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November 20-21, 2013 | Singapore
Twitter Hashtag #QUAL360
Platinum Sponsor

Media Sponsors

Association Partners
Cultural Insight and Strategy:
A Sociological Agenda

©TNS 2013
Culture is a toolkit
Culture defines us: it is the sum total of all our implicit
assumptions and expectations
But people are not
determined by culture
The strategies people adopt
are framed by the tools
available, but people use
the tools in unique ways

©TNS 2013

2
Cultural analysis
Takes surface level phenomena as expressive of underlying cultural structures
and processes and interrogates these for their meaning

By analysing
phenomena in contexts

We can begin to understand
the underlying culture

©TNS 2013

3
Not manufacturer-centric

Regards the consumer as
product user
Aims to isolate and freeze
cognitive meanings of product /
brand
‘How does my customer use/
feel about my brand?’

©TNS 2013

13
Not consumer-centric

Aspirations, purposes,
problems, emotions – this is
still an individual psychological
focus

There is much that consumers
cannot articulate
How does my companyprovided resource fit within
this consumers’ mindset /
lifestyle?

©TNS 2013

14
A different perspective
SOCIETY, HISTORY,
POLITICS,
ECONOMY IDEOLOGY,
INSTITUTIONS,
GOVERNMENTS,
MARKETS

TENSIONS

DRIVING FORCES
OF CHANGE

NARRATIVE DETAILS
OF EVERYDAY LIFE –
WHAT PEOPLE ACTUALLY
DO, GO THROUGH, HOW
THEY INTERACT AND
SPEAK TO ONE ANOTHER

©TNS 2013

Consumer is cultural product
Brand / product meaning
generated in dynamic interface
of practices with broader social
discourses and ideologies

“How is the meaning of
consumption shaped by the
situated practices & forces of
everyday life?”

6
Consumer ethnography
Observes practices in natural
settings & distinguishes between
what people do & what people
say (representations)

Listening &
asking; seeing &
hearing

©TNS 2013

Looks to explain disconnections
between these in terms of the
constraints organizing people's
worlds – since this is often
where the communication
opportunity lies

7
Semiotic analysis
What signs organize communication? What codes are
communicated in their combination?
Logos, symbols; protagonists; names, strap lines, keywords; non-verbal
communication; temporal context; technique; juxtaposition; narrative.

CHIVALRY

(Royal Imperial court and Arthurian knights
translated into contemporary modernity)

•
•

•
•

©TNS 2013

Partnership: trust, reciprocity
Class / prestige: horses =
well-bred person, family,
background
Prosperity: dynamism, vitality
Romance + respect for
women (in the China context)

8
Discourse analysis
We search magazines, news media, blog forums, TV, movies etc
for product category trends, relevant popular culture trends, and
broader target market trends
 Identify discourses influencing the
situation
 Look for codes evolving within each of
these discourses:


How are similar themes being communicated
across contexts?

 Search for correspondences and/or
discords between discourses


Social /
economic
shifts

Which are often evidence of cultural tensions &
imminent cultural change

 Generate hypotheses from these
findings

©TNS 2013

Cultural
tensions

DISRUPTION:

THE DRIVING FORCE
OF CHANGE

Further
cultural
tensions

New
attitudes
and
discourses

New
forms of
practice

9
Building insight = strategy
Metaphor Analysis - Procedure
Pose research questions
Finding metaphors

Discourse structure

Identification of linguistic metaphors

How parts of text or talk contribute to the whole

Building metaphor groups

Discourse topics or
themes

aggregation into semanticallyconnected groups
systematic metaphors
Metaphor clusters and absences

Local discourse action

analyse distribution of metaphors
across talk or text

analyse talk or text

Metaphor scenarios
infer narratives around metaphors

Answer research questions

©TNS 2013

Adapted from MetNet meeting Milton 10
Keynes, 2006
An example
We look first to contradictions
In the Chinese cultural context, there exist many contradictions:

Pre-reform
Planned economy
Communist blocs
Rural migrant
Working masses

vs.
vs.
vs.
vs.
vs.

