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THE THEORY ZONE
Definitions of postmodernism
 Post = after
 Modern = just now
 Post-modern = after the now – problem already – when
  does something that is modern become not modern?
 Modernism = starts in 1890s –a time of massive
  technological change, the 2nd wave of the Industrial
  Revolution
 Modernism is related to the Enlightenment project –a belief
  that scientific method could help push back the barriers of
  knowledge and bring about a world of order, security and
  knowledge (an idea which was literally tested to
  destruction with the dropping of the atomic bombs in the
  Japanese cities of Hiroshima and Nagasaki in 1945
The Enlightenment – science
will take us forward?
Post-modern

 Define the term
Definitions of postmodernism

 Remember – a number of conflicting definitions
  – there is no definite right or wrong
  definition, make sure you discuss this in the
  exam
 Approaches to defining the term postmodernism
   society / culture / lifestyles are significantly different to
    30, 50, 100 years ago
   Concerned with developments in the
    media, consumer society and IT
   These developments have an impact on our sense of
    identity and reality itself (French President Chirac “We
    are all Americans now” in the aftermath of 9/11)
What is post-modernism
about?
 Write away…
Social media and its power –
promo video
 http://www.youtube.com/watch?feature=pla
  yer_embedded&v=zihI7fYeq2o#
 How Facebook changed the world…
Definitions of postmodernism

 1870s – Chapman – first uses the term ‘postmodern’
  to describe paintings he interpreted as being more
  advanced than Monet or Renoir
 1917 – Pannwitz – nihilistic, amoral postmodern men
  (in the aftermath of WW1 and its huge cost in human
  life – approx 20m dead)
 1947 – Toynbee – a postmodern age – western
  civilization had become troubled with social turmoil
  anxiety and revolution in the time since the start of
  The Industrial Revolution
 1957 – Rosenberg – important social and cultural
  changes taking place which were technologically
  driven
In what ways can the term
‘postmodern’ be defined?
Arguments for postmodernism
Lyotard
 Postmodernism is a period of time
 The era of postmodernism – from the 1960s and
  continuing
 The era is marked by technological change – it has
  become easy to travel to far-flung places and
  communicate with people thousands of miles away
   the coming of the ‘global village’ as prophesised by
    Marshall McLuhan in the early 1960s – a global
    village shaped by social networks?
   Easier transport – the jet engine
   Easier communications – the internet / web 2.0 &
    UGC / social networking / broadband
History of Now – Hello World

 http://www.youtube.com/watch?v=h8dsSBE
 WNBQ
Arguments for postmodernism
Lyotard
 An era like others – the Victorian era – the high water
    mark of the British Empire, coinciding with the
    Industrial Revolution
   The postmodern condition –the end of grand
    narratives – the big ideologies which seek to explain
    the totality of life
   Grand narratives which have declined – e.g. religion
   Religions seek to explain all facets of life in reference
    to their belief systems – bad things happen to you
    because you are ‘evil’ (in this life or a previous one…)
   In their place has come the rise of micro-narratives –
    smaller scale, single issue politics – such as the green
    movement or Fathers 4 Justice
What is Lyotard’s approach
to defining postmodernism?
Arguments for postmodernism
Baudrillard
 Makes outrageous statements - e.g. the Gulf War
    did not happen, 9/11 was a TV event
   Earlier cultures depended on face-to-face
    communication
   Contemporary culture is dominated by images
    communicated by electronic mass media (TV /
    internet / video games / film)
   Increasingly our lives are shaped by simulated events
    – such as home shopping via the internet or
    TV, ‘talking’ with friends via Facebook
   (But not everywhere – in certain parts of the world
    only)
Arguments for postmodernism
Baudrillard
 http://news.bbc.co.uk/1/hi/8552410.stm
Arguments for postmodernism
Baudrillard
 Baudrillard’s conception of postmodernism rests
  upon 3 ideas – simulation / implosion /
  hyperreality
 The postmodern era is governed by images – the
  representation (or re-presentation) is king – style
  is more important than substance
 Simulation – where the image becomes more
  real than the real thing – WO’B watches the
  Heineken Cup final at home on TV after going to
  the game to get a clearer understanding of the
  game; where Prime Minsters talk in parliament
  about Deirdre Barlow’s legal case
Images detached from
reality?
 http://news.bbc.co.uk/1/hi/uk/71934.stm
Arguments for postmodernism

