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Romanticism was a multi-layered movement that took many
forms and affected most branches of the arts. It began in the late 18 th
century and flowered most fully in the early 19 th.
         Unlike the Neoclassicists who promoted order and reason, the
Romantics believed in the power of the imagination, emotion and
individualism. These qualities could be evoked in very different ways.
Much of their work was focused on the past but was typically set in the
Middle Ages rather than classical antiquity. While classical artists
reshaped nature to suit their ordered compositions, the Romantics
portrayed it as wild and ungovernable. In their landscapes, some
Romantic painters liked to show the individual as being dwarfed by the
forces of nature, which were portrayed as an expression of human
emotions and often given a mystical or visionary role.
         At the same time, a sense of individualism can also be linked to
the spirit of rebellion that epitomizes the Romantic era. Its anti-rationalist
overtones led artists to explore themes that were linked with horror,
madness, violence and the supernatural. There was also a taste for the
exotic.
Cupid and
 Psyche
   by
 Gerard
Portrait of
Madame
Récamier
   by
 Gerard
Portrait of the
  Empress
 Josephine
      by
  Prud’hon
The Raft of the Medusa by Gericault
A
Madwoman
   and
Compulsive
 Gambler
    by
 Gericault
The
Madwoman
 Afflicted
with Envy
    by
 Gericault
Aspasia
   by
Delacroix
The
Massacre
of Chios
   by
Delacroix
Liberty
Leading
   the
 People
    by
Delacroix
The Algerian
  Women
    by
 Delacroix
The
Departure of
    the
 Volunteers
  of 1792
     by
   Rude
Esther
   by
Chassériau
Witches
in the Air
    by
  Goya
The Witches’
  Sabbath
    by
   Goya
Time and the
Old Women
    by
   Goya
Saturn
Devouring
 His Son
   by
  Goya
The
Hülsenbeck
 Children
    by
  Runge
The
Wanderer
Above the
Sea of Fog
    by
Friedrich
The Sea of Ice by Friedrich
Man and Woman
Contemplating the Moon by Friedrich
The Romantic movement in Germany was led by a
group of artists known as the Nazarenes (c.1809-30), who
sought to revive honesty and spirituality in Christian art. This
was most obvious from their attempts to mimic the lifestyle of
the painter-monks from the early Renaissance. The term
“Nazarene” stemmed from their communal, semi-monastic
lifestyle and their affectation of wearing biblical clothing and
hair styles.
          Contemporary critics believed that the Nazarenes were
responsible for the rebirth of German art, although they
conceded that much of their work was focused on the past. The
Nazarenes were also closely linked with the upsurge of
nationalist sentiments in Germany, which led some of their
members to portray patriotic themes from German history and
legend. The Nazarenes also attempted to revive the art of
medieval fresco painting.
The Wise and Foolish Virgins
     by von Cornelius
Italia and
Germania
    by
Overbeck
Christ’s First Appearance to the People
                by Ivanov
Pegwell Bay by Dyce
The Nightmare by Fuseli
The Three Witches by Fuseli
The
Ancient of
  Days
   by
 Blake
The Red
Dragon and
the Woman
 Clothed in
  the Sun
     by
   Blake
Early Morning
  by Palmer
Shoreham
 Garden
   by
 Palmer
Pandemonium by Martin
The Great Day of His Wrath by Martin
The White
 Horse by
Constable
The Hay Wain by Constable
Stonehenge by Constable
The
 Slave
 Ship
  by
Turner
Rain, Steam and Speed by Turner
Moonlit Landscape by Allston
Elijah in the Desert by Allston
Daniel
  Boone
 Sitting at
the Door
  of His
  Cabin
     by
   Cole
The Course of Empire: Destruction by Cole
Fanciful Landscape by Doughty
Desert Rock Lighthouse by Doughty
Denning’s Point, Hudson River by Doughty
Indian
Rescue
  by
Durand
Niagara
Falls from
    the
American
   Side
     by
 Church
The Oregon Trail by Bierstadt
Rocky Mountain Landscape by Bierstadt
Art Appreciation Topic VII: Romanticism

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