Physiognomy:The science of observation in Homoeopathy way

Monday, December 22, 2014
PHYSIOGNOMYPHYSIOGNOMY
-The science of observations-The science of observations
Compiled by:Ankit srivastav
B.H.M.S(Gold medalist), M.D. (PGR)
Gorakhpur, U.P., India
Email:ankitsrivastava183@gmail.comDrAnkitsrivastav@copyright2014
email:ankitsrivastav183@gmail.com
1

INTRODUCTION
• Physiognomy - An ancient art & a modern
scientific study of judging human characters by
facial features of face or form of body.
• Physiognomy is also referred to as Face Reading,
Personology and Characterology that gives us an
understanding of humanity and human nature.
DrAnkitsrivastav@copyright2014
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• Physiognomy was originated in Greek culture
and since 5,000 years it has developed both
in eastern and western culture.
• In ancient India Physiognomy was called
"Mukha Lakshana Shastra" i.e. science of
reading the face.
HISTORY
3

 Johann Kasper
Lavator is considered as the
father of physiognomy. Aristotle,
Socrates, Plato and other
propagated it far and wide.
Monday, December 22, 2014 Johann Kasper Lavator
HISTORY
4

• “An exact relationship exists between the soul and the body,
between the internal and the external of a man…the infinite
variety of the souls or internal nature of a man creates an infinite
variety in his body or externality...If such differences do exist then
they must be recognizable they must also be the basis for an exact
science.”
-Johann Kasper Lavator
HISTORY
5

Internal Qualities shows external signs
• Ancient Chinese physiognomists believed that each
face could predict owner’s future. In some respect,
this view is conformed by evidence that certain facial
characteristics are related to the kinds of diseases
that one is likely to develop later in life.
6

“Certain diseases alter the expression or appearance of
the face because the disease process is related to the
development or physiology of face and affects its
structure or behavior or both”
• The ‘psyche’ exerts a
powerful impact on facial
expressions and has the
capacity to alter the
architecture of the face in
a permanent way.
7

Frown is a good example of how emotions
disturb physiology and anatomy of the face.
8

• Most of these facial features have as their basis the
bony structure of the skull, on which the soft tissues lie.
• These features include the shapes and positions of
major areas and landmarks of the face, such as the
forehead, eyebrows, nose, cheeks, mouth, chin.
• Smaller features makes significant approach in
physiognomy.
9

IN HOMOEOPATHY
CONSTITUTION
• Body Built / Make up of the body
(physiognomy).
• Aggregate of stable, functional morphological
characteristics of an individual heredity
factors, acquired properties through
interaction with socio-ecological environment.
10

APHORISM - 5
…..the most significant points in the whole
history of the chronic disease, to enable him to
discover its fundamental cause, which is
generally due to a chronic miasm. In these
investigations, the ascertainable physical
constitution of the patient (especially when the
disease is chronic), his moral and intellectual
character, his occupation, mode of living and
habits, his social and domestic relations, his age,
sexual function, etc; are to be taken into
consideration.
11

HEIGHT
• A tall man is usually a
symbol of good
personality and Gentle
in behavior.
• A short statured man
is romantic in nature,
often he/she is clever
and cunning.
12

HEIGHT
• TALL-constitutions :-
ph-ac. calc-p. Phos. sep. sil. sulph.
kreos. mag-p. Coff. tub.
• DWARFISH-constitutions :-
BAR-C. Bar-m. borx. bufo CALC-P.
Calc. Carbn-s. Carc. Con. lyc. mag-m.
MED. merc-pr-a. merc. Ol-j. op. ph-ac.
sec. SIL. sulfa. SULPH. SYPH. Thyr.
Tub. zinc.
13

HEAD
• Big and a rounded head :-
Discreetness, keeps secrets,
perseverance and benefactor.
• Big head and wide face : -
Impolite and heartless.
• Small sized head : Stupid,
can’t keep secrets.
• High skull :- Clever,
intelligent.
• Wide at the top and big
head : Tidiness.
• Bumps at the top of
skull : Hypochondriac,
apprehension.
14

