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Elementary Curricula Both articles highlight the fact that middle-class students seem to benefit more from summer reading programs than their lower-SES peers. While we would hope that summer reading programs would have the same positive impact on all students, this information did not totally surprise me. Differences in funding, materials, and ability to recruit enough high-quality teachers for summer programs could be more difficult in lower-socioeconomic areas. In addition, the articles did not dive into other factors in the students’ lives that may be contributing to their performance such as attendance, how well-rested they are, trauma they have experiences that impacts their ability to focus during instruction, and the impact of being taught by a teacher who the students may not know or have a relationship with. Additionally, there could be a mismatch between the instructional practices and the specific needs of the students. Even though summer reading programs are only for a short time, I would challenge teachers to put energy into getting to know the students and building trust with them. This is a key foundation that is needed for learning to take place. In challenging teachers during summer program and the regular school year to ”break out of the mold” to create better outcomes for students classified with low SES, in addition to building relationships with students, I would encourage them to build connections with their families. This may involve thinking outside the box and leaving their comfort zone. It could entail holding a parent-teacher conference off campus, closer to their home or in their community. It could also include providing resources and instructional videos to parents so they can help support their children at home. There are many parents who want to support their children academically, but they do not know how and may be uncomfortable asking the teacher for assistance. In addition, I would urge teachers to capitalize on the strengths and interests of their students to engage them in learning activities and provide them with opportunities to shine. We do not have to, and should not, be satisfied with the idea that low SES students will automatically not be able to perform. These students are capable of learning and growth just as much as any other student. I think data from test scores that demonstrate a gap between the performance of students classified as economically disadvantaged and not economically disadvantaged has led some people to hold the belief that students classified as low SES will not perform well. I think the way that school “report card” grades are published also perpetuates this belief, as it shows the test scores, but does not provide an explanation of or include any solutions for the many larger societal factors that contribute to those scores including high teacher turn over, lack of resources, child trauma, lack of sleep, lack of nutrition, crime & safety, and education level of parents. It w.
Elementary CurriculaBoth articles highlight the fact that middle.docx
Elementary CurriculaBoth articles highlight the fact that middle.docx
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Elementary Statistics (MATH220) Assignment: Statistical Project & Presentation Purpose: The purpose of this project is to supplement lecture material by having the students to do a case study on collecting, analyzing, and interpreting data. ***The best way to understand something is to experience it for yourself. Guideline for Analyzing Data and Writing a Report Below is a general outline of the topics that should be included in your report. 1. Introduction. State the topic of your study. 2. Define Population. Define the population that you intend for your study to represent. 3. Define Variable. Define clearly the variable that you obtained during your data collection; this should include information on how the variable is measured and what possible values this variable has. 4. Data Collection. Describe your data collection process, including your data source, your sampling strategy, and what steps you took to avoid bias. 5. Study Design. Describe the procedures you followed to analyze your data. 6. Results: Descriptive Statistics. Give the relevant descriptive statistics for the sample you collected. 7. Results: Statistical Analysis. Describe the results of your statistical analysis. 8. Findings. Interpret the results of your analysis in the context of your original research question. Was your hypothesis supported by your statistical analyses? Explain. 9. Discussion. What conclusions, if any, do you believe you can draw as a result of your study? If the results were not what you expected, what factors might explain your results? What did you learn from the project about the population you studied? What did you learn about the research variable? What did you learn about the specific statistical test you conducted? .
Elementary Statistics (MATH220)Assignment Statistic.docx
Elementary Statistics (MATH220)Assignment Statistic.docx
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Elements of Religious Traditions Paper Write a 700- to 1,050-word paper that does the following: Describes these basic components of religious traditions and their relationship to the sacred : What a religious tradition says—its teachings, texts, doctrine, stories, myths, and others What a religious tradition does—worship, prayer, pilgrimage, ritual, and so forth How a religious tradition organizes—leadership, relationships among members, and so forth Identifies key critical issues in the study of religion. Includes specific examples from the various religious traditions described in the Week One readings that honor the sacred—such as rituals of the Igbo to mark life events, the vision quest as a common ritual in many Native American societies, or the influence of the shaman as a leader. You may also include examples from your own religious tradition or another religious tradition with which you are familiar. Format your paper consistent with APA guidelines .
Elements of Religious Traditions PaperWritea 700- to 1,050-word .docx
Elements of Religious Traditions PaperWritea 700- to 1,050-word .docx
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Elements of Music Pitch- relative highness or lowness that we hear in a sound. Tone- sound that has a definite pitch. (For example striking a bat against a ball does not produce a D# but striking a D# on a piano does) Dynamics- the degree of loudness or softness in music pp pianissimo /very soft p piano /soft mp mezzo-piano /medium-soft mf mezzo-forte /medium-loud f forte /loud ff fortissimo /very loud When dynamics are altered in a piece of music, they are termed as follows: decrescendo/ diminuendo gradually softer crescendo gradually louder Timbre/Tone Color- the character or quality of a sound. dark, bright, mellow, cool, metallic, rich, brilliant, thin, etc. Rhythm- a) the flow (or pattern) of music through time. b) the particular arrangement of note lengths in a piece of music. Syncopation- An accent placed on a beat where it is not normally expected. Beat- the steady pulse in a piece of music. Downbeat- the first or stressed beat of a measure. Meter- the pattern in which beats are organized within a piece of music. Examples: 3/4= three beats per measure 4/4= four beats per measure 6/8= six beats per measure *In some musics, meter is not present- this is termed non-metric. (Ex: Chant, some 20th century genres, world musics). Melody- a series of single notes that add up to a recognizable whole. *A melodic line has a shape -it ascends and descends in a series of continuous pitches. Sequence- a repetition of a pattern at a higher or lower pitch. Phrase- A short unit of music within a melodic line. Cadence- The rest at the end of a musical phrase. Think of this as a musical period at the end of a sentence. Harmony- A) How chords are constructed and how they follow each other. B) The relationship of tones when sounded in a group. Chord- a combination of three or more tones sounded at once. Consonance- a stable tone combination in a chord Dissonance- and unstable tone combination in a chord; usually, an expected and stable resolution will follow. Tonic- a) the main key of a piece of music. b) the first note of a scale Key- the central tone or scale in a piece of music. (example: A major, b minor) Modulation- a shift from one key to another within the same piece of music. Texture- layering of musical sounds or instruments within a piece of music. Monophonic- single, unaccompanied melodic line. Homophonic- a melody with an accompaniment of chords. Polyphonic- th.
Elements of MusicPitch- relative highness or lowness that we .docx
Elements of MusicPitch- relative highness or lowness that we .docx
toltonkendal
Elevated Blood Lead Levels in Children Associated With the Flint Drinking Water Crisis: A Spatial Analysis of Risk and Public Health Response Mona Hanna-Attisha, MD, MPH, Jenny LaChance, MS, Richard Casey Sadler, PhD, and Allison Champney Schnepp, MD Objectives. We analyzed differences in pediatric elevated blood lead level incidence before and after Flint, Michigan, introduced a more corrosive water source into an aging water system without adequate corrosion control. Methods. We reviewed blood lead levels for children younger than 5 years before (2013) and after (2015) water source change in Greater Flint, Michigan. We assessed the percentage of elevated blood lead levels in both time periods, and identified geo- graphical locations through spatial analysis. Results. Incidence of elevated blood lead levels increased from 2.4% to 4.9% (P < .05) after water source change, and neighborhoods with the highest water lead levels ex- perienced a 6.6% increase. No significant change was seen outside the city. Geospatial analysis identified disadvantaged neighborhoods as having the greatest elevated blood lead level increases and informed response prioritization during the now-declared public health emergency. Conclusions. The percentage of children with elevated blood lead levels increased after water source change, particularly in socioeconomically disadvantaged neighbor- hoods. Water is a growing source of childhood lead exposure because of aging infra- structure. (Am J Public Health. 2016;106:283–290. doi:10.2105/AJPH.2015.303003) See also Rosner, p. 200. In April 2014, the postindustrial city ofFlint, Michigan, under state-appointed emergency management, changed its water supply from Detroit-supplied Lake Huron water to the Flint River as a temporary measure, awaiting a new pipeline to Lake Huron in 2016. Intended to save money, the change in source water severed a half- century relationship with the Detroit Water and Sewage Department. Shortly after the switch to Flint River water, residents voiced concerns regarding water color, taste, and odor, and various health complaints in- cluding skin rashes.1 Bacteria, including Escherichia coli, were detected in the distri- bution system, resulting in Safe Drinking Water Act violations.2 Additional disinfec- tion to control bacteria spurred formation of disinfection byproducts including total tri- halomethanes, resulting in Safe Drinking Water Act violations for trihalomethane levels.2 Water from the Detroit Water and Sewage Department had very low corrosivity for lead as indicated by low chloride, low chloride-to-sulfate mass ratio, and presence of an orthophosphate corrosion inhibitor.3,4 By contrast, Flint River water had high chloride, high chloride-to-sulfate mass ratio, and no corrosion inhibitor.5 Switching from Detroit’s Lake Huron to Flint River water created a perfect storm for lead leach- ing into drinking water.6 The aging Flint water distribution system contains a hig.
Elevated Blood Lead Levels in Children AssociatedWith the Fl.docx
Elevated Blood Lead Levels in Children AssociatedWith the Fl.docx
toltonkendal
Elev ent h EDIT ION REAL ESTATE PRINCIPLES CHARLES F. FLOYD and MARCUS T. ALLEN 00RePrinciples_BOOK.indb 1 11/25/2014 8:03:22 AM This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional advice. If legal advice or other expert assistance is required, the services of a competent professional should be sought. President: Dr. Andrew Temte Chief Learning Officer: Dr. Tim Smaby Executive Director, Real Estate Education: Melissa Kleeman-Moy Development Editor: Julia Marti REAL ESTATE PRINCIPLES ELEVENTH EDITION ©2014 Kaplan, Inc. Published by DF Institute, Inc., d/b/a Dearborn Real Estate Education 332 Front St. S., Suite 501 La Crosse, WI 54601 All rights reserved. The text of this publication, or any part thereof, may not be reproduced in any manner whatsoever without written permission from the publisher. Printed in the United States of America ISBN: 978-1-4754-2173-6 / 1-4754-2173-7 PPN: 1515-0111 00RePrinciples_BOOK.indb 2 11/25/2014 8:03:22 AM DEDICATION This book is dedicated to R. W. Barber a man of the land and C. O. Floyd a man of business. —Charles F. Floyd This book is dedicated to Rhonda, Melanie, and Issabella. —Marcus T. Allen 00RePrinciples_BOOK.indb 3 11/25/2014 8:03:23 AM 00RePrinciples_BOOK.indb 4 11/25/2014 8:03:23 AM v c o n t e n t s p r e f a c e x i i i r e a l e s tat e t o d ay f e at u r e s x v i i c h a p t e r 1 Why Study Real Estate? xx Chapter Preview 1 The Role of Real Estate Studies in Business Education 2 Personal and Business-Related Real Estate Decisions 2 Organization of This Book 3 Special Characteristics of Real Estate 4 The Economic Importance of Real Estate 9 The Real Estate Industry: Career Opportunities 10 Chapter Review 13 Key Terms 14 p a r t o n e Real Estate Legal Analysis 15 c h a p t e r 2 Property Rights and Legal Descriptions 16 Chapter Preview 17 Real versus Personal Property 18 Fixtures 18 Mineral and Air Rights 20 Water Rights 20 Estates in Land 23 Concurrent Estates 29 00RePrinciples_BOOK.indb 5 11/25/2014 8:03:23 AM vi Contents Condominium Ownership 31 Cooperative Ownership 32 Time-Shares 32 Legal Descriptions 32 Chapter Review 43 Key Terms 45 Study Exercises 46 Further Reading 47 c h a p t e r 3 Private Restrictions on Ownership 48 Chapter Preview 49 Covenants, Conditions, and Restrictions 50 Liens 54 Easements 58 A Relatively New Type of Easement 64 Profit a Prendre 64 Encroachments 64 Adverse Possession 66 Chapter Review 67 Key Terms 68 Study Exercises 68 c h a p t e r 4 Public Restrictions on Ownership 70 Chapter Preview 71 The Property Tax 72 Power of Eminent Domain 74 Police Power 75 The Comprehensive General Plan 76 Zoning 76 Chapter Review 94 Key Terms 96 Study Exercises 9.
