophy
Introduction to PhilosophyIntroduction to Philosophy
Introduction to Philosophy
 
WORLD LITERATURE
WORLD LITERATUREWORLD LITERATURE
WORLD LITERATURE
 
21st CENTURY LITERARY GENRES.pdf
21st CENTURY LITERARY GENRES.pdf21st CENTURY LITERARY GENRES.pdf
21st CENTURY LITERARY GENRES.pdf
 
Persuasive Techniques.pdf
Persuasive Techniques.pdfPersuasive Techniques.pdf
Persuasive Techniques.pdf
 
Report on Mahabharata.pdf
Report on Mahabharata.pdfReport on Mahabharata.pdf
Report on Mahabharata.pdf
 
MODIFIERS (MISPLACED AND DANGLING).pdf
MODIFIERS (MISPLACED AND DANGLING).pdfMODIFIERS (MISPLACED AND DANGLING).pdf
MODIFIERS (MISPLACED AND DANGLING).pdf
 
APA Citation and Reference.pdf
APA Citation and Reference.pdfAPA Citation and Reference.pdf
APA Citation and Reference.pdf
 
First and Second Language: Theories of Language Learning & Theories
First and Second Language: Theories of Language Learning & TheoriesFirst and Second Language: Theories of Language Learning & Theories
First and Second Language: Theories of Language Learning & Theories
 
Reading Strategies
Reading StrategiesReading Strategies
Reading Strategies
 
ELEMENTS OF DRAMA
ELEMENTS OF DRAMAELEMENTS OF DRAMA
ELEMENTS OF DRAMA
 
ASSESSMENT CONCEPTS AND ISSUES
ASSESSMENT CONCEPTS AND ISSUESASSESSMENT CONCEPTS AND ISSUES
ASSESSMENT CONCEPTS AND ISSUES
 
Structures of modification
Structures of modificationStructures of modification
Structures of modification
 
Approaches to literary criticism
Approaches to literary criticismApproaches to literary criticism
Approaches to literary criticism
 
Editorial Cartooning
Editorial CartooningEditorial Cartooning
Editorial Cartooning
 
COMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGES
COMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGESCOMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGES
COMPUTER - TYPES, USES, ADVANTAGES & DISADVANTAGES
 
Intertextuality
IntertextualityIntertextuality
Intertextuality
 
Explicit and Implicit Claims, Critical Reading
Explicit and Implicit Claims, Critical ReadingExplicit and Implicit Claims, Critical Reading
Explicit and Implicit Claims, Critical Reading
 
Techniques in Selecting and organizing Information & Types of Writing
Techniques in Selecting and organizing Information & Types of WritingTechniques in Selecting and organizing Information & Types of Writing
Techniques in Selecting and organizing Information & Types of Writing
 
Speech styles
Speech stylesSpeech styles
Speech styles
 
Entertainment speech
Entertainment speechEntertainment speech
Entertainment speech
 

KĂŒrzlich hochgeladen

SOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning PresentationSOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning Presentationcamerronhm
 
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptxSKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptxAmanpreet Kaur
 
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxHMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxEsquimalt MFRC
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and ModificationsMJDuyan
 
80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...Nguyen Thanh Tu Collection
 
ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.MaryamAhmad92
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17Celine George
 
Google Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxGoogle Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxDr. Sarita Anand
 
ICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxAreebaZafar22
 
Salient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functionsSalient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functionsKarakKing
 
Single or Multiple melodic lines structure
Single or Multiple melodic lines structureSingle or Multiple melodic lines structure
Single or Multiple melodic lines structuredhanjurrannsibayan2
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.pptRamjanShidvankar
 
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...Nguyen Thanh Tu Collection
 
Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Association for Project Management
 
FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024Elizabeth Walsh
 
Unit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxUnit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxVishalSingh1417
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...Poonam Aher Patil
 
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdfUGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdfNirmal Dwivedi
 
REMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxREMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxDr. Ravikiran H M Gowda
 

KĂŒrzlich hochgeladen (20)

SOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning PresentationSOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning Presentation
 
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptxSKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
 
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxHMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and Modifications
 
Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024
 
80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỏ TUYỂN SINH TIáșŸNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
 
ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17
 
Google Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxGoogle Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptx
 
ICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptx
 
Salient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functionsSalient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functions
 
Single or Multiple melodic lines structure
Single or Multiple melodic lines structureSingle or Multiple melodic lines structure
Single or Multiple melodic lines structure
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.ppt
 
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
 
Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...
 
FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024
 
Unit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxUnit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptx
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...
 
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdfUGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
UGC NET Paper 1 Mathematical Reasoning & Aptitude.pdf
 
REMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxREMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptx
 

Creative Nonfiction

  • 1. CREATIVE NONFICTION First Topic: Introduction to Literary Genres Content Standard: The learner understands the literary conventions that govern the different genres Performance Standard: The learner clearly and coherently uses a chosen element conventionally identified with a genre for a written output.
  • 3. “Creative Nonfiction heightens the whole concept of essay writing. It allows a writer to employ the diligence of reported, the shifting voices and viewpoints of a novelist, the refined wordplay of a poet and the analytical modes of an essayist,”
  • 4. On July 15, Rivermaya will have a concert at the Araneta Coliseum. The band has just arrived from a successful tour in China and Indonesia. Tickets for the concert are selling quickly. NEWS STORY
  • 5. Fans of Philippine musical band Rivermaya are in for a real thrill. On July 15, their idol, fresh from their sold-out tour in China and Indiana, will be at the Araneta Coliseum for a single concert. Maria Andrada, 18, a Communication Arts major from UST, says this is one concert she would rather die for than miss. Judging from ticket sales so far, at least 10,000 other people agree with her. NEWS STORY
  • 6. The two improved examples above are illustrations of creative nonfiction. Creative nonfiction combines the validity of acts and imaginative stance of a storytelling. The word “creative” in creative nonfiction refers to the use of literary craft in the writing of nonfiction – to produce factually accurate essays or narratives about actual events and people in a compelling and interesting way.
  • 7. UNDERSTANDING THE GENRES OF FICTION AND DRAMA
  • 8. “A Movie or Story in my Mind”
  • 9. Try to remember a book, a story, a play, or a film that you have read or seen that has had the most impact on you. It may be something that you have recently read or seen, or something that you have read or seen in a long time but you simple could not forget. Fill the blanks with the necessary details.
  • 10. 1. Title of the book/story/play/film __________________________________________________________________________ 2. What is the story about? __________________________________________________________________________ 3. Who are the important characters in the story? Give a brief description of each character. a. Character 1: _______________________________________ Description: _____________________________________________________________ b. Character 2: _______________________________________ Description: _____________________________________________________________ c. Character 3: _______________________________________ Description: _____________________________________________________________ 4. Where did the story take place? _________________________________________________
  • 11. FICTION  defined as “a series of imagined facts which illustrates truths about human life.”  commonly called “stories”, and can either be short (Short Story) or rather long (Novella or Novel)
  • 12. DRAMA  uses traditional conventions of fiction but has an additional distinctive characteristic of being performed and  mounted on stage
  • 13. ELEMENTS OF FICTION AND DRAMA Plot The sequence of events happening in a story Setting The place and time where and when an event happen Characteristics The persons who inhabit a story Theme The central idea, or thesis, or overall message that the story conveys
  • 14. Comparison and Contrast of the Conventions and Devices between Fiction and Drama  Fiction is generally classified as short story or novel. A Short Story is a brief artistic prose form that centers on a single main incident and intends to produce a single dominant impression. A novel is an extensive prose narrative that contains chapters ad interludes.
  • 15. Comparison and Contrast of the Conventions and Devices between Fiction and Drama  Plays (drama), however, are generally classified into acts or major divisions. The most common are one- act play, which has one unit of time, one unit of place, and one unit of action play; and three-act play, which showcases a longer exposition of the them and conflict.
  • 16. Comparison and Contrast of the Conventions and Devices between Fiction and Drama  All stories must have on point of view. The point of view is the vantage point or the angle from which the readers can see how the story unfolds. It can be told from the perspective of a narrator, a main or supporting character, or an observer. It can also come from an omniscient (all-knowing) being.
  • 17. Comparison and Contrast of the Conventions and Devices between Fiction and Drama  Drama also employs point of view but this is not apparent and evident in a play. What is visible is the interplay of dialogue between and among characters. This is the component that moves the action of the play. A dialogue is what the viewers see and hear in a performance and these are the words uttered by the characters in a dramatic play.
  • 18. Comparison and Contrast of the Conventions and Devices between Fiction and Drama Exposition Introduces he characters and dramatic situation of the story or play Rising Action Introduces the conflict of the story or play Climax Introduces the central moment of crisis that defines the conflict Falling Action Introduces the aftermath of conflict (whether it is resolved or not) Resolution/denou ement Introduces the moment of insight, discovery, or revelation of the after the falling action  The development and plot in both fiction and drama has a pattern. Generally, it contains the following:
  • 19. NARRATIVE DEVICES  Foreshadowing is used in fiction and drama as a guide or hint at what is to happen next in the story  Irony is also used both in fiction and drama when words that are uttered, either by the author or the characters I the story, are the opposites f what they actually mean. The intention here s to present a difference between what is imagined will happen and what actually happens.
  • 20. NARRATIVE DEVICES Flashback is employed by an author or a playwright through the use of a past event that will help the readers understand the present. That is generally utilized to achieve dramatic effect or impact on the readers and audiences. A conflict is both present in fiction and drama. It provides and showcases the opposing objectives of the protagonist and the antagonist, or inside the protagonist.
  • 21. NARRATIVE DEVICES  The use of deus ex machina in both fiction and drama was once a noble strategy. Today, it is a sign of weakness o the written work. Once referring to the Greek practice of physically lowering a “god” to the stage at the end of the play to solve all the problems, today it refers to a contrived element in the plot used to solve a problem.
  • 22.
  • 23. TUNGKUNG LANGIT AT ALUNSINA This is an old mythical story about the earth’s creation as told by the people d=from Panay. How is this different from the bible story of creation? How to You compare and contrast the personalities of Tungkung Langit and Alunsina? List down their respective characteristics below.
  • 24. TUNGKUNG LANGIT AT ALUNSINA TUNGKUNG LANGIT ALUNSINA
  • 25. TUNGKUNG LANGIT AT ALUNSINA What do you think is the main conflict of the story? What general message do creation stories convey?
  • 26. One day, Tungkung Langit told his wife that he would be away from home for some time to put an end to the chaotic disturbances in the flow of time and the position of things. However, despite this purpose, Alunsina sent the breeze to spy on Tungkung Langit. This made the latter very angry upon knowing about it. Immediately after his return from his trip, he called this act to her attention, saying that it as ungodly of her to be jealous, there being no other creature in the world except the two of them. This reproach was resented by Alunsina and a quarrel between them followed.
  • 27. TUNGKUNG LANGIT AT ALUNSINA Rewrite the excerpt by using dialouge. Imagine what Tungkung Langit would be saying to Alunsina, and how Alunsina would respond to Tungkung Langit’s accusations. Visualize the quarrel scene of the gods and write imaginary dialoguge below. Write this dialogue on the following lines. Narrative detail: _______________________________________________________________________________ _____________________________________________________________________________________________ Tungkung Langit: ______________________________________________________________________________ Alunsina: _____________________________________________________________________________________ Tungkung Langit: ______________________________________________________________________________