 The line between image and reality implodes –
  the ‘real world’ disappears – such as in The
  Matrix – reality has been supplanted with an
    image of the world
   When the distinctions between the real and the
    unreal becomes so blurred – this is the hyperreal
   Disneyland – models of places are more real than
    the real things
   The world becomes a universe of simulacra
   For Baudrillard, the implosion of reality into the
    media is to be celebrated as a good thing
 http://www.youtube.com/watch?v=48v4sl2G
 Vqg
 Our War: Ten Years in Afghanistan
 http://a2mediacoursematerials.blogspot.co.u
  k/2011/07/our-war-ep3-part1.html
 Wootton Bassett: The Town That Remembers
 http://a2mediacoursematerials.blogspot.co.u
  k/2011/07/wootton-bassett-town-that-
  remembers.html
 Baudrillard argues signs have become
  detached from reality, that signs have no
  meaning – is this true?
Arguments about
postmodernism
 Fredric Jameson – postmodernism is an apology
  for the cultural practices of ‘late capitalism’ –
  blending genres together in films / TV / video
  games is done primarily for financial reasons, it
  doesn’t necessarily mark the start of a ‘new age’
  in human history
 Bricolage for money – Life on Mars & Ashes to
  Ashes – blend police drama, with science
  fiction, with a dash of metaphysical horror (what
  is real? Are we alive or dead?) – done to draw
  audiences to what would otherwise be a very
  familiar product
Bricolage for money
Arguments about
postmodernism
 Jameson – postmodern culture is flat and
  depthless, it lacks in personal style and has
  given rise to pastiche (copying) – there is no
  originality anymore
Jameson – do you agree with
him?
 Coursework – is it original?
 Are any of the texts studied original?
Arguments about
postmodernism
 But – was there ever? Shakespeare – original
  or rip off? Romeo and Juliet / Antony and
  Cleopatra / Macbeth – all old stories which
  Shakespeare recycled
 Was Shakespeare a postmodernist? But he
  was writing before the 1960s wasn’t he…
Arguments against postmodernism

 Jurgen Habermas – the Enlightenment project – of
  trying to further develop our understanding of
  ourselves and the world we live in is far from
  complete, this project, powered by the grand
  narrative of the belief in science being able to
  deliver progress has not been ended – Lyotard is
  wrong to say otherwise
 Christopher Norris – Baudrillard’s ideas are
  philosophically muddled, we should not treat his
  ideas too seriously
Arguments against postmodernism

 Lyotard – the postmodern era begins at the start of the 1960s - Is
    dividing time into eras like this the only way of doing this?
   Hobbawm - Age of Extremes – 1914-1991
   http://www.guardian.co.uk/books/2005/jan/15/news.comment
   There’s more than one way to read history
   The ‘End of History’ was claimed when the Berlin Wall and
    Communism fell in eastern Europe
   Afghanistan 1838 – Britain invades to try to stop Afghanistan
    being used as base to attack British interests (India)
   Afghanistan 2001 - Britain invades to try to stop Afghanistan
    being used as base to attack British interests..
   As the French say, ‘Plus ca change, plus c'est la meme chose’
   The more things change, the more they stay the same