Elev ent h EDIT IONREAL ESTATE PRINCIPLESCHARLES F. .docx
Elev ent h EDIT IONREAL ESTATE PRINCIPLESCHARLES F. .docx
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Elements of the Communication Process In Chapter One, we learned communication is the process of creating or sharing meaning in informal conversation, group interaction, or public speaking. To understand how the process works, we described the essential elements in the process. For the following interaction, identify the contexts, participants, channels. message, interference (noise), and feedback. "Maria and Damien are meandering through the park, talking and drinking bottled water. Damien finishes his bottle, replaces the lid, and tosses the bottle into the bushes at the side of the path. Maria, who has been listening to Damien talk, comes to a stop, puts her hand on her hips, stares at Damien, and says angrily, " I can't believe what you just did! Damien blushes, averts his gaze, and mumbles, "Sorry, I'll get it- I just wasn't thinking." As the tension drains from Maria's face. she gives her head a playful toss, smiles, and says, Well, just see that it doesn't happen again. 1. Contexts a. Physical b. Social c. Historical d. Psychological 2. Participants 3. Channels 4. Message 5. Interference (Noise) 6. Feedback .
Elements of the Communication ProcessIn Chapter One, we learne.docx
Elements of the Communication ProcessIn Chapter One, we learne.docx
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Elements of Music #1 Handout 1. Rhythm the flow of music in terms of time 2. Beat the pulse that recurs regularly in music 3. Meter the regular pattern of stressed and unstressed beats 4. Tempo the speed of the beats in a piece of music 5. Polyrhythm two or more rhythm patterns occurring simultaneously 6. Pitch the perceived highness or lowness of a musical sound 7. Melody a series of consecutive pitches that form a cohesive musical entity 8. Counterpoint two or more independent lines with melodic character occurring at the same time 9. Harmony the simultaneous sounds of several pitches, usually in accompanying a melody 10. Dynamics the amount of loudness in music 11. Timbre tone quality or tone color in music 12. Form the pattern or plan of a musical work Framework for Improving Critical Infrastructure Cybersecurity Version 1.1 National Institute of Standards and Technology April 16, 2018 April 16, 2018 Cybersecurity Framework Version 1.1 This publication is available free of charge from: https://doi.org/10.6028/NIST.CSWP.04162018 ii No t e t o Rea d er s o n t h e U p d a t e Version 1.1 of this Cybersecurity Framework refines, clarifies, and enhances Version 1.0, which was issued in February 2014. It incorporates comments received on the two drafts of Version 1.1. Version 1.1 is intended to be implemented by first-time and current Framework users. Current users should be able to implement Version 1.1 with minimal or no disruption; compatibility with Version 1.0 has been an explicit objective. The following table summarizes the changes made between Version 1.0 and Version 1.1. Table NTR-1 - Summary of changes between Framework Version 1.0 and Version 1.1. Update Description of Update Clarified that terms like “compliance” can be confusing and mean something very different to various Framework stakeholders Added clarity that the Framework has utility as a structure and language for organizing and expressing compliance with an organization’s own cybersecurity requirements. However, the variety of ways in which the Framework can be used by an organization means that phrases like “compliance with the Framework” can be confusing. A new section on self- assessment Added Section 4.0 Self-Assessing Cybersecurity Risk with the Framework to explain how the Framework can be used by organizations to understand and assess their cybersecurity risk, including the use of measurements. Greatly expanded explanation of using Framework for Cyber Supply Chain Risk Management purposes An expanded Section 3.3 Communicating Cybersecurity Requirements with Stakeholders helps users better understand Cyber Supply Chain Risk Management (SCRM), while a new Section 3.4 Buying Decisions highlights use of the Framework in understanding risk associated with commercial off-the-shelf products and services. Additional Cyber SCRM criteria we.
Elements of Music #1 Handout1. Rhythm the flow of music in te.docx
Elements of Music #1 Handout1. Rhythm the flow of music in te.docx
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Recommended
Elementary Curricula Both articles highlight the fact that middle-class students seem to benefit more from summer reading programs than their lower-SES peers. While we would hope that summer reading programs would have the same positive impact on all students, this information did not totally surprise me. Differences in funding, materials, and ability to recruit enough high-quality teachers for summer programs could be more difficult in lower-socioeconomic areas. In addition, the articles did not dive into other factors in the students’ lives that may be contributing to their performance such as attendance, how well-rested they are, trauma they have experiences that impacts their ability to focus during instruction, and the impact of being taught by a teacher who the students may not know or have a relationship with. Additionally, there could be a mismatch between the instructional practices and the specific needs of the students. Even though summer reading programs are only for a short time, I would challenge teachers to put energy into getting to know the students and building trust with them. This is a key foundation that is needed for learning to take place. In challenging teachers during summer program and the regular school year to ”break out of the mold” to create better outcomes for students classified with low SES, in addition to building relationships with students, I would encourage them to build connections with their families. This may involve thinking outside the box and leaving their comfort zone. It could entail holding a parent-teacher conference off campus, closer to their home or in their community. It could also include providing resources and instructional videos to parents so they can help support their children at home. There are many parents who want to support their children academically, but they do not know how and may be uncomfortable asking the teacher for assistance. In addition, I would urge teachers to capitalize on the strengths and interests of their students to engage them in learning activities and provide them with opportunities to shine. We do not have to, and should not, be satisfied with the idea that low SES students will automatically not be able to perform. These students are capable of learning and growth just as much as any other student. I think data from test scores that demonstrate a gap between the performance of students classified as economically disadvantaged and not economically disadvantaged has led some people to hold the belief that students classified as low SES will not perform well. I think the way that school “report card” grades are published also perpetuates this belief, as it shows the test scores, but does not provide an explanation of or include any solutions for the many larger societal factors that contribute to those scores including high teacher turn over, lack of resources, child trauma, lack of sleep, lack of nutrition, crime & safety, and education level of parents. It w.
Elementary CurriculaBoth articles highlight the fact that middle.docx
Elementary CurriculaBoth articles highlight the fact that middle.docx
toltonkendal
Elementary Statistics (MATH220) Assignment: Statistical Project & Presentation Purpose: The purpose of this project is to supplement lecture material by having the students to do a case study on collecting, analyzing, and interpreting data. ***The best way to understand something is to experience it for yourself. Guideline for Analyzing Data and Writing a Report Below is a general outline of the topics that should be included in your report. 1. Introduction. State the topic of your study. 2. Define Population. Define the population that you intend for your study to represent. 3. Define Variable. Define clearly the variable that you obtained during your data collection; this should include information on how the variable is measured and what possible values this variable has. 4. Data Collection. Describe your data collection process, including your data source, your sampling strategy, and what steps you took to avoid bias. 5. Study Design. Describe the procedures you followed to analyze your data. 6. Results: Descriptive Statistics. Give the relevant descriptive statistics for the sample you collected. 7. Results: Statistical Analysis. Describe the results of your statistical analysis. 8. Findings. Interpret the results of your analysis in the context of your original research question. Was your hypothesis supported by your statistical analyses? Explain. 9. Discussion. What conclusions, if any, do you believe you can draw as a result of your study? If the results were not what you expected, what factors might explain your results? What did you learn from the project about the population you studied? What did you learn about the research variable? What did you learn about the specific statistical test you conducted? .
Elementary Statistics (MATH220)Assignment Statistic.docx
Elementary Statistics (MATH220)Assignment Statistic.docx
toltonkendal
Elements of Religious Traditions Paper Write a 700- to 1,050-word paper that does the following: Describes these basic components of religious traditions and their relationship to the sacred : What a religious tradition says—its teachings, texts, doctrine, stories, myths, and others What a religious tradition does—worship, prayer, pilgrimage, ritual, and so forth How a religious tradition organizes—leadership, relationships among members, and so forth Identifies key critical issues in the study of religion. Includes specific examples from the various religious traditions described in the Week One readings that honor the sacred—such as rituals of the Igbo to mark life events, the vision quest as a common ritual in many Native American societies, or the influence of the shaman as a leader. You may also include examples from your own religious tradition or another religious tradition with which you are familiar. Format your paper consistent with APA guidelines .
Elements of Religious Traditions PaperWritea 700- to 1,050-word .docx
Elements of Religious Traditions PaperWritea 700- to 1,050-word .docx
toltonkendal
Elements of Music Pitch- relative highness or lowness that we hear in a sound. Tone- sound that has a definite pitch. (For example striking a bat against a ball does not produce a D# but striking a D# on a piano does) Dynamics- the degree of loudness or softness in music pp pianissimo /very soft p piano /soft mp mezzo-piano /medium-soft mf mezzo-forte /medium-loud f forte /loud ff fortissimo /very loud When dynamics are altered in a piece of music, they are termed as follows: decrescendo/ diminuendo gradually softer crescendo gradually louder Timbre/Tone Color- the character or quality of a sound. dark, bright, mellow, cool, metallic, rich, brilliant, thin, etc. Rhythm- a) the flow (or pattern) of music through time. b) the particular arrangement of note lengths in a piece of music. Syncopation- An accent placed on a beat where it is not normally expected. Beat- the steady pulse in a piece of music. Downbeat- the first or stressed beat of a measure. Meter- the pattern in which beats are organized within a piece of music. Examples: 3/4= three beats per measure 4/4= four beats per measure 6/8= six beats per measure *In some musics, meter is not present- this is termed non-metric. (Ex: Chant, some 20th century genres, world musics). Melody- a series of single notes that add up to a recognizable whole. *A melodic line has a shape -it ascends and descends in a series of continuous pitches. Sequence- a repetition of a pattern at a higher or lower pitch. Phrase- A short unit of music within a melodic line. Cadence- The rest at the end of a musical phrase. Think of this as a musical period at the end of a sentence. Harmony- A) How chords are constructed and how they follow each other. B) The relationship of tones when sounded in a group. Chord- a combination of three or more tones sounded at once. Consonance- a stable tone combination in a chord Dissonance- and unstable tone combination in a chord; usually, an expected and stable resolution will follow. Tonic- a) the main key of a piece of music. b) the first note of a scale Key- the central tone or scale in a piece of music. (example: A major, b minor) Modulation- a shift from one key to another within the same piece of music. Texture- layering of musical sounds or instruments within a piece of music. Monophonic- single, unaccompanied melodic line. Homophonic- a melody with an accompaniment of chords. Polyphonic- th.
Elements of MusicPitch- relative highness or lowness that we .docx
Elements of MusicPitch- relative highness or lowness that we .docx
toltonkendal
Elevated Blood Lead Levels in Children Associated With the Flint Drinking Water Crisis: A Spatial Analysis of Risk and Public Health Response Mona Hanna-Attisha, MD, MPH, Jenny LaChance, MS, Richard Casey Sadler, PhD, and Allison Champney Schnepp, MD Objectives. We analyzed differences in pediatric elevated blood lead level incidence before and after Flint, Michigan, introduced a more corrosive water source into an aging water system without adequate corrosion control. Methods. We reviewed blood lead levels for children younger than 5 years before (2013) and after (2015) water source change in Greater Flint, Michigan. We assessed the percentage of elevated blood lead levels in both time periods, and identified geo- graphical locations through spatial analysis. Results. Incidence of elevated blood lead levels increased from 2.4% to 4.9% (P < .05) after water source change, and neighborhoods with the highest water lead levels ex- perienced a 6.6% increase. No significant change was seen outside the city. Geospatial analysis identified disadvantaged neighborhoods as having the greatest elevated blood lead level increases and informed response prioritization during the now-declared public health emergency. Conclusions. The percentage of children with elevated blood lead levels increased after water source change, particularly in socioeconomically disadvantaged neighbor- hoods. Water is a growing source of childhood lead exposure because of aging infra- structure. (Am J Public Health. 2016;106:283–290. doi:10.2105/AJPH.2015.303003) See also Rosner, p. 200. In April 2014, the postindustrial city ofFlint, Michigan, under state-appointed emergency management, changed its water supply from Detroit-supplied Lake Huron water to the Flint River as a temporary measure, awaiting a new pipeline to Lake Huron in 2016. Intended to save money, the change in source water severed a half- century relationship with the Detroit Water and Sewage Department. Shortly after the switch to Flint River water, residents voiced concerns regarding water color, taste, and odor, and various health complaints in- cluding skin rashes.1 Bacteria, including Escherichia coli, were detected in the distri- bution system, resulting in Safe Drinking Water Act violations.2 Additional disinfec- tion to control bacteria spurred formation of disinfection byproducts including total tri- halomethanes, resulting in Safe Drinking Water Act violations for trihalomethane levels.2 Water from the Detroit Water and Sewage Department had very low corrosivity for lead as indicated by low chloride, low chloride-to-sulfate mass ratio, and presence of an orthophosphate corrosion inhibitor.3,4 By contrast, Flint River water had high chloride, high chloride-to-sulfate mass ratio, and no corrosion inhibitor.5 Switching from Detroit’s Lake Huron to Flint River water created a perfect storm for lead leach- ing into drinking water.6 The aging Flint water distribution system contains a hig.