Post-reform
Market economy
Skyscrapers
Urban resident
Emergent middle class

Myths are created as a fallout
Myths resolve cultural contradictions

©TNS 2013

11
“Romantic” rural tourism
New attitudes and
practices:
- Rural tourism
- Farming as leisure

New forms of
consumption
Social shift: boom
in car ownership
Urbanites explore
countryside

New cultural
representations

©TNS 2013

12
Nostalgia for the “rural” in the city

Repurposing of
derogatory terms
for rural folks –
as cute / folksy

‘Hometown’ style
restaurants –
drawing on the
same symbolic
codes

©TNS 2013

‘Chilled out’ /
‘Modern’ versions of
Cultural Revolution
imagery

13
The same emergent code everywhere…

‘Ethnic’-style clothing in
fashionable markets

Repurposing of
derogatory term on
snack brand
Rural / nature codes
on water bottle

©TNS 2013

14
Self/Other - Basic oppositions
(Adapted from: Griffiths et al. 2010)

Self
Rule
Order
Human
Culture
Controlled
Lawful
Clean

©TNS 2013

:
:
:
:
:
:
:
:

Other
Disrule (absence of rule)
Disorder
Animal
Nature
Uncontrolled
Lawless
Dirty

15
Self/Other –Romantic Reappraisal
(Adapted from: Griffiths et al. 2010)

Self
:
Constraint (rule)
:
Predictable (order) :
Artificial (human)
:
Urban (culture)
:
Reserved (controlled):
Conventional (lawful) :
Formal Sterile (clean):

©TNS 2013

Other
Freedom (disrule, absence of rule)
Unpredictable (disorder)
Natural (animal)
Rural (nature)
Impulsive (uncontrolled)
Creative (lawless)
Fertile (dirty)

16
Ideological innovation
Desirable
Materialism
Consumption
Hedonism

New rural purity

Rural

Urban
Poverty
Ugliness
Disease

Pollution
Corruption
Impurity

Undesirable

©TNS 2013

17
Strategic implications:
•
•
•
•

Consumer trends
Marketing and communications
Environmental management
China’s future

Real-world results:
• Two award-winning campaigns
• Sales +46% vs. +25% for the
category
• Brand as the #2 market player
versus #5

©TNS 2013

18
Creative / political strategy – rural heroes









Poor rural boy
Real-life migrant story
Discovered by director
Cast as hardworking bumbling
country-bumpkin
In show about military unit
Which valorizes effort &
overcoming
Becomes accidental hero
Adopted by media as national
champion / icon

= redrawing of urban / rural
boundary
= new lines of inclusion & exclusion
= new form of social engineering*

©TNS 2013

Implications for brands:
- Emphasize struggle not just
aspiration
- Equity vs. inequity
- Social conscience
- Poetic justice

*Source: Griffiths & Zeuthen (2014) ‘Bittersweet: Chiku Civilization’
- forthcoming

19
Cultural strategy
Not just functional benefits + emotional territories but
grounded in society and culture
(1) A brand advances an ideology
(2) Expressed by myth + cultural codes
(3) That resolves a cultural tension
(4) Caused by a social disruption

(5) Via source materials repurposed from
subcultures, movements and media myths

©TNS 2013

Source: Holt, D. and Cameron, D. (2010), 20
‘Cultural Strategy’, Oxford
Conclusions / Implications
Conduct research with a broader
focus - on culture and society,
rather than on narrow predefined markets

Shift the emphasis towards
method + strategic insight (i.e.
thinking, concepts, and the
application of tools)

Brand strategy not just tradeoffs over functional benefits +
emotional territories but
grounded in society and culture

Different priorities for sampling –
because focus is on meaning not
marketing objectives: flexible,
constantly reformulate frames,
deliberately sample outliers,
oppositional examples.