HEAD
• BIG HEAD :- Calc. phos, Cal. Carb, Silicea
• HEAD-SWOLLEN :– Scalp- Apis ARS. Bell.
caust. Cham. crot-h. cupr. Daph. dig. euph. glon.
Graph. lach. mang. merc. mez. op. petr. phos.
puls. RHUS-T. ruta.sep. stram. sulph.
• HEAD-SMALL :- acon. chel. coff. glon. Grat.
limest-b. pic-ac.
15

HAIR
• Thin (slim) dark hair : Sensitive heart and body,
cares about good health.
• Soft hair : Obtrusive and coward. PHOS. Hep. bell. ph-ac.
mez. borx.
• Fine Hair: gentile nature & keen mind, but
warns of cowardice. tub.
• Blond hair : Arrogance, pride, anger, trickster.
• Long, flat, thin blond hair : Low resolution.
HEAD - HAIR – thin psor. sil. tub.
HEAD - THIN – hair aloe sanic
16

HAIR
• Very dark hair : Jealous.
• Muddy hair : Disposition, not shows loyalty, untrustworthy.
• Dense and hard hair : Authoritarian, Hard and stubborn.
• Dense and much hair :Stupid.
17

HAIR
• Curly hair : romantic, Dutiful. HEAD - HAIR - curly, becomes mez.
• If hair has big curls : Stubborn.
• If hair can easily being combed to the left and
right side of the head : Untrustworthy.
• Coarse Hair : is considered a sign of boldness, but
lesser intellectual ability. HEAD - HAIR – coarse sil.
18

FACE PROPORTIONS
• If you divided your face to three
horizontal parts, you will find that one
of the parts is relatively larger than
the other two parts. This dominant
part can tell some information about
your personality and thinking style.
The three parts are:
1) Upper part (Starting from hairline of the face up until the eyebrows)
2) Middle part (Starting from the eyebrows till the end of the nose)
3) Lower part (Starting from the nose tip till the chin)
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• indicates intelligence and a logical
approach towards problem solving.
• Thus, people with dominant upper
parts will be more interested in
fact and logical thinking than
others.
• A wide forehead shows that the
person is intelligent but a small
forehead doesn’t mean that he is not.
20

• are ambitious. They strive
to be better and to improve
the way their life is.
• Such people may sacrifice
lots of things for the sake of
reaching their goals or
making their dreams come
true.
21

• May enjoy taking physical risks.
• May find people from this
category to be boxers or
wrestlers.
• These people are practical and
like to see how your ideas can
fit in the real physical world
rather than just hearing them.
Monday, December 22, 2014 JOHN CENADrAnkitsrivastav@copyright2014
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• Various features of the face represents various
character of a person.
• After a certain number of years, our faces
become our biographies.
• There are six types of face outline viz. Oval,
Broad, Thin & Long, Round, Square, and Pear
Shaped.
23

OVAL FACE
• Enhances Beauty in
woman
• Signifies refined
tendency in man
• Friendly and Loving
• Strong Individuality
• Lacks driving Force
24

BROAD FACE
 Broadness of mind &
Steadiness
 Tolerant and
Benevolent.
 Forgive & Forget Policy
 Laugh more-worry less
25

LONG & THIN FACE
• Tolerant
• Stubborn
• Hopeful
• Hardworking
26

ROUND FACE
 Jovial & Humorous.
 Confident & Optimistic.
 Enthusiastic.
 Kind & Easy living
formula.
27

SQUARE FACE
• Determination.
• Action and Speed.
• Go-getter.
• Achiever.
28

PEAR-SHAPED FACE
 Intellectual Creativity.
 Artistic Brilliance.
 Sensitive and
compassionate.
 Authors, Artists, Fine
Arts……
29

FOREHEAD
The forehead's shape determines the method of thinking
that the person uses.
30

FOREHEAD
• This person follows a
progressive style in his thinking;
he can't jump to the third point
without first knowing the
second.
• Sometimes he is
misunderstood as a child and
thought of as dumb, but in fact
he may be very intelligent. It's
just his progressive style of
thinking that needs to be taken
into consideration.
The straight forehead (The progressive thinker):
31