Elevated Blood Lead Levels in Children AssociatedWith the Fl.docx
Elevated Blood Lead Levels in Children AssociatedWith the Fl.docx
toltonkendal
Elev ent h EDIT ION REAL ESTATE PRINCIPLES CHARLES F. FLOYD and MARCUS T. ALLEN 00RePrinciples_BOOK.indb 1 11/25/2014 8:03:22 AM This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional advice. If legal advice or other expert assistance is required, the services of a competent professional should be sought. President: Dr. Andrew Temte Chief Learning Officer: Dr. Tim Smaby Executive Director, Real Estate Education: Melissa Kleeman-Moy Development Editor: Julia Marti REAL ESTATE PRINCIPLES ELEVENTH EDITION ©2014 Kaplan, Inc. Published by DF Institute, Inc., d/b/a Dearborn Real Estate Education 332 Front St. S., Suite 501 La Crosse, WI 54601 All rights reserved. The text of this publication, or any part thereof, may not be reproduced in any manner whatsoever without written permission from the publisher. Printed in the United States of America ISBN: 978-1-4754-2173-6 / 1-4754-2173-7 PPN: 1515-0111 00RePrinciples_BOOK.indb 2 11/25/2014 8:03:22 AM DEDICATION This book is dedicated to R. W. Barber a man of the land and C. O. Floyd a man of business. —Charles F. Floyd This book is dedicated to Rhonda, Melanie, and Issabella. —Marcus T. Allen 00RePrinciples_BOOK.indb 3 11/25/2014 8:03:23 AM 00RePrinciples_BOOK.indb 4 11/25/2014 8:03:23 AM v c o n t e n t s p r e f a c e x i i i r e a l e s tat e t o d ay f e at u r e s x v i i c h a p t e r 1 Why Study Real Estate? xx Chapter Preview 1 The Role of Real Estate Studies in Business Education 2 Personal and Business-Related Real Estate Decisions 2 Organization of This Book 3 Special Characteristics of Real Estate 4 The Economic Importance of Real Estate 9 The Real Estate Industry: Career Opportunities 10 Chapter Review 13 Key Terms 14 p a r t o n e Real Estate Legal Analysis 15 c h a p t e r 2 Property Rights and Legal Descriptions 16 Chapter Preview 17 Real versus Personal Property 18 Fixtures 18 Mineral and Air Rights 20 Water Rights 20 Estates in Land 23 Concurrent Estates 29 00RePrinciples_BOOK.indb 5 11/25/2014 8:03:23 AM vi Contents Condominium Ownership 31 Cooperative Ownership 32 Time-Shares 32 Legal Descriptions 32 Chapter Review 43 Key Terms 45 Study Exercises 46 Further Reading 47 c h a p t e r 3 Private Restrictions on Ownership 48 Chapter Preview 49 Covenants, Conditions, and Restrictions 50 Liens 54 Easements 58 A Relatively New Type of Easement 64 Profit a Prendre 64 Encroachments 64 Adverse Possession 66 Chapter Review 67 Key Terms 68 Study Exercises 68 c h a p t e r 4 Public Restrictions on Ownership 70 Chapter Preview 71 The Property Tax 72 Power of Eminent Domain 74 Police Power 75 The Comprehensive General Plan 76 Zoning 76 Chapter Review 94 Key Terms 96 Study Exercises 9.
Elev ent h EDIT IONREAL ESTATE PRINCIPLESCHARLES F. .docx
Elev ent h EDIT IONREAL ESTATE PRINCIPLESCHARLES F. .docx
toltonkendal
Elements of the Communication Process In Chapter One, we learned communication is the process of creating or sharing meaning in informal conversation, group interaction, or public speaking. To understand how the process works, we described the essential elements in the process. For the following interaction, identify the contexts, participants, channels. message, interference (noise), and feedback. "Maria and Damien are meandering through the park, talking and drinking bottled water. Damien finishes his bottle, replaces the lid, and tosses the bottle into the bushes at the side of the path. Maria, who has been listening to Damien talk, comes to a stop, puts her hand on her hips, stares at Damien, and says angrily, " I can't believe what you just did! Damien blushes, averts his gaze, and mumbles, "Sorry, I'll get it- I just wasn't thinking." As the tension drains from Maria's face. she gives her head a playful toss, smiles, and says, Well, just see that it doesn't happen again. 1. Contexts a. Physical b. Social c. Historical d. Psychological 2. Participants 3. Channels 4. Message 5. Interference (Noise) 6. Feedback .
Elements of the Communication ProcessIn Chapter One, we learne.docx
Elements of the Communication ProcessIn Chapter One, we learne.docx
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Elements of Music #1 Handout 1. Rhythm the flow of music in terms of time 2. Beat the pulse that recurs regularly in music 3. Meter the regular pattern of stressed and unstressed beats 4. Tempo the speed of the beats in a piece of music 5. Polyrhythm two or more rhythm patterns occurring simultaneously 6. Pitch the perceived highness or lowness of a musical sound 7. Melody a series of consecutive pitches that form a cohesive musical entity 8. Counterpoint two or more independent lines with melodic character occurring at the same time 9. Harmony the simultaneous sounds of several pitches, usually in accompanying a melody 10. Dynamics the amount of loudness in music 11. Timbre tone quality or tone color in music 12. Form the pattern or plan of a musical work Framework for Improving Critical Infrastructure Cybersecurity Version 1.1 National Institute of Standards and Technology April 16, 2018 April 16, 2018 Cybersecurity Framework Version 1.1 This publication is available free of charge from: https://doi.org/10.6028/NIST.CSWP.04162018 ii No t e t o Rea d er s o n t h e U p d a t e Version 1.1 of this Cybersecurity Framework refines, clarifies, and enhances Version 1.0, which was issued in February 2014. It incorporates comments received on the two drafts of Version 1.1. Version 1.1 is intended to be implemented by first-time and current Framework users. Current users should be able to implement Version 1.1 with minimal or no disruption; compatibility with Version 1.0 has been an explicit objective. The following table summarizes the changes made between Version 1.0 and Version 1.1. Table NTR-1 - Summary of changes between Framework Version 1.0 and Version 1.1. Update Description of Update Clarified that terms like “compliance” can be confusing and mean something very different to various Framework stakeholders Added clarity that the Framework has utility as a structure and language for organizing and expressing compliance with an organization’s own cybersecurity requirements. However, the variety of ways in which the Framework can be used by an organization means that phrases like “compliance with the Framework” can be confusing. A new section on self- assessment Added Section 4.0 Self-Assessing Cybersecurity Risk with the Framework to explain how the Framework can be used by organizations to understand and assess their cybersecurity risk, including the use of measurements. Greatly expanded explanation of using Framework for Cyber Supply Chain Risk Management purposes An expanded Section 3.3 Communicating Cybersecurity Requirements with Stakeholders helps users better understand Cyber Supply Chain Risk Management (SCRM), while a new Section 3.4 Buying Decisions highlights use of the Framework in understanding risk associated with commercial off-the-shelf products and services. Additional Cyber SCRM criteria we.
Elements of Music #1 Handout1. Rhythm the flow of music in te.docx
Elements of Music #1 Handout1. Rhythm the flow of music in te.docx
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Elements of Music Report Instruments For the assignment on the elements of music, students will write a report with a minimum of 300 words. Students must select one element of music that they consider to be the most important element: Melody Rhythm Harmony Form When writing the report, be sure you address the following questions: Why did you select this element from among all the rest? Do you think that all kinds of music could exist without your selected element? Elaborate on your view. Describe a piece of music that highlights the use of your selected element. I encourage students do research on their element of music in order to get ideas for their reports. All reports must be original works! Do not quote any source or anybody’s thoughts. Quotes are not permitted in this Instruments Report. I am interested in your own personal thoughts, opinions, and the material you have learned from your research. .
Elements of Music Report InstrumentsFor the assignment on the el.docx
Elements of Music Report InstrumentsFor the assignment on the el.docx
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Elements of Genre After watching three of the five movie clips listed in the Multimedia section, above, describe how they fit into a specific genre (or subgenre) as explained in the text. What elements of the film are characteristic of that genre? How does it fulfill the expectations of that genre? How does it play against these expectations? Your initial post should be at least 150 words in length. Support your claims with examples from required material(s) and/or other scholarly resources, and properly cite any references. .
Elements of GenreAfter watching three of the five .docx
Elements of GenreAfter watching three of the five .docx
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Elements of Design During the process of envisioning and designing a film, the director, production designer, and art director (in collaboration with the cinematographer) are concerned with several major spatial and temporal elements. These design elements punctuate and underscore the movement of figures within the frame, including the following: setting, lighting, costuming, makeup, and hairstyles. Choose a scene from movieclips.com. In a three to five page paper, (excluding the cover and reference pages) analyze the mise-en-scène. Respond to the following prompts with at least one paragraph per bulleted topic: Identify the names of the artists involved in the film’s production: the director, the production designer, and the art director. Describe in separate paragraphs each artist’s role in the overall design process. Conduct additional research if necessary, citing your book, film, and other external sources correctly in APA format. Explain how the artists utilize lighting in the scene. How does the lighting affect our emotional understanding of certain characters? What sort of mood does the lighting evoke? How does lighting impact the overall story the filmmaker is attempting to tell? Describe the setting, including the time period, location, and culture in which the film takes place. Explain what costuming can tell us about a character. In what ways can costuming be used to reflect elements of the film's plot? Explain how hairstyle and makeup can help tell the story. What might hairstyle and makeup reveal about the characters? Discuss your opinion regarding the mise-en-scène. Do the elements appear to work together in a harmonious way? Does the scene seem discordant? Do you think the design elements are congruent with the filmmaker’s vision for the scene? .
Elements of DesignDuring the process of envisioning and designing .docx
Elements of DesignDuring the process of envisioning and designing .docx
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Elements of Critical Thinking [WLOs: 2, 3, 4] [CLOs: 2, 3, 4] Prepare: Prior to beginning work on this discussion forum, in preparation for discussing the importance of critical thinking skills, Read the articles Common Misconceptions of Critical Thinking Combating Fake News in the Digital Age 6 Critical Thinking Skills You Need to Master Now (Links to an external site.) Teaching and Learning in a Post-Truth world: It’s Time for Schools to Upgrade and Reinvest in Media Literacy Lessons Critical Thinking and the Challenges of Internet (Links to an external site.) Watch the videos Fake News: Part 1 (Links to an external site.) Critical Thinking (Links to an external site.) Review the resources Critical Thinking Skills (Links to an external site.) Valuable Intellectual Traits (Links to an external site.) Critical Thinking Web (Links to an external site.) Reflect: Reflect on the characteristics of a critical thinker. Critical thinking gets you involved in a dialogue with the ideas you read from others in this class. To be a critical thinker, you need to be able to summarize, analyze, hypothesize, and evaluate new information that you encounter. Write: For this discussion, you will address the following prompts. Keep in mind that the article or video you’ve chosen should not be about critical thinking, but should be about someone making a statement, claim, or argument related to your Final Paper topic. One source should demonstrate good critical thinking skills and the other source should demonstrate the lack or absence of critical thinking skills. Personal examples should not be used. Explain at least five elements of critical thinking that you found in the reading material. Search the Internet, media, or the Ashford University Library, and find an example in which good critical thinking skills are being demonstrated by the author or speaker. Summarize the content and explain why you think it demonstrates good critical thinking skills. Search the Internet, media, or the Ashford University Library, and find an example in which the author or speaker lacks good critical thinking skills. Summarize the content and explain why you think it demonstrates the absence of good, critical thinking skills. Your initial post should be at least 250 words in length, which should include a thorough response to each prompt. You are required to provide in-text citations of applicable required reading materials and/or any other outside sources you use to support your claims. Provide full reference entries of all sources cited at the end of your response. Please use correct APA format when writing in-text citations (see In-Text Citation Helper (Links to an external site.) ) and references (see Formatting Your References List (Links to an external site.) ). Reflecting on General Education and Career [WLOs: 2, 3, 4] [CLOs: 2, 3, 4] Prepare: Prior to beginning work on this discussion forum, read the articles Teaching Writing S.
Elements of Critical Thinking [WLOs 2, 3, 4] [CLOs 2, 3, 4]P.docx
Elements of Critical Thinking [WLOs 2, 3, 4] [CLOs 2, 3, 4]P.docx
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Elements of Design During the process of envisioning and designing a film, the director, production designer, and art director (in collaboration with the cinematographer) are concerned with several major spatial and temporal elements. These design elements punctuate and underscore the movement of figures within the frame, including the following: setting, lighting, costuming, makeup, and hairstyles. Choose a scene from movieclips.com. In a three to five page paper, (excluding the cover and reference pages) analyze the mise-en-scène. Respond to the following prompts with at least one paragraph per bulleted topic: Identify the names of the artists involved in the film’s production: the director, the production designer, and the art director. Describe in separate paragraphs each artist’s role in the overall design process. Conduct additional research if necessary, citing your book, film, and other external sources correctly in APA format. Explain how the artists utilize lighting in the scene. How does the lighting affect our emotional understanding of certain characters? What sort of mood does the lighting evoke? How does lighting impact the overall story the filmmaker is attempting to tell? Describe the setting, including the time period, location, and culture in which the film takes place. Explain what costuming can tell us about a character. In what ways can costuming be used to reflect elements of the film's plot? Explain how hairstyle and makeup can help tell the story. What might hairstyle and makeup reveal about the characters? Discuss your opinion regarding the mise-en-scène. Do the elements appear to work together in a harmonious way? Does the scene seem discordant? Do you think the design elements are congruent with the filmmaker’s vision for the scene? .