Rethink client-agency
interactions so that the holistic
ambitions of cultural analysis
have primacy

©TNS 2013

Ethnography should be reclaimed
as a mode of cultural analysis –
not abused as a term for on-site
interviews

21
Michael B. Griffiths
Michael.griffiths@tnsglobal.com
+86 189 1817 5697

©TNS 2013

22
Platinum Sponsor

Media Sponsors

Association Partners
November 20-21, 2013 | Singapore
Twitter Hashtag #QUAL360

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Cultural Insight and Strategy - A Sociological Agenda - TNS

  • 1. November 20-21, 2013 | Singapore Twitter Hashtag #QUAL360
  • 3. Cultural Insight and Strategy: A Sociological Agenda ©TNS 2013
  • 4. Culture is a toolkit Culture defines us: it is the sum total of all our implicit assumptions and expectations But people are not determined by culture The strategies people adopt are framed by the tools available, but people use the tools in unique ways ©TNS 2013 2
  • 5. Cultural analysis Takes surface level phenomena as expressive of underlying cultural structures and processes and interrogates these for their meaning By analysing phenomena in contexts We can begin to understand the underlying culture ©TNS 2013 3
  • 6. Not manufacturer-centric Regards the consumer as product user Aims to isolate and freeze cognitive meanings of product / brand ‘How does my customer use/ feel about my brand?’ ©TNS 2013 13
  • 7. Not consumer-centric Aspirations, purposes, problems, emotions – this is still an individual psychological focus There is much that consumers cannot articulate How does my companyprovided resource fit within this consumers’ mindset / lifestyle? ©TNS 2013 14
  • 8. A different perspective SOCIETY, HISTORY, POLITICS, ECONOMY IDEOLOGY, INSTITUTIONS, GOVERNMENTS, MARKETS TENSIONS DRIVING FORCES OF CHANGE NARRATIVE DETAILS OF EVERYDAY LIFE – WHAT PEOPLE ACTUALLY DO, GO THROUGH, HOW THEY INTERACT AND SPEAK TO ONE ANOTHER ©TNS 2013 Consumer is cultural product Brand / product meaning generated in dynamic interface of practices with broader social discourses and ideologies “How is the meaning of consumption shaped by the situated practices & forces of everyday life?” 6
  • 9. Consumer ethnography Observes practices in natural settings & distinguishes between what people do & what people say (representations) Listening & asking; seeing & hearing ©TNS 2013 Looks to explain disconnections between these in terms of the constraints organizing people's worlds – since this is often where the communication opportunity lies 7
  • 10. Semiotic analysis What signs organize communication? What codes are communicated in their combination? Logos, symbols; protagonists; names, strap lines, keywords; non-verbal communication; temporal context; technique; juxtaposition; narrative. CHIVALRY (Royal Imperial court and Arthurian knights translated into contemporary modernity) • • • • ©TNS 2013 Partnership: trust, reciprocity Class / prestige: horses = well-bred person, family, background Prosperity: dynamism, vitality Romance + respect for women (in the China context) 8
  • 11. Discourse analysis We search magazines, news media, blog forums, TV, movies etc for product category trends, relevant popular culture trends, and broader target market trends  Identify discourses influencing the situation  Look for codes evolving within each of these discourses:  How are similar themes being communicated across contexts?  Search for correspondences and/or discords between discourses  Social / economic shifts Which are often evidence of cultural tensions & imminent cultural change  Generate hypotheses from these findings ©TNS 2013 Cultural tensions DISRUPTION: THE DRIVING FORCE OF CHANGE Further cultural tensions New attitudes and discourses New forms of practice 9
  • 12. Building insight = strategy Metaphor Analysis - Procedure Pose research questions Finding metaphors Discourse structure Identification of linguistic metaphors How parts of text or talk contribute to the whole Building metaphor groups Discourse topics or themes aggregation into semanticallyconnected groups systematic metaphors Metaphor clusters and absences Local discourse action analyse distribution of metaphors across talk or text analyse talk or text Metaphor scenarios infer narratives around metaphors Answer research questions ©TNS 2013 Adapted from MetNet meeting Milton 10 Keynes, 2006