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The theory zone revision

  • 2. Definitions of postmodernism  Post = after  Modern = just now  Post-modern = after the now – problem already – when does something that is modern become not modern?  Modernism = starts in 1890s –a time of massive technological change, the 2nd wave of the Industrial Revolution  Modernism is related to the Enlightenment project –a belief that scientific method could help push back the barriers of knowledge and bring about a world of order, security and knowledge (an idea which was literally tested to destruction with the dropping of the atomic bombs in the Japanese cities of Hiroshima and Nagasaki in 1945
  • 3. The Enlightenment – science will take us forward?
  • 5. Definitions of postmodernism  Remember – a number of conflicting definitions – there is no definite right or wrong definition, make sure you discuss this in the exam  Approaches to defining the term postmodernism  society / culture / lifestyles are significantly different to 30, 50, 100 years ago  Concerned with developments in the media, consumer society and IT  These developments have an impact on our sense of identity and reality itself (French President Chirac “We are all Americans now” in the aftermath of 9/11)
  • 7. Social media and its power – promo video  http://www.youtube.com/watch?feature=pla yer_embedded&v=zihI7fYeq2o#  How Facebook changed the world…
  • 8. Definitions of postmodernism  1870s – Chapman – first uses the term ‘postmodern’ to describe paintings he interpreted as being more advanced than Monet or Renoir  1917 – Pannwitz – nihilistic, amoral postmodern men (in the aftermath of WW1 and its huge cost in human life – approx 20m dead)  1947 – Toynbee – a postmodern age – western civilization had become troubled with social turmoil anxiety and revolution in the time since the start of The Industrial Revolution  1957 – Rosenberg – important social and cultural changes taking place which were technologically driven
  • 9. In what ways can the term ‘postmodern’ be defined?
  • 10. Arguments for postmodernism Lyotard  Postmodernism is a period of time  The era of postmodernism – from the 1960s and continuing  The era is marked by technological change – it has become easy to travel to far-flung places and communicate with people thousands of miles away  the coming of the ‘global village’ as prophesised by Marshall McLuhan in the early 1960s – a global village shaped by social networks?  Easier transport – the jet engine  Easier communications – the internet / web 2.0 & UGC / social networking / broadband
  • 11. History of Now – Hello World  http://www.youtube.com/watch?v=h8dsSBE WNBQ
  • 12. Arguments for postmodernism Lyotard  An era like others – the Victorian era – the high water mark of the British Empire, coinciding with the Industrial Revolution  The postmodern condition –the end of grand narratives – the big ideologies which seek to explain the totality of life  Grand narratives which have declined – e.g. religion  Religions seek to explain all facets of life in reference to their belief systems – bad things happen to you because you are ‘evil’ (in this life or a previous one…)  In their place has come the rise of micro-narratives – smaller scale, single issue politics – such as the green movement or Fathers 4 Justice
  • 13. What is Lyotard’s approach to defining postmodernism?
  • 14. Arguments for postmodernism Baudrillard  Makes outrageous statements - e.g. the Gulf War did not happen, 9/11 was a TV event  Earlier cultures depended on face-to-face communication  Contemporary culture is dominated by images communicated by electronic mass media (TV / internet / video games / film)  Increasingly our lives are shaped by simulated events – such as home shopping via the internet or TV, ‘talking’ with friends via Facebook  (But not everywhere – in certain parts of the world only)
  • 15. Arguments for postmodernism Baudrillard  http://news.bbc.co.uk/1/hi/8552410.stm
  • 16. Arguments for postmodernism Baudrillard  Baudrillard’s conception of postmodernism rests upon 3 ideas – simulation / implosion / hyperreality  The postmodern era is governed by images – the representation (or re-presentation) is king – style is more important than substance  Simulation – where the image becomes more real than the real thing – WO’B watches the Heineken Cup final at home on TV after going to the game to get a clearer understanding of the game; where Prime Minsters talk in parliament about Deirdre Barlow’s legal case
  • 19.
  • 20.
  • 21. Arguments for postmodernism  The line between image and reality implodes – the ‘real world’ disappears – such as in The Matrix – reality has been supplanted with an image of the world  When the distinctions between the real and the unreal becomes so blurred – this is the hyperreal  Disneyland – models of places are more real than the real things  The world becomes a universe of simulacra  For Baudrillard, the implosion of reality into the media is to be celebrated as a good thing
  • 23.  Our War: Ten Years in Afghanistan  http://a2mediacoursematerials.blogspot.co.u k/2011/07/our-war-ep3-part1.html  Wootton Bassett: The Town That Remembers  http://a2mediacoursematerials.blogspot.co.u k/2011/07/wootton-bassett-town-that- remembers.html  Baudrillard argues signs have become detached from reality, that signs have no meaning – is this true?
  • 24. Arguments about postmodernism  Fredric Jameson – postmodernism is an apology for the cultural practices of ‘late capitalism’ – blending genres together in films / TV / video games is done primarily for financial reasons, it doesn’t necessarily mark the start of a ‘new age’ in human history  Bricolage for money – Life on Mars & Ashes to Ashes – blend police drama, with science fiction, with a dash of metaphysical horror (what is real? Are we alive or dead?) – done to draw audiences to what would otherwise be a very familiar product
  • 26. Arguments about postmodernism  Jameson – postmodern culture is flat and depthless, it lacks in personal style and has given rise to pastiche (copying) – there is no originality anymore
  • 27. Jameson – do you agree with him?  Coursework – is it original?  Are any of the texts studied original?
  • 28. Arguments about postmodernism  But – was there ever? Shakespeare – original or rip off? Romeo and Juliet / Antony and Cleopatra / Macbeth – all old stories which Shakespeare recycled  Was Shakespeare a postmodernist? But he was writing before the 1960s wasn’t he…
  • 29. Arguments against postmodernism  Jurgen Habermas – the Enlightenment project – of trying to further develop our understanding of ourselves and the world we live in is far from complete, this project, powered by the grand narrative of the belief in science being able to deliver progress has not been ended – Lyotard is wrong to say otherwise  Christopher Norris – Baudrillard’s ideas are philosophically muddled, we should not treat his ideas too seriously
  • 30. Arguments against postmodernism  Lyotard – the postmodern era begins at the start of the 1960s - Is dividing time into eras like this the only way of doing this?  Hobbawm - Age of Extremes – 1914-1991  http://www.guardian.co.uk/books/2005/jan/15/news.comment  There’s more than one way to read history  The ‘End of History’ was claimed when the Berlin Wall and Communism fell in eastern Europe  Afghanistan 1838 – Britain invades to try to stop Afghanistan being used as base to attack British interests (India)  Afghanistan 2001 - Britain invades to try to stop Afghanistan being used as base to attack British interests..  As the French say, ‘Plus ca change, plus c'est la meme chose’  The more things change, the more they stay the same