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Embroidery




             Jacob Magraw
-Dates to Iron Age Northern Europe,
ancient Egypt, and Zhou Dynasty
China

-Developed out of the sewing
techniques used to to reinforce and
mend clothing

- Became a mark of wealth and status
in many cultures including ancient
Persia,India, China, Japan, Byzantium,
and medieval and Baroque Europe.

-Traditional techniques passed down
through generations and are still used
today




                                         embroidered silk gauze ritual garment, 4 th century BC,
                                         Hubei province, China
Opus Anglicanum (English Work)

 -fine needlework of Medieval England
done for ecclesiastical or secular use
on clothing, hangings or other textiles,
 late 12th to mid 14th centuries.

-viewed as an art form on a par with
stained glass, sculpture and architecture

-most professionals embroiderers
 during this period were men

-incorporated gold and silver thread,
Glass beads, pearls on velvet.

-motifs include saints, angels, animals,
Flowers.
Bayeux Tapestry, 1070

-an embroidered cloth nearly 230 ft
long depicting the events that led up
to the Norman conquest of England.

-consists of some fifty scenes with
 Latin captions, embroidered on linen
with coloured woollen yarns.

-an early example of narrative art,
not unique at the time it was created
but is the sole surviving example
of Middle Ages' narrative needlework.
Embroidery was a very important art
in the Medieval Islamic World.
 Embroidery was visible on
handkerchiefs, uniforms, flags, calligraphy,
shoes, robes,tunics, horse trappings,
slippers, sheaths, pouches, covers
and even on leather belts.
 Many craftsmen embroidered with
gold and silver. Embroidery cottage
industries employed over 800 people.
Samplers
 A method of classifying stitches by their structure, and often
Display a wide range of colors and techniques.
Elizabeth Parker's Sample, 1830
-a confessional embroidery
that recounts the tragic
story of her early life
Contemporary Embroidery
Louisa Bufardeci
1 3 c a p ture d te le p ho ne c o nve rs a tio ns -
a ll o ne m inute lo ng
 machine embroideries
Aidan Sofia Earle
So rting
Mixed media on paper
Josh Blackwell
Pla s tic Ba s ke ts
“Thinking about the idea of consumer responsibility led me to begin collecting plastic bags from
kitchen cupboards and city streets six years ago. What began as an exercise in environmental
conservation evolved into a studio practice combining aspects of painting, sculpture, and installation.
Plastic bags are the second most common form of litter in the world after cigarette butts. Their
degraded status and ubiquitous presence are fascinating to me, attempting to balance between
convenience and excess. Quickly used and then discarded, their textured surfaces wear the remains
of physical activity like dirty laundry left on the floor. The bags attempt to redress their impoverished
status with the addition of colorful embroidery in geometric patterns.”
Erin Endicott
He a ling Sutra #1 0
Hand Embroidery on Antique Fabric
stained with Walnut Ink
Emily Barletta
Emily Barletta
Thread on paper
Hugeuette Caland
Embroidery on sheepskin
Hugeuette Caland
Embroidery on smock
Charlotte Lancelot for Gan Rugs
Sourcebook 1A:

List 10 alternative materials that you could possibly embroider with.
List 10 alternative materials that you could embroider on.
Due : A us t 2 9 th
       ug

Sourcebook 1B: Artist Research

Artist Bio: where he/she was born/educated, is he/she still alive,and any other
Personal information.

Photocopies or prints (color) of at least 2 works of the artist with a list of
Materials used and the dimentions of the work.

Written information about the artists intent. This may come from an artist's
Statement, and interview of the artist, a review of their work, etc.

A. What do you find interesting about the way this artist is using embroidery?
B. Why did you choose this artist/what do you like or dislike about his or
   her work?

Due : A us t 3 1 s t
       ug
For class on Friday:

-muslin to embroider on
-needles (including a #12 chenille)
-embroidery hoop
-scissors
-water soluble fabric pen
-sharpie
-ruler

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Embroidery

  • 1. Embroidery Jacob Magraw
  • 2. -Dates to Iron Age Northern Europe, ancient Egypt, and Zhou Dynasty China -Developed out of the sewing techniques used to to reinforce and mend clothing - Became a mark of wealth and status in many cultures including ancient Persia,India, China, Japan, Byzantium, and medieval and Baroque Europe. -Traditional techniques passed down through generations and are still used today embroidered silk gauze ritual garment, 4 th century BC, Hubei province, China
  • 3. Opus Anglicanum (English Work) -fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, late 12th to mid 14th centuries. -viewed as an art form on a par with stained glass, sculpture and architecture -most professionals embroiderers during this period were men -incorporated gold and silver thread, Glass beads, pearls on velvet. -motifs include saints, angels, animals, Flowers.
  • 4. Bayeux Tapestry, 1070 -an embroidered cloth nearly 230 ft long depicting the events that led up to the Norman conquest of England. -consists of some fifty scenes with Latin captions, embroidered on linen with coloured woollen yarns. -an early example of narrative art, not unique at the time it was created but is the sole surviving example of Middle Ages' narrative needlework.
  • 5. Embroidery was a very important art in the Medieval Islamic World. Embroidery was visible on handkerchiefs, uniforms, flags, calligraphy, shoes, robes,tunics, horse trappings, slippers, sheaths, pouches, covers and even on leather belts. Many craftsmen embroidered with gold and silver. Embroidery cottage industries employed over 800 people.
  • 6. Samplers A method of classifying stitches by their structure, and often Display a wide range of colors and techniques.
  • 7. Elizabeth Parker's Sample, 1830 -a confessional embroidery that recounts the tragic story of her early life
  • 9.
  • 10. Louisa Bufardeci 1 3 c a p ture d te le p ho ne c o nve rs a tio ns - a ll o ne m inute lo ng machine embroideries
  • 11. Aidan Sofia Earle So rting Mixed media on paper
  • 12. Josh Blackwell Pla s tic Ba s ke ts
  • 13. “Thinking about the idea of consumer responsibility led me to begin collecting plastic bags from kitchen cupboards and city streets six years ago. What began as an exercise in environmental conservation evolved into a studio practice combining aspects of painting, sculpture, and installation. Plastic bags are the second most common form of litter in the world after cigarette butts. Their degraded status and ubiquitous presence are fascinating to me, attempting to balance between convenience and excess. Quickly used and then discarded, their textured surfaces wear the remains of physical activity like dirty laundry left on the floor. The bags attempt to redress their impoverished status with the addition of colorful embroidery in geometric patterns.”
  • 14.
  • 15.
  • 16. Erin Endicott He a ling Sutra #1 0 Hand Embroidery on Antique Fabric stained with Walnut Ink
  • 22. Sourcebook 1A: List 10 alternative materials that you could possibly embroider with. List 10 alternative materials that you could embroider on. Due : A us t 2 9 th ug Sourcebook 1B: Artist Research Artist Bio: where he/she was born/educated, is he/she still alive,and any other Personal information. Photocopies or prints (color) of at least 2 works of the artist with a list of Materials used and the dimentions of the work. Written information about the artists intent. This may come from an artist's Statement, and interview of the artist, a review of their work, etc. A. What do you find interesting about the way this artist is using embroidery? B. Why did you choose this artist/what do you like or dislike about his or her work? Due : A us t 3 1 s t ug
  • 23. For class on Friday: -muslin to embroider on -needles (including a #12 chenille) -embroidery hoop -scissors -water soluble fabric pen -sharpie -ruler