At a moment's notice, according to the pleasure of the holder the semiotics of paper
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At a moment's notice, according to the pleasure of the holder the semiotics of paper
- 1. Video walk-through of Julian Rosefeldt's Asylum, BALTIC Centre for Contemporary Art, 2004
- 2. Chris Dorsett Professor of Fine Art BxNU Institute of Contemporary Art Faculty of Arts, Design and Social Sciences Northumbria University at a moment’s notice, according to the pleasure of the holder the semiotics of paper
- 3. the semiotics of paper British Art Show 1984 at a moment’s notice, according to the pleasure of the holder
- 4. the semiotics of paper British Art Show 1984 Alison Wilding, Blue-black (1984) at a moment’s notice, according to the pleasure of the holder
- 5. the semiotics of paper Pitt Rivers Museum , Oxford at a moment’s notice, according to the pleasure of the holder
- 6. the semiotics of paper Pitt Rivers Museum , Oxford at a moment’s notice, according to the pleasure of the holder
- 7. the semiotics of paper Pitt Rivers Museum , Oxford at a moment’s notice, according to the pleasure of the holder
- 8. the semiotics of paper at a moment’s notice, according to the pleasure of the holder
- 9. the semiotics of paper at a moment’s notice, according to the pleasure of the holder
- 10. the semiotics of paper Chris Dorsett Professor of Fine Art BxNU Institute of Contemporary Art Faculty of Arts, Design and Social Sciences Northumbria University at a moment’s notice, according to the pleasure of the holder
- 11. Pitt Rivers Museum , Oxford
- 12. Pitt Rivers Museum , Oxford
- 13. Pitt Rivers Museum , Oxford
- 14. Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton University Firestone Library, Princeton University.
- 15. Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton University Firestone Library, Princeton University.
- 16. J. S. G. Boggs (1995)
- 17. J. S. G. Boggs (1995)
- 18. Roland Farkas, (2011 ) Draw your Money. Studio Gallery, Budapest.
- 19. Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma. Georg Simmel (1858–1918)
- 20. Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.
- 21. Plaster Casts of Greek and Roman sculpture (2012), Northumbria University. Home-made shellac record (1947)
- 22. Chris Dorsett, (2012) Venus de l'armoire de studio ink drawing on paper and plaster cast of the Venus de' Medici Chris Dorsett, (2011) 7 Chakras Twice pencil drawing on photograph of recordings of my father's voice
- 23. Chris Dorsett, (2012) Venus de l'armoire de studio ink drawing on paper and plaster cast of the Venus de' Medici Chris Dorsett, (2011) 7 Chakras Twice pencil drawing on photograph of recordings of my father's voice
- 24. Juliette and Charles PeirceNotebooks of Charles Sanders Peirce
- 25. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
- 26. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
- 27. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
- 28. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press
- 30. Hofstadter. D. (1995) Fluid Concepts and Creative Analogies: computer models of the fundamental mechanisms of thought, London: Thames and Hudson. An Antiquary's Billiard Table Pitt Rivers Museum, University of Oxford.
- 31. An Antiquary's Billiard Table Pitt Rivers Museum, University of Oxford. Encyclopédie Denis Diderot (1713-1784)
- 32. Mottram, J., Rust, C. & Till, J. (2007) AHRC Research Review: Practice-Led Research in Art, Design and Architecture, Bristol: Arts and Humanities Research Council. Alison Wilding, Blue-black (1984)
- 33. Chris Dorsett Professor of Fine Art BxNU Institute of Contemporary Art Faculty of Arts, Design and Social Sciences Northumbria University the semiotics of paper at a moment’s notice, according to the pleasure of the holder