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ANALYSE OF THE 
SOUNDTRACK 
BY ALEX CRAVEN
SHUTTER ISLAND 
I could instantly recognise at the beginning of this 
film the genre of which is it. There are lots of key 
signifiers. The start of Shutter island is very tense 
and straight into the action. The non diegetic music 
at the beginning of this film is very tense and slow, it 
is building up to when the action will start coming 
onto the screen. The music is quite sinister and fits 
the dark and unknown mood very well. At about 30 
seconds into the clip the soundtrack develops and 
becomes louder and more powerful. As the title of 
`Shutter Island` comes up onto the screen the 
soundtrack intensifies a little bit more. Then as the 
film opens up the soundtrack stops and the sound is 
filled with the sea. From the soundtrack at the 
beginning of the film I could tell straight away what 
sort of film it was going to be and the genre that it is. 
I think that the soundtrack helps the audience 
understand that the film is going to be quite creepy 
at times and that it may mess with your head.
ALONG CAME A 
SPIDER 
At the beginning of the film `Along Came A Spider` the 
soundtrack is very similar to the beginning of the film 
`Shutter Island` due to the fact that they share the same 
genre. At the beginning of this film there is just deep 
quite sincere sort of supernatural sounds. As the 
opening credits come up and the film is about 20 
seconds in there is some sort of un-natural noise that 
sounds like some sort of alienated noise. This is 
followed by two people having a distant conversation. 
The two people talking sound very distant and not 
close to one other. There speech is very loud and clear 
over the spooky back noises. It is then muffled as the 
back noise intensifies. The sound track is very similar 
to the sound of there speech, as the people sound like 
they are talking through a broken microphone or they 
are in space or something. As the credits continue 
along with the spooky, intense music, the camera 
changes to an Ariel view of a moving car. This camera 
shot backs up the background so-real music as it 
shows what they are doing as they are talking to each 
other through the microphones, maybe in a helicopter.

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Analyse of two soundtracks

  • 1. ANALYSE OF THE SOUNDTRACK BY ALEX CRAVEN
  • 2. SHUTTER ISLAND I could instantly recognise at the beginning of this film the genre of which is it. There are lots of key signifiers. The start of Shutter island is very tense and straight into the action. The non diegetic music at the beginning of this film is very tense and slow, it is building up to when the action will start coming onto the screen. The music is quite sinister and fits the dark and unknown mood very well. At about 30 seconds into the clip the soundtrack develops and becomes louder and more powerful. As the title of `Shutter Island` comes up onto the screen the soundtrack intensifies a little bit more. Then as the film opens up the soundtrack stops and the sound is filled with the sea. From the soundtrack at the beginning of the film I could tell straight away what sort of film it was going to be and the genre that it is. I think that the soundtrack helps the audience understand that the film is going to be quite creepy at times and that it may mess with your head.
  • 3. ALONG CAME A SPIDER At the beginning of the film `Along Came A Spider` the soundtrack is very similar to the beginning of the film `Shutter Island` due to the fact that they share the same genre. At the beginning of this film there is just deep quite sincere sort of supernatural sounds. As the opening credits come up and the film is about 20 seconds in there is some sort of un-natural noise that sounds like some sort of alienated noise. This is followed by two people having a distant conversation. The two people talking sound very distant and not close to one other. There speech is very loud and clear over the spooky back noises. It is then muffled as the back noise intensifies. The sound track is very similar to the sound of there speech, as the people sound like they are talking through a broken microphone or they are in space or something. As the credits continue along with the spooky, intense music, the camera changes to an Ariel view of a moving car. This camera shot backs up the background so-real music as it shows what they are doing as they are talking to each other through the microphones, maybe in a helicopter.