FOREHEAD
• That person builds conclusions
fast to the extent that he may
interrupt you many times
while you are talking because
he keeps on guessing what are
you about to say.
• This person may get bored
when talking to someone with
a straight forehead because of
the speed difference between
them.
The slopped forehead (The fast responder):
32

FOREHEAD
• This person is very creative, That
person hates restrictions and
rules.
• he likes to use his imagination
and would probably hate
Mathematics and accounting but
excel in arts.
The curved forehead (The creative):
33

FOREHEAD
• If upper surface of the forehead is swollen :
Strong memory, High intelligence and understanding.
• If central of the forehead is swollen :
Fast thinking brain.
• If bottom of the forehead is swollen :
Skillful at job and in arts.
• Vertical frown lines between the eyes show a logical, hardworking
and a very decisive individual.
34

FOREHEAD
• Narrow and low forehead :
Stubborn and not thinking brain.
• Low and cambered forehead :
A person who can’t decide and move on his/her own.
• Fleshy forehead : Brave and nervous.
• Very small forehead : Mental deficiency.
35

Eyebrows
 Exceedingly Heavy Thick & hard: Indicate
great strength and dictatorial nature.
 Dense and soft eyebrows : Politeness,
strong mind and high intelligence.
 Vertical, flat and fat eyebrows : Cold
blooded, cool and tolerant.
 Thick Eyebrows: Practical & Realistic, Independent.
 If eyebrows too close to eye : high intelligence.Monday, December 22, 2014
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Eyebrows
Superiority complex
Well Mannered
Vigilant, Critical, Good at
keeping secret and good
memory.
• Low intelligence, Easy-going And
Show someone who is influenced easily.
If eyebrows far from each other and separate forehead
to 2 parts:
Short and mixed eyebrows:
High Eyebrows
37

Eyebrows
Frivolous but charming.
Daydreamer.
show Exaggerated
and strong sense of curiosity.
If eyebrows curved up at the end:
Soft and rare eyebrows:
Arched Eyebrows:
38

Eyebrows
• Dark black eyebrows :
Generally a good character.
• Thin eyebrows :
Arrogance, pride.
• Downward sloping eyebrows shows :
Ambition.
• Frowning eyebrows :
Jealous, nervous and double faced.
FACE - WRINKLED – Eyebrows HELL. LYC. ox-ac. Rheum stram. ther. viol-o.
39

Eyes are the windows of one’s heart
They radiate qualities such as love, amusement, sympathy & character.
40

Eyes
 Fault Finders & Nagging
Behavior.
 Good Assessor.
 Critical by Nature.
 Believes in ‘judging one
integrity through faults’.
DOWNWARD SLOPING EYES
41

Eyes
 Easy to go with
 Non Critical
 Clear & Straightforward
 Believes that ‘All learn from
mistakes’
UPWARD SLOPING EYES
42

Eyes
• Fun-Living and Enthusiastic.
• Source of Inspiration.
• Benevolent.
• Believes that ‘Life is full of
happiness and joyful color’
SPARKLING EYES :
43

Eyes
• Apprehensive and worried.
• Always Uncomfortable.
• Difficult to lead a normal
life.
• Believes ‘Life is hazardous
to live’.
PLAIN EYES :
44

Eyes
• Black eyes : Well-mannered.
• Blue eyes : insensitive, merciless, malicious,
disinterested.
• Light blue eyes : Daydreamer, artist, pure.
• Green eyes : Cursed, malicious.
45

Eyes
• Small and sharp eyes : Active, snob and brutal.
• Big and bright eyes : High intelligence and well-mannered.
• Big and transparent eyes : Suspicious and cantankerous.
• Fixed looking eyes : Stubborn and jealousy.
• Protruding eyes : Insanity, extravagant, stubborn, brutish
emotions.
46

