[SXSW2013] C3S: Putting the Revenue in Creative Commons
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![:: the motivation ::
The ]__[ gap.
www.c3s.cc](https://image.slidesharecdn.com/sxsw2013-130314071140-phpapp01/75/sxsw2013-c3s-putting-the-revenue-in-creative-commons-4-2048.jpg?cb=1667581850)
![:: the motivation ::
DIY ]__[ commercial buy-out
Creative Commons ]__[ collecting societies
¢ ]__[ $$$
www.c3s.cc](https://image.slidesharecdn.com/sxsw2013-130314071140-phpapp01/75/sxsw2013-c3s-putting-the-revenue-in-creative-commons-5-2048.jpg?cb=1667581850)
[SXSW2013] C3S: Putting the Revenue in Creative Commons
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This presentation has been part of the SXSW session on the initiative of Cultural Commons Collecting Society (C3S). Panelists have been Jason Sigal (WMFU/FreeMusicArchive), Chris Zabriskie (composer) and Wolfgang Senges (C3S). It's an introduction to motivation, goals and the concept of that yet to launch collecting society - the first one to fully integrate with CC. Besides that, it will take the form of a European Cooperative Society. Therefore every single member will hold same voting rights. Details: http://c3s.cc
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[SXSW2013] C3S: Putting the Revenue in Creative Commons
- 1. :: download this presentation :: http://bit.ly/15Mjdaq www.c3s.cc
- 2. C3S // Caring for free culture. SXSW 2013: Putting the Revenue in Creative Commons www.c3s.cc
- 3. :: the motivation :: Why launching C3S? www.c3s.cc
- 4. :: the motivation :: The ]__[ gap. www.c3s.cc
- 5. :: the motivation :: DIY ]__[ commercial buy-out Creative Commons ]__[ collecting societies ¢ ]__[ $$$ www.c3s.cc
- 6. :: the motivation :: What‘s missing? www.c3s.cc
- 7. :: the motivation :: No representation for artists outside of collecting societies. www.c3s.cc
- 8. :: the motivation :: No freedom to license YOUR works YOUR way www.c3s.cc
- 9. :: the motivation :: No sufficient monetization of CC content and other works www.c3s.cc
- 10. :: the motivation :: No collecting society truly provides that. Worldwide. www.c3s.cc
- 11. :: how & why :: How to get there? www.c3s.cc
- 12. :: how & why :: Yet another collecting society? Why that? www.c3s.cc
- 13. :: how & why :: Example: Germany. www.c3s.cc
- 14. :: how & why :: GEMA structure does not allow inner change & Controlling body DPMA not powerful www.c3s.cc
- 15. :: how & why :: Government can‘t do anything & petitions must fail www.c3s.cc
- 16. :: how & why :: ??? So WHAT? www.c3s.cc
- 17. :: how & why :: We need a counterpart. Same level. Same powers. Better work. www.c3s.cc
- 18. :: how & why :: Yes, another collecting society is overdue. www.c3s.cc
- 19. :: how & why :: C3S Cultural Commons Collecting Society www.c3s.cc
- 20. :: direction :: Start with a seed. Break the monopoly in one country. www.c3s.cc
- 21. :: direction :: Gain impact by taking their role. Prove you can do better. Change the rules. www.c3s.cc
- 22. :: goals :: Exact accounting & flexible licensing - enabled by latest technology. www.c3s.cc
- 23. :: goals :: Providing fertile ground for social community: Artists supporting artists. www.c3s.cc
- 24. :: goals :: Enable sustainable living for artists. - Extend Creative Commons by a commercial dimension. www.c3s.cc
- 25. :: goals :: Enable a market for CC. - Giving legal security to licensees. A basis to build upon for start-ups. www.c3s.cc
- 26. :: goals :: Constraints of national boundaries must fall. www.c3s.cc
- 27. :: goals :: Online is cross-border. Culture is cross-border. www.c3s.cc
- 28. :: goals :: Voice artists‘ rights! www.c3s.cc
- 29. :: vision :: Germany is the seed. Europe is the idea. World is the vision. www.c3s.cc
- 30. :: vision :: One world, one concept, one C3S. Subsidiaries cooperating per region. www.c3s.cc
- 31. :: difference :: Cooperative society: Every member holds a share. www.c3s.cc
- 32. :: difference :: Same voting rights for everyone. www.c3s.cc
- 33. :: difference :: License the way you want to: Individually per track, type & context paid or free www.c3s.cc
- 34. :: difference :: CC does not allow for administering one licence type only. You can choose a non-CC licence. www.c3s.cc
- 35. :: difference :: C3S integrates sharing, donations & micro payment www.c3s.cc
- 36. :: difference :: Payment & distribution 1:1 www.c3s.cc
- 37. :: difference :: Revenue below threshold: Payment = 100% of Royalties - Member Fee www.c3s.cc
- 38. :: difference :: Revenue above threshold: Payment = (Royalties - x%) - Member Fee www.c3s.cc
- 39. :: difference :: Deducted percentage: more royalties = higher percentage limited by absolute amount www.c3s.cc
- 40. :: perspectives :: C3S (since 2010): ca. 3,500 supporters GEMA (since 1933): ca. 65,000 members www.c3s.cc
- 42. :: support :: Support from all political parties in Germany. www.c3s.cc
- 43. :: perspectives :: The challenge: 1. Funding. 2. Building the IT architecture. www.c3s.cc
- 44. :: perspectives :: 2013: Legally forming 2014: Building the tech framework. 2015: Start! www.c3s.cc
- 45. :: conclusion :: C3S Is the DIY Collecting Society www.c3s.cc
- 46. :: conclusion :: C3S Is the missing chain between Free Culture and Business www.c3s.cc
- 47. :: Thank you for your attention! :: C3S Cultural Commons Collecting Society wolfgang.senges@c3s.cc http://c3s.cc www.c3s.cc
- 48. :: cultural commons collecting society :: C3S Home GEMA Presumption http://c3s.cc http://bit.ly/W9KGBf www.c3s.cc