Elements of DesignDuring the process of envisioning and design.docx
Elements of DesignDuring the process of envisioning and design.docx
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Elements of a contact due 16 Oct Read the Case Campbell Soup Co. v. Wentz in the text. Answer the following questions: 1. What were the terms of the contract between Campbell and the Wentzes? 2. Did the Wentzes perform under the contract? 3. Did the court find specific performance to be an adequate legal remedy in this case? 4. Why did the court refuse to help Campbell in enforcing its legal contract? 5. How could Campbell change its contract in the future so as to avoid the unconsionability problem? Facts: Per a written contract between Campbell Soup Company (a New Jersey company) and the Wentzes (carrot farmers in Pennsylvania), the Wentzes would deliver to Campbell all the Chantenay red cored carrots to be grown on the Wentz farm during the 1947 season. The contract price for the carrots was $30 per ton. The contract between Campbell Soup and all sellers of carrots was drafted by Campbell and it had a provision that prohibited farmers/sellers from selling their carrots to anyone else, except those carrots that were rejected by Campbell. The contract also had a liquidated damages provision of $50 per ton if the seller breached, but it had no similar provision in the event Campbell breached. The contract not only allowed Campbell to reject nonconforming carrots, but gave Campbell the right to determine who could buy the carrots it had rejected. The Wentzes harvested 100 tons of carrots, but because the market price at the time of harvesting was $90 per ton for these rare carrots, the Wentzes refused to deliver them to Campbell and sold 62 tons of their carrots to a farmer who sold some of those carrots to Campbell. Campbell sued the Wentzes, asking for the court's order to stop further sale of the contracted carrots to others and to compel specific performance of the contract. The trial court ruled for the Wentzes and Campbell appealed. Issues: Is specific performance an appropriate legal remedy in this case or is the contract unconscionable? Discussion: In January 1948, it was virtually impossible to obtain Chantenay carrots in the open market. Campbell used Chantenay carrots (which are easier to process for soup making than other carrots) in large quantities and furnishes the seeds to farmers with whom it contracts. Campbell contracted for carrots long ahead, and farmers entered into the contract willingly. If the facts of this case were this simple, specific performance should have been granted. However, the problem is with the contract itself, which was one-sided. According to the appellate court, the most direct example of unconscionability was the provision that, under certain .
Elements of a contact due 16 OctRead the Case Campbell Soup Co. v..docx
Elements of a contact due 16 OctRead the Case Campbell Soup Co. v..docx
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Elements for analyzing mise en scene Identify the components of the shot, but explaining the meaning or significance behind those components and connecting the shot to the themes of the film 1. Dominant: Where is the eye attracted first? Why? 2. Lighting key: High key? Low key? High contrast? Some combination of these? 3. Shot and camera proxemics: What type of shot? How far away is the camera from the action? 4. Angle: Is the viewer (through the eye of the camera) looking up or down on the subject? Or is the camera neutral (eye level)? 5. Color values: What is the dominant color? Are there contrasting foils? Is there color symbolism? 6. Lens/filter/stock: How do these distort or comment on the photographed materials? 7. Subsidiary contrasts: What are the main eye-stops after taking in the dominant? 8. Density: How much visual information is packed into the image? Is the texture stark, moderate, or highly detailed? 9. Composition: How is the two-dimensional space segmented and organized? What is the underlying design? 10. Form: Open or closed? Does the image suggest a window that arbitrarily isolates a fragment of the scene? Or a proscenium arch, in which the visual elements are carefully arranged and held in balance? 11. Framing: Tight or loose? Do characters have little to no room to move, or can they move freely without impediments? 12. Depth: On how many planes is the image composed? Does the background or foreground comment in any way on the midground? 13. Character placement: What part of the framed space do the characters occupy? Center? Top? Bottom? Edges? Why? 14. Staging positions: Which way do the characters look vis-à-vis the camera? 15. Character proxemics: How much space is between the characters? What are the 4 distinct formal elements that make up a film's mise en scene? • staging of the action • physical setting and decor • the manner in which these materials are framed • the manner in which they are photographed .
Elements for analyzing mise en sceneIdentify the components of.docx
Elements for analyzing mise en sceneIdentify the components of.docx
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Elements in the same row have the same number of (*) levels Which elements in B O U L A N would be in the same family? Which would have the same number of energy levels? Highest mass? Lowest mass? Which is more reactive? Uranium or Lithium Will elements B and U lose electrons in a chemical reactor? Will elements B and U form positive or negative ions? Thanks so much (: .
Elements in the same row have the same number of () levelsWhi.docx
Elements in the same row have the same number of () levelsWhi.docx
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ELEG 421 Control Systems Transient and Steady State Response Analyses Dr. Ashraf A. Zaher American University of Kuwait College of Arts and Science Department of Electrical and Computer Engineering Layout 2 Objectives This chapter introduces the analysis of the time response of different control systems under different scenarios. Only first and second order systems will be considered in details using analytical and numerical methods. Extension to higher order systems will be developed. Both transient and steady state responses will be evaluated. Stability analysis will be analyzed for different kinds of feedback, while investigating the effect of both proportional and derivative control actions on the performance of the closed-loop system. Finally systems types and steady state errors will be calculated for unity feedback. Outcomes By the end of this chapter, students will be able to: evaluate both transient/steady state responses for control systems, analyze the stability of closed-loop LTI systems, investigate the effect of P and I control actions on performance, and understand dominant dynamics of higher order systems. Dr. Ashraf Zaher Introduction 3 Test signals Transient response Steady state response Analytical techniques, and Numerical (simulation) techniques. Stability (definition and analysis methods), Relative stability, and Effect of P/I control actions on stability and performance. Summary of the used systems: First order systems, Second order systems, and Higher order systems. Dr. Ashraf Zaher Test Signals 4 Dr. Ashraf Zaher Impulse function: Used to simulate shock inputs, Laplace transform: 1. Step function: Used to simulate sudden disturbances, Laplace transform: 1/s. Ramp function: Used to simulate gradually changing inputs, Laplace transform: 1/s2. Sinusoidal function(s): Used to test response to a certain frequency, Laplace transform: s/(s2+ω2) for cos(ωt) and ω/(s2+ω2) for sin(ωt). White noise function: Used to simulate random noise, It is a stochastic signal that is easier to deal with in the time domain. Total response: C(s) = R(s)*TF(s) = Ctr(s) + Css(s) → c(t) = ctr(t) + css(t) Fundamentals 5 Dr. Ashraf Zaher Definitions: Zeros (Z) of the TF Poles (P) of the TF Transient Response (Natural) Steady State Response (Forced) Total Response Limits: Initial values Final values Systems (?Zs): First order (one P) Second order (two Ps) Higher order! More: Stability and relative stability Steady state errors (unity feedback) First Order Systems 6 Dr. Ashraf Zaher TF: T: time constant Unit Step Response: 1 1 )( )( + = TssR sC )/1( 11 1 1 1 11 )( TssTs T sTss sC + −= + −= + = Ttetc /1)( −−= 632.01)( 1 =−== −eTtc T e Tdt tdc Tt t 11)( / 0 == − = 01)0( 0 =−== etc 11)( =−=∞= −∞etc First Order Systems.
ELEG 421 Control Systems Transient and Steady State .docx
ELEG 421 Control Systems Transient and Steady State .docx
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Element 010 ASSIGNMENT: 3000 WORDS (100%) Task: Individual assignment (3000 words) Weighting: 100% Assessment Case Study: Greenland Garden Centre [1] Jon Smith spread his arms widely as he surveyed his garden centre. ‘Of course the whole market for leisure products and services, especially garden-related products, has been expanding over the last few years. Even so, we have been particularly successful. Partly this is because we are conveniently located, but it is also because we have developed a reputation for excellent service. Customers like coming to us for advice. We have also been successful in attracting some of the ‘personality gardeners’ from television to make special appearances. My main ambition now is to fully develop all of our twelve hectares to make the centre a place people will want to visit in its own right. I envisage the centre developing into almost a mini gardening theme park with special gardens, beautiful grounds and special events.’ Greenland is a large village situated in the Cotswolds, a popular tourist area of the UK. It has an interesting range of shops and restaurants, mainly catering for the tourist trade. About half a mile outside the village is the Greenland Garden Centre. The garden centre is served by a good network of main roads but is inaccessible by public transport. Growth over the last five years has been dramatic and the garden centre now sells many other goods as well as gardening requisites. It also has a restaurant. It is open seven days a week, only closing on Christmas Day. Its opening hours are Monday– Saturday 9 a.m. to 6 p.m. and Sunday 10 a.m. to 5 p.m. all year round. Outside the centre The centre has a large car park which can accommodate about 350 cars. Outside the entrance a map indicates the various areas in the garden centre. Most customers walk round the grounds before making their purchases. The length of time people spend in the centre varies but, according to a recent study, averages 53 minutes during the week and 73 minutes at weekends. The same study shows the extent to which the number of customers arriving at the garden centre varies depending on the time of year, day of the week, and time of day. There are two peaks in customer numbers, one during the late spring/early summer period and another in the build up to Christmas, as Greenland puts on particularly good Christmas displays. Indoor sales area The range of goods has increased dramatically over the past few years and now includes items such as: pets and aquatics seeds fertilisers indoor pots and plants gardening equipment garden lighting conservatory-style furniture outdoor clothing picture gallery books and toys delicatessen wine kitchen equipment soft furnishing outdoor eating equipment gifts, stationery, cards, aromatherapy products freshly cut flowers dried flowers. Outside sales area In the open air and in large glasshouses there is a complete range of plants, shrubs and trees. Gre.
Element 010 ASSIGNMENT 3000 WORDS (100)Task Individual assign.docx
Element 010 ASSIGNMENT 3000 WORDS (100)Task Individual assign.docx
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ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 1 LAB 4: CONVOLUTION Background & Concepts Convolution is denoted by: 𝑦[𝑛] = 𝑥[𝑛] ∗ ℎ[𝑛] Your book has described the "flip and shift" method for performing convolution. First, we set up two signals 𝑥[𝑘] and ℎ[𝑘]: Flip one of the signals, say ℎ[𝑘], to form ℎ[−𝑘]: ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 2 Shift ℎ[−𝑘] by n to form ℎ[𝑛 − 𝑘]. For each value of 𝑛, form 𝑦[𝑛] by multiplying and summing all the element of the product of𝑥[𝑘]ℎ[𝑛 − 𝑘], −∞ < 𝑘 < ∞. The figure below shows an example of the calculation of𝑦[1]. The top panel shows𝑥[𝑘]. The middle panel showsℎ[1 − 𝑘]. The lower panel shows𝑥[𝑘]𝑦[1 − 𝑘]. Note that this is a sequence on a 𝑘 axis. The sum of the lower sequence over all k gives 𝑦[1] = 2. We repeat this shifting, multiplication and summing for all values of 𝑛 to get the complete sequence 𝑦[𝑛]: ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 3 The conv Command conv(x,h) performs a 1-D convolution of vectors 𝑥 and ℎ. The resulting vector 𝑦 has length length(𝑦) = length(𝑥) + length(ℎ) − 1. Imagine vector 𝑥 as being stationary and the flipped version of ℎ is slid from left to right. Note that conv(x,h) = conv(h,x). An example of the convolution of two signals and plotting the result is below: >> x = [0.5 0.5 0.5]; %define input signal x[n] >> h = [3.0 2.0 1.0]; %unit-pulse response h[n] >> y = conv(x,h); %compute output y[n] via convolution >> n = 0:(length(y)-1); %for plotting y[n] >> stem(n,y) % plot y[n] >> grid; >> xlabel('n'); >> ylabel('y[n]'); >> title('Output of System via Convolution'); ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 4 Deconvolution The command [q,r] = deconv(v,u), deconvolves vector u out of vector v, using long division. The quotient is returned in vector q and the remainder in vector r such that v = conv(u,q)+r. If u and v are vectors of polynomial coefficients, convolving them is equivalent to multiplying the two polynomials, and deconvolution is polynomial division. The result of dividing v by u is quotient q and remainder r. An examples is below: If >> u = [1 2 3 4]; >> v = [10 20 30]; The convolution is: >> c = conv(u,v) c = 10 40 100 160 170 120 Use deconvolution to recover v. >> [q,r] = deconv(c,u) q = 10 20 30 r = 0 0 0 0 0 0 This gives a quotient equal to v and a zero remainder. Structures Structures in Matlab are just like structures in C. They are basically containers that allow one
ELEG 320L – Signals & Systems Laboratory Dr. Jibran Khan Yous.docx
ELEG 320L – Signals & Systems Laboratory Dr. Jibran Khan Yous.docx
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Electronic Media Presentation Choose two of the following types of electronic media: Radio Sound recording Motion pictures Broadcast television Research the history of the media types your team selected. Include the following information in your presentation: Introduction Notable founders and parent organizations of your electronic media types Notable historical dates Dates of mergers with other radio stations, record production companies, motion picture companies, or television networks to form a large media conglomerate Date the media types launched their websites, became active on the Internet, or became active in social media integration Identify past, present, and future challenges confronting these types of media. How has the digital era affected them? Which types are best suited to adapt to the future? Explain why How do these challenges affect advertising in these organizations--outside companies advertising--and advertising for these media--companies promoting themselves to others? What are innovative advertising strategies these media have engaged in? What are two similarities and two differences between the two media types? Conclusion Present your Electronic Media Presentation. These are 10- to 12-slideMicrosoft ® PowerPoint ® presentations with notes. .