NOSE
-Prone to Cruelty.
- Emotionless.
- Harsh & Rough.
- Selfish & Mean.
-Good Personality.
-Good Imitator.
Pointed NoseEagle Nose Downward Pointing Nose
Sharp-tipped noses
- those easily provoked (like dogs)
47

NOSE
• Practically.
• Dependent.
• Wishes to manage
things on self
theories.
Thin Nose
• Worldly Health.
• Possessor of
materialistic &
spiritualistic wealth
Plump Nose
• Artistic Temperament.
• Signifies originality.
Artistic Nose
people with snub noses are vain, untruthful,
unstable, unfaithful and seducers.
48

MOUTH
Size is considered
• A Small mouth indicates a frugal , Sensibility, durable, merciful and
ambitious.
• Very small mouth : Naughty.
• Big mouth : Bad character.
• Big and wide mouth: indicates extravagance, Gluttonous, liar and talkative.
• Very wide mouth : Exaggeration.
• Half open mouth : Low intelligence.
• Split mouth : Rudeness.
49

MOUTH
• An Upward, curved Mouth: shows an agreeable nature, one who is
generally happy.
• A downturned Mouth: shows a demanding and obstinate person,
who is more unhappy than another.
• A Mouth that is straight across, indicates a person with self control.
The curvature of the Mouth: discloses the basic temperament.
50

TEETH
• Long front teeth: When the two front middle teeth are much
longer than the other teeth then this means that this person is
stubborn especially if his chin was pointed too.
• Big distance between front teeth: this means that this
person may be a risk taker. He may rush to buy
something or to try something new.
• Large Teeth: denote strength.
• Small Teeth: indicate a methodical approach to life.
51

Lips have language
 Lips are expressive and appealing.
 Communication, love, affection, determination
and friendliness can be devised from the
position, structure and movement of lips.
52

LIPS
• Small Lips can indicate selfishness.
• Thin Lips indicate impatience, that may disregard
others feelings.
• Large Lips can show generosity.
• Thick Lips show one who openly expresses their
opinions.
• Lips of Medium thickness indicate loyalty.
• Two lips unequal in size, line of closure irregular,
raised or lowered at one corner confirm the
criminal tendencies.
53

LIPS
Drooping Lips
- Abruptness
- Self seeking
nature
- Gloomy
- Lethargic
Pressed Lips
54

UPPER LIPS
• Deep groove running down
from nose to upper lip
displays modesty and tends to
check egotism.
• Relatively long entire upper
lip: from nostrils to the line of
closure of mouth displays the
self-estimative propensities
like dignity, self-respect even
extravagant ideas of one's
importance.
55

UPPER LIPS
• A protruding upper lip: reveals a fault finder.
• Upper lip pointed downward in the centre and
trying to overlap the line of closure of mouth
shows a secretive tendency, amativeness.
56

LOWER LIP
• Big lower lip: benevolent.
• A very full and red lower lip of coarse quality
discloses a great eater and talker i.e. gourmand
and loquacity.
• Lower lip curving downward and outward, just
where the canine teeth are situated, denotes
destructive and cruel tendencies.
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• Indicates a firm sense
if purpose and
denotes positive
characteristics like
conscientiousness,
order, precision,
mechanical &
scientific tastes and
moral courage.
CHIN - ethics
A prominent Chin:
(Square or bony chin)
58

CHIN - ethics
• reveals a yielding, soft
or infantile nature and
someone who changes
their mind often.
• A Short Small, round,
soft, globose chin
59

CHIN - ethics
• indicates lacks
firmness and
perseverance, an
impatient nature
opinions that are
easily altered.
A Receding chin:
60

• Oval or muscular chin: shows talent for some form of art
like poetry, painting, action, dancing or singing.
• A Long Chin: shows someone who sticks to what he say.
• An undue projecting chin: points out an avarice, hoarding
up character with an active and shrewd mind.
• A Pointed Chin: belongs to an out-going, positive person
who makes quick decisions.
• A Wide Flat Chin:indicates procrastination.
• A Cleft: in a chin shows someone who is self-centered &
with a hidden agenda.
CHIN - ethics
61

