3. Color Theory: HVC
DULLER
NEUTRAL
CHROMATIC
DULLING CHROMA
(complementary mixing) (pure hue is brightest,
any mixture is duller)
NON SPECTRAL
TINT SHADE
(add white) (add black)
“LIGHTER” “DARKER”
HUE
TONE
VALUE
ACHROMATIC (hue + b/w gray)
DULLING DULLEST
ACHROMATIC
(black and white only)
4. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
Simultaneous, Extension, Vibration,
5. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
6. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
7. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
8. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
9. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
10. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
11. Color Theory: Harmony and Contrast
Discordant/Harmonious, color chords, schemes, palettes and families.
Four levels of Saturation: Prismatic, Muted, Chromatic Gray, Achromatic Gray
Itten’s 7 color contrasts: Saturation, light and dark, extension, compliments, vibration, hue, temperature
Harmony
Monochrome
Analogous (3-5 spread on a 12 part wheel)
Complementary
Cross Complement
Split Complement
Triads, Tetrads and Hexads
Contrast
Hue
Value- light/dark
Chroma
Spread
Clash
Temperature- warm/cool
27. Design:
1. Point
2. Form
3. Space
4. Size
5. Plane
6. Proportion
7. Balance
8. Rhythm
9. Emphasis
10. Unity
11. Texture
12. Shape
13. Line
28. Language: Readings
1. Anthropological- Michael Taussig, Brent Berlin and Paul Kay
• Color terms
• Color in Culture
• Color meaning
2. Philosophy- Johann Wolfgang von Goethe
• Color in nature
• Color is light
• Color aesthetics
3. Psychological- Alan Gilchrist and David Batchelor
• Sight
• Emotion
• Thought
4. Literature- Marcel Proust and F. Scott Fitzgerald
• Anology
• Metaphore
• Language and character
• Involuntary memory
29. Quotes
“He who wishes to become a master of color must see, feel and
experience each individual color in its endless combinations
with all other colors” Johannes Itten
“I try to apply colors like words that shape poems,
like notes that shape music”Joan Miro 1893-1983
“ colors are the deeds of light, its deeds and
sufferings” Johann Wolfgang von Goethe 1749-1832
“To any white body receiving the light from the sun,
or the air, the shadows will be of bluish
cast” Leonardo da vinci 1452 – 1519
"Colour is the most sacred element of all visible
things" John Ruskin, Modern Painters
“Beauty lies not in colors but in their
harmony” Marcel Proust, age 20.