Electronic Media PresentationChoose two of the following.docx
Electronic Media PresentationChoose two of the following.docx
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Electronic copy available at: http://ssrn.com/abstract=2161742 Electronic Commerce Business Models: A Conceptual Framework By Utkarsh Majmudar Ganesh N. Prabhu July 2000 Please address all correspondence to: Prof. Utkarsh Majmudar Visiting Faculty (Finance & Control Area) Indian Institute of Management Bannerghatta Road Bangalore - 560 076 India Fax: (080) 6584050 E m a i l ! utkarsh&qimbxmeUn Copies of the Working Papers may be obtained from the FPM & Research Office Electronic copy available at: http://ssrn.com/abstract=2161742 Electronic Commerce Business Models: A Conceptual Framework Utkarsh Majmudar and Ganesh N. Prabhu Abstract The recent boom in the new economy of internet based commerce has created a large number of firms with a variety of business models that aim to leverage the power of the internet to further their business goals. In this paper we attempt to provide a conceptual framework for understanding e-commerce business models on a number of important dimensions - nature of consumer activity, nature of e-commerce activity, target customers, targeting strategy, revenue generating modes, procfactfcerwce delivery modes, payment collection modes, operating modes, market places, advantage mechanisms and domination characteristics. We also examine means of improving value proposition and net-friendliness for e-commerce activities and identify areas where e-commerce models have not been explored or fully exploited so far. Since the range of economic activities on the internet is vast and growing, newer models and opportunities are likely to emerge through improvements in internet technologies as well as innovations in their application to business contexts. Hence any conceptual framework on e-commerce business models, including our own, can never be comprehensive. Electronic Commerce Business Models: A Conceptual Framework - 1 - Electronic copy available at: http://ssrn.com/abstract=2161742 Electronic Commerce Business Models: A Conceptual Framework Introduction The recent boom in the new economy of internet based commerce has spawned a large number of firms with a variety of business models that aim to leverage the power of the internet to further their business goals. This paper provides a conceptual framework for understanding these business models and their characteristics. The conceptual framework is shown in Figure 1. Locating Electronic Commerce in the Internet Economy We define electronic commerce as use of the internet medium for conducting economic transactions. Electronic commerce is a part of a larger internet economy. Conceptually, the internet economy can be divided into four layers (Barua etal., 1999). Each layer of the internet economy is listed below with descriptions of the types of companies and names of some of the actual companies in each category. (a) Layer One: The Internet Infrastructure Layer. This layer includes companies with products and services that help cr.
Electronic copy available at httpssrn.comabstract=2161742.docx
Electronic copy available at httpssrn.comabstract=2161742.docx
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Electronic Health Records Instructions: As implementation of electronic health records (EHRs) continues to grow, so does the liability and risk for health care providers. Assume the role of a manager for a small, community clinic. Your sponsoring entity (a large non-profit hospital system) will soon be adding your clinic to their EHR network. As the clinic manager, you must identify the vulnerabilities and potential risks your clinic and users could face with this implementation, as well as recognize the benefits. Conduct research on EHR implementation, including benefits and risks. From a managerial perspective, what concerns (legal, ethical and operational) do you have about the implementation? How will having EHR benefit your patients and providers? Please be sure to validate your opinions and ideas with citations and references in APA format. Please post 2 peer responses. In the response post, include the following: Take your colleague's concerns into consideration. What advice can you offer to mitigate the risk involved? Include at least one scholarly source to support your advice. Please be sure to validate your opinions and ideas with citations and references in APA format. .
Electronic Health RecordsInstructionsAs implementation of e.docx
Electronic Health RecordsInstructionsAs implementation of e.docx
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Electronic copy available at: http://ssrn.com/abstract=2155540 INDIA: a fab-less wonder: case of SMDP A.S.Rao [email protected] Abstract From IPod to I Pad, millions of electronics goods have rolled out of China, the global manufacturing hub. India’s share of global electronic product market is less than 3%. Taiwan had $72 billion of investment in Fabs, where as India stands out as one the aspiring nation with no Fab. Yet, top 25 global semiconductor companies now have a presence in India through their captive centers, working in cutting edge technology nodes. Among the top twenty U.S. semiconductor companies, only two have not established a design center in India. While, Government of India is not successful in attracting manufacturing, appear to have made a significant contribution by focusing on talent supply. Department of Information Technology (DIT) implemented Special Manpower Development Programme in the area of VLSI design and related software (SMDP) and trained over 20,000 engineers. This paper is about SMDP as case study and is based on Impact Assessment of SMDP-II assigned by DIT on IIMA. Prior to 1980s, the semiconductor industry was vertically integrated. Semiconductor companies owned and operated their own silicon wafer fabrication facilities and developed their own process technology for manufacturing their chips. These companies also carried out the fabrication, assembly and testing of their chips. Innovative chip design start-ups and Taiwan’s business model led to the birth of foundry industry. South Korea and Taiwan In Tiger Technology: Creation of a Semiconductor Industry in East Asia John A. Mathews and Dong-Sung Cho gave a comparative account of the support given by the Korean and Taiwanese states to their local semiconductor producers. South Korean government considered semiconductors vital to the modernization of domestic industries and manufacturing consumer electronics. The state used Korea’s large conglomerates, or chaebol, as a vehicle to move into the industry through direct brokerage with different firms and by offering substantial financial assistance. Taiwanese government did not have the convenience of large conglomerates that could be directed towards semiconductor production. Instead, the government sponsored initiatives to develop a domestic industry through the establishment of research and production capabilities before the creation of private firms. At the same time, re-organization of production in the global economy also played an equally integral part for the transformation of East Asia and the development of domestic semiconductor industries in South Korea and Taiwan. In `Globalisation of High Technology Production’, Jeffery Henderson places the focus of analysis on the development of networks of production in the global semiconductor industry. He asserts that these production networks developed after tran.
Electronic copy available at httpssrn.comabstract=2155540.docx
Electronic copy available at httpssrn.comabstract=2155540.docx
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el señor Díaz Addressing him: Talking about him: Question 2 with 2 blanksJimena y Marissa Addressing them: Talking about them: Question 3 with 2 blanksMaru y Miguel Addressing them: Talking about them: Question 4 with 2 blanksla profesora Addressing her: Talking about her: Question 5 with 2 blanksun estudiante Addressing him: Talking about him: Question 6 with 2 blanksel director de una escuela Addressing him: Talking about him: Question 7 with 2 blankstres chicas Addressing them: Talking about them: Question 8 with 2 blanksun pasajero de autobús Addressing him: Talking about him: Question 9 with 2 blanksJuan Carlos y Felipe Addressing them: Talking about them: Question 10 with 2 blanksuna turista Addressing her: Talking about her .
el señor DíazAddressing himTalking about himQues.docx
el señor DíazAddressing himTalking about himQues.docx
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Electrochemical Cells and Cell Potentials Objective: The purpose of this experiment is to create and experiment galvanic cell and collect/interpret data by using a multimeter to describe the flow of electrons. The we g=had to determine how it is calculated by using the formulas given. Procedure: Exercise 1: Construction of a Galvanic Cell 1. Gather all of the supplies listed in the materials list. 2. Use the scissors to cut a strip of the filter paper approximately 1.5 inches in width (1/4 the size of the sheet of filter paper). 3. Cut a strip of filter paper and fold the strip of filter paper in half (widthwise) and then in half again. 4. Folding the filter paper in half and then in half again and put on the safety gloves and goggles. 5. Create the salt bridge by carefully winding the folded filter paper into a circle so that it fits into the bottom of the 9 oz. plastic cup. Add the potassium chloride to the cup with the filter paper until the paper is completely covered with the potassium chloride. 6. Folded filter paper in cup. The potassium chloride is added to the cup to cover the filter paper. 7. Allow the paper to soak up the potassium chloride for a minimum of 10 minutes or until you are ready to add it to the galvanic cell, as described later in the experiment. 8. Place the 2 glass beakers on a table. Add approximately 45 ml of zinc sulfate (approximately ½ of the bottle) to one of the beakers. To the second beaker, add approximately 45 ml of copper sulfate. 9. Pick up a fresh strip of zinc and insert 1 end of it into the copper sulfate solution. After approximately 5 seconds, remove the zinc from the copper sulfate and place it on a piece of paper towel.10. Pick up a fresh strip of copper and insert 1 end of it into the zinc sulfate solution. After approximately 5 seconds, remove the copper from the zinc sulfate and place it on the piece of paper towel.11. Metal in solutions. A. Zinc being inserted into copper sulfate. B. Copper being inserted into zinc sulfate and observe the 2 metal strips and record observations in Data Table 1 in your Lab Report Assistant. 12. From the observations, determine which of the 2 reactions is spontaneous. Record this in the observations section of Data Table 1. 13. Set up the voltmeter as follows; a. Make sure the on/off switch of the voltmeter is in the "off" position. b. Place the end of the black probe into the bottom right hole of the voltmeter. c. Place the end of the red probe into the hole directly above the location of the black probe. d. Turn the voltage dial so that the arrow end of the dial is pointing to 20 DCV. e. Add 1 jumper cable clip to each end of the probes. It does not matter what color jumper cable clips are provided in your kit, or which color is attached to either probe. 14. Put the salt bridge into place by submerging 1 end on the copper sulfate and the other end in the zinc sulfate. Adjust the beakers as necessary so that the salt bridge does not sink between the beakers. .
Electrochemical Cells and Cell PotentialsObjective The pu.docx
Electrochemical Cells and Cell PotentialsObjective The pu.docx
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Electricity Restructuring and Competition Electricity MarketsTraditional Organization of Electricity Provision in U.S.Govt regulated, vertically integrated public utilitiesLast 25 YearsWave of restructuring and introduction of electricity trading and competition across U.S. and other nationsNow large-scale wholesale electricity markets operate across many parts of U.S. Factors leading to restructuring & deregulation Prior track record of deregulating energy markets and other industries once considered natural monopolies telecomm, airlines, railroads, High electricity prices in spite of regulation In U.S. states such as NY, California, New England In other countries, such as U.K. As the U.S. electricity transmission grid was built out in the 2nd half of 20th century, electric utilities started buying and selling energy from each other This illustrated feasibility of trading energy across the grid in markets Political Push 2nd Bush President Electricity Restructuring – A How-To GuideUnbundle generation from transmission and distributionIt’s important to allow multiple business firms to own and operate generation plants (independent power producers (IPPs) or merchant generators)This may require forcing some vertically integrated IOUs to divest some of their generation assets Electricity Restructuring – A How-To GuideEstablish an organized market for wholesale electricity tradingSellers are firms like merchant generators that inject energy into the gridBuyers are retail distributors and industrial users that withdraw energy from the gridMarket rules might include an advance-trading (e.g., day-ahead) market as well as a real-time balancing market Electricity Restructuring – A How-To GuideSet up an organization to manage and coordinate energy flows over the gridThis could be an independent system operator (ISO) or a regional transmission organization (RTO)Key responsibilitiesBalance energy supply and demand in real timeMaintain system reliabilityCoordinate new transmission investments Wholesale Market Competition Electricity Restructuring – A How-To GuideRetail distributionOwnership and operation of local distribution networks would typically continue as regulated public utilities (natural monopoly rationale)But it is feasible to introduce retail competition via brokers and energy re-sellers who purchase wholesale energy, re-sell it to retail customers, and pay fees to local distribution companies for use of the local network. Wholesale Electricity MarketsLet’s examine a perfect competition model of a short-run (hourly) wholesale electricity marketDemand SideDemand varies hour by hour, as weather conditions and desired electricity usage changeVery price inelastic – most retail customers pay fixed retail pricesSupply SideMost supply comes from fossil fuel generatorsFF supply is driven by cost of generation and capacities of generation units.Generation from renewables is intermittent Fossil Fuel Generation a.