JAW (LOWER)
• A curved or artistic jaw terminates in oval chin
and is significant of normal strength and a taste for
art and beauty.
• A square jaw forming a wide chin always denotes
moral power with either mechanical or scientific
tendencies.
62

CHEEKS - happiness
• Round, full cheeks, sometimes hanging down in soft folds
upon neck, show gluttonous tendencies.
• Dimples of the cheeks and chin are tokens of the affectional
nature and denote the active passions of amativeness and a
desire to please and attract the admiration of others.
• Dimples near corners of mouth are evidences of
mirthfulness, love of fun and good humor and wit.
63

EARS
• Ears denotes one’s control and power of
management of life….. And…… self.
64

EARS
-Materialistic
-Showy
-Strong
-Self Confidence
-Obstinate
-Acheiver
Round Ears Squarish Ears
Pointed Earlobe Ears
Haired Ears
Pointed Ears
-Hard worker
65

EARS
-Good Fortune
-Good Relationship
-Good
Administrator
-Comprehensive
-
Flat Ears
Thick Earlobes
Wider In-circle Ears
Small In-circle ears
-Co-operative
• Good Natured
• -Family oriented complacency
66

EARS
• Big ears: good listener.
• small ears: a person with small ears may become
overwhelmed if you talked a lot.
• Narrow, long thin, bloodless ears, set closely against the side
of the head are associated with a timid personality
• Attached Earlobes or Ears without Lobes are considered to
show lack of focus and initiative.
• Detached Earlobes indicate a seeking creative nature.
67

EARS
• Low set ears: A person with low set ears has a
lower rate of receiving information. Give him very
fast instructions and he will be totally lost.
• High set ears: People with relatively higher ears
usually receive information faster than others. I
am not referring to intelligence here but rather to
the rate with which they can adsorb new
information.
• Sticking out: Shows drive & originality.
68

Neck
better known as willful neck shows
great resistance and aggression.
denotes timidity and great
sensitivity.
A short, thick neck
A muscular, beautiful, short neck
reflects-amativeness.
A long, thin neck
69

HANDS
Small Fingers and Large Palm Base :
70

HANDS
Large Fingers and Smaller Palm base :
71

HANDS
• Small body and big hand : Artistic, Skillful, ambitious
and trickster.
• Hard hand : hard working, Quarrelsome.
• Cold, smooth, flat and sensitive hand : Egoist.
• If the hand is pink and veins are transparent:
Benevolent, high intelligence and big-hearted.
72

PHYSIOGNOMY & Materia medica (allen key notes)
• Acetic Acid-Adapted to pale lean persons with lax, flabby muscles; face pale, waxy.
• Causticum-Adapted to persons with dark hair and rigid fibre; weakly, psoric, with
excessively yellow, sallow complexion;
• Iodum- Persons of scrofulous diathesis, with dark or black hair and eyes;
• Kali Bichromicum-Fat, light-haired persons who suffer from catarrhal, syphillitic or
psoric affections. Fat, chubby, short-necked children
• Kali Carbonicum-For diseases of old people, dropsy and paralysis; with dark hair,
lax fibre, inclined to obesity (Am. c., Graph.).
• Lachesis-Persons of a melancholy temperament, dark eyes, and a disposition to
low spirits and indolence. Women of choleric temperament, with freckles and red
hair. (Phos.). Better adapted to think and emaciated than to fleshy persons;
• Mercurius-Best adapted for light-haired persons; skin and muscles lax.
73

PHYSIOGNOMY & Materia medica (allen key notes)
• Nitric Acid-Especially suited to thin persons of rigid fibre, dark complexions, black
hair and eyes - the brunette rather than the blonde - nervous temperament.
• Pulsatilla-Adapted to persons of indecisive, slow, phelgmatic temperament; sandy
hair, blue eyes, pale face.
• Phosphorus-Adapted to tall slender persons of sanguine temperament, fair skin,
delicate eyelashes, find blond, or red hair,
• Sepia-Adapted to persons of dark hair, rigid fibre,
• Tuberculinum-Bacillinum-Adapted to persons of light complexion; blue eyes,
blonde in preference to brunette; tall slim, flat, narrow chest;
• Thuja Occidentalis-Acts well in lymphatic temperament, in very fleshy persons,
dark complexion, black hair, unhealthy skin.
74

