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Objectives: ,[object Object],[object Object]
GCSE Eng/Eng Lit COURSEWORK EXAMS Original Writing Media Shakespeare 20 th  Century Drama (play) Prose Study (Novel) 3 Speaking & Listening Assessments Eng Paper1 Sec A: Questions on Non Fiction & Media texts Sec B: Writing to Argue Persuade or Advise Eng Paper 2 Sec A: Other Cultures Poetry Sec B: Writing Inf/Ex/Descr Lit Paper: ‘Of Mice & Men ’ And Poetry  (Heaney & Clarke) Lang: 40% Lit:30% Lang:60% Lit:70% S K I L L S 20% of the 40%
As we listen and observe: Refer to your mark scheme and peer assess.  What positive criticism can we give the group, and what grade might we award?
Doing the wrong thing… ,[object Object],[object Object],[object Object],[object Object]
WHAT I DID; OUTLINE THE SITUATION IMMEDIATE IMPACT/EFFECT WHO OR WHAT ELSE WAS AFFECTED WHO OR WHAT ELSE WAS AFFECTED ULTIMATE IMPACT OR ‘PRICE’ OF WORDS AND/OR ACTIONS…
Key Term: Dramatic irony.
Definition: WHEN THE WORDS AND ACTIONS OF A  CHARACTER HAVE A DIFFERENT  MEANING FOR THE READER AS THEY DO FOR THE CHARACTERS.  THIS IS THE RESULT OF THE READER HAVING A GREATER KNOWLEDGE THAN THE CHARACTERS THEMSELVES.
Rubbish dramatic irony: “ Something Picasso?  He’ll never amount to anything!”
Effective dramatic irony: THE CHORUS ALLOWS THE AUDIENCE TO KNOW THE FATAL ENDING. ROMEO AND JULIET DO NOT KNOW THEIR  FATE…
Task: ,[object Object],[object Object],[object Object],[object Object],[object Object]
Feedback: Can we identify the dramatic irony?
Tomorrow: ICT research tasks, similar to what we did before we began reading ‘Dr Jekyll and Mr Hyde’…

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Year10 set1 s&L 17/12/07

  • 1.
  • 2. GCSE Eng/Eng Lit COURSEWORK EXAMS Original Writing Media Shakespeare 20 th Century Drama (play) Prose Study (Novel) 3 Speaking & Listening Assessments Eng Paper1 Sec A: Questions on Non Fiction & Media texts Sec B: Writing to Argue Persuade or Advise Eng Paper 2 Sec A: Other Cultures Poetry Sec B: Writing Inf/Ex/Descr Lit Paper: ‘Of Mice & Men ’ And Poetry (Heaney & Clarke) Lang: 40% Lit:30% Lang:60% Lit:70% S K I L L S 20% of the 40%
  • 3. As we listen and observe: Refer to your mark scheme and peer assess. What positive criticism can we give the group, and what grade might we award?
  • 4.
  • 5. WHAT I DID; OUTLINE THE SITUATION IMMEDIATE IMPACT/EFFECT WHO OR WHAT ELSE WAS AFFECTED WHO OR WHAT ELSE WAS AFFECTED ULTIMATE IMPACT OR ‘PRICE’ OF WORDS AND/OR ACTIONS…
  • 7. Definition: WHEN THE WORDS AND ACTIONS OF A CHARACTER HAVE A DIFFERENT MEANING FOR THE READER AS THEY DO FOR THE CHARACTERS. THIS IS THE RESULT OF THE READER HAVING A GREATER KNOWLEDGE THAN THE CHARACTERS THEMSELVES.
  • 8. Rubbish dramatic irony: “ Something Picasso? He’ll never amount to anything!”
  • 9. Effective dramatic irony: THE CHORUS ALLOWS THE AUDIENCE TO KNOW THE FATAL ENDING. ROMEO AND JULIET DO NOT KNOW THEIR FATE…
  • 10.
  • 11. Feedback: Can we identify the dramatic irony?
  • 12. Tomorrow: ICT research tasks, similar to what we did before we began reading ‘Dr Jekyll and Mr Hyde’…