  • 13. An example We look first to contradictions In the Chinese cultural context, there exist many contradictions: Pre-reform Planned economy Communist blocs Rural migrant Working masses vs. vs. vs. vs. vs. Post-reform Market economy Skyscrapers Urban resident Emergent middle class Myths are created as a fallout Myths resolve cultural contradictions ©TNS 2013 11
  • 14. “Romantic” rural tourism New attitudes and practices: - Rural tourism - Farming as leisure New forms of consumption Social shift: boom in car ownership Urbanites explore countryside New cultural representations ©TNS 2013 12
  • 15. Nostalgia for the “rural” in the city Repurposing of derogatory terms for rural folks – as cute / folksy ‘Hometown’ style restaurants – drawing on the same symbolic codes ©TNS 2013 ‘Chilled out’ / ‘Modern’ versions of Cultural Revolution imagery 13
  • 16. The same emergent code everywhere… ‘Ethnic’-style clothing in fashionable markets Repurposing of derogatory term on snack brand Rural / nature codes on water bottle ©TNS 2013 14
  • 17. Self/Other - Basic oppositions (Adapted from: Griffiths et al. 2010) Self Rule Order Human Culture Controlled Lawful Clean ©TNS 2013 : : : : : : : : Other Disrule (absence of rule) Disorder Animal Nature Uncontrolled Lawless Dirty 15
  • 18. Self/Other –Romantic Reappraisal (Adapted from: Griffiths et al. 2010) Self : Constraint (rule) : Predictable (order) : Artificial (human) : Urban (culture) : Reserved (controlled): Conventional (lawful) : Formal Sterile (clean): ©TNS 2013 Other Freedom (disrule, absence of rule) Unpredictable (disorder) Natural (animal) Rural (nature) Impulsive (uncontrolled) Creative (lawless) Fertile (dirty) 16
  • 19. Ideological innovation Desirable Materialism Consumption Hedonism New rural purity Rural Urban Poverty Ugliness Disease Pollution Corruption Impurity Undesirable ©TNS 2013 17
  • 20. Strategic implications: • • • • Consumer trends Marketing and communications Environmental management China’s future Real-world results: • Two award-winning campaigns • Sales +46% vs. +25% for the category • Brand as the #2 market player versus #5 ©TNS 2013 18
  • 21. Creative / political strategy – rural heroes         Poor rural boy Real-life migrant story Discovered by director Cast as hardworking bumbling country-bumpkin In show about military unit Which valorizes effort & overcoming Becomes accidental hero Adopted by media as national champion / icon = redrawing of urban / rural boundary = new lines of inclusion & exclusion = new form of social engineering* ©TNS 2013 Implications for brands: - Emphasize struggle not just aspiration - Equity vs. inequity - Social conscience - Poetic justice *Source: Griffiths & Zeuthen (2014) ‘Bittersweet: Chiku Civilization’ - forthcoming 19
  • 22. Cultural strategy Not just functional benefits + emotional territories but grounded in society and culture (1) A brand advances an ideology (2) Expressed by myth + cultural codes (3) That resolves a cultural tension (4) Caused by a social disruption (5) Via source materials repurposed from subcultures, movements and media myths ©TNS 2013 Source: Holt, D. and Cameron, D. (2010), 20 ‘Cultural Strategy’, Oxford
  • 23. Conclusions / Implications Conduct research with a broader focus - on culture and society, rather than on narrow predefined markets Shift the emphasis towards method + strategic insight (i.e. thinking, concepts, and the application of tools) Brand strategy not just tradeoffs over functional benefits + emotional territories but grounded in society and culture Different priorities for sampling – because focus is on meaning not marketing objectives: flexible, constantly reformulate frames, deliberately sample outliers, oppositional examples. Rethink client-agency interactions so that the holistic ambitions of cultural analysis have primacy ©TNS 2013 Ethnography should be reclaimed as a mode of cultural analysis – not abused as a term for on-site interviews 21
  • 26. November 20-21, 2013 | Singapore Twitter Hashtag #QUAL360