PHYSIOGNOMY & Repertory
• HEAD - SMALLER - left half retarded in growth fl-ac.
• HEAD - SWOLLEN – Scalp- Apis ARS. Bell. caust. Cham. crot-h. cupr. Daph. dig. euph. glon.
Graph. lach. mang. merc. mez. op. petr. phos. puls. RHUS-T. ruta
sep. stram. sulph.
• HEAD - SWOLLEN – Forehead- apis bell. cupr. dig. hell. ip. stann.
• HEAD - WRINKLING forehead thuj.
• HEAD - HAIR – dark ACON. am-m. ambr. Anac. ant-c. arg-met. Arn. Ars. asar. bell. bry. calc.
cann-s. cann-xyz. caps. Carb-v. Caust. chin. clem. con. dros. Dulc. euphr.
graph. Guaj. hell. hep. ign. Iod. ip. Kali-c. lach. led. lyc. mag-m. merc. Mosch.
mur-ac. nat-c. Nat-m. NIT-AC. NUX-V. olnd. petr. PH-AC. PHOS. PLAT. plb.
Puls. rheum rhod. rhus-t. ruta sabin. sars. SEP. sil. stann. Staph. Sulph. verat.
verb. zinc.
• HEAD - HAIR – thin psor. sil. tub.
• HEAD - HAIR – coarse sil.
• HEAD - HAIR – soft borx. phos.
• HEAD - HAIR – hard Sulph.
• HEAD - HAIR - curly, becomes mez.
Rubrics related to the physiognomy: Synthesis (radar ver.10)
75

• HEAD - SOFT - hair hangs mez.
• HEAD - HAIR – soft borx. phos.
• Constitutions - TALL, lean, slender - tubercular, delicate eyelashes, soft
hair PHOS.
• Constitutions - LYMPHATIC, constitutions - light hair and complexion,
slow to act, muscles soft and flabby Hep.
• GENERALITIES - COMPLEXION, color of eyes, face, hair - soft hair bell.
ph-ac.
• SKIN - HAIR - growth of hair; excessive - fine hairs tub.
76

Synthesis (radar ver.10)
• FACE – GREASY- agar. apis arg-n. ars. aspar. aur. Bar-c. Bry. bufo calc. carc. caust. Chin.con.
cortico. des-ac. ferr-ar. hydr. iod. lyc. Mag-c. mand. med. Merc. NAT-M. nat-sil.
nux-v. olnd. phos. Plb. Psor. raph. RHUS-T. Sel. sep. sil. stram. sulph.
thuj.Tub.
• FACE - GREASY – Forehead Hydr. nat-sil. Psor. symph.
• FACE - GREASY – Lips- am-m.
• FACE - SHINY - oily; as if- Nat-m. Plb. psor. thuj.
• FACE - DROPPING - Lips - Lower lip ars. calc. glon. manc. op.
• FACE - EVERTED lips- APIS Bell. bry. camph. merc. phyt.
• FACE - FROTHY – Lips -cina op.
• FACE - INVERTED lips- camph. cund.
• FACE - POINTED – Lips- stram.
• FACE - RETRACTION of lips -ang. camph. hydr-ac. hyos. Nux-v. phyt. plb. sec. tab.
• FACE - THICK – Lips- bufo mez. op. plat. syph. zinc.
• FACE - THIN - Lips – Upper- bov. sil.
77

