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Storytelling
 Kaytlin Kuns
 IB English 3 HL
 Brennan




                   IOP
In Tim O’Brien’s fictional novel The
   Things They Carried, how does
O’Brien use storytelling as a device to
  impart truth? Additionally, why is
   storytelling’s ability to preserve
   memories so vital for the human
                  soul?
Background: Tim O’Brien

Born October 1, 1946 in Austin, Minnesota
Graduated from Macalester College in 1968 and was
drafted into the Vietnam war directly afterwards
He was strongly against the war, but reported for
service none the less
Returned from his tour in 1970 and became a
graduate student at Harvard
Left Harvard to be a newspaper reporter, and would
later on become a fiction writer
O’Brien is using his
stories as a device to
 impart truth to his
       readers.
“And in the end, of course, a true war
  story is never about war. It’s about
  sunlight. It’s about the special way
   that dawn spreads out on a river
 when you know you must cross the
 river and march into the mountains
  and do things you are afraid to do.
It’s about love and memory it’s about
 sorrow. It’s about sisters who never
   write back and people who never
               listen” (81).
Subject is war; however, the story
    O’Brien is telling is not.

He is using the story as a device to
 explicate the real purpose of the
   writing: the emotional truth.
Vivid imagery of the setting to place yourself in the
footsteps of the soldiers, so that you can feel what
they were experiencing

Pathos

  O’Brien is reaching out to us on an emotional
  level to place us into the story emotionally

  “It’s about love and memory, it’s about sorrow.”

Repetition

  “It’s about”
“Even that story is made
up. I want you to feel what I
felt. I want you to know why
      story-truth is truer
sometimes then happening-
          truth” (171).
In this quotation O’Brien explains
his purpose for distorting facts of the
                story.

 O’Brien uses the distortion of the
 “happening-truth”, to amplify the
    emotional truth of the tale.
Why?

O’Brien’s purpose in writing is not to
tell us a factual account of a war story.
O’Brien is preserving what was really
felt by these people. Truth.
“happening-truth” vs “story-truth”
“Here is the happening-truth. I was once a
soldier. There were many bodies, real bodies
 with real faces, but I was young then and I
  was afraid to look. And now, twenty years
later, I’m left with faceless responsibility and
                  faceless grief.
 Here is the story-truth. He was a slim, dead,
       almost dainty young man of about
twenty. ...‘Daddy, tell the truth...did you ever
  kill anybody?’ And I can say, honestly, ‘Of
                   course not.’
       Or I can say, honestly, ‘Yes’” (172).
Here O’Brien is illustrating his final
point: the meaning behind the word
               truth.

Classically, we know truth to be what
factually is; however, what O’Brien is
emphasizing to us is a philosophical
 view of truth emphasizing not facts
       but emotional realism.
How?
Through his stories.
Why should we care?
Stories are essential
for the human soul.
   Stories teach us and comfort us.
Stories connect bring people together.
          They immortalize.
     Stories can save what is lost.
“The thing about a story is that you
  dream it as you tell it, hoping that
 others might then dream along with
  you, and in this way memory and
imagination and language combine to
 make spirits in the head. There is the
     illusion of aliveness” (218).
O’Brien explains how he uses his
stories as a tool to whittle and mold
     them with his imagination.

By manipulating the stories this way
  O’Brien states they bring people
together, by inviting others to “then
      dream along with you”.
“And as a writer now, I want to save
 Linda’s life. Not her body--her life.
 She died of course. ...It was a brain
tumor. ..But in a story I can steal her
soul. I can revive, at least briefly, that
which is absolute and unchanging. In
 a story, miracles can happen. Linda
 can smile and sit up. She can reach
 out touch my wrist and say, ‘Timmy,
          stop crying’” (224).
Illustrating a Transcendentalist view

 “I want to save Linda’s life. Not her
 body--her life.”
“We kept the dead alive
  with stories” (226).
Both of these quotes illustrate one of
   the most important reasons why
 storytelling is so important to us as
                humans.

       We as humans are mortal.
 But words, ideas and stories can live on.
    One may be gone, but never lost.
           The dead can live.
“I’m young and happy. I’ll never die. I’m
skimming across the surface of my own
   history, moving fast, riding the melt
   beneath the blades, doing loops and
 spins, and when I take a high leap into
  the dark and come down thirty years
 later, I realize it is as Tim trying to save
     Timmy’s life with a story” (233).
O’Brien’s metaphor symbolizes his
own need for stories and why he has
 placed so much emphasis on their
            importance.
Stories don’t just save the dead..
  They save ourselves as well.
Finished
Works Cited
"Biography Tim OBrien Author."13 Jan. 2011.
<http://www.illyria.com/tob/tobbio.html>.

O'Brien, Tim. The Things They Carried. Boston:
Houghton Mifflin, 1990.

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Storytelling

  • 1. Storytelling Kaytlin Kuns IB English 3 HL Brennan IOP
  • 2. In Tim O’Brien’s fictional novel The Things They Carried, how does O’Brien use storytelling as a device to impart truth? Additionally, why is storytelling’s ability to preserve memories so vital for the human soul?
  • 3. Background: Tim O’Brien Born October 1, 1946 in Austin, Minnesota Graduated from Macalester College in 1968 and was drafted into the Vietnam war directly afterwards He was strongly against the war, but reported for service none the less Returned from his tour in 1970 and became a graduate student at Harvard Left Harvard to be a newspaper reporter, and would later on become a fiction writer
  • 4. O’Brien is using his stories as a device to impart truth to his readers.
  • 5. “And in the end, of course, a true war story is never about war. It’s about sunlight. It’s about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It’s about love and memory it’s about sorrow. It’s about sisters who never write back and people who never listen” (81).
  • 6. Subject is war; however, the story O’Brien is telling is not. He is using the story as a device to explicate the real purpose of the writing: the emotional truth.
  • 7. Vivid imagery of the setting to place yourself in the footsteps of the soldiers, so that you can feel what they were experiencing Pathos O’Brien is reaching out to us on an emotional level to place us into the story emotionally “It’s about love and memory, it’s about sorrow.” Repetition “It’s about”
  • 8. “Even that story is made up. I want you to feel what I felt. I want you to know why story-truth is truer sometimes then happening- truth” (171).
  • 9. In this quotation O’Brien explains his purpose for distorting facts of the story. O’Brien uses the distortion of the “happening-truth”, to amplify the emotional truth of the tale.
  • 10. Why? O’Brien’s purpose in writing is not to tell us a factual account of a war story. O’Brien is preserving what was really felt by these people. Truth. “happening-truth” vs “story-truth”
  • 11. “Here is the happening-truth. I was once a soldier. There were many bodies, real bodies with real faces, but I was young then and I was afraid to look. And now, twenty years later, I’m left with faceless responsibility and faceless grief. Here is the story-truth. He was a slim, dead, almost dainty young man of about twenty. ...‘Daddy, tell the truth...did you ever kill anybody?’ And I can say, honestly, ‘Of course not.’ Or I can say, honestly, ‘Yes’” (172).
  • 12. Here O’Brien is illustrating his final point: the meaning behind the word truth. Classically, we know truth to be what factually is; however, what O’Brien is emphasizing to us is a philosophical view of truth emphasizing not facts but emotional realism.
  • 14. Why should we care?
  • 15. Stories are essential for the human soul. Stories teach us and comfort us. Stories connect bring people together. They immortalize. Stories can save what is lost.
  • 16. “The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head. There is the illusion of aliveness” (218).
  • 17. O’Brien explains how he uses his stories as a tool to whittle and mold them with his imagination. By manipulating the stories this way O’Brien states they bring people together, by inviting others to “then dream along with you”.
  • 18. “And as a writer now, I want to save Linda’s life. Not her body--her life. She died of course. ...It was a brain tumor. ..But in a story I can steal her soul. I can revive, at least briefly, that which is absolute and unchanging. In a story, miracles can happen. Linda can smile and sit up. She can reach out touch my wrist and say, ‘Timmy, stop crying’” (224).
  • 19. Illustrating a Transcendentalist view “I want to save Linda’s life. Not her body--her life.”
  • 20. “We kept the dead alive with stories” (226).
  • 21. Both of these quotes illustrate one of the most important reasons why storytelling is so important to us as humans. We as humans are mortal. But words, ideas and stories can live on. One may be gone, but never lost. The dead can live.
  • 22. “I’m young and happy. I’ll never die. I’m skimming across the surface of my own history, moving fast, riding the melt beneath the blades, doing loops and spins, and when I take a high leap into the dark and come down thirty years later, I realize it is as Tim trying to save Timmy’s life with a story” (233).
  • 23. O’Brien’s metaphor symbolizes his own need for stories and why he has placed so much emphasis on their importance.
  • 24. Stories don’t just save the dead.. They save ourselves as well.
  • 26. Works Cited "Biography Tim OBrien Author."13 Jan. 2011. <http://www.illyria.com/tob/tobbio.html>. O'Brien, Tim. The Things They Carried. Boston: Houghton Mifflin, 1990.

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