Electricity Restructuringand Competition.docx
Electricity Restructuringand Competition.docx
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Electrolytes and Minerals Table – Week 5 Assignment Mineral/ Electrolyte Name Dietary Sources Major Functions Deficiency Symptoms Toxicity Symptoms Calcium Chloride Fluoride Iodine Iron Magnesium Phosphorous Potassium Sodium Zinc .
Electrolytes and Minerals Table – Week 5 AssignmentMineralE.docx
Electrolytes and Minerals Table – Week 5 AssignmentMineralE.docx
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ElectriGov is a government agency whose mission is to supply electric power to various locations in the United States. To accomplish this task, the organization has three line crews of five to ten men whose job it is to install high-voltage power lines. Each crew is highly cohesive, led by a foreman. Moreover, crew members have worked together for many years and have an established pattern for doing their work and solving problems. The work is hard, dirty, and dangerous. Almost all of the men have had a friend who has been seriously injured or killed while on the job. The crews typically work independently, but when there are large projects to complete, they must work together. This can create serious conflicts, since the crews often don’t agree with each other’s approaches to organizing and managing a particular job, and none of the three foremen wants to be subservient to the others. Thus when line crews do large projects together, they tend to compete with one another rather than cooperate. On one project, the conflict became so nasty that one crew failed to inform another crew that the wires were hot at a certain section of the project. This serious safety breach was reported to senior management, who immediately launched an investigation. We, as consultants, were initially asked to serve as part of the team investigating the causes of the safety violations. After the initial investigation, we were asked by ElectriGov’s senior management to “clean up the conflicts” between the crews. The approach we used to help the crews reduce their conflicts was a variation on design A. All three crews were brought together in one room, and the need for an interteam development program was discussed. Each crew was asked to commit to solving the conflicts between themselves and the other crews and to agree to give the program a chance. Once we had their agreement, each crew was then asked to meet sepa- rately to list their perceptions of the other crews and the specific problems that they had in working with the others. After meeting separately, the teams came back together and each reported its perceptions of the other crews. In our consulting role, we facilitated the discussion, making sure that each crew’s perceptions were made clear and that each crew described the problematic behaviors of the other crews in concrete, specific terms. As a ground rule, crews were asked to be descriptive and to avoid using emotionally laden language when critiquing the other crews. After each crew presented its perceptions, the other crews could ask questions to clarify points, but the crews were not allowed to debate the validity of the other crews’ perceptions. After each crew aired its views, the crews, together in an open session, were then asked to come up with recommendations to improve the relationships. Their suggestions were listed on large poster boards in the room. The crews discussed how they might do more advanced planning on the larger projects to deter.
ElectriGov is a government agency whose mission is to supply ele.docx
ElectriGov is a government agency whose mission is to supply ele.docx
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Elements of Music Report Instruments For the assignment on the elements of music, students will write a report with a minimum of 300 words. Students must select one element of music that they consider to be the most important element: Melody Rhythm Harmony Form When writing the report, be sure you address the following questions: Why did you select this element from among all the rest? Do you think that all kinds of music could exist without your selected element? Elaborate on your view. Describe a piece of music that highlights the use of your selected element. I encourage students do research on their element of music in order to get ideas for their reports. All reports must be original works! Do not quote any source or anybody’s thoughts. Quotes are not permitted in this Instruments Report. I am interested in your own personal thoughts, opinions, and the material you have learned from your research. .
Elements of Music Report InstrumentsFor the assignment on the el.docx
Elements of Music Report InstrumentsFor the assignment on the el.docx
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Elements of Genre After watching three of the five movie clips listed in the Multimedia section, above, describe how they fit into a specific genre (or subgenre) as explained in the text. What elements of the film are characteristic of that genre? How does it fulfill the expectations of that genre? How does it play against these expectations? Your initial post should be at least 150 words in length. Support your claims with examples from required material(s) and/or other scholarly resources, and properly cite any references. .
Elements of GenreAfter watching three of the five .docx
Elements of GenreAfter watching three of the five .docx
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Elements of Design During the process of envisioning and designing a film, the director, production designer, and art director (in collaboration with the cinematographer) are concerned with several major spatial and temporal elements. These design elements punctuate and underscore the movement of figures within the frame, including the following: setting, lighting, costuming, makeup, and hairstyles. Choose a scene from movieclips.com. In a three to five page paper, (excluding the cover and reference pages) analyze the mise-en-scène. Respond to the following prompts with at least one paragraph per bulleted topic: Identify the names of the artists involved in the film’s production: the director, the production designer, and the art director. Describe in separate paragraphs each artist’s role in the overall design process. Conduct additional research if necessary, citing your book, film, and other external sources correctly in APA format. Explain how the artists utilize lighting in the scene. How does the lighting affect our emotional understanding of certain characters? What sort of mood does the lighting evoke? How does lighting impact the overall story the filmmaker is attempting to tell? Describe the setting, including the time period, location, and culture in which the film takes place. Explain what costuming can tell us about a character. In what ways can costuming be used to reflect elements of the film's plot? Explain how hairstyle and makeup can help tell the story. What might hairstyle and makeup reveal about the characters? Discuss your opinion regarding the mise-en-scène. Do the elements appear to work together in a harmonious way? Does the scene seem discordant? Do you think the design elements are congruent with the filmmaker’s vision for the scene? .
Elements of DesignDuring the process of envisioning and designing .docx
Elements of DesignDuring the process of envisioning and designing .docx
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Elements of Critical Thinking [WLOs: 2, 3, 4] [CLOs: 2, 3, 4] Prepare: Prior to beginning work on this discussion forum, in preparation for discussing the importance of critical thinking skills, Read the articles Common Misconceptions of Critical Thinking Combating Fake News in the Digital Age 6 Critical Thinking Skills You Need to Master Now (Links to an external site.) Teaching and Learning in a Post-Truth world: It’s Time for Schools to Upgrade and Reinvest in Media Literacy Lessons Critical Thinking and the Challenges of Internet (Links to an external site.) Watch the videos Fake News: Part 1 (Links to an external site.) Critical Thinking (Links to an external site.) Review the resources Critical Thinking Skills (Links to an external site.) Valuable Intellectual Traits (Links to an external site.) Critical Thinking Web (Links to an external site.) Reflect: Reflect on the characteristics of a critical thinker. Critical thinking gets you involved in a dialogue with the ideas you read from others in this class. To be a critical thinker, you need to be able to summarize, analyze, hypothesize, and evaluate new information that you encounter. Write: For this discussion, you will address the following prompts. Keep in mind that the article or video you’ve chosen should not be about critical thinking, but should be about someone making a statement, claim, or argument related to your Final Paper topic. One source should demonstrate good critical thinking skills and the other source should demonstrate the lack or absence of critical thinking skills. Personal examples should not be used. Explain at least five elements of critical thinking that you found in the reading material. Search the Internet, media, or the Ashford University Library, and find an example in which good critical thinking skills are being demonstrated by the author or speaker. Summarize the content and explain why you think it demonstrates good critical thinking skills. Search the Internet, media, or the Ashford University Library, and find an example in which the author or speaker lacks good critical thinking skills. Summarize the content and explain why you think it demonstrates the absence of good, critical thinking skills. Your initial post should be at least 250 words in length, which should include a thorough response to each prompt. You are required to provide in-text citations of applicable required reading materials and/or any other outside sources you use to support your claims. Provide full reference entries of all sources cited at the end of your response. Please use correct APA format when writing in-text citations (see In-Text Citation Helper (Links to an external site.) ) and references (see Formatting Your References List (Links to an external site.) ). Reflecting on General Education and Career [WLOs: 2, 3, 4] [CLOs: 2, 3, 4] Prepare: Prior to beginning work on this discussion forum, read the articles Teaching Writing S.
Elements of Critical Thinking [WLOs 2, 3, 4] [CLOs 2, 3, 4]P.docx
Elements of Critical Thinking [WLOs 2, 3, 4] [CLOs 2, 3, 4]P.docx
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Elements of Design During the process of envisioning and designing a film, the director, production designer, and art director (in collaboration with the cinematographer) are concerned with several major spatial and temporal elements. These design elements punctuate and underscore the movement of figures within the frame, including the following: setting, lighting, costuming, makeup, and hairstyles. Choose a scene from movieclips.com. In a three to five page paper, (excluding the cover and reference pages) analyze the mise-en-scène. Respond to the following prompts with at least one paragraph per bulleted topic: Identify the names of the artists involved in the film’s production: the director, the production designer, and the art director. Describe in separate paragraphs each artist’s role in the overall design process. Conduct additional research if necessary, citing your book, film, and other external sources correctly in APA format. Explain how the artists utilize lighting in the scene. How does the lighting affect our emotional understanding of certain characters? What sort of mood does the lighting evoke? How does lighting impact the overall story the filmmaker is attempting to tell? Describe the setting, including the time period, location, and culture in which the film takes place. Explain what costuming can tell us about a character. In what ways can costuming be used to reflect elements of the film's plot? Explain how hairstyle and makeup can help tell the story. What might hairstyle and makeup reveal about the characters? Discuss your opinion regarding the mise-en-scène. Do the elements appear to work together in a harmonious way? Does the scene seem discordant? Do you think the design elements are congruent with the filmmaker’s vision for the scene? .
Elements of DesignDuring the process of envisioning and design.docx
Elements of DesignDuring the process of envisioning and design.docx
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Elements of a contact due 16 Oct Read the Case Campbell Soup Co. v. Wentz in the text. Answer the following questions: 1. What were the terms of the contract between Campbell and the Wentzes? 2. Did the Wentzes perform under the contract? 3. Did the court find specific performance to be an adequate legal remedy in this case? 4. Why did the court refuse to help Campbell in enforcing its legal contract? 5. How could Campbell change its contract in the future so as to avoid the unconsionability problem? Facts: Per a written contract between Campbell Soup Company (a New Jersey company) and the Wentzes (carrot farmers in Pennsylvania), the Wentzes would deliver to Campbell all the Chantenay red cored carrots to be grown on the Wentz farm during the 1947 season. The contract price for the carrots was $30 per ton. The contract between Campbell Soup and all sellers of carrots was drafted by Campbell and it had a provision that prohibited farmers/sellers from selling their carrots to anyone else, except those carrots that were rejected by Campbell. The contract also had a liquidated damages provision of $50 per ton if the seller breached, but it had no similar provision in the event Campbell breached. The contract not only allowed Campbell to reject nonconforming carrots, but gave Campbell the right to determine who could buy the carrots it had rejected. The Wentzes harvested 100 tons of carrots, but because the market price at the time of harvesting was $90 per ton for these rare carrots, the Wentzes refused to deliver them to Campbell and sold 62 tons of their carrots to a farmer who sold some of those carrots to Campbell. Campbell sued the Wentzes, asking for the court's order to stop further sale of the contracted carrots to others and to compel specific performance of the contract. The trial court ruled for the Wentzes and Campbell appealed. Issues: Is specific performance an appropriate legal remedy in this case or is the contract unconscionable? Discussion: In January 1948, it was virtually impossible to obtain Chantenay carrots in the open market. Campbell used Chantenay carrots (which are easier to process for soup making than other carrots) in large quantities and furnishes the seeds to farmers with whom it contracts. Campbell contracted for carrots long ahead, and farmers entered into the contract willingly. If the facts of this case were this simple, specific performance should have been granted. However, the problem is with the contract itself, which was one-sided. According to the appellate court, the most direct example of unconscionability was the provision that, under certain .
Elements of a contact due 16 OctRead the Case Campbell Soup Co. v..docx
Elements of a contact due 16 OctRead the Case Campbell Soup Co. v..docx
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Elements for analyzing mise en scene Identify the components of the shot, but explaining the meaning or significance behind those components and connecting the shot to the themes of the film 1. Dominant: Where is the eye attracted first? Why? 2. Lighting key: High key? Low key? High contrast? Some combination of these? 3. Shot and camera proxemics: What type of shot? How far away is the camera from the action? 4. Angle: Is the viewer (through the eye of the camera) looking up or down on the subject? Or is the camera neutral (eye level)? 5. Color values: What is the dominant color? Are there contrasting foils? Is there color symbolism? 6. Lens/filter/stock: How do these distort or comment on the photographed materials? 7. Subsidiary contrasts: What are the main eye-stops after taking in the dominant? 8. Density: How much visual information is packed into the image? Is the texture stark, moderate, or highly detailed? 9. Composition: How is the two-dimensional space segmented and organized? What is the underlying design? 10. Form: Open or closed? Does the image suggest a window that arbitrarily isolates a fragment of the scene? Or a proscenium arch, in which the visual elements are carefully arranged and held in balance? 11. Framing: Tight or loose? Do characters have little to no room to move, or can they move freely without impediments? 12. Depth: On how many planes is the image composed? Does the background or foreground comment in any way on the midground? 13. Character placement: What part of the framed space do the characters occupy? Center? Top? Bottom? Edges? Why? 14. Staging positions: Which way do the characters look vis-à-vis the camera? 15. Character proxemics: How much space is between the characters? What are the 4 distinct formal elements that make up a film's mise en scene? • staging of the action • physical setting and decor • the manner in which these materials are framed • the manner in which they are photographed .
Elements for analyzing mise en sceneIdentify the components of.docx
Elements for analyzing mise en sceneIdentify the components of.docx
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Elements in the same row have the same number of (*) levels Which elements in B O U L A N would be in the same family? Which would have the same number of energy levels? Highest mass? Lowest mass? Which is more reactive? Uranium or Lithium Will elements B and U lose electrons in a chemical reactor? Will elements B and U form positive or negative ions? Thanks so much (: .
Elements in the same row have the same number of () levelsWhi.docx
Elements in the same row have the same number of () levelsWhi.docx
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ELEG 421 Control Systems Transient and Steady State Response Analyses Dr. Ashraf A. Zaher American University of Kuwait College of Arts and Science Department of Electrical and Computer Engineering Layout 2 Objectives This chapter introduces the analysis of the time response of different control systems under different scenarios. Only first and second order systems will be considered in details using analytical and numerical methods. Extension to higher order systems will be developed. Both transient and steady state responses will be evaluated. Stability analysis will be analyzed for different kinds of feedback, while investigating the effect of both proportional and derivative control actions on the performance of the closed-loop system. Finally systems types and steady state errors will be calculated for unity feedback. Outcomes By the end of this chapter, students will be able to: evaluate both transient/steady state responses for control systems, analyze the stability of closed-loop LTI systems, investigate the effect of P and I control actions on performance, and understand dominant dynamics of higher order systems. Dr. Ashraf Zaher Introduction 3 Test signals Transient response Steady state response Analytical techniques, and Numerical (simulation) techniques. Stability (definition and analysis methods), Relative stability, and Effect of P/I control actions on stability and performance. Summary of the used systems: First order systems, Second order systems, and Higher order systems. Dr. Ashraf Zaher Test Signals 4 Dr. Ashraf Zaher Impulse function: Used to simulate shock inputs, Laplace transform: 1. Step function: Used to simulate sudden disturbances, Laplace transform: 1/s. Ramp function: Used to simulate gradually changing inputs, Laplace transform: 1/s2. Sinusoidal function(s): Used to test response to a certain frequency, Laplace transform: s/(s2+ω2) for cos(ωt) and ω/(s2+ω2) for sin(ωt). White noise function: Used to simulate random noise, It is a stochastic signal that is easier to deal with in the time domain. Total response: C(s) = R(s)*TF(s) = Ctr(s) + Css(s) → c(t) = ctr(t) + css(t) Fundamentals 5 Dr. Ashraf Zaher Definitions: Zeros (Z) of the TF Poles (P) of the TF Transient Response (Natural) Steady State Response (Forced) Total Response Limits: Initial values Final values Systems (?Zs): First order (one P) Second order (two Ps) Higher order! More: Stability and relative stability Steady state errors (unity feedback) First Order Systems 6 Dr. Ashraf Zaher TF: T: time constant Unit Step Response: 1 1 )( )( + = TssR sC )/1( 11 1 1 1 11 )( TssTs T sTss sC + −= + −= + = Ttetc /1)( −−= 632.01)( 1 =−== −eTtc T e Tdt tdc Tt t 11)( / 0 == − = 01)0( 0 =−== etc 11)( =−=∞= −∞etc First Order Systems.
ELEG 421 Control Systems Transient and Steady State .docx
ELEG 421 Control Systems Transient and Steady State .docx
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Element 010 ASSIGNMENT: 3000 WORDS (100%) Task: Individual assignment (3000 words) Weighting: 100% Assessment Case Study: Greenland Garden Centre [1] Jon Smith spread his arms widely as he surveyed his garden centre. ‘Of course the whole market for leisure products and services, especially garden-related products, has been expanding over the last few years. Even so, we have been particularly successful. Partly this is because we are conveniently located, but it is also because we have developed a reputation for excellent service. Customers like coming to us for advice. We have also been successful in attracting some of the ‘personality gardeners’ from television to make special appearances. My main ambition now is to fully develop all of our twelve hectares to make the centre a place people will want to visit in its own right. I envisage the centre developing into almost a mini gardening theme park with special gardens, beautiful grounds and special events.’ Greenland is a large village situated in the Cotswolds, a popular tourist area of the UK. It has an interesting range of shops and restaurants, mainly catering for the tourist trade. About half a mile outside the village is the Greenland Garden Centre. The garden centre is served by a good network of main roads but is inaccessible by public transport. Growth over the last five years has been dramatic and the garden centre now sells many other goods as well as gardening requisites. It also has a restaurant. It is open seven days a week, only closing on Christmas Day. Its opening hours are Monday– Saturday 9 a.m. to 6 p.m. and Sunday 10 a.m. to 5 p.m. all year round. Outside the centre The centre has a large car park which can accommodate about 350 cars. Outside the entrance a map indicates the various areas in the garden centre. Most customers walk round the grounds before making their purchases. The length of time people spend in the centre varies but, according to a recent study, averages 53 minutes during the week and 73 minutes at weekends. The same study shows the extent to which the number of customers arriving at the garden centre varies depending on the time of year, day of the week, and time of day. There are two peaks in customer numbers, one during the late spring/early summer period and another in the build up to Christmas, as Greenland puts on particularly good Christmas displays. Indoor sales area The range of goods has increased dramatically over the past few years and now includes items such as: pets and aquatics seeds fertilisers indoor pots and plants gardening equipment garden lighting conservatory-style furniture outdoor clothing picture gallery books and toys delicatessen wine kitchen equipment soft furnishing outdoor eating equipment gifts, stationery, cards, aromatherapy products freshly cut flowers dried flowers. Outside sales area In the open air and in large glasshouses there is a complete range of plants, shrubs and trees. Gre.
Element 010 ASSIGNMENT 3000 WORDS (100)Task Individual assign.docx
Element 010 ASSIGNMENT 3000 WORDS (100)Task Individual assign.docx
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ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 1 LAB 4: CONVOLUTION Background & Concepts Convolution is denoted by: 𝑦[𝑛] = 𝑥[𝑛] ∗ ℎ[𝑛] Your book has described the "flip and shift" method for performing convolution. First, we set up two signals 𝑥[𝑘] and ℎ[𝑘]: Flip one of the signals, say ℎ[𝑘], to form ℎ[−𝑘]: ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 2 Shift ℎ[−𝑘] by n to form ℎ[𝑛 − 𝑘]. For each value of 𝑛, form 𝑦[𝑛] by multiplying and summing all the element of the product of𝑥[𝑘]ℎ[𝑛 − 𝑘], −∞ < 𝑘 < ∞. The figure below shows an example of the calculation of𝑦[1]. The top panel shows𝑥[𝑘]. The middle panel showsℎ[1 − 𝑘]. The lower panel shows𝑥[𝑘]𝑦[1 − 𝑘]. Note that this is a sequence on a 𝑘 axis. The sum of the lower sequence over all k gives 𝑦[1] = 2. We repeat this shifting, multiplication and summing for all values of 𝑛 to get the complete sequence 𝑦[𝑛]: ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 3 The conv Command conv(x,h) performs a 1-D convolution of vectors 𝑥 and ℎ. The resulting vector 𝑦 has length length(𝑦) = length(𝑥) + length(ℎ) − 1. Imagine vector 𝑥 as being stationary and the flipped version of ℎ is slid from left to right. Note that conv(x,h) = conv(h,x). An example of the convolution of two signals and plotting the result is below: >> x = [0.5 0.5 0.5]; %define input signal x[n] >> h = [3.0 2.0 1.0]; %unit-pulse response h[n] >> y = conv(x,h); %compute output y[n] via convolution >> n = 0:(length(y)-1); %for plotting y[n] >> stem(n,y) % plot y[n] >> grid; >> xlabel('n'); >> ylabel('y[n]'); >> title('Output of System via Convolution'); ELEG 320L – Signals & Systems Laboratory /Dr. Jibran Khan Yousafzai Lab 4 4 Deconvolution The command [q,r] = deconv(v,u), deconvolves vector u out of vector v, using long division. The quotient is returned in vector q and the remainder in vector r such that v = conv(u,q)+r. If u and v are vectors of polynomial coefficients, convolving them is equivalent to multiplying the two polynomials, and deconvolution is polynomial division. The result of dividing v by u is quotient q and remainder r. An examples is below: If >> u = [1 2 3 4]; >> v = [10 20 30]; The convolution is: >> c = conv(u,v) c = 10 40 100 160 170 120 Use deconvolution to recover v. >> [q,r] = deconv(c,u) q = 10 20 30 r = 0 0 0 0 0 0 This gives a quotient equal to v and a zero remainder. Structures Structures in Matlab are just like structures in C. They are basically containers that allow one
ELEG 320L – Signals & Systems Laboratory Dr. Jibran Khan Yous.docx
ELEG 320L – Signals & Systems Laboratory Dr. Jibran Khan Yous.docx
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Electronic Media Presentation Choose two of the following types of electronic media: Radio Sound recording Motion pictures Broadcast television Research the history of the media types your team selected. Include the following information in your presentation: Introduction Notable founders and parent organizations of your electronic media types Notable historical dates Dates of mergers with other radio stations, record production companies, motion picture companies, or television networks to form a large media conglomerate Date the media types launched their websites, became active on the Internet, or became active in social media integration Identify past, present, and future challenges confronting these types of media. How has the digital era affected them? Which types are best suited to adapt to the future? Explain why How do these challenges affect advertising in these organizations--outside companies advertising--and advertising for these media--companies promoting themselves to others? What are innovative advertising strategies these media have engaged in? What are two similarities and two differences between the two media types? Conclusion Present your Electronic Media Presentation. These are 10- to 12-slideMicrosoft ® PowerPoint ® presentations with notes. .
Electronic Media PresentationChoose two of the following.docx
Electronic Media PresentationChoose two of the following.docx
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Electronic copy available at: http://ssrn.com/abstract=2161742 Electronic Commerce Business Models: A Conceptual Framework By Utkarsh Majmudar Ganesh N. Prabhu July 2000 Please address all correspondence to: Prof. Utkarsh Majmudar Visiting Faculty (Finance & Control Area) Indian Institute of Management Bannerghatta Road Bangalore - 560 076 India Fax: (080) 6584050 E m a i l ! utkarsh&qimbxmeUn Copies of the Working Papers may be obtained from the FPM & Research Office Electronic copy available at: http://ssrn.com/abstract=2161742 Electronic Commerce Business Models: A Conceptual Framework Utkarsh Majmudar and Ganesh N. Prabhu Abstract The recent boom in the new economy of internet based commerce has created a large number of firms with a variety of business models that aim to leverage the power of the internet to further their business goals. In this paper we attempt to provide a conceptual framework for understanding e-commerce business models on a number of important dimensions - nature of consumer activity, nature of e-commerce activity, target customers, targeting strategy, revenue generating modes, procfactfcerwce delivery modes, payment collection modes, operating modes, market places, advantage mechanisms and domination characteristics. We also examine means of improving value proposition and net-friendliness for e-commerce activities and identify areas where e-commerce models have not been explored or fully exploited so far. Since the range of economic activities on the internet is vast and growing, newer models and opportunities are likely to emerge through improvements in internet technologies as well as innovations in their application to business contexts. Hence any conceptual framework on e-commerce business models, including our own, can never be comprehensive. Electronic Commerce Business Models: A Conceptual Framework - 1 - Electronic copy available at: http://ssrn.com/abstract=2161742 Electronic Commerce Business Models: A Conceptual Framework Introduction The recent boom in the new economy of internet based commerce has spawned a large number of firms with a variety of business models that aim to leverage the power of the internet to further their business goals. This paper provides a conceptual framework for understanding these business models and their characteristics. The conceptual framework is shown in Figure 1. Locating Electronic Commerce in the Internet Economy We define electronic commerce as use of the internet medium for conducting economic transactions. Electronic commerce is a part of a larger internet economy. Conceptually, the internet economy can be divided into four layers (Barua etal., 1999). Each layer of the internet economy is listed below with descriptions of the types of companies and names of some of the actual companies in each category. (a) Layer One: The Internet Infrastructure Layer. This layer includes companies with products and services that help cr.
Electronic copy available at httpssrn.comabstract=2161742.docx
Electronic copy available at httpssrn.comabstract=2161742.docx
toltonkendal
Electronic Health Records Instructions: As implementation of electronic health records (EHRs) continues to grow, so does the liability and risk for health care providers. Assume the role of a manager for a small, community clinic. Your sponsoring entity (a large non-profit hospital system) will soon be adding your clinic to their EHR network. As the clinic manager, you must identify the vulnerabilities and potential risks your clinic and users could face with this implementation, as well as recognize the benefits. Conduct research on EHR implementation, including benefits and risks. From a managerial perspective, what concerns (legal, ethical and operational) do you have about the implementation? How will having EHR benefit your patients and providers? Please be sure to validate your opinions and ideas with citations and references in APA format. Please post 2 peer responses. In the response post, include the following: Take your colleague's concerns into consideration. What advice can you offer to mitigate the risk involved? Include at least one scholarly source to support your advice. Please be sure to validate your opinions and ideas with citations and references in APA format. .
Electronic Health RecordsInstructionsAs implementation of e.docx
Electronic Health RecordsInstructionsAs implementation of e.docx
toltonkendal
Electronic copy available at: http://ssrn.com/abstract=2155540 INDIA: a fab-less wonder: case of SMDP A.S.Rao [email protected] Abstract From IPod to I Pad, millions of electronics goods have rolled out of China, the global manufacturing hub. India’s share of global electronic product market is less than 3%. Taiwan had $72 billion of investment in Fabs, where as India stands out as one the aspiring nation with no Fab. Yet, top 25 global semiconductor companies now have a presence in India through their captive centers, working in cutting edge technology nodes. Among the top twenty U.S. semiconductor companies, only two have not established a design center in India. While, Government of India is not successful in attracting manufacturing, appear to have made a significant contribution by focusing on talent supply. Department of Information Technology (DIT) implemented Special Manpower Development Programme in the area of VLSI design and related software (SMDP) and trained over 20,000 engineers. This paper is about SMDP as case study and is based on Impact Assessment of SMDP-II assigned by DIT on IIMA. Prior to 1980s, the semiconductor industry was vertically integrated. Semiconductor companies owned and operated their own silicon wafer fabrication facilities and developed their own process technology for manufacturing their chips. These companies also carried out the fabrication, assembly and testing of their chips. Innovative chip design start-ups and Taiwan’s business model led to the birth of foundry industry. South Korea and Taiwan In Tiger Technology: Creation of a Semiconductor Industry in East Asia John A. Mathews and Dong-Sung Cho gave a comparative account of the support given by the Korean and Taiwanese states to their local semiconductor producers. South Korean government considered semiconductors vital to the modernization of domestic industries and manufacturing consumer electronics. The state used Korea’s large conglomerates, or chaebol, as a vehicle to move into the industry through direct brokerage with different firms and by offering substantial financial assistance. Taiwanese government did not have the convenience of large conglomerates that could be directed towards semiconductor production. Instead, the government sponsored initiatives to develop a domestic industry through the establishment of research and production capabilities before the creation of private firms. At the same time, re-organization of production in the global economy also played an equally integral part for the transformation of East Asia and the development of domestic semiconductor industries in South Korea and Taiwan. In `Globalisation of High Technology Production’, Jeffery Henderson places the focus of analysis on the development of networks of production in the global semiconductor industry. He asserts that these production networks developed after tran.
Electronic copy available at httpssrn.comabstract=2155540.docx
Electronic copy available at httpssrn.comabstract=2155540.docx
toltonkendal
el señor Díaz Addressing him: Talking about him: Question 2 with 2 blanksJimena y Marissa Addressing them: Talking about them: Question 3 with 2 blanksMaru y Miguel Addressing them: Talking about them: Question 4 with 2 blanksla profesora Addressing her: Talking about her: Question 5 with 2 blanksun estudiante Addressing him: Talking about him: Question 6 with 2 blanksel director de una escuela Addressing him: Talking about him: Question 7 with 2 blankstres chicas Addressing them: Talking about them: Question 8 with 2 blanksun pasajero de autobús Addressing him: Talking about him: Question 9 with 2 blanksJuan Carlos y Felipe Addressing them: Talking about them: Question 10 with 2 blanksuna turista Addressing her: Talking about her .
el señor DíazAddressing himTalking about himQues.docx
el señor DíazAddressing himTalking about himQues.docx
toltonkendal
Electrochemical Cells and Cell Potentials Objective: The purpose of this experiment is to create and experiment galvanic cell and collect/interpret data by using a multimeter to describe the flow of electrons. The we g=had to determine how it is calculated by using the formulas given. Procedure: Exercise 1: Construction of a Galvanic Cell 1. Gather all of the supplies listed in the materials list. 2. Use the scissors to cut a strip of the filter paper approximately 1.5 inches in width (1/4 the size of the sheet of filter paper). 3. Cut a strip of filter paper and fold the strip of filter paper in half (widthwise) and then in half again. 4. Folding the filter paper in half and then in half again and put on the safety gloves and goggles. 5. Create the salt bridge by carefully winding the folded filter paper into a circle so that it fits into the bottom of the 9 oz. plastic cup. Add the potassium chloride to the cup with the filter paper until the paper is completely covered with the potassium chloride. 6. Folded filter paper in cup. The potassium chloride is added to the cup to cover the filter paper. 7. Allow the paper to soak up the potassium chloride for a minimum of 10 minutes or until you are ready to add it to the galvanic cell, as described later in the experiment. 8. Place the 2 glass beakers on a table. Add approximately 45 ml of zinc sulfate (approximately ½ of the bottle) to one of the beakers. To the second beaker, add approximately 45 ml of copper sulfate. 9. Pick up a fresh strip of zinc and insert 1 end of it into the copper sulfate solution. After approximately 5 seconds, remove the zinc from the copper sulfate and place it on a piece of paper towel.10. Pick up a fresh strip of copper and insert 1 end of it into the zinc sulfate solution. After approximately 5 seconds, remove the copper from the zinc sulfate and place it on the piece of paper towel.11. Metal in solutions. A. Zinc being inserted into copper sulfate. B. Copper being inserted into zinc sulfate and observe the 2 metal strips and record observations in Data Table 1 in your Lab Report Assistant. 12. From the observations, determine which of the 2 reactions is spontaneous. Record this in the observations section of Data Table 1. 13. Set up the voltmeter as follows; a. Make sure the on/off switch of the voltmeter is in the "off" position. b. Place the end of the black probe into the bottom right hole of the voltmeter. c. Place the end of the red probe into the hole directly above the location of the black probe. d. Turn the voltage dial so that the arrow end of the dial is pointing to 20 DCV. e. Add 1 jumper cable clip to each end of the probes. It does not matter what color jumper cable clips are provided in your kit, or which color is attached to either probe. 14. Put the salt bridge into place by submerging 1 end on the copper sulfate and the other end in the zinc sulfate. Adjust the beakers as necessary so that the salt bridge does not sink between the beakers. .
Electrochemical Cells and Cell PotentialsObjective The pu.docx
Electrochemical Cells and Cell PotentialsObjective The pu.docx
toltonkendal
Electricity Restructuring and Competition Electricity MarketsTraditional Organization of Electricity Provision in U.S.Govt regulated, vertically integrated public utilitiesLast 25 YearsWave of restructuring and introduction of electricity trading and competition across U.S. and other nationsNow large-scale wholesale electricity markets operate across many parts of U.S. Factors leading to restructuring & deregulation Prior track record of deregulating energy markets and other industries once considered natural monopolies telecomm, airlines, railroads, High electricity prices in spite of regulation In U.S. states such as NY, California, New England In other countries, such as U.K. As the U.S. electricity transmission grid was built out in the 2nd half of 20th century, electric utilities started buying and selling energy from each other This illustrated feasibility of trading energy across the grid in markets Political Push 2nd Bush President Electricity Restructuring – A How-To GuideUnbundle generation from transmission and distributionIt’s important to allow multiple business firms to own and operate generation plants (independent power producers (IPPs) or merchant generators)This may require forcing some vertically integrated IOUs to divest some of their generation assets Electricity Restructuring – A How-To GuideEstablish an organized market for wholesale electricity tradingSellers are firms like merchant generators that inject energy into the gridBuyers are retail distributors and industrial users that withdraw energy from the gridMarket rules might include an advance-trading (e.g., day-ahead) market as well as a real-time balancing market Electricity Restructuring – A How-To GuideSet up an organization to manage and coordinate energy flows over the gridThis could be an independent system operator (ISO) or a regional transmission organization (RTO)Key responsibilitiesBalance energy supply and demand in real timeMaintain system reliabilityCoordinate new transmission investments Wholesale Market Competition Electricity Restructuring – A How-To GuideRetail distributionOwnership and operation of local distribution networks would typically continue as regulated public utilities (natural monopoly rationale)But it is feasible to introduce retail competition via brokers and energy re-sellers who purchase wholesale energy, re-sell it to retail customers, and pay fees to local distribution companies for use of the local network. Wholesale Electricity MarketsLet’s examine a perfect competition model of a short-run (hourly) wholesale electricity marketDemand SideDemand varies hour by hour, as weather conditions and desired electricity usage changeVery price inelastic – most retail customers pay fixed retail pricesSupply SideMost supply comes from fossil fuel generatorsFF supply is driven by cost of generation and capacities of generation units.Generation from renewables is intermittent Fossil Fuel Generation a.
Electricity Restructuringand Competition.docx
Electricity Restructuringand Competition.docx
toltonkendal
Electrolytes and Minerals Table – Week 5 Assignment Mineral/ Electrolyte Name Dietary Sources Major Functions Deficiency Symptoms Toxicity Symptoms Calcium Chloride Fluoride Iodine Iron Magnesium Phosphorous Potassium Sodium Zinc .
Electrolytes and Minerals Table – Week 5 AssignmentMineralE.docx
Electrolytes and Minerals Table – Week 5 AssignmentMineralE.docx
toltonkendal
ElectriGov is a government agency whose mission is to supply electric power to various locations in the United States. To accomplish this task, the organization has three line crews of five to ten men whose job it is to install high-voltage power lines. Each crew is highly cohesive, led by a foreman. Moreover, crew members have worked together for many years and have an established pattern for doing their work and solving problems. The work is hard, dirty, and dangerous. Almost all of the men have had a friend who has been seriously injured or killed while on the job. The crews typically work independently, but when there are large projects to complete, they must work together. This can create serious conflicts, since the crews often don’t agree with each other’s approaches to organizing and managing a particular job, and none of the three foremen wants to be subservient to the others. Thus when line crews do large projects together, they tend to compete with one another rather than cooperate. On one project, the conflict became so nasty that one crew failed to inform another crew that the wires were hot at a certain section of the project. This serious safety breach was reported to senior management, who immediately launched an investigation. We, as consultants, were initially asked to serve as part of the team investigating the causes of the safety violations. After the initial investigation, we were asked by ElectriGov’s senior management to “clean up the conflicts” between the crews. The approach we used to help the crews reduce their conflicts was a variation on design A. All three crews were brought together in one room, and the need for an interteam development program was discussed. Each crew was asked to commit to solving the conflicts between themselves and the other crews and to agree to give the program a chance. Once we had their agreement, each crew was then asked to meet sepa- rately to list their perceptions of the other crews and the specific problems that they had in working with the others. After meeting separately, the teams came back together and each reported its perceptions of the other crews. In our consulting role, we facilitated the discussion, making sure that each crew’s perceptions were made clear and that each crew described the problematic behaviors of the other crews in concrete, specific terms. As a ground rule, crews were asked to be descriptive and to avoid using emotionally laden language when critiquing the other crews. After each crew presented its perceptions, the other crews could ask questions to clarify points, but the crews were not allowed to debate the validity of the other crews’ perceptions. After each crew aired its views, the crews, together in an open session, were then asked to come up with recommendations to improve the relationships. Their suggestions were listed on large poster boards in the room. The crews discussed how they might do more advanced planning on the larger projects to deter.
ElectriGov is a government agency whose mission is to supply ele.docx
ElectriGov is a government agency whose mission is to supply ele.docx
toltonkendal
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Electronic copy available at httpssrn.comabstract=2161742.docx
Electronic copy available at httpssrn.comabstract=2161742.docx
Electronic Health RecordsInstructionsAs implementation of e.docx
Electronic Health RecordsInstructionsAs implementation of e.docx
Electronic copy available at httpssrn.comabstract=2155540.docx
Electronic copy available at httpssrn.comabstract=2155540.docx
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