Hinweis der Redaktion

  1. What do the words, CREATIVITY and NONFICTION mean? Do you see any connection between them? How can we make a piece of writing creative without disregarding the authenticity of information?
  2. According to Leo Gutkind,
  3. While the said news is factual and true, it appears dull and lacks interesting details. Bu using the genre of creative nonfiction, this news can be transforms into a more interesting piece of information:
  4. What do the words, CREATIVITY and NONFICTION mean? Do you see any connection between them? How can we make a piece of writing creative without disregarding the authenticity of information?
  5. What do the words, CREATIVITY and NONFICTION mean? Do you see any connection between them? How can we make a piece of writing creative without disregarding the authenticity of information?
  6. Simply put, in all stories great and small, there are people (characters) in a place (setting) dealing with a problem or conflict (plot) that leads to a new understanding about life (theme).
  7. Simply put, in all stories great and small, there are people (characters) in a place (setting) dealing with a problem or conflict (plot) that leads to a new understanding about life (theme).
  8. Simply put, in all stories great and small, there are people (characters) in a place (setting) dealing with a problem or conflict (plot) that leads to a new understanding about life (theme).
  9. Simply put, in all stories great and small, there are people (characters) in a place (setting) dealing with a problem or conflict (plot) that leads to a new understanding about life (theme).
  10. Simply put, in all stories great and small, there are people (characters) in a place (setting) dealing with a problem or conflict (plot) that leads to a new understanding about life (theme).
  11. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end.  
  12. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end.  
  13. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end.  
  14. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end.  
  15. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end.  
  16. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end.  
  17. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end.  
  18. In other more popular and modern types of fiction and drama, the development of plot is simply divided into three general parts: the beginning, the middle, and the end. Â