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Wiener Werkstätte
- 1. Josef Hoffmann 1870 -1956 Koloman Moser 1868 -1918
Hinweis der Redaktion
- Sala esposizione
- Sala da pranzo
- Moser, poltrona per il sanatorio 1903, faggio dipinto, sedile di canna dipinta
- Sedie per il sanatorio
- Posate per il sanatorio
- Mackintosh, Glasgow school of arts, 1906, Hoffmann, Palazzo Stoclet, 1906-11
- La parte terminale della copertura
- Sala da pranzo dipinta da Klimt, l’albero della vita
- Atrio del palazzo
- Sedia del cabaret, legno curvato dipinto e pelle
- Distintivo per chi lavorava al cabaret
- Album dell’argenteria dall’archivio ww.
- Ingresso del negozio della WW, a Vienna 1908
- Peche, decorazione per albero di Natale…
- Cartoline della WW, inviate da Klimt a Floge
- Scatole ricoperte con carte e cartoline della WW. I 12 mesi dell’anno cartella con litografie originali…
- Kolo Moser, Scrigno, 1905
- Hoffmann Object Vase Date 1905-1910 Techniques Electroplated silver on brass with glass Artist/designer Wiener Werkstätte (maker) Place Vienna (city), Austria Dimensions Diameter 7 cm Height 17.7 cm Museum number M.19-1982 Josef Hoffmann studied architecture at the Academy of Fine Arts in Vienna under Carl von Hasenauer and Otto Wagner and was influenced by their theories of a functional, modernist architecture. After winning the Rome prize in 1895 and joining Wagner's office, he established his own office in 1898 and taught at the Vienna Kunstgewerbeschule from 1899 to 1936. He was a founding member of the Vienna Secession, an avant-garde group of artists and architects. In 1903 he founded the Wiener Werkstätte with Koloman Moser. Hoffmann's earliest works reflect the Vienna Secession's variant of Art Nouveau and his later work shows a pioneering use of geometric and abstract design. His most famous building, the Palais Stoclet in Brussels, built 1905-1911, exemplifies the ideal of the 'Gesamtkunstwerk' or 'total work of art'
- Porgetto per bicchiere e bicchiere da vino, champagne 1912/13
- realizzazione
- Lavori in ottone, Hoffamann, 1922
- Josef HOFFMANN , Dress design, 1910, Wiener Werkstätte
- Josef Eduard Wimmer-Wisgrill, Kleid, 1920, © Georg Mayer/M
- Lo sviluppo del reparto moda e la produzione di tessuti imponevano l’apertura di un nuovo punto vendita, un negozio interamente adibito alla vendita di tessuti…1917
- Gustav Klimt Friederike Maria Beer 1911, abito di Dagobert Peche influenza di Poiret camicia senza corsetto e la parte conclusiva della gonna a pantalone all’odalisca
- Egon Schiele, Friederike Maria Beer, 1914
- Friederike Beer nella sua abitazione arredata dalle WW. Abito con tessuto di Ugo Zovetti, 1913
- Klimt, Eugenie Primavesi 1913/1914
- Hoffmann moser These were derived from Eastern European peasant art and geometric motifs in contemporary painting. They were an important influence on Art Deco ornamentation
- Ferdinand Kramer, sedia B-403, Thonet, 1927
- Ferdinand Kramer, sala da pranzo di casa Oud, 1927