• FACE - WRINKLED – Forehead- acet-ac. agar. alum. am-c. brom. bry. calc-p. Caust.
Cham. Cycl. equis-h. Graph. grat. Hell. kali-c.
lachn. LYC. mang. merc-c. merc. nat-m. NUX-V. ox-ac. phos. puls. rheum
rhus-t. Sep. Stram. Sulph. Syph. verat. viol-o. zinc
• FACE - HAIR - growth of hair - women; in – Chin- ign. ol-j.
• FACE - DISCOLORATION - red – Cheeks- cypra-eg. lac-lup. morg-p. olib-sac. Puls.
Sang. Tub.
• FACE - WRINKLED – Cheeks- LYC. plb.
• FACE - EXPRESSION – sullen- alum. falco-pe. lac-loxod-a. mag-c. nux-v.
• FACE - WRINKLED – Eyebrows HELL. LYC. ox-ac. Rheum stram. ther. viol-o.
• FACE - THIN - Eyebrow; thinned – left- tell.
• FACE - DROPPING – Jaw-acet-ac. apis Arn. Ars. Bapt. bufo Carb-v. Chel. cimic.
colch. cupr. gels. glon. Hell. hydrog. Hyos. Kali-i. LACH.
LYC. merc-cy. MUR-AC. Nux-v. OP. ph-ac. Phos. podo. sec. Stram. SULPH. suprar.
tab. vario. verat-v. zinc.
• FACE - LARGE - Lower jaw-bufo
• FACE - PROJECTS lower jaw-lac-lup.
• FACE - THICK - Jaw; lower-hep. sil.
78

• EYE – BRILLIANT- absin. acon. Aeth. ail. alco. am-caust. anh. arizon-l. Arn. Ars. atro. bapt. BELL. ben. Bry.
CAMPH. cann-i. cann-s. Canth. cedr. clem. coca cocc. Coff. Coloc. cori-m. croc. cupr. cypra-eg. diosm. emb-r. Eup-
per. euph. falco-pe. gast. Gels. Hydr-ac. hydrog. Hyos. Lachn. lil-s. Lyc. Lyss. m-ambo. merc-c. mill. mosch. nux-v.
Op. ozone Ph-ac. plb. plut-n. puls. santa. santin. sec. spig. spira. Stram. tanac. verat-v. verat. Zinc.
• EYE – PROTRUSION- acet-ac. Acon. Aeth. agn. aloe ang. anh. apis arn. Ars-i. ars-s-f. Ars. aur-ar. aur-i.
aur-s. Aur. Bar-c. bar-i. bar-s. BELL. borx. brom. bufo Cact. calc-i. calc-p. calc-s. calc. Camph. Canth. caps. cedr.
Cham. chin. chlor. Cic. Clem. Cocc. colch. Coloc. COM. Con. crot-h. cupr-n. cupr. dig. dor. Dros. dulc. Ferr-ar.
FERR-I. Ferr-p. Ferr. fl-ac. Glon. GUAJ. gymno. hed. helo-s. helo. Hep. hydr-ac. Hyos. Ign. Iod. kali-ar. kali-c. kali-i.
kali-m. kali-n. kara Kreos. lac-ac. lac-c. Lach. Laur. Lyc. m-arct. merc-c. Merc. morph. mosch. NAT-M. Nux-v. oena.
Op. par. Phos. Plat. plb. Puls. rhus-t. sang. Sangin-t. santin. sapin. spig. Spong. squil. Stann. staph. stel. STRAM.
stry. sul-ac. sul-i. sulph. tab. thuj. thyr. Verat. vip.
• NOSE – THICK agar. arg-met. aur. bar-c. bell. calc. carb-an. carb-v. Ferr-i. graph. kali-bi. kali-c.
kali-i. lach. mez. sulph.
• NOSE – POINTED anan. Ant-t. Ars. CAMPH. Carb-v. chin. cocc. Cupr. Hell. kali-cy. Lach. laur.
morph. myos-a. nux-v. op. Ph-ac. plb. podo. raph. rhus-t. sec. spong. Staph. VERAT.
• NOSE - BROAD and flat syph.
• NOSE – SHINY ambr. aur-m-n. Calc. canth. Hydr. Iris merc. Mez. ox-ac. peti. PHOS. rhus-v.
• MOUTH – OPEN acon. Agra. ail. Ang. ant-t. apis arn. ars. arum-t. bapt. BAR-C. bell. bufo Calad.
camph. Canth. carb-an. carb-v. caust. cocc. colch. crot-h. cupr. dulc. gels. glon. Hell. hydr-ac. Hyos.
ign. Lac-c. LACH. Laur. LYC. m-ambo. mag-m. merc. mez. Morph. Mur-ac. naja nat-c. Nux-v. OP.
ox-ac. ph-ac. Phos. plb. podo. puls. rhus-t. samb. sil. squil. Stram. stry. SULPH. vip.
79

• EAR - DISTANCE between right ear and right shoulder; as if more agath-a.
• SKIN – WAXY ACET-AC. APIS ARS. atra-r. calc-p. calc. chin. colch. Cupr. FERR. Ip. lyc. LYCPS-
V. nat-m. Phos. Sil. tub.
• SKIN – GREASY agar. aur. bar-c. Bry. bufo calc. Chin. mag-c. Merc. musca-d. Nat-m. plb. psor.
sel. stram. sulph. thuj.
• SKIN – THICK alum. am-c. anac. ANT-C. Ars. bell. borx. bros-gau. Calc. castor-eq. choc. cic. clem.
cupr. Dulc. Graph. hydr-ac. kali-c. Lach. Lyc. par. parth. phos. psor. Ran-b. RHUS-T. sars. SEP. sil.
sulph. thiosin. thuj. verat. viol-t.
• SKIN – THIN nat-m. phos. syph.
• EXTREMITIES - LONGER – Fingers kali-n. phos.
• GENERALS – DWARFISHNESS aster. bac. BAR-C. bar-i. Bar-m. borx. CALC-P. Calc. Carbn-s.
carc. iod. lyc. mag-m. Med. merc-pr-a. merc. nat-m. nep. nux-m. Ol-j. ph-ac. sec. Sil. sulfa. SULPH.
SYPH. thyr. Tub. zinc.
80

• GENERALS - DWARFISHNESS – children carc. med.
• GENERALS - DWARFISHNESS - emaciated babies ol-j.
• GENERALS - TALL people Coff. goss. phos. tub.
• GENERALS - TALL people – children phos.
• GENERALS - TALL people - obese; and – children cina
• GENERALS - LEAN people acet-ac. alum. AMBR. Arg-met. Arg-n. ars-i.
ars. bar-c. beryl. bry. cadm-met. calc-f. CALC-P. calc-sil. carc. caust. chin.
coff. cupr. dys. ferr. fl-ac. flor-p. gaert. graph. Hep. ign. Iod. ip. Kreos. lac-c.
lach. Lyc. mag-c. mang. merc. murx. nat-c. nat-m. Nit-ac. nux-m. Nux-v.
perh. petr. ph-ac. Phos. plb. prot. Psor. puls. saroth. SEC. sep. Sil. spig.
stann. staph. SULPH. Tub-m. tub. ust. v-a-b. verat. vib. yohim.
• GENERALS - LEAN people - bony people calc. kali-bi. sec.
• GENERALS - LEAN people – children calc-sil. phos. sulph.
• GENERALS - LEAN people – women ambr.
81

82

 "Physiognomy: How to Read Character in the Face and to Determine the
Capacity ,Author: Leila Holt Lomax , Leila Lomax;Publisher: Penn,Year: 1908
 How TO READ FACES. MARY OLMSTED STANTON,
 Body Language and Homoeopathy of Ajit Kulkarni,Publisher: B. Jain
 Organon of medicine,SAMUEL HAHNEMANN-ORGANON
 Key notes and characteristics with comparisons of some leading remedies, H.C.
Allen.
 Synthesis repertory radar ver.10.
 http://www.2knowmyself.com/face_reading/learn_face_reading
 http://www.ebooksread.com/authors-eng/mary-olmstead-stanton/a-system-
of-practical-and-scientific-physiognomy-or-how-to-read-faces--volu-ala.shtml
 http://ssdivining.homestead.com/Physiognomy.html
 http://www.caslon.com.au/physiognomynote2.htm
 http://www.google.co.in,search image, www.msn.com. bing search image.
83

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Physiognomy:The science of observation in